blogged at http://getgrounded.tv/2012/12/lee-gamble-diversions-1994-1996-pan-33-lowpass-tv/

Sure this part is from a Photek / Source Direct / Certificate 18 track

More Info : http://meltingbot.net/event/pan-japan-showcase-bill-kouligas-lee-gamble-m-e-s-h/

“クラブ／レイヴ／ダンス・ミュージックの解体と再生、電子音楽の現在と未来を切り開く新たなるセンセーション”

PAN Japan Showcase
2015.6.13 SAT at LIQUIDROOM
ADV* 4,000 yen / Door 4,500 yen
OPEN / START 23:30 

>>>早割&前売チケット特典<<<
*ALL Early Bird & ADV tickets inc. Bill Kouligas designed “PAN JAPAN SHOWCASE POSTER”   The poster in A2 size will be exchanged with the ticket at venue on the show day.
早割と前売のチケットを購入された方には〈PAN〉主宰のBill Kouligasがデザインしたツアー・ポスター(A2) が付いてきます！ポスターは公演当日会場にてチケットと引き換えにお渡し致します。

LIVE : 

Bill Kouligas [PAN]
M.E.S.H. [PAN]
TCF A/V set [PAN / Liberation Technologies]
Soichi Terada House set [Far East Recording] 
goat [HEADZ / UNKNOWNMIX]
DREAMPV$HER
Madegg [flau / nocredit] + Shun Ishizuka A/V set

DJ : 

Lee Gamble [PAN]
DJ Shufflemaster [四季協会]
ENA [Samurai Horo / 7even]
D.J.Fulltono [Booty Tune]
COMPUMA
Chris SSG [MNML SSGS]
セーラーかんな子
MARI SAKURAI［IN HA］

#ELECTRONIC #LEFTFIELD #RAVE 
#TECHNO #HOUSE #AMBIENT #DRONE
#INDUSTRIAL #BASS #GRIME #FOOTWORK

激動の時代を迎えた実験／電子音楽の核心的レーベル、ベルリンの前衛〈PAN〉がショーケースとなって日本上陸。レーベルを主宰する実験音楽の極北Bill Kouligas、最新作『KOCH』が大きな反響を呼んだ怪人Lee Gamble、そしてARCAを追随する新鋭M.E.S.H.が一挙初来日！

電子音楽のコア・ジャンル、ミュージック・コンクレートやエレクトロニクスなど実験的なサウンドを軸に展開、最近ではテクノやインダストリアルといったダンス・ミュージックへもアプローチをしながらここ数年のサウンド・アートの再興によって気鋭の存在へと発展、テン年代の大きな潮流となったシンセサイザー・ミュージックのムーヴメントを通過したインディ・ロックやポップのシーンにまで及ぶ広大な現在の電子音楽の文脈おいて今最も研ぎ澄まされた挑戦的なサウンドと一貫したアートワークで世界をリードするベルリン拠点のレーベル〈PAN〉のショーケース・ナイト。現代音楽、ノイズ、そしてダンス・ミュージックまでテン年代のアンダーグランドを刺激し続けて来た先駆者の飽くなき“実験”による至極のアートとサウンド体験が遂にここ東京で実現する。

追加アクトには〈PAN〉からリリースを控えるノルウェーのTCFが再来日。国内アクトには90年代に大きな功績を残したハウスとテクノの重鎮、再発や再始動で話題の寺田創一とDJ Shufflemaster、関西からはセカンド・アルバムをリリースしたばかりのプログレッシヴなミニマリズムを追求する人気急上昇中のバンドgoat、自身のレーベルやイベントも立ち上げ邁進する若手最注目株Madeggと東京を拠点とするグラフィック・デザイナー石塚俊、国内ジューク／フットワークの第一人者D.J.Fulltono、 東京からは世界へと進出する音響ベースの先鋭ENA、絶好調のモジュラー・シンセ・ユニットDREAMPV$HER、00年代よりテクノを中心にシーンを牽引する重要人物Chris SSG、地下シーンの至る所で活躍し名バイヤーとしても知られるベテランCOMPUMA、現行のオルタナティブ・カルチャーを代表するセーラーかんな子、最若手電子音楽クルー[IN HA]の女子DJ MARI SAKURAIが集結、ジャンル、スタイル、シーン、世代を超えた全15アクトで送るセンセーショナルな電子音楽の祭典。

