beautifuls birds at the beginning . ressemble à des tisserins filtrés dans le haut

track 'Boogie Beams' taken from mini-album by Ilan Volkov and Ohad Fishof published in CDr red series. 

Ilan Volkov — conductor and musician. Served as principal conductor of the Scottish BBC Orchestra and the Iceland Symphony Orchestra. Founder and artistic director of the Tectonics Festival, a world-renowned platform for new and experimental music that takes place every year in Glasgow, Athens and Tel Aviv and has previously also taken place in Reykjavik, New York and Melbourne.

Ohad Fishof – An artist who works in the fields of sound, dance, performance and visual art. Began his artistic path in the 1980s with the band נושאי המגבעת and has since developed a unique body of work of time-based idiosyncratic art, in a sequence that includes stabilizers, musical works, video works, place-dependent performances and dance works.

Recorded by Daniel Meir at Levontin 7, December 2020. Mastered by Jacques Beloeil.

Ohad Fishof/Ilan Volkov (Duo):
http://www.tzlilmeudcanfestival.com/about-fishof-volkov/


available for order from stellage.store

Boogie Beams

Ilan Volkov and Ohad Fishof — Boogie Beams (Stellage, 2021)

hidden waves is a collaborative ambient project recorded over four days in may of 2025.

ascensions

substance (remaster)

Valerio Tricoli — Clonic Earth
Format: 2xLP / DIGITAL
Cat.No: PAN 71
Release Date: 24th June 2016
http://p-a-n.org/

The experimental Italian composer returns to PAN with a new LP, titled 'Clonic Earth'. His ongoing output for the label has long-presented his electroacoustic sound compositions where since the mid-'00s, he has utilized analogue live sampling and real-time editing of field and studio recordings by means of manipulation of 1/4 inch tape.

Asides from being a founding member of the Italian avant-rock group 3/4HadBeenEliminated, he has worked extensively with various musicians, choreographers and multimedia artists including Thomas Ankersmit, Antoine Chessex, Werner Dafeldecker, Anthony Pateras, and Robert Piotrowicz.
 
His studio compositions, documented on few records, often explore themes of the internal - represented both by the psychological and the physical - and of the occult, which with the use of spoken text makes them often deeply existential works, self-investigations of the psychological, emotional and irrational horror within.

The new record, 'Clonic Earth' is a perturbing, compelling and eventually mind-expanding work, marked by compositional strategies of exploded narratives, psychological insight and oracular literary references, where questions about the boundaries of spatial perception in the decoding processes of acousmatic music are overturned into existential, metaphysical questions. 

Tricoli's allegorical and philosophical universe takes the form of an unhinged mind's landscape swarming with estranged sound objects, and sometimes reminiscent, in the complexity of details and surrealistic effects, of Hieronymus Bosch’s larger paintings. Compared to his previous works, the content of 'Clonic Earth' explores more synthesized and heavily processed sounds, especially vocals, often appearing in the form of a religious, electrified chanting. 

The record is described by its author as a natural consequence of the internal collapse depicted in his previous record, 'Miseri Lares': "As if all the debris left inside my loudspeakers have been ignited to expand into the ether, to find a justification at the principle of Chaos, or Cosmos alike." 

This movement is expressed by references to the theme of fire as original matter in the Chaldean Oracles which, together with the later work of Philip K. Dick, are the main sources for the vocal/text elements of the composition. Fire, intended as the convulsive principle of existence, but also an ontologically terminal element - hence a representation of the infinite decay and a mean of communication with the otherworldly - serves the author a metaphor for the acousmatic listening experience itself: a borderline perception of sounds eternally fixed in their spasmodic disappearance, which could eventually drag us into a different layer of reality, drastically changing, subverting, or expanding the space in which they are diffused. A ritual, somehow, which may link the listener and the perceptive space that he inhabits with whatever lies beyond the loudspeakers, beyond the vibrating surface of the world.

Valerio Tricoli — I. The Hallowed Receiver (PAN 71)

This piece was made for the opening of the Radio Belgrade Electronic Studio on March 2 2018. 

This is my 1st recording of the real-time improvisation with EMS Synthi 100 + my computer setup.

Computer setup was based on the TouchOSC interface, Pure data patch and Ableton live. Improvisational dialogues between Synthi and computer were done through a dynamic interactive interface on my tablet and tweaking of the Synthi sounds live and playing with their parameters. I haven't used Synthi's sequencer (or a computer sequencer), but rather variety of key triggers, joysticks and envelope shaper trapezoids.

Due to a wide frequency range, it's not advisable to listen to this recording through a laptop speaker or similar.

This is my first use of the modular synthesizer in live performance and/or composition.

TV recording of the whole event: https://youtu.be/9tUwHGweUxY
(simultaneous performance in 2 studios of the Radio Belgrade with audience, live TV and radio broadcast)

Radio Concert No.1

Taken from the album 'Hence' released on LP and Download.

Hence

Oren Ambarchi & Jim O’Rourke with special guest U-zhaan 'Hence One' (excerpt) (EMEGO 249)

Beautiful dreamlike ambient piece by Birch.

'The Danish imprint Infinite Waves takes a step back with its triple
cassette anthology ‘Still Water’, showcasing the current tides and
sounds at the label. The compilation will be released on October
13.

The rules on Still Water are the same as on the 2017-precursor,
Underwater Gestures. Each of the six artists has been given a tape
side – or a maximum of 20 minutes ¬– to incorporate their own
sound and atmospheric textures, resulting in a triple cassette
release with six different notions of the ‘ambient’ terminology.
By compiling different works of art, Still Water is both a statement
that is larger than the individual works and a manifestation of the
concept and artistic profile at the Copenhagen based imprint. In a
world of easy to digest singles, Still Water is a far-reaching and
weighty body of the work.'

Order via: http://infinitewaves.net/product/various-artists-still-water

https://soundcloud.com/infinitewaves
https://soundcloud.com/sofiebirch

Still Water

Premiere: Birch - Stoke ft Jorn [Infinite Waves]

Martina Lussi - Higher Energy

From DIAG049 Not Waving / Jim O'Rourke - Side A / Side B

Side A / Side B

DIAG049 Not Waving / Jim O'Rourke  'Side A'

A Warmer Welcome// a digital benefit in support of syrian refugee welfare // 110 Tracks // DL - 2016
https://www.discogs.com/Various-A-Warmer-Welcome/release/8140284

:Zoviet*France: - The White Sea

LAC05 Ignatz - "What A Cute Dog"

Label based in Berlin, est. 2008. http://www.p-a-n.org

Valerio Tricoli — I. The Hallowed Receiver (PAN 71)

PAN

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