🖤

SIM CARD HØLDER is not a band. It is the hybrid child of Ian Bruner, Drone Operatør and Gajek. Its procreation date is hard to pin down, but it started 2020 with an Insta chat and one of Ian's piano improvisations recorded in his Colorado living room. From there the album grew in separated covid lockdown wombs at three different locations in Germany. Ian's shadowy instrumentation of light piano and heavily layered and long believed to be dead soundscapes were digested, replanted and grown-over by Drone Operatør's and Gajek's uncompromising and individual sense for song structures and sounds. When finally all body parts were assembled in early 2021 the baby was already fluent in different languages.

Sim Card Hølder grows slowly while meandering through dense and open fields. It switches from calm and dreamy moods to wild fractured outbursts without fragmenting into the arbitrary. A raw spiritual power keeps every part connected and in perfect motion. Each song is a portal into multiple universes that suck you in on thick piano carpets, sharp saxophone spikes and buzzing quadcopter wings, warming insect intestines, blasting raw drums and slow healing winds, screeching synth rhymes, dissonant orchestral tales and floating blue melodies. It’s a demanding ride but thoroughly deeply relaxing. The perfect soundtrack to rewind your mind.

Music by SIM CARD HØLDER

Artwork by Mario Miron

Mastered by Kevin McPhee (East End Mastering)

Releasing on Blueberry Records, October 29th, 2021.

Sim Card Hølder

SIM CARD HØLDER - dronepilot (composed by Drone Operatør & Ian Bruner)

〜 Taken from Debit's album 'The Long Count', out via Modern Love on Feb 18th 2022 〜

Delia Beatriz’s musical output straddles two distinct artistic poles; her debut solo album, 2017’s acclaimed “Animus”, oozed from sensual, beatless soundscapes to high-octane club music, while her 2019-released EP “SYSTEM” harnessed tribal guarachero elements while simultaneously scraping ideas from industrial techno. 

On “The Long Count”, the Mexican-American producer has inked her most rigorous statement to date, sublimating opaque ancestral knowledge into vaporous AI-stirred fog banks, activating an ancient rite that reaches into tomorrow. It’s audacious electro-acoustic archaeology that sounds disorientating, anachronistic and arcane.

“The Long Count” is rooted in research Beatriz made into Mayan wind instruments – whistles, ocarinas, flutes and trumpets – using the archive of the Mayan Studies Institute at the Universidad Nacional Autonoma de Mexico, the oldest and largest collection of its kind. Developing a set of digital instruments that could be played using different types of temperaments and scales, Delia processed these sounds using machine learning techniques to shuttle the distant past into our extant artistic universe, peering into Mexico’s pre-colonial history and weaving those ideas into complex tonalities gleaned from musique concrète and contemporary electro-acoustic music.

The ten tracks of ‘The Long Count’ form a ritual that’s a few footsteps out of time – neither a part of our present, nor the past. Beatriz describes the Mayan instrumentation as ancestral technology, part of a world that’s not so much been forgotten, but purposefully erased. And although it’s impossible to know exactly how Mayan music may have sounded, it’s feasible to converse with history using modern technology to conduct a ceremony of remembrance.

Beatriz’s soundscapes are haunted by indistinct, shared memories and centuries of pent-up emotion, and are as intentional, direct and meticulously crafted as the work of Deathprod or Thomas Köner. Her microtonal compositions are psychedelic to their core, shapeshifting through dimensions and painting complex mental images, while retaining a stylistic focus and lucidity that’s all too rare. Although “The Long Count” was nurtured by machines, human experience is coded into its DNA – an ancient-future heirloom that whispers through countless generations.

File under magick concrète.