Ticket Info : 

前売券 / ADV ¥4,000 5月10日(日) ～ 6月12日(金) 一般発売

PIA [P code 260-082]、LAWSON [L code 75174]、e+、DISK UNION (CLUB / DANCE ONLINE, SHIBUYA CLUB MUSIC SHOP, SHINJUKU CLUB MUSIC SHOP, SHIMOKITAZAWA CLUB MUSIC SHOP, KICHIJOJI, OCHANOMIZU-EKIMAE, SHINJUKU-HONKAN, MACHIDA, CHIBA, KASHIWA, IKEBUKURO)、JET SET TOKYO、Lighthouse Records、LOS APSON?、RA、TECHNIQUE、Clubberia、LIQUIDROOM

Over 20’s only. Photo ID required.  

More Info : http://meltingbot.net/event/pan-japan-showcase-bill-kouligas-lee-gamble-m-e-s-h/
____________________________________________________________

主催 : LIQUIDROOM
協力 : melting bot, Inpartmaint

PAN Japan Showcase in Tokyo 2015.6.13 at LIQUIDROOM

Following up from the success of his emphatic PAN releases ‘Dutch Tvashar Plumes’ and ‘Diversions 1994-1996’ in 2012, we are excited to announce ‘KOCH’ (pronounced “cotch”), the new album from London’s Lee Gamble.

Sharing some stylistic affinity with his previous records, which excavated his deeply personal history with UK jungle and rave, and techno, this new work dives even deeper to reveal a singu- lar and intimate musical vantage point, shifting to approaching music as projection, state, hallucination, an other place. In ‘KOCH’, we experience an artist constructing a future after time spent deconstructing the past.

In the music we witness such dimensional abstraction, zooming between epic macro scenery and claustrophobically close detail, disorientation and absolute focus. Rhythms fuse together and phase apart, club tracks tunnel into an anxious wilderness, with themes and textures emerging as threads throughout the record, wormholing between each track.
There is a sense of the seen and the unseen, an honest tension between music as function (for this world) and as artistic exploration (for another world) as cracks in the surface appear to reveal the odd and alien minutiae within.
‘KOCH’ represents an intimate and revelatory new phase in Lee Gamble’s practice. Producing tracks that can live and grow on their own in a club or personal listening environment, the artist’s exploratory framework creates threads of consistency and tension between disparate spaces, locations, and mental states.

The LP is mastered and cut at D&M, with artwork by Bill Kouligas.

Format: 2xLP/DL 
Label: PAN 
Cat.No: PAN 59 
Release Date: September 12th

Lee Gamble 'Motor System' (PAN 59)

Following up from the success of his emphatic PAN releases ‘Dutch Tvashar Plumes’ and ‘Diversions 1994-1996’ in 2012, we are excited to announce ‘KOCH’ (pronounced “cotch”), the new album from London’s Lee Gamble.

Sharing some stylistic affinity with his previous records, which excavated his deeply personal history with UK jungle and rave, and techno, this new work dives even deeper to reveal a singu- lar and intimate musical vantage point, shifting to approaching music as projection, state, hallucination, an other place. In ‘KOCH’, we experience an artist constructing a future after time spent deconstructing the past.

In the music we witness such dimensional abstraction, zooming between epic macro scenery and claustrophobically close detail, disorientation and absolute focus. Rhythms fuse together and phase apart, club tracks tunnel into an anxious wilderness, with themes and textures emerging as threads throughout the record, wormholing between each track.
There is a sense of the seen and the unseen, an honest tension between music as function (for this world) and as artistic exploration (for another world) as cracks in the surface appear to reveal the odd and alien minutiae within.
‘KOCH’ represents an intimate and revelatory new phase in Lee Gamble’s practice. Producing tracks that can live and grow on their own in a club or personal listening environment, the artist’s exploratory framework creates threads of consistency and tension between disparate spaces, locations, and mental states.

