I am Asinun

Raw sonic explorations of the tools I am designing at INA grm. No external input, no post-processing, live capture with minor editing.

Today, a study on feedback, in the style of early electronics pieces.

GRM Development Diary 5

Ooparts6

Mischief (Cement Mix)

Xart45955923

AFX - Bike Pump Meets Bucket (Non-distorted rework)

MiniChaos

Year composed: 2019
Format: 3D Ambisonics / Stereo

As the title suggests, several different types of sound material coexist in the piece, recorded in various environments and settings, forming rich musical textures and layers of diaphanous ambience. We can think of the piece as a two-part composition that explores the relationship between sound masses and movement in space.

Mastering: Cato Langnes, NOTAM

Image: Beka Javakhishvili

Allotropy

This piece plays with the listener’s sonic expectations of what is familiar by fusing sounds, which a person can easily recognize, with new previously unheard sounds generated by algorithmic processing. By using various sounds and sonic artifacts that are common to the human experience, the work directs the listener to draw upon his inner visual associations with specific sounds and paint a mental soundscape of the acoustic experience. The introduction of other, unfamiliar processed sounds into the composition, invites the listener to break away from this familiar associative chain of acoustic phenomena and push the boundaries of his perception, in the process forming new sonic combinations and auditory experiences.
The musical piece was fully recorded and compiled in the Tonshoom Studio in April 2020. Some sounds were recorded using musical instruments, sound props, and speech; others were synthesized with SuperCollider. The final track was mixed down in Pro Tools and WFSCollider.

03. hybrid by Ivan Yerofeyev

With Every Tear a Dream

From the collection of audiovisual works "Quickly Photographed and Released Unharmed"

Quickly Photographed and Released Unharmed is a collection of generative audiovisual artworks by Pandelis Diamantides. The collection is part of Diamantides' ongoing research into the non-representational use of screens.

The collection reflects on our visually overstimulated environment. Diamantides seeks to create a direct experience with light and sound, using the screen as a medium rather than a representational canvas. The screen becomes a light source, inducing after-images in the vision of the viewer through rapid successions of light and colour. The works in the collection affect the intake of newer information through overstimulation.

The artworks carefully deploy light as a medium; after-images from previous frames are superimposed over newer frames in the vision of the viewer. This optical layering means that light patterns perceived by the eye and brain complement to the visual material currently presented on screen. By exploiting the neural mechanisms underlying visual perception the viewer becomes an integral part of the artwork, simultaneously the observer and the creator.

https://www.seditionart.com/pandelis-diamantides/collection/quickly-photographed-and-released-unharmed

Quickly Photographed and Released Unharmed

With Every Tear a Dream

Video

https://radiokapital.bandcamp.com/album/a-compilation-for-belarus

All proceeds from Peramen! A Compilation for Belarus will go to #BY_help, a grassroots initiative offering aid to victims of repression, established on the wave of arrests that shook Belarus in March 2017. The funds will be used to pay fines, unlawful fees imposed for being held in detention, medical costs and lawyers.

The idea for the compilation was developed by Elena Sizova, Minsk-based DJ and producer. Peramen! A Compilation for Belarus was prepared with the help of the Radio Kapitał collective.

release: September 19,2020
Mastering Engineering by Dr Rey | Uferlos Studios & more
Artwork by Zofia Kofta

Lostsoundbytes - The Mysterious Stranger

"Bleeps, microsound and infrabass. A taste of paradise in binary language. Like rush hour traffic inside electric wires."

Pandelis Diamantides is a new media artist, electronic music composer and researcher who splits his time between Nicosia, Athens, and Amsterdam. His art installations, sound compositions and audiovisual performances are carefully crafted, highly immersive experiences. He has taken part in various collaborative projects, creating sound, visuals and software for contemporary dance, theatre and interactive audiovisual installations and performances. His work has been presented in international festivals, concert halls, clubs, theatres, galleries and museums in Europe, the Middle East, Asia, South America, and the United States. These include MoMA PS1 (New York), the 55th Venice Biennale, Bozar Centre for Fine Arts (Brussels), Museo Nacional Centro de Arte Reina Sofía (Madrid), the Madrid Planetarium, the Benaki Museum (Athens), Athens Digital Arts Festival, TodaysArt Festival (The Hague), the FOAM Museum (Amsterdam) and Amsterdam Dance Event. His works include Green (2011), False Awakenings (2015), Go Back to Hiding in the Shadows (2019), Quickly Photographed and Released Unharmed (2020), and Παλμός (2023).

With Every Tear a Dream

Pandelis Diamantides

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