release on 16 April 2021 : https://bit.ly/3sprFeO
@lilvica

Fibre-Fusion is Vica Pacheco's second full-length album, following Symplegmata, released on the Belgian label KRAAK in 2020. It continues her work on mutation and the energies that are released from new forms of life. Mexican artist, now based in Brussels, Vica Pacheco combines archaic and technological elements to create a mythology of invisible spheres.

Vica Pacheco - Oruga

This months  « After Eight » focuses on songs written, produced and performed by contemporary women artists. It travels between ethereal r&b beats, strange soul voices and dreamy synths… 
Featuring some international figures like @babyxsosa or @alex-drewchin ; the UK new wave with @lavalarue, @carla-dal-forno, @djfauzia or @lauragrovesmusic ... And very local french South East artists like the talented young @creamy-g or the sensitive beaux-ardeuses jucouteau & @tisedrama . 
Enjoy!

After Eight (No Music For Old Men w/ Aymard (25.02.22)

[EP017] B2B Guest mix by https://soundcloud.com/mxntrxss & TOWNJEWELER.

Aired via https://soundcloud.com/ma3azef.

Tracklist

Paul de Marianis - Fonetica Francese
Morten HD - Autotrophic
Montross - Basilica
Geinoh Yamashirogumi - Winds Over Neo-Tokyo
TOWNJEWELER - Swirly Bird
Montross - Interlagos (Drumless edit)
K. Leimer - Facing East
Coro Polifonico di Alghero - Ave Maria
Montross - ???
AYYA - Second Mistake
Jac Berrocal - Nuit de la Troisième Lune
Yoko Kanno - Chorale
Juan Marcos Blanco - Sueños
LORN - Sega Sunset
Suso Sáiz - Tierra Media
Oklou & Casey MQ - Lurk
Montross - ???
Miedo Total - Inno
Debit - Overcome Isolation
Amina Alaoui - Ode D’Ibn Arabi
Lol Coxhill & Morgan Fisher - Que En Paz Descanse
Montross - Hilkantu
Rafael Anton Irisarri - Empire Systems
Fatima Al-Qadiri - Pre-Extinction
Vainqueur - Solanus
Robbie Basho - Blue Crystal Fire
Malibu - Camargue
Todd Barton & Ursula Le Guin - Long Singing
K. Leimer - Two Voices
Montross - ???
TOWNJEWELER - Dream Drift
D. Burgos - Nomad Wind
Taaj Al-Khaliq - Re in Time
J. Form - Winding Path
Juan Blanco - Galaxia M-50

Ma3azef | evo-natura with Montross B2B TOWNJEWELER ― 25 February 2022

the disintegration of conversation between guitar and setar

setar rock

Aho Ssan - Till The Sun Down Feat Clipping. & Resina

MH016 - RAMZi - Phobiza Vol. 2 "Noite"

Sit in the creek, cool yourself, then move. Sounds to speed across the Noite skies or sink into the soil. Take the outer path to the inside and hop on the next flight to Phobiza. 

A1 - For Vanda
A2 - Fuma
B1 - Messiah
B2 - Male heya

MH016 - RAMZi - Phobiza "Noite" Vol. 2

ELI KESZLER 'FLYING FLOOR FOR U.S. AIRWAYS'

Extract from STADIUM (SP099), out October 12, 2018
2XLP / CD / DL — SHELTER PRESS

—

New York-based artist Eli Keszler is at the apex of his career. This year alone he’s had a three-month-long solo exhibition (“Blue Skies” at Fuse Arts, Bradford, UK), performed internationally in a duo with Laurel Halo, collaborated with noted Hungarian author László Krasznahorkai, taught experimental composition and performance at Camp in the Pyrenees mountains, composed music for Turner Prize–winning visual artist Laure Prouvost, and most recently embarked on a world tour with Oneohtrix Point Never.

“Stadium” is his new album for Shelter Press. As his ninth solo record,“Stadium” reflects his move from South Brooklyn to Manhattan, where he produced the album. The constant blurry motion and ever-changing landscapes of the fast-paced island helped him modify and shape his sound into a new kind of film noir. “After we moved into our East Village apartment,” Keszler explains, “we found a guitar pick on the floor that read ‘Stadium’. We looked at each other at the same time and had the same thought. It could have gone any number of ways.” Indeed, there is a startling amount of expression at play on each track, where intersections of melody, restraint and rhythm are used to challenge the idea of memory, impression and space.

