Name: The Orange Track by Panama Fleets
Duration: 3 min 42 s
Description: An old racing track I found in the attic, made in tape. Hope you enjoy it!

love the synth sounds on this,really cool beats,top track

brilliant tracka and the texture of the sounds is lovely, bravo

Written and Produced by Kenneth Werner Werner.
Mastered by Emanuele Pertoldi.
Photography by Alexander Kopatz.
www.go70north.com
Faint023 // FaintCD023
Faint / 2021

Midnat Skov IV

track 5 from “natural serenity” by @taennya

name your price:
https://taennya.bandcamp.com/album/natural-serenity

natural serenity

taennya - earth citizen

We’re pleased to welcome back Toronto, Canada’s anthéne in the form of this collaborative album with UK cellist and composer Simon McCorry. Between them, they have released solo recordings on labels such as Home Normal, Archives, Past Inside The Present, Naviar and Fallen Moon. They’ve also both released on Polar Seas, a label helmed by Brad Deschamps, the man behind anthéne.

Both artists are comfortable collaborators, having worked alongside the likes of Ian Hawgood, Andrew Tasselmyer and Andrew Heath. It was in 2020 when their remote recording sessions translated into The Equation Of Time, combining and processing Brad’s guitar and Simon’s cello into a collage of droning textures. A concept sprang from their work together, during the unfolding pandemic and its resulting lockdowns, where time itself seemed to stand still, go backwards and go forwards, all at once. Add to this the the sheer geographical distance and time zones separating these artists, the often-explored artistic muse of time and space became the central theme.

The title ‘The Equation Of Time’ relates to the differences between the day of the earliest sun rise, the day of the latest sunset, the longest day. Each of these days are different, noted by the ancient Greeks and the Persians before them. The enormity of time and the ability for humans to occupy the same space as multiple predecessors is particularly fascinating when faced with something ancient, such as a cave painting, a forest or the ruins of a fallen civilisation. The track titles are aptly borrowed from parts of T.S. Eliot’s 4 Quartets, which also deals with the contemplation of time. You can surmise from these poems that ideally, one would focus only on the present, in order to make the most of each turn of the clock; the past cannot be altered and the future is unknown. Our memory can subconsciously serve us back our own recollection of past times, which can result in nostalgia, melancholy or both. Our minds can also influence our perception of the future, with feelings of either fear, excitement or both.

The Equation Of Time grapples at these themes and ideas without the intention of ever truly being able to define time. A wash of faded memories, unknowns and current thoughts stir into one-another; ambient music itself always seems so able to reflect and evoke a sense of wonder, at things far bigger than we can ever comprehend. 

Releases May 22, 2021

Written and Produced by Brad Deschamps and Simon McCorry
Mastered by Ian Hawgood
Artwork by Tom Tebby
Packaging design by Tom Tebby

The Equation Of Time

wlr093 anthéne & simon mccorry - the equation of time

Je Suis Karl (Original Motion Picture Soundtrack)

In Motion

Rhein - Drone I

Since 2018 we’ve released five albums from Berlin, Germany based composer Sven Laux, including his most recent collaboration with Fione and solo albums ‘Schachmatt’, ‘ODD’, his Home Diaries edition and 2020 and the extended version, Scattered Fragments of Separation (The Complete Story). Sven’s sound design has found its home in short films, advertisement and in audio branding but he also maintains his discography as an artist, focusing on deeply stirring cinematic themes.

A well-balanced contemporary sound awaits you in this latest edition ‘What Remains’ and you are urged by the title to consider what you think about when something is left over? The record uses a depth of sprawling orchestral timbres, across its at-first cryptically titled tracks, to set out the phases of processing an event. At first there is ‘patience’ and ‘hope’, then there is the passing of the event (‘the goodbye’) followed by ‘what remains’; the now. Memory may serve ‘the return’ and perhaps ‘the cohesion’ and for some, there may be ‘the ending’.

You may choose a past experience to relate with these titles or, you might choose to allow it to relate to the present day. It does not matter whether you think positively about something from the past, or whether you mourn something afterwards in a sad or melancholy way. Whether negative, positive or even indifferent, it is the contemplative environment that each track brings which will allow this record to become a thinking space; a ceremonial framework to process events.

Written and Produced by Sven Laux
Mastered by James Edward Armstrong
Artwork by Zoë Heath
Art and Design by Andrew Heath

What Remains

wlr124 Sven Laux - What Remains

An old racing track I found in the attic, made in tape. Hope you enjoy it!

The Orange Track

This was a fun first challenge.
This is Sweet Home from Beyond Good & Evil the game.

I reproduced as much as I can with my ears and the sounds that I had to remake the song and add a dnb drum samples for the first half of the song.

Sweet Home (Remake/Remix)

Hydrangea

At the gates to Pareidolia it reads...
"Your experience is unrelated hidden data aimed at the face area that exists to stimulate with familiarity"
I was born and raised in Pareidolia. This is where I live. This is what I hear.
Powlos 2018

Written and Produced by Powlos
Mastered by Emanuele Pertoldi
Photography by Alexander Kopatz.
www.go70north.com
Faint005 // FaintCD005
Faint / 2018

Powlos - Loess

Written and Produced by Christina Giannone
Mastered by Drew Sullivan
Photography by Alexander Kopatz.
www.go70north.com
Faint021 // FaintCD021
Faint / 2020

The Orange Track

Panama Fleets

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