The LP is mastered and cut at D&M, with artwork by Bill Kouligas.

Format: 2xLP/DL 
Label: PAN 
Cat.No: PAN 59 
Release Date: September 12th
www.p-a-n.org

Lee Gamble 'Nueme' (PAN 59)

Billy Bultheel - The Arcades Project (Snow Cycle)
Label: PAN
Cat.No.: PAN 138S1
Release Date: 09 February 2024
Purchase: pan.lnk.to/TheArcadesProject

Billy Bultheel shares 'The Arcades Project (Snow Cycle)', the first single from the upcoming full-length album 'Two Cycles' out via PAN on March 8th.

Written for Trackers by Billy Bulheel / IXVEUTAI by Sophocles, directed by M. Marmarinos at the Ancient Amphitheater of Epidaurus, 2021

Played by Spyros Vergis and Menelaos Moraitis
Recorded by Ilias R. Flammos at Antart Studios, Athens, 2022

Mixed by James Ginzburg
Mastered by Enyang Urbicks

Billy Bultheel - The Arcades Project (Snow Cycle) (PAN138S1)

Honour - U&Me (febfourteen) DJ HBK Remix
Label: PAN
Cat.No.: PAN 121S3
Release Date: 14 February 2024
Purchase: pan.lnk.to/U-Me-DJHBKRemix

Honour shares 'U&Me (febfourteen) DJ HBK Remix', the remix of previously released single 'U&Me (decemberseventeen)' from the debut album 'Àlàáfíà', which came out via PAN on November 3rd, 2023.

Built and destroyed by Honour
Mixed by Honour
Mastered by Miles Whittaker
Artwork by Honour

Honour - U&Me (febfourteen) DJ HBK Remix (PAN 121S3)

Pollution Opera - s/t
Cat. Nr: DN027
Format: DL / LP 
Release Date: April 24, 2024
Buy / stream: dansenoire.ffm.to/PollutionOpera 

Elvin Brandhi and Nadah El Shazly refuse to turn away from the horror. The intercontinental duo’s Pollution Opera album is an uncompromising futurist depiction of our disfigured, dystopian, and dying reality. Facing hell in full defiance, the experimental noise album catapults itself through a volatile compound of breathless shouts, screams, and screeches, in collision with vocal samples, environmental recordings, and acousmatic sounds. Ten tracks cover the spectrum of electroacoustic fragments and vocalizations, treacherously suspended between the roar of engines and synth distortion, of evocative intonations or guttural retching.

First conceived in 2020, Pollution Opera bubbled up organically from a first tandem motorbike ride through El Shazly’s hometown of Cairo. Singing and screaming through the second-loudest city in the world, Brandhi and Shazly found the extreme noise pollution served as catharsis from the suffocating smog that surrounded them. They then took these sonic specimens into studios across years and countries—from the initial recording and sessions in Egypt to Uganda, where their so-called “cacophony carbon orchestra” would carry into simultaneous but separate residencies at Nyege Nyege in Kampala. There, Brandhi and Shazly reprised the role of the motorbike as their “stage,” in a city where motorbikes are the main mode of public transport. They then developed a live A/V performance from video material captured by Arno Mery, collected from their travels, and reworked by Egyptian artist Omar El Sadek during Banlieues Bleues Festival 2023 in France.

The result is what the artists themselves describe as “an uncompromising world-spew, a shameless alloy of love and hate.” Haptic knocking, barking dogs, and human growls trample El Shazly’s famously evocative Egyptian singing style on “CRÎi Me A River.” Breathless vocal cut-ups and samples are bulldozed by arrhythmic acoustic percussion on “Danse Le Flou.” There are moments of respite within all the chaos, however, whether in the heavily pitched, Auto-Tuned opening of “Pollute Bold” or the wonderfully melodic closer of “Crisp Heart”—its derelict rhythmic thrust giving a listener something to dance about.