All tracks written, produced & mixed by Delia Beatriz
Additional Machine Learning for Audio by Isomov
Mastering by Rashad Becker
Album Art Photography & Creative Direction by Debit
AI Album Art by Moisés Horta Valenzuela

The Long Count

Debit - 2nd Day

wires that used to connect beings with each others are damaged
cyclops hidden in the forest of information are waiting for a second eye that could give them perspective
this is not about us
trying to reach the other side of the underneath, our astral bodiex are exhausted
this is not about us
the kin goes beyond and spreads its energy all around
the love we've created does not belong to us
we kiss dying people foreheads to make them feel the warm
the healing path glows so we can find it in the dark.

the love we've created does not belong to us

A collection of fearless love songs, inspired by Spring and the pains and ecstasies of nesting season. A gallery of lovelorn electronic ballads in the name of heartache. "Wild Love To Grow" is Eastern Nurseries' longest and bravest release to date, as well as the first to be presented physically as a double cassette edition.

"When I was alive, I aimed to be a student not of longing but of light."

EN28

Photo by Toby Ziff
Mastered by Diego Escriche

Burning Pyre & Canadian Rifles - Autobiography Of Burgundy

Brigh

Composed and mixed by Or or 
Compilation mastered by Bademjan (@bademjan)

Based on "Sample pack from my nightmares" by Lulu (@wormworld), released on 31 oct. 2021.

A&R : Gracchus Nortug (@gracchusnortug) & Luca Fonty (@mysterymysterymystery)
Master : Bademjan (@bademjan)

Artwork : 

Pumpkin sculpture : Tad McCarthy Budzynski
Picture : Rhubarcode  (@rhubarcode), Tad McCarthy Budzynski, Elisabeth Laulié-Sur & Shela McCarthy
Edit : Rhubarcode  (@rhubarcode)

Compilation of my nightmares

Bandcamp

Or Or - Le Pieu Ou Le Bémont

Out on JUNE 9th - available NOW for pre-sale:
http://readymade.bigcartel.com/product/british-murder-boys-live-in-tokyo-12-dn061

Tracklist:
A - Start
B1 - As Above So Below
B2 - End

B1 - BMB  - Live In Tokyo - "As Above So Below"

War in Heaven

One third of the Sensory -motor -cortex of the brain is devoted to the tongue Oral,Cravity ,The Lips and speech.
In other Words ,Oral Frequency ,emission spoken ,or sung ,exert powerful Control over life ,vibrating genes that influences the total well being and even Evolution of The Speecies.

The Soul of the World
And there is War in Heaven
and there is war in Heaven
The Stars are among us 


Sexual suppression  supports the Power of the Church,with has sunk very deep roots into the Exploited masses by means of sexual anxiety and guilt engenders timidity towards authorty and bins children to their parents .


The Soul of the World
And there is War in Heaven
and there is war in Heaven
The Stars are among us 

…………and when it felt to Earth i saw how the world was swallowed up  in a great Abyss !!!




War In Heaven (Demo Version)

Call Me Up

// DMS011 //

From "Some Like It Rough"
Out on April 28th (Cassette + Digital)

Pre-order : tripalium.bandcamp.com/album/dms011-…like-it-rough

Release Party (april 28th, Paris) : www.facebook.com/events/488723487984545

After Some Like It Raw last year, here is Some Like It Rough, a new compilation album which features 14 french producers and invites you to contemplate bottomless abysses, scary drones and warlike rides.

A dark and disturbed dancefloor, from noise techno to ambient experimentations and adventurous sonic horizons.

Mastered by Datalab Studio 
Artwork by Tripalium 
[TRIPALIUM RECORDS] - Digital Mutant Series 011


K21 - Brainhole [DMS011]