Keszler is often mistaken for an electronic musician, but in fact his sounds are raw and natural, produced by hand live in-situ. His performance with the drumset and acoustic percussion are central to his work. He produces almost impossible textures through self-realized methodologies: cascading melodies, a shadow of voices, and a unique pointillistic materiality. Although playing with the intensity of digitally-created music, his communications are done live with no processing. These haptics are what give “Stadium” its depth and its warmth. In a recent interview for Dazed, collaborator Oneohtrix Point Never comments, “I’ve always described his playing as bacterial. He’s able to parallax into very small, very acute, very specific relationships between percussive textures. It’s beyond just being a drummer—he’s a world-building percussionist.”

In “Stadium,” Keszler uses lived experience to realize the most wide-ranging sound he’s created to date. “Stadium” draws out textures from overlapping geographies (from Shinjuku arcades to city streets and Brutalist architecture) and transforms these travelogue field recordings into starting points for composition. He then builds on these environments to create subliminal spaces for his percussion, keyboards and acoustic instruments. His “world-building” techniques are pushed to new levels with mesmerizing string and brass arrangements. Throughout the album, Keszler’s writing, keyboard playing and scoring operate like a sonic channel that transports the listener into a quaking web.

Perhaps this is the “stadium” referred to in the title: a larger network of sound and bodies moving continually, oscillating and turning in on itself. Keszler has explored these ideas before both in his visual work and sound installations—especially notable on projects such as his massive Manhattan Bridge installation ‘Archway’ or his Boston City Hall work "Northern Stair Projection." “Stadium” takes these long-running ideas to new depths. “My installations work with massive city spaces for a complex of individuals,” Keszler states. “The recordings on Stadium are inverted. They are landscapes scaled for the singular. Like a mass collecting in one arena, this music compresses city spaces, genre and instrumentalism into an amorphous form. On the record, there are ruptures of information and happenstance. Like a game, it could go any number of ways.”

Stadium

ELI KESZLER 'FLYING FLOOR FOR U.S. AIRWAYS' (SP099)

One year after the release of STILL’s debut album ''I'' comes a surprise remix pack with contributions by NÍDIA (Principe), Kenyan producer Slikback as well as Nyege Nyege associate Zilla, Low Jack and E-Unity from France, Duppy Gun Productions feat. I Jahbar, Primitive Art’s Jim C. Nedd, Dominican Republic via LA producer Kelman Duran.

This album is mastered by Jeremy Cox, featuring artwork by Invernomuto, costume by Jules Goldsmith and photography by Giulio Boem.

I (Remixed)

STILL - Nazenèt (Kelman Duran Remix) ( PAN 80-R)

Extract from 'Empire' EP, out FEB 14, 2019 on Shelter Press
Order: https://shelterpress.bandcamp.com/album/empire

SHELTER PRESS / SP107

—
Following the release of his album Stadium, out on Shelter Press last October, Eli Keszler returns with a brand new EP, Empire. Recorded between September and December 2018, this three-track EP is about finding stillness, tranquility and beauty in a dystopian landscape. In some ways, it continues the concepts explored on Stadium since it's also an EP inspired by cityscapes, architecture and, as Eli himself notes, "the illusion of order during declines." 

Eli started touring for Stadium at the start of October 2019 with a performance at legendary New York venue, The Kitchen, the day before he orchestrated a five-camera shoot — check out this remarkable concert-length film: (https://www.youtube.com/watch?v=xNLdBYvpiJk). 

Eli will continue to tour starting this month with three solo performances as part of Kevin Beasley's exhibition “A View of the Landscape” commissioned by The Whitney Museum in New York on Saturday January 26th at 6pm, 7pm and 8pm. 

He'll also be performing live at Mutek, Phi Center, Montreal on February 23rd, Fort Worth Modern Art Museum on February 28th (in duo with Nate Boyce), Gnration, Braga, Portugal on March 29th and Rewire Festival, Den Hague on March 30th. You can also catch him performing in Oneohtrix Point Never's band at Pitchfork Midwinter 2019, Chicago on February 17th and Myriad, The Roundhouse, London on March 8th. And, he'll be teaching at CAMP in the Pyrenees in April. 

For those new to Eli, his sound lies at the intersection of jazz, improvisation, fusion, modern classical and electronics. Although the music press has often tried to identify his work in terms of specific genres, he remains boldly on his own musical and aesthetic path. 

Stadium received record of the year from Boomkat and placed in countless end of year lists. Since copies of Stadium are sold out, a repress of the album will be released the same day as Empire on February 14th.

Empire

Enter the Bristle Strum

ELI KESZLER 'ENTER THE BRISTLE STRUM' (SP107)

Dialect - Under~Between

From Under~Between.
Available March 19, 2021.

Learn more: https://smarturl.it/rvngnl67

STILL - Nazenèt (Kelman Duran Remix) ( PAN 80-R)

PAN

Recent comments

mindyourbusinesspls

Le Spieman

Related tracks