Song oh so sexy i want it dripping off of me, this whole project got me through 21

Taken from Ludwig Wandinger's sophomore album 'Spiritual Decay' (G&P022), out September 2022

The name of many talents - Ludwig Wandinger - has been echoing in the experimental scene for quite some time. This comes as no surprise, as the already renowned Berlin based polymath channels his full-time effort partly into playing live drums, producing his and other people’s music and creating multidisciplinary visual art. Following multifaceted solo projects on labels Average Negative/Alpha Pup Records and Orange Milk Records, Gin&Platonic are delighted to present Ludwig's exceptional sophomore full-length album 'Spiritual Decay'.

Written & produced by Ludwig Wandinger (@ludwig-wandinger)
ludwigwandinger.com

Mastered by Rashad Becker

Photo by Sophie Klock

G&P022 💀

Spiritual Decay

Bandcamp

Ludwig Wandinger - In

Soho Rezanejad - Until My Scales Dry (Aske's version)

A track from George Francis' album 'Forty Days', a collection from a single year when he recorded a new composition every day.

Forty Days

Elder

original: https://www.youtube.com/watch?v=E935Od_J4fw

Physically Sick

My Sorrow Is Luminous

Life

sometimes u come in from the club at 7am and need all the music to be MORE AMBIENT so u have to make your own

a lot of my friends have been tryna escape recently , hopefully this and a spot of 30 degree mancunian sun will help

p . s. pls excuse my vv vapor artwork , i think i might have sunstroke

filton [ dissociative edit ]

Teresa Winter - Emptiness Is Also An Excess [RAVE031]

Ayin, the indigo goat, the son of the forces of time, became the lord of the knowledge gates, when he lighted up the lamp of the moke with the 26 black diamond delivered by the musk and burned the orchid root.

Samekh, the light-blue hippogriff, the daughter of the reconcilers. She had the heritage of being the bearer of life when one day she received the stanchion of Visnuh. Therefore she headed to the mountain of Apollo, who impressed on her the fate of destroying the dog-headed centaur. As the oracle predict, she burned him in the aloe wood, as a gift for the blue rush, and she saw the temperance, like a breath of wind, spreading allover the earth.

Today Ayin and Samekh, the devil and the temperance, after having gone up the 90.900 steps of the stars, enter the house of Zaddi, the daughter of the firmament, she who dwells between the waters, to manifest theirselves as human, eagle and peacock.



The day of the great conjunction,
when Saturn and Jupiter enter Aquarius, the double negation, the neither neither.
Entering the no-nonsense season,
light a purple candle,
the nights now begins to grow shorter,
the sun enters Capricorn,
marked by the six of swords.



Our aim is the death of the anthropocene.


♅ ♄ ♃  ￼￼♒︎ 

꧁꧂



Written & Produced by Heith
Strings & Artwork by VISIO

21122020 (Strings Of Visio)

@a_sonne @minaisb @petrola-80
Read more: pw-magazine.com/2021/premiere-astrid-sonne-minais-b-mistakes/

Exchange

Mistakes

Premiere: Astrid Sonne & Minais B »Mistakes« [Petrola 80]

Frederik Valentin "0011000" 
Posh Isolation 252 
Feb 19th, 2021

Frederik Valentin - Tears Ft. Soho Rezanejad

Patrick Belaga - Blutt 
Format: LP / DL
Cat.No. PAN 117
Release Date: 2 April 2021
Purchase: pan.lnk.to/Blutt

Conceived at the heel of Italy’s boot-shaped peninsula in Apulia, Patrick Belaga’s Blutt makes music for the unruly imagination. The title is an old German word for ‘naked’, ‘bare’, but it can also mean ‘blood’ when spelt blut. Take away another letter and it makes ‘butt’. None of these definitions and adaptations were what prompted the classically-trained composer and cellist to name his second album with a word simulating the sound of a punctured artery. That came later.

Blutt’s nine woozy compositions are inspired by a contemplative road trip with a friend, and the mysterious muffled music heard from an unidentified source. It was a combination of jazz and classical music that haunted Belaga’s wanderings through the Byzantine town Gallipoli, and soon infected his dreams of long-gone civilizations. This record is its outcome, where organic instrumentals and electronic production merge into a sound that’s both contemporary and ancient. Samples of mewing incantations and tape hiss sway atop the waltzing thud of piano chords on “Sigh”. Composite layers of Belaga’s cello play in downcast harmony on “Rust”. There’s a wistful sense for the romantic, in the eerie rhythm of a piece like “Momentum”. The quarter tones of an Eastern European and Middle Eastern folk scale probe a profound melancholy via Kai Knight’s violin. Its notes are haunted by a field recording of running water on “Unsoft”, echoes of panpipes and a Jew’s harp on opener “Lilt”.

As a consummate composer and performer known for his work with artists Wu Tsang, boychild, Josh Johnson and Asma Maroof, Belaga’s Blutt is itself marked by flawless collaborations. Vocalist and instrumentalist Jazmin Romero sings and composes the surreal melodies of “Grey Eye”. Multidisciplinary dance artist and producer Riley Watts contributes to the muted, motorik movement of “The Tunnel is a Tower”. Together, the record plays as a stunning soundtrack to the strangeness of sleeping, and the heartbreaking transience of time. Like an intense dream half-remembered, the emotions persist after waking but for the sharp machinations just outside of the mind’s reach. 
credits

The album is mastered by Rashad Becker, featuring artwork by Giovanni Forlino and design by Bill Kouligas & NMR. 

@patrickbelaga

Blutt

Patrick Belaga - Lilt (w/ Kai Kight) (PAN 117)

Label based in Berlin, est. 2008. http://www.p-a-n.org

Patrick Belaga - Lilt (w/ Kai Kight) (PAN 117)

PAN

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