Both artists lend their unique positioning and idiosyncrasies to Pollution Opera, whether it’s in artist, vocalist, and musician Brandhi’s avant-garde noise music pedigree as both a solo artist and member of father-daughter duo Yeah You, or
singer, composer, and producer El Shazly’s hybrid catalogue combining electronic music with contemporary classical. Together, in asking the question of what a postmodern opera might sound like, the duo offer their existential answer in the true spirit of the often playful and ironic philosophical position by offering no answer at all. 

Voice & electronics: Elvin Brandhi & Nadah El Shazly
Violin on ‘Crisp Heart’: Ocen James
Soprano on ‘Attention’: Marie Requa Gailey

Artwork by Omar El Sadek & Niels Wehrspann 
Mastering by Rashad Becker

Pollution Opera

buy / stream

Pollution Opera - Cairo ???

Isengard is a Franco-Belgian collective that has been growing for 3 years now in the Brussels nocturnal and cultural scene through parties, exhibitions and releases. 

Isengard w/ Js Donny @ Kiosk Radio 13.03.2024

Taken from @saintabdullah & @eomac new album Light meteors crashing around you will not confuse you, out April 4, 2024, via @drownedbylocals.

Pre-order: https://bitly.ws/3gRRt
Read: https://bitly.ws/3gWcv

Saint Abdullah & Eomac rekindle their longstanding collaboration in this fiery new release sourced from the multiple cultural references and personal stories of its producers.

In their third installment entitled “Light meteors crashing around you will not confuse you”, the New York-based Iranian-Canadian siblings Mohammad and Mehdi Mehrabani-Yeganeh aka Saint Abdullah & Wicklow-based Irish producer Ian McDonnell aka Eomac continue their exploration of sounds and rhythms through an expansive use of sampling and heavy distorted beats. Passionately curious about diverse vocal and musical cultures as well as their own, the trio began their long-distance collaboration in 2019, releasing their first two albums, “Patience of a Traitor ” (Other People) and “Chasing Stateless” (Planet Mu) in 2022 and 2023 respectively.

The trio recorded the album as the world witnessed the genocide on Gaza, Mohammad notes that all tracks were “recorded within a few weeks in October after the war broke out as we tried to keep our heads above water.” The sound of Saint Abdullah is characterized by a keen interest to challenge cultural perceptions and expectations of diasporic narratives, by foregrounding sounds, field recordings, and sacred and profane music from the multiple worlds they belong to. They pay homage to the distinct influences, however sonically and culturally disparate, that have permeated their records and musical process so far. Together with Eomac, they continue a conversation shaped by their ever-growing sonic heritage and shared musical affinities. The inclusion of field recordings for example, often personal ones, are not ornamental but are integral parts of the whole album in which vocal samples are both used in moments of release or through thrusts of heavy beats, continually mirroring a state of unease.…

Reflecting on the recording process, Eomac notes that: “There is a strong influence and inspiration from hip-hop culture here. The beat-tape in particular. It’s rough, raw; rhythms are direct and not overthought. The beats are heavy and distorted for the most part, often shifting and changing throughout a single track. This brings an intentional “ungroundedness” to the record and a sense of tension.” Echoing this state of unsteadiness, Mohammad writes in a poem during the recording: “Those in the diaspora, are those that have left their home, by force, by will, somewhere in between. Are we the connective tissue that makes things more interesting?” Tracks like 'Bitch, I am Islam’ and ‘Rocknrallah’ relieve some of the sense of disorientation but are no less poignant. In the former, 'Bitch, I am Islam', Mohammad uses old personal recordings of his sisters reciting the Quran or repeating Iranian revolutionary chants like “War war, until victory”, an acknowledgment of the worlds they left behind and the ones that need building. In ‘Rocknrallah’ Abdel Ja7eem Hafeth sings a rendition of the 1933 American standard tune ‘Smoke gets in your eyes’ only to evoke the smoke coming out of Gaza.

The record also features fellow Iranian artists in the diaspora, musician and sound artist based in Paris Cinna Peyghamy and club experimentalist Aria Rostami. Ian Bruner, who worked on the album’s artwork, created a composite of the different elements and motifs that form the album, an image of arduous travel towards the mirage of Americana. In this historic period of grief and anger, ‘Light meteors crashing around you will not confuse you’ musically and conceptually engages world systems and beliefs through the experiences and stories of its producers.

