Name: Pico selector by Panoptica Orchestra NPO
Duration: 3 min 44 s
Description: From the upcoming Nortec Panoptica Orchestra album, an experiment on cumbia, banda (brass) and dub.

Me gusta muchissimo, mel apuedes enviar par mesclar la en Francia??

From the upcoming Nortec Panoptica Orchestra album, an experiment on cumbia, banda (brass) and dub.  

Pico selector

Agrupación ilegal los imparciales - Media hora de cumbia 

http://agrupacionilegallosimparciales.bandcamp.com/
https://www.facebook.com/losimparciales

Grabado y Mezclado en "Jacarandá" en Diciembre del 2013 por Martin Perrone y Mat Soilder. http://www.facebook.com/jacaranda.estudio
Versiones Dub Meets Mat Soilder. 
Diseño: Lucila Herrera Broner http://www.facebook.com/laalcaucila

@2014. Reservados todos los derechos de los autores, compositores y de los interpretes. SADAIC. Industria Argentina. 
Todos los temas pertenecen a Matias Soldano, excepto 5:Villondo, 7: Hermosa, 10: Popolizio.

Cumbia Psicodelica (Dub)

Track 05 del Album "Salvaje" de Sotomayor. 
Salvaje fue producido por Raúl Sotomayor y Edi Kistler entre 2014 y 2015, Grabado en Fresno Estudios, México D.F, en 2015 Edición y Mezcla por Edi Kistler en Sugar Free Studios, México D.F. Ingeniero de grabación: Uriel Durán y Edi Kistler Masterizado por Oscar Zambrano en Zampol Productions New York, E.U. 
Arte del disco por Alejandro Magallanes 
Contenido fotográfico de la banda por Pablo Cruz Iraztorza Material visual en vivo por Oscar Reyes en Todo Bien Estudio Publicado por Tropic-all y New Hispanic Music 
Sotomayor es: Raúl y Paulina Sotomayor Músicos participantes: Edi Kistler (bajo, rhodes, melódica), Diego Espinoza (percusión), Alejandro Guerrero (armónica), José Manuel Trespalacios (ukulele), Daniel Martínez (bajo), Andrés Torres (guitarra), Paulina Sotomayor (voz, batería, percusión), Raúl Sotomayor (programación y composición)

Morenita

06 - Fauna - Hongo x Hongo

Taken from the album "¡Vamos A Guarachar!"
Release date: October 7th, 2016
www.glitterbeat.com

Something is stirring in downtown Tucson. That’s no great surprise perhaps: Calexico have been sending out missives from the desert for 20 years now, Giant Sand for even longer than that, and the Green on Red revival is surely overdue. These three giants of American popular music ask questions of the form, chiefly because of where they are situated. Let us remind ourselves that this isn’t a big city in the American sense (it’s the country’s 33rd largest), but that its hinterland is indeed as big as it gets. For an hour south, Mexico starts. And this is where things get interesting.

Born in Nogales, Arizona, raised in Nogales, Sonora, multi-instrumentalist and band-leader Sergio Mendoza grew up listening to the Mexican regional styles jostling for headspace in a young, music-mad mind – cumbia mainly, but mambo, rancheras and mariachi too. The border is always a fierce arena of exchange, both commercial and cultural, and so there was American music too. At one point ‘rock and roll, the classics’, as Mendoza himself deadpans, seemed to win out and he stopped playing those ‘Latin styles’ for a good decade and a half.

The return to those sounds was a strong one in 2012’s Mambo Mexicano, co-produced by Mendoza and Joey Burns of Calexico – a band for which Mendoza has become an increasingly integral touring and recording member. While that record had a studied air, tentative in parts (as befits the renewal of an old love affair), ¡Vamos A Guarachar! is another beast entirely: by turns raucous (‘Cumbia Volcadora’, featuring Mexican electronic pioneer Camilo Lara), tender (‘Misterio’, surely Salvador Duran’s finest moment with the band so far) and plain serious fun, as in ‘Contra La Marea’ and ‘Mapache’, it also bears a robust electronic edge, a keen pop sensibility and all the hallmarks of Mendoza’s love of 60s rock, with the closing track, ‘Shadows of the Mind’, sure to be included if anyone decides to update the Nuggets collection for the 21st century. This is roundabout way of saying that it appears to have everything, but never too much of anything. Focused, fierce and beautifully executed by a superbly drilled set of musicians, it is a record that fully matches the band’s explosive live performances.

Nogales, Sonora, Nogales, Arizona: this is what the border looks like here – for now. To talk about borders and the diasporas they create, is to be pitched headlong into our era’s most urgent debate, marked by Trump’s lurid obscenities and the lines being hastily reinstated across Europe. Orkesta Mendoza’s contribution to that debate is to show us what the border sounds like and what masterpieces can be achieved by honest cultural exchange. What we decide to do with that information is up to us. With this record, however, we’ll have an awful lot of fun deciding.

You could, of course, take the trip to Tucson yourself, to the home of this essential set of field recordings. The scene hangs out together, so … if the stars align and their frantic tour schedules permit, you might see any number of folks from Calexico, Giant Sand or up-and-coming cumbia rockers Xixa deep in conversation somewhere in town with a quiet young man in black. That’s Sergio. Right now, in this endless game of Tucson tag, Orkesta Mendoza are IT.


Vamos A Guarachar

¡Vamos A Guarachar!

Orkesta Mendoza - Cumbia Volcadora (feat. Camilo Lara)

Más Papaya-Sidestepper

Cumbia del Monte (Ska Cubano Remix.)

1st track off our 1st record.  A cover of the Los Wembler's classic

Sonido Amazonico

¡Sonido Amazonico!

From our first record, Sonido Amazonico, on Barbes Records

La Cumbia del Zapatero

Cumbia Del Zapatero

from our 1st record, Sonido Amazonico.  On Barbes Records

Primavera en la Selva

Primavera En La Selva

Ondatrópica - Suena

Panoptica Orchestra is producer Roberto A. Mendoza. Previous bands include Artefakto (Opcion Sonica / Zoth Ommog), in the late 90’s the Nortec Collective (Palm Pictures, Nacional Records). Panóptica (Certificate 18 /Domino records, UK). In 2008 founded Panoptica Orchestra. As dj-producer has released tracks for Erase records from Greece and Ukraine's Manuskript.

Pico selector

Panoptica Orchestra NPO

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