A song I wrote at the end of a relationship, for someone I loved with all my heart.

- Lyrics, production, lead vocals, guitar, and mix by yours truly
- Additional vocals by Misha MoLove, Lina Cooper, & Will Weil
- Strings arrangement by Richard Wang & Ting Bull
- Acoustic guitar by Misha MoLove
- Keys by Farhan Sarasin
- Bass by Dave Lee
- Drums by Will Weil

LYRICS:

The night that you sat on those stairs
With a clear mind and stroking your hair
The first time you felt so at ease
The guard jewel to your gear piece

The loud girl who keeps to herself
Who loves the sea and clean smell
I love you for being yourself
The one who understands me so well

Pre-Ch:

So I’m writing this cheesy ass song
Before you’re so far and gone
Of monsters and hardships you’ve slayed
I really want you to stay

Chorus:

I don’t wanna do this without you
My dear ice queen bubbi bub biet-bu
Just give me a chance I can prove to
For the best of me, for the best of you.

I’ll melt those thick ice walls around you
My dear ice queen bubbi bub biet-bu
I’ll show you that I am the one,
For the best of me, for the best of you.

V2:

The time wasn’t right but you were
And-I know that I fucked up you’d infer
I ain’t no Heidi and her chill
But I’m done being so mentally ill

I’m more of a G-reth style BF (can’t you tell)
I’m jealous impatient (and my feet fucking smell)
I don’t have the answers but one thing’s for sure
I’m firm on improving for you evermore

Pre-Ch:

So I’m writing this cheesy ass song
Before you’re so far and gone
I’m begging you biet biet please stay
It doesn’t have to be this way

Chorus:

I don’t wanna do this without you
My dear ice queen bubbi bub biet-bu
Just give me a chance I can prove to
For the best of me, for the best of you.

I’ll melt those thick ice walls around you
My dear ice queen bubbi bub biet-bu
I’ll show you that I am the one,
For the best of me, for the best of you.

Bridge:

I know you don’t feel the same
It’s up to me to make the change
I swear I’ll re-ignite the flame
Because…

Last Chorus:

I really cannot fucking lose you
My dear ice queen bubbi bub biet-bu
Just give me a chance I can prove to
For the best of me, for the best of you.

I’ll wait all my life if I need to
My dear ice queen bubbi bub biet-bu
But I’ll show you that I am the one,
For the best of me, for the best of you.

Ice Queen

Thought I'd add some flair to the track. 

8/8 an absolutely appropriate use of my time. 

Original song by Filthy Frank: https://youtu.be/TBfWKmRFTjM

All copyrights reserved to their respective owners (Filthy Frank).

Weeaboo Song (Full Dynamic Range Edit)

A new single by me. 
All sounds you can hear in the track, are recorded off my 77 Albatross Jazz.
No sampling, no synthesizers, pure guitar.

First time I've done something like this.

Enjoy!

~ If ~  Single // Guitar Arrangement

An experiment to see how much I could expand, within the most typical pop progression / structure. Incorporates ideas from DnB, Jazz, Metal, and so forth.

Song name comes from the combination of "velocity" and "ferocity".

Sorry if the guitar solo sounds terrible; I was lazy and just went with some stock electric guitar sample.

Felocity

A sci-fi dystopian film score that's separated into 4 different sections depicting the consecutive scenes of a supposed film. 

The concept of a “rainy night” alludes to the constantly raining and night time conditions, which sets the scene of a rainy, cyberpunk city ambiance. 

This is demonstrated from the first section A, that introduces the composition. It is in 13/8 odd-time, which was done to generate a sense of unevenness in the fast paced city setting.

The following B section builds up to an act of malice / sin, with reference to gothic roots. This is also noted in the title, as “city of dis” refers to a hellish city depicted in Dante Alighieri’s The Divine Comedy; albeit a dystopian / futuristic variant depicted in the composition. 

The culprit of such malice acts from section B, is found by the police during section C, which turns into a violence-infused car chase. 

The final D section implies the death of the culprit with an overture ironically placed at the end, which finalizes on a major-sounding, unresolving imperfect cadence to hint he/she may have escaped death.

It is inspired by movies like Blade Runner, and TRON.

A Rainy Night in the City of Dis

Beethoven's popular Piano Sonata No. 14 "Moonlight Sonata", arranged in the style of traditional Japanese music.

A shakuhachi flute performs the original melody, while a 17-string "bass" Koto performs the original chordal work, done by the left hand of the piano. 

The middle voicing's arpeggios have been completely re-written as motifs for a standard Koto.  

All of this is supported by various rhythmic patterns performed by a Taiko drum. 

PЛИZERНЛШХ

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