A playlist of (almost) all the artists Musicboard funded in the "scholarships and residencies" programme in 2021. Berlin-based up-and-comers!

Back On Track: Scholars & Residents 2021

HHH label is a series of releases coming from a musical and visual research residency called Hitchhiker. 
ⒽⒽⒽ residencies was created by Encastrable, a visual art duo who is part of Carpaccio team.
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The guest artist for the 4 th episode is @hadji-hajj who is a video maker and producer from Lyon. He is also the boss of Dawn records and one owner of the infamous Schnell records .
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The 2 other tracks are from @destroyed-temple who is the Swiss knife and producer from CC crew
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The idea of HHH is simple: to invite an artist for a road trip by car, van or camping car, to produce music.
It's a great excuse to look for and create new forms with the guest artist.
Each artist is invited to make field recordings during the trip in order to compose tracks. For this one, the travel was between Le Puy de Dôme, Le Limousin and Corrèze. 
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You can also listen to the more complete experience of this road trip on @lyl_radio called "HHH drift recording"
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also in the car for visual settings Antoine Lejolivet and @chagonzalez
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we really want to say thank you for they hospitality and sharing to Gwen Bouget, Hervé Priou and Marine Froeliger <3
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visual by Florent Hadjinazarian
Encastrable project: Antoine Lejolivet & Paul Souviron
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Thanks to , La Region Grand Est, Impuls neue musik & LYL Radio for there support

Buyyy

Hajj - DEATH TO ETERNITY [HHH label #004]

Pan Daijing - Jade 玉观音
Format: LP / DL
Cat.No. PAN 113
Release Date: 4 June 2021
Purchase: pan.lnk.to/Jade

What if a song was not a culmination but a singe, an imprint, or a crater left in the wake of creative process? On her new record “Jade”, Pan Daijing composes at a different scale than that we’ve come to know. Since the release of her groundbreaking LP “Lack” in 2017, Daijing has expanded her operatic vision into a series of major commissioned exhibition-performances at institutions including the Tate Modern, Martin Gropius Bau, and the Haus der Kulturen der Welt. Developed for full casts of opera singers and dancers, and reaching for an all-encompassing durational experience of intensity for both performer and audience, the development of these works was for Daijing as emotionally disarming as it was thrilling. In order to continue accessing her own limits, Daijing had to develop a place of sanctuary within her own practice.

Its nine tracks written and recorded over the last three years, “Jade” is the sound of solitary release and refuge, of creative self-sustenance. Written without the imperatives of direct address to performers or audience, “Jade” speaks inward, while inviting a kind of rhetorical listening. The artist draws on materials familiar from her previous work: namely, ascetic electronic textures that rumble and pierce, and voice bent in irreverent directions. In place of catharsis, however, her arrangements here linger in tension, extending curiosity towards the delicate void that nourishes extremes. They toy with the minor capacities of song: repetition, chant, observations that conclude without resolving.

“Jade” comes from a vulnerable place, tender as in an undressed wound caught in the midst of healing over. Vocals, mostly Daijing’s own, arrive as wordless sequences of notes soaring alongside a drone, or plain laughter, or in a few places spoken word. What is said or sung provides fragments of experience and reflection. In the process of piecing together these fragments, the listener is confronted with the tender parts of her own. “Solitude is like an immense lake you’re swimming through,” says Daijing of these songs. “Sometimes you dip your head in and sometimes you lift it above. On album centerpiece “Let,” she speaks to us over the sound of rippling water, returning between anxious scenes to a refrain: “I take my bath in the ocean.” We are not just consuming Daijing’s story; we are being invited to join her in the water.

The album is mixed and mastered by Rashad Becker, featuring artwork by Pan Daijing, cinematography by Dzhovani & design by NMR.

@pan-daijing

Jade 玉观音

Pan Daijing - Dust 五月 (PAN 113)

@womenintheroyalcourt's 'DRUM A QUEEN', featuring vocals from Clara!. Taken from @soleil-rouge-collectif's inaugural release 'Premier Rayon'.

More: https://ins-rt.net/audio/women-in-the-royal-court-drum-a-queen-feat-clara

Article

Premiere: Women In The Royal Court - DRUM A QUEEN (feat. Clara!)

OTTOLINGER SPRING SUMMER '22 RUNWAY SOUNDTRACK
MUSIC PAN 
MIX BILL KOULIGAS
LYRICS RHEA DILLON

OTTOLINGER SPRING SUMMER 22 RUNWAY SOUNDTRACK

New Label | First Release | Split EP
Ltd edition of 120 tapes:
https://doyenne-books.bandcamp.com

Tracklist:
A1: Hold Yr Tongue - Susu Laroche
A2: Hours - Susu Laroche
B1: Acid / Answered Prayer - Flora Yin Wong
B2: End - Flora Yin Wong

Susu Laroche / Flora Yin Wong - D001 EP (Clips)

men I trust - show me how (slowed + reverb)

From the new LP, Excision After Love Collapses: frktl.bandcamp.com/album/excision-after-love-collapses

Excision After Love Collapses

FRKTL — Fire Upon The Deep

Life

Sequrity (M.E.S.H. Remix)

Canada's OBSKUR MUSIC presents a defining compilation of gritty, no-frills acid, with all Bandcamp sales going directly to the artists to support them during Covid-19. Ranging from the bubbling warehouse squelch of 'Triple Point Pressure' from Beyun, owner of Atlanta's Vaultwax Recordings, to moody, floating trance formations by Kadraphonic of Rotterdam, DO YOU EVEN ACID? runs the gamut of industrial bangers like Krista Bourgeois' 'Ego Death' and the gritty murk of Korea Town Acid's 'Control Freak', to the EBM-infused, gothic thump of 'Erotic Discipline' by Berlin's Vamp Acid, showcasing acid-laced underground techno from an international selection of artists identifying along the womyn*/queer* spectrum.