After releasing records on L.I.E.S. and its offspring Russian Torrent Versions labels, Caserta (close to Neaples, Italy) native Domenico Crisci quickly rose to prominence among purveyors of timeless Techno. 
A third record on Eerie cemented his reputation as a careful engineer of effective, crafty dance floor cuts that comfortably sit next to early works of the genre’s pioneers. 
August of 2016 sees Domenico’s sonic determination surprisingly rematerializing on Silent Servant, Regis and James Ruskin’s Jealous God label with a new, strong EP crowning the distinct quality of this limited series. 
Through such particular path Domenico got inspiration to start his own “SUMMA CUM LAUDE” label project, where his most forward thinking works and brand new, surprising talents will have the first chance to get properly published. Domenico himself is inaugurating the label by “The Violinist” EP, including 3 peak-time techno tracks anticipating the strongest emotive intensities, carefully finalized by the valuable experience of a mastering engineer like Matt Colton. 
To visualize Domenico’s particular, straightforward sound, we’ll find the kind intervention of the Neapolitan artist Mariangela Levita.

Released February 24, 2017

Mastered by Matt Colton at Alchemy, London.

Artwork by Mariangela Levita.

Bandcamp: https://summacumlaude.bandcamp.com/album/the-violinist

Buy at Bandcamp

Domenico Crisci - The Violinist

From "All Of Them Witches" (CLPM006)

Written & mixed by Eszaid
Mastered by Dan Mumberson

Artwork by Camille Pogu
Graphics by Claire Barrow

Out December 2016

Listen to the whole cassette here :
collapsingmarket.bandcamp.com/

© Collapsing Market - 2016

Eszaid - Là-bas (CLPM006)

PAN DAIJING - Lack 惊蛰 (PAN 79)

Format: LP / Digital
Label: PAN
Cat.No: PAN 79
Release Date: 28 July 2017

http://p-a-n.org/

pre-order: https://pan-daijing.bandcamp.com/album/lack-pan79

Pan Daijing announces her debut album, ‘Lack 惊蛰’, on PAN this July.

Culminating as the purgative ‘finale’ to her improvisational live performances, Pan Daijing’s debut album also offers an insight to her future works. The process was intuitive and raw, born out of her previous explorations. Over the past 2 years, she has composed, recorded and edited different concerts and field recordings across Europe, China, and Canada, forming the basis of the record. Arriving as her first full-length album, ‘Lack 惊蛰’ was crafted from this long, painstaking mental and physical practice.

Daijing’s pieces are created around a very intense and intimate mental catharsis, often expressed through a close physical interaction with strangers in her live sets which seek to engage them in a highly personal way. “When I was finalising this album, they didn’t feel like tracks to me anymore, but more like a psychoanalytical process,” she says. “I saw myself being this absurd, mad person ‘acting’ out the sounds… It’s rather physical, and became like a mindgame. All things came out naturally as part of me.”

The narrative of the album presents a perspective of the world as ‘the theatre of our minds’ - where Daijing sees the record as an ‘opera piece’ in its storytelling and drama.

The release is mastered by Rashad Becker at D&M, featuring photography by Ralf Marsault, and artwork by Bill Kouligas.

Lack 惊蛰

Pan Daijing - Plate of Order 秩序之灾 (PAN 79)

22 summer storms, 22 celebrations of music from today. 

Posh Isolation turns 10 this year. 
We celebrated in Copenhagen for three days and three nights - Port Out, Starboard Home. Some people could not 
be there, some forms change — we honour them by celebrating again, digitally. 

Make the day come alive again. 

'Summer Storms' wades through the heat, never quite settling, yet taking in every surrounding. Gather everyone 
together, celebrate a shared motif. 

Come stream with us. 

Clear skies. A raving harbour. The best storms cancel plans. 

Make the day come alive again, 

today. 

Dedicated to Ezra 

Posh Isolation 227

Puce Mary & CTM - Release

Yangze - Hold Your Horses

Artist: Luis Pestana
Album: Rosa Pano
Format: Cassette / Digital
Release: Nov. 27 2020

Luis Pestana - Sangra

Label based in Berlin, est. 2008. http://www.p-a-n.org

⚔️⛓️✡  The tree is still growing  ✡⛓️⚔️

Pan Daijing - Plate of Order 秩序之灾 (PAN 79)

PAN

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