Kabir, in his mystical style of poetry, compares one's longing for the ultimate to the painful yet sweet longing of a bride - a bride who no longer finds her parents' home pleasing, who is not satisfied by all of its comforts, but now longs only for her beloved.

He goes on to describe how his Sadhguru is the only one who can show him the way and how this thirst can be quenched only from within.

Naiharwa, hum ka na bhaavai
The comfort of my parents' home is not enough for me anymore,

Hum ka na bhaavai,
It doesn’t please me.

naiharwa…..
My parents' home...

Sai ki nagari param ati sundar, ati sundar
The land of my beloved...a place so beautiful!

Jaha koi jaavai na aavai
The place that is beyond coming and going!

Chand suraj jaha pavan na pani
Where there is no moon, sun, air or water ...

Ko sandes pahunchavai
Who will take my message there?

Darad yaha sai ko sunaavai
Who will relay my pain to the beloved?

Bin sataguru aapano nahi koi
I have no one other than Sadhguru

Jo yaha raah batavai
The only one who can show me the way!

Keheta kabira suno bhai sadho
Says Kabir, listen O seeker

Sapane mein preetam aavai
The beloved will come to you, like in a dream...

Tapan yaha jiya ki bujhavai
And quench the thirst of your burning heart!

Naiharwa | #Kabir | #SoundsofIsha

Radheshyam - Pt. Ramesh Narayan

Dhyanalinga Supbrabatham

Uyir Nokkam - Sounds of Isha (LIVE - Mahashivarathri 2014)

Lord Shiva Tandav- Uma Mohan

Sadhguru has often said "Most of the time you are thinking about life, not living life". How very true! We spend more time thinking about yesterday or worrying about tomorrow. The hindi word "kal" refers to both tomorrow and yesterday - probably equating them as they are both non-existential, given that our experience of life is only the moment that we are in right now. However, the "kal" is where our mind seems to spend a considerable amount of time. If only we could ​be constantly aware that this moment is the only reality, we could live our life fully. It would be a celebration of being alive. This song very beautifully captures this sentiment playing with the hindi word "kal" to accentuate the plight of the mind caught between the fictitious kal's. We could tell you more about the song, but you will have to wait till... tomorrow ;)!

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Kal Kal

“Devotion is a dimension that will allow you to sail across even if you do not know the way.”– Sadhguru

“Eppadi Thaan…” was written by OothukaduVenkataSubbaiyar, and looks at life from the perspective of a devotee (of Krishna, in this song).
The song describes how once a person is devout, all they see is sweetness around them. The buzzing of bees becomes a song, Krishna’s mischief become endearing pranks, and his many heroics become awe-inspiring legends. Such is the sweetness of devotion that it transform’s the devotees experience of life in powerful ways.
Devotion has been an important part of spiritual processes in India. Stories of Radhe Krishna, Mira Bhai, and the Nayanmaars have been told and retold for centuries, and many devotees are seen as no differentthan the Divine. 

Sadhguru say, “Devotion is not an act; it is not directed towards something or the other; the object of devotion is immaterial. It is just that with devotion, you have dissolved all the resistance in you so that the divine can transpire like breath. The divine is not an entity sitting up there; it is a living force in every moment of your life.”


Eppadithan En Ullam

s songs for asramam bramcharis.....................

Surya Ashtakam

Sanskrit devotional songs from Divine Chants Of Shiva

05 - uma mohan -  - shiva panchakshara stotram shiva shadakshara stotram

02 Devi Sooktam

This song portrays the devotion of a #Shivanga sadhaka towards Shiva, the Adiyogi, and the sacred #Velliangiri Mountains.

The Velliangiri Mountains are also known as the Kailash of the South - a space of tremendous power and energy where Shiva, the Adiyogi himself, spent some time.

Shivanga Sadhana is a powerful 42-day vrata (period of Sadhana). Offered by Sadhguru, this sadhana enhances one's receptivity to the energies of Dhyanalinga and allows one to explore deeper levels of experience in body, mind and energy.

Credits:
Music composition - Sounds of Isha
Singer - Sai Vignesh

Radheshyam - Pt. Ramesh Narayan

Pt. Ramesh Narayan

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