Vamp Acid - Erotic Discipline (Original Mix) PREVIEW

An exploding missile fueled with intuitive power

Stream, download or support: www.happynewtears.bandcamp.com

Produced, composed and vocals by Happy New Tears
Mixed and mastered by @Ytem
Artwork by Sam Lubicz

Happy New Tears
www.instagram.com/happynewtears_
www.facebook.com/happynewtears

Ytem
www.instagram.com/ytemmm
www.facebook.com/ytemmm

Sam Lubicz
www.instagram.com/slubicz
www.samlubicz.com

R U Ready

Download

Had so much fun creating this tune with the insane vocal talent J.O.Y & guitar/producer wizzard Lvther.Everything came together so naturally, almost like jamming with a band. It also really helped that both of those guys are incredible human beeings ❤️
Hope you enjoy that bounce 🤸🧠

Stuck On My Brain

goldenair x J.O.Y - Stuck On My Brain

FREEDOWNLOAD
https://vumantra.bandcamp.com/track/die-kraft
released November 5, 2020
Written and Produced by Lady Maru
Analog Master by PRVNTK
Artwork and cover design by Vince Gagliardi

Die Kraft/FREEDOWNLOAD on VUMANTRA

https://luttolento.bandcamp.com/album/legendo

BANDCAMP

HORNED HEART FEAT. KATARZYNA KARPOWICZ

Patrick Belaga - Blutt 
Format: LP / DL
Cat.No. PAN 117
Release Date: 2 April 2021
Purchase: pan.lnk.to/Blutt

Conceived at the heel of Italy’s boot-shaped peninsula in Apulia, Patrick Belaga’s Blutt makes music for the unruly imagination. The title is an old German word for ‘naked’, ‘bare’, but it can also mean ‘blood’ when spelt blut. Take away another letter and it makes ‘butt’. None of these definitions and adaptations were what prompted the classically-trained composer and cellist to name his second album with a word simulating the sound of a punctured artery. That came later.

Blutt’s nine woozy compositions are inspired by a contemplative road trip with a friend, and the mysterious muffled music heard from an unidentified source. It was a combination of jazz and classical music that haunted Belaga’s wanderings through the Byzantine town Gallipoli, and soon infected his dreams of long-gone civilizations. This record is its outcome, where organic instrumentals and electronic production merge into a sound that’s both contemporary and ancient. Samples of mewing incantations and tape hiss sway atop the waltzing thud of piano chords on “Sigh”. Composite layers of Belaga’s cello play in downcast harmony on “Rust”. There’s a wistful sense for the romantic, in the eerie rhythm of a piece like “Momentum”. The quarter tones of an Eastern European and Middle Eastern folk scale probe a profound melancholy via Kai Knight’s violin. Its notes are haunted by a field recording of running water on “Unsoft”, echoes of panpipes and a Jew’s harp on opener “Lilt”.

As a consummate composer and performer known for his work with artists Wu Tsang, boychild, Josh Johnson and Asma Maroof, Belaga’s Blutt is itself marked by flawless collaborations. Vocalist and instrumentalist Jazmin Romero sings and composes the surreal melodies of “Grey Eye”. Multidisciplinary dance artist and producer Riley Watts contributes to the muted, motorik movement of “The Tunnel is a Tower”. Together, the record plays as a stunning soundtrack to the strangeness of sleeping, and the heartbreaking transience of time. Like an intense dream half-remembered, the emotions persist after waking but for the sharp machinations just outside of the mind’s reach. 
credits

The album is mastered by Rashad Becker, featuring artwork by Giovanni Forlino and design by Bill Kouligas & NMR. 

@patrickbelaga

Blutt

Patrick Belaga - Lilt (w/ Kai Kight) (PAN 117)

Label based in Berlin, est. 2008. http://www.p-a-n.org

The Musicboard Berlin GmbH is the only institution of its kind nationwide with the aim to fund pop music in new and creative ways, and maintain a dynamic discourse on pop music in Berlin. The Musicboard counts on the innovative power of the music and creative industry. The Musicboard provides a new and courageous form of pop music funding.

The Musicboard is also responsible for the Pop-Kultur Festival, which takes place this year from August 15th-17th 2018 for the fourth time. Because our guests and everyone else involved loved the Kulturbrauerei so much last year, we’re excited to announce that we’ll be able to call it home once again this coming summer during the festival.

Pan Daijing - Dust 五月 (PAN 113)

PAN

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