Artwork by Ian Bruner

Mastered by Rashad Becker

Released by Drowned By Locals

Premiere: Saint Abdullah & Eomac - Overexposure will kill a pornstar [Drowned By Locals]

Heith - medicine boy
Label: PAN
Cat.No.: PAN 143S
Release Date: 02 April 2024
Purchase: pan.lnk.to/medicineboy

Heith shares ‘medicine boy’, the first single from the upcoming EP ‘The Liars Tell…’ out via PAN on May 10th.

Heith’s debut album X,wheel marked the beginning of a long journey, the start to a tortuous exploration of consciousness and spirit. The Liars Tell…, on the other hand, feels like a kind of respite, a moment of meditation and pause from the fatigue of dimension-hopping. As if the traveller dismounted their carriage and, standing puzzled on a crossroad, listened to the echoes of distant places. Occupying a liminal space and letting thousand of contradictory tales form the lyrics to one unfathomable song.

Written and produced by Heith
Flute by Leonardo Rubboli
Percussions by Jacopo Battaglia
Mixed & mastered at Tapewave Studio

Heith - medicine boy (PAN 143S)

Following the events of "Annihilation" and "Irrational Fear", xato presents the third part of his personal odyssey, "Stories with no fairy tales".

"Stories with no fairy tales" explores the dark self, with intense drone recordings, aggressive drum sounds and deep bass being the main sound focus of the project, surrounded by field-recording manipulations and deeply evolving textures.

As the project's tracks aged between 2019 and 2021, it never felt like the right time to release the project. However things changed when the reasons behind the tracks were revamped in the more recent years.

Artwork by v.3lo
Written, mixed & mastered by Ioannis Nafpliotis

Claustrophobia

The fourth episode focuses on North America, and welcomes Amselysen and Lag Switch, bold and boundless sonic explorers evolving at the fringe of any and all genres. Dwelling at the edge of perception, at the corner of the eye, you may find a teetering mirror - a core fragment emanating from the invisible, laying at the very interstices of the chaos and order of things. Dive into the depths of the unseen, guided by the Guardian&amp#39;s inner force.


After the Flash :: SD Shards w/ Amselysen, Lag Switch (09/04/24)

Heith - ’<>*e
Label: PAN
Cat.No.: PAN 143S2
Release Date: 06 May 2024
Purchase: pan.lnk.to/heith-e

Heith shares ‘’<>*e, the second single from the upcoming EP ‘The Liars Tell…’ out via PAN on May 10th.

Written and produced by Heith
Flute by Leonardo Rubboli
Percussions by Jacopo Battaglia
Mixed & mastered at Tapewave Studio
Artwork by Finley Stewart

Heith - ‘’<>*e (PAN 143S2)

Heith - The Liars Tell... 
Label: PAN
Cat.No.: PAN 143
Release Date: 10 May 2024
Purchase: pan.lnk.to/TheLiarsTell

Heith’s debut album X,wheel marked the beginning of a long journey, the start to a tortuous exploration of consciousness and spirit. The Liars Tell..., on the other hand, feels like a kind of respite, a moment of meditation and pause from the fatigue of dimension-hopping. As if the traveller dismounted their carriage and, standing puzzled on a crossroad, listened to the echoes of distant places. Occupying a liminal space and letting thousand of contradictory tales form the lyrics to one unfathomable song.

This EP’s emphasis on the singing voice is itself not casual, but the focal point of a research on language and words, from their uncanny worlding power to their ultimate failure to deliver universally accessible truths. The human voice is treated as the most fragile of instruments, a spectral presence aided into matter by technology. The tonally ambiguous beauty in Heith’s processed singing stands to imitate the immanent wisdom of sacral inspiration while simultaneously belonging to a sketchy trickster. A divine liar is whispering into the ears of the somnambulist, instigating dangerous temptations of knowledge.

