Holy crap! What a incredible way to intro

If you'd like to download this release but can't afford it, please email me and I'd be happy to send it to you. 

Or you can support right here!

https://nexcyia.bandcamp.com/track/hydro
https://nexcyia.bandcamp.com/track/hydro
https://nexcyia.bandcamp.com/track/hydro
https://nexcyia.bandcamp.com/track/hydro

Bandcamp

hydro

https://xterea.bandcamp.com/album/roamer-ep

The Pattern

Intersections

Pavel Milyakov — gabba-17

Exodus delves into the odyssey of the Dove family as they journey from Bryan, Texas to the vibrant landscapes of Los Angeles in the 1960s. In Nexcyia’s quest to
encapsulate the dystopian surrealism of the Dove family's journey, he aims to harnesse the power of sound as a potent tool of storytelling. Drawing inspiration from the
decaying landscapes and moving atmospheres that surrounded them, he crafted a sonic tapestry that transcended traditional music composition, immersing listeners
in a visceral experience of their journey.
Nexcyia's approach to sound design is meticulous and reflective, as he seeks to manipulate and distort familiar elements into something altogether otherworldly. He
samples the haunting echoes of lost voices weaving them into the fabric of his compositions to evoke the desolation and decay of the world around them. The subtle
but metallic clang of rusted objects are granulized, while the distant hum of malfunctioning electronics formed a dissonant melody that lingered in the subconscious
like a half-remembered dreams.
Nexcyia seeks to infuse his compositions with a sense of hope and resilience, drawing on the indomitable spirit of the Dove family as they navigated through the
dystopian wasteland. Amidst the cacophony of chaos and despair, he introduces moments of ethereal beauty, incorporating haunting melodies and soaring harmonies
that pierced through the darkness like shafts of light breaking through storm clouds.
Through sound, Nexcyia transformed the Dove family's odyssey into an immersive auditory experience, blurring the lines between music and storytelling. Each
composition is a journey in itself, an afro-sonic tapestry that can transport listeners into the heart of a multiverse. And in doing so, he not only captures the essence of
their journey but also invited listeners to embark on their own odyssey of discovery and transformation.
"My heart and soul. I wouldn't exist if he didn't move his family to LA in the 60's" - Derrick Dove
"You are so beautiful and precious to your grandpa, I thinks about you all the time, because I love you so much, and so happy to hear from you; You just
make me happy with joy, joy joy, stay safe and remember grandpa love you all the time" - Grandpa to Alexa
"Thank you Adam, I'm so happy to hear from you, you mean the world to your grandpa, so proud of you, and that you for your love, because your grandpa
just love you and wishing you the best, please stay safe and in touch" - Grandpa to Adam
“Me, Clyde, Raymond, Reggie, Oscar-Raymond and Darline. In Bryan — i think I’m about 5 there. It was Reggie’s birthday party. Darline and Oscar-
Raymond were siblings and the children of my dad’s oldest brother Oscar. Reggie is the son of my dad’s big sister. – Mom to Adam
Dedicated to Clyde Dove and Nat Dove

Nexcyia - pond

Chad Team Six

THE END OF SOUL (9)

PAN DAIJING - Lack 惊蛰 (PAN 79)

Format: LP / Digital
Label: PAN
Cat.No: PAN 79
Release Date: 28 July 2017

p-a-n.org/

pre-order: http://pan-daijing.bandcamp.com/album/lack-pan79

Pan Daijing announces her debut album, ‘Lack 惊蛰’, on PAN this July.

Culminating as the purgative ‘finale’ to her improvisational live performances, Pan Daijing’s debut album also offers an insight to her future works. The process was intuitive and raw, born out of her previous explorations. Over the past 2 years, she has composed, recorded and edited different concerts and field recordings across Europe, China, and Canada, forming the basis of the record. Arriving as her first full-length album, ‘Lack 惊蛰’ was crafted from this long, painstaking mental and physical practice.

Daijing’s pieces are created around a very intense and intimate mental catharsis, often expressed through a close physical interaction with strangers in her live sets which seek to engage them in a highly personal way. “When I was finalising this album, they didn’t feel like tracks to me anymore, but more like a psychoanalytical process,” she says. “I saw myself being this absurd, mad person ‘acting’ out the sounds… It’s rather physical, and became like a mindgame. All things came out naturally as part of me.”

The narrative of the album presents a perspective of the world as ‘the theatre of our minds’ - where Daijing sees the record as an ‘opera piece’ in its storytelling and drama.

The release is mastered by Rashad Becker at D&M, featuring photography by Ralf Marsault, and artwork by Bill Kouligas.

Lack

Pan Daijing - Act of The Empress 皇后之作 (PAN 79)

Gangsters Were Weeping

Puce Mary — The Drought
Format: LP / CD / Digital
Cat.No. PAN 87
Release Date: 5 October 2018 
Pre-order album: bit.ly/2KGmn9f / bit.ly/2KGL7Ot

Building from a reputation of arresting live performances and critically acclaimed releases Puce Mary breaks new ground with The Drought, evolving from the tropes of industrial and power electronics to forge a complex story of adapting to new realities. Remnants of noise still exist, sustaining the penetrative viscerality offered on previous records, however The Drought demonstrates an intention to expand on the vocabulary of confrontational music and into a grander narrative defined by technical and emotional growth.
 
Bringing together introspective examination with literary frameworks by writers such as Charles Baudelaire and Jean Genet, Puce Mary’s compositions manifest an ongoing power struggle within the self towards preservation. The traumatised body serves as a dry landscape of which obscured memories and escape mechanisms fold reality into fiction, making sense of desire, loss and control. The Drought presents both danger and opportunity; through rebuilding a creative practice centred on first person narrative and a deliberate collage of field recordings and sound sources Puce Mary injects an acute urgency across the album seeking resilience.

“To Possess Is To Be In Control” makes use of lyrical repetition as an ambiguity of two selves, or a divided self, attempting to consume one another, while “Red Desert,” named after Michelangelo Antonioni’s 1964 film, portrays the individual subsumed by surrounding environmental forces. The seven-minute epic “The Size of Our Desires” acts as the emotional tipping point of the record; amongst the ominous drone and dense feedback flutters almost-beatific melodies, while the lyrics reveal a romantic call to be swept up in the midst of an increasingly uninhabitable world.

Rather than escape, The Drought dramatises a metamorphosis in which vulnerability is confronted through regeneration. Noise and aggression no longer act as an affront to react against but part of a ‘corporeal architecture’ where space, harmony and lyricism surface from the harsh tropes of industrial music. The Drought chronologises a transformation through a psychological famine, new ways of coping akin to plant survival in a desert – to live without drying out.

The release is mastered by Rashad Becker, featuring art by Torbjørn Rødland 

@pucemary
http://p-a-n.org

Pan Daijing - Act of The Empress 皇后之作 (PAN 79)

PAN

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