The delicate shanty at the core of “<>e” conducts slowly from a shiny synth desert to a cascade of arpeggiated instruments to, finally, a contained eruption of percussion and noise, all while never losing its hypnotic sense of caution. INVERTED VERTIGO’s slow rising chords, prolonged whispers and lamenting flutes feel like a soul trembling to detach from a state of static plenitude, fevering to plunge into the abstract tumult of it conclusion. Similarly, the minimal, stretchy melody of “medicine boy/3cate” gives the vocals the space to alternatively fragment and multiply, only to then coalesce again into one choral force, ultimately giving space to a discharge of broken guitar strings. Closer “The Circus Lodge (Orchestroll Version)” is a mirrored reversion and an addendum to X, Wheel ’s “A Venus Flytrap In The Circus Lodge”, initially riding on the back of a reverb- drenched crescendo to a melancholic slow burn of electronic reeds.

This all makes The Liars Tell...a crucial point into Heith’s evolution, influenced by two years of increasingly ambitious live performances and by the relentless wanderings of an uncompromisingly creative mind.

Heith - The circus lodge (Orchestroll Version) (PAN 143)

Thu 5th Mar 15 - 1-3pm

NTS Radio, London...

http://ntslive.co.uk/



Lee Gamble - NTS Radio Show - Mar15

“クラブ／レイヴ／ダンス・ミュージックの解体と再生、電子音楽の現在と未来を切り開く新たなるセンセーション”

PAN Japan Showcase
2015.6.13 SAT at LIQUIDROOM
Early Bird* 3,500 yen (LTD 250) / ADV* 4,000 yen / Door 4,500 yen
OPEN / START 23:30 

>>>早割&前売チケット特典<<<
*ALL Early Bird & ADV tickets inc. Bill Kouligas designed “PAN JAPAN SHOWCASE POSTER”   The poster in A2 size will be exchanged with the ticket at venue on the show day.
早割と前売のチケットを購入された方には〈PAN〉主宰のBill Kouligasがデザインしたツアー・ポスター(A2) が付いてきます！ポスターは公演当日会場にてチケットと引き換えにお渡し致します。

LIVE : 

Bill Kouligas [PAN]
M.E.S.H. [PAN]
TCF A/V set [PAN / Liberation Technologies]
Soichi Terada House set [Far East Recording] 
goat [HEADZ / UNKNOWNMIX]
DREAMPV$HER
Madegg [flau / nocredit] + Shun Ishizuka A/V set

DJ : 

Lee Gamble [PAN]
DJ Shufflemaster [四季協会]
ENA [Samurai Horo / 7even]
D.J.Fulltono [Booty Tune]
COMPUMA
Chris SSG [MNML SSGS]
セーラーかんな子
MARI SAKURAI［IN HA］

#ELECTRONIC #LEFTFIELD #RAVE 
#TECHNO #HOUSE #AMBIENT #DRONE
#INDUSTRIAL #BASS #GRIME #FOOTWORK

激動の時代を迎えた実験／電子音楽の核心的レーベル、ベルリンの前衛〈PAN〉がショーケースとなって日本上陸。レーベルを主宰する実験音楽の極北Bill Kouligas、最新作『KOCH』が大きな反響を呼んだ怪人Lee Gamble、そしてARCAを追随する新鋭M.E.S.H.が一挙初来日！

電子音楽のコア・ジャンル、ミュージック・コンクレートやエレクトロニクスなど実験的なサウンドを軸に展開、最近ではテクノやインダストリアルといったダンス・ミュージックへもアプローチをしながらここ数年のサウンド・アートの再興によって気鋭の存在へと発展、テン年代の大きな潮流となったシンセサイザー・ミュージックのムーヴメントを通過したインディ・ロックやポップのシーンにまで及ぶ広大な現在の電子音楽の文脈おいて今最も研ぎ澄まされた挑戦的なサウンドと一貫したアートワークで世界をリードするベルリン拠点のレーベル〈PAN〉のショーケース・ナイト。現代音楽、ノイズ、そしてダンス・ミュージックまでテン年代のアンダーグランドを刺激し続けて来た先駆者の飽くなき“実験”による至極のアートとサウンド体験が遂にここ東京で実現する。

追加アクトには〈PAN〉からリリースを控えるノルウェーのTCFが再来日。国内アクトには90年代に大きな功績を残したハウスとテクノの重鎮、再発や再始動で話題の寺田創一とDJ Shufflemaster、関西からはセカンド・アルバムをリリースしたばかりのプログレッシヴなミニマリズムを追求する人気急上昇中のバンドgoat、自身のレーベルやイベントも立ち上げ邁進する若手最注目株Madeggと東京を拠点とするグラフィック・デザイナー石塚俊、国内ジューク／フットワークの第一人者D.J.Fulltono、 東京からは世界へと進出する音響ベースの先鋭ENA、絶好調のモジュラー・シンセ・ユニットDREAMPV$HER、00年代よりテクノを中心にシーンを牽引する重要人物Chris SSG、地下シーンの至る所で活躍し名バイヤーとしても知られるベテランCOMPUMA、現行のオルタナティブ・カルチャーを代表するセーラーかんな子、最若手電子音楽クルー[IN HA]の女子DJ MARI SAKURAIが集結、ジャンル、スタイル、シーン、世代を超えた全15アクトで送るセンセーショナルな電子音楽の祭典。

Ticket Info : 

早割券 / Early Bird ¥3,500 (250枚限定) 3月21日(土) ～ 5月9日(土) ディスクユニオン独占先行発売 

DISK UNION（CLUB / DANCE ONLINE, SHIBUYA CLUB MUSIC SHOP, SHINJUKU CLUB MUSIC SHOP, SHIMOKITAZAWA CLUB MUSIC SHOP, KICHIJOJI, OCHANOMIZU-EKIMAE, SHINJUKU-HONKAN, MACHIDA, CHIBA, KASHIWA, IKEBUKURO）

DISK UNION ONLINE http://diskunion.net/clubt/ct/detail/6005000287

前売券 / ADV ¥4,000 5月10日(日) ～ 6月12日(金) 一般発売

PIA [P code 260-082]、LAWSON [L code 75174]、e+、DISK UNION (CLUB / DANCE ONLINE, SHIBUYA CLUB MUSIC SHOP, SHINJUKU CLUB MUSIC SHOP, SHIMOKITAZAWA CLUB MUSIC SHOP, KICHIJOJI, OCHANOMIZU-EKIMAE, SHINJUKU-HONKAN, MACHIDA, CHIBA, KASHIWA, IKEBUKURO)、JET SET TOKYO、Lighthouse Records、LOS APSON?、RA、TECHNIQUE、Clubberia、LIQUIDROOM

Over 20’s only. Photo ID required.  

More Info : http://meltingbot.net/event/pan-japan-showcase-bill-kouligas-lee-gamble-m-e-s-h/
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主催 : LIQUIDROOM
協力 : melting bot, Inpartmaint

PAN Japan Showcase in Tokyo mix (Rinse FM — PAN #1 | Bill Kouligas & M.E.S.H.)

Lee Gamble 'Diversions 1994-1996' (PAN 33) 
12"/DL - Release Date: Nov 2nd 2012

'Diversions 1994-1996' is made up entirely from samples from the collection of Lee Gamble's Jungle cassette mixtapes. The audio has been subjected to analog and digital deformations, whilst trying to extract, expand upon and convey particular qualities emblematic of the original music.

http://pan-act.com

Lee Gamble 'Emu' (PAN 33)

Independent label and distributor in Tokyo, Japan specializing in indie / underground music from Indie Rock / Electronica / Alternative, Ambient / Drone / Experimental,   Jazz / Crossover / Avant-grade, Techno / House / Disco, Beat / Downtempo / Dubstep.

We are here to seek new talent and inspire your music life. You can put your music in our dropBox or make contact with us via soundcloud. Any music and style is welcome and appreciated.

All music on this account is fully authorized by labels and artists. However, if you find contents infringing your copyright and the information is incorrect, please give us a notice. We'll act on your requests immediately. 



Label based in Berlin, est. 2008. http://www.p-a-n.org

Lee Gamble 'Emu' (PAN 33)

PAN

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