Paper+Sound_Noisy Elektroniks

Processor creates a cyclical vortex of sound, hypnotic, relentless
and chaotic. Dark driving basslines, jagged shapes, like shrapnel
fly among electric swells and echoes. Many of these songs were
written in the summer of 2012 and have since then exploded
into the wild soundscapes they are now.

Processor’s self-titled release is a limited edition cassette and digital download single.

http://www.paperplusound.com/

Bandcamp

Processor_Drowned Rat

…like a feather caught in a down draft, it becomes
increasingly improbable to determine where it will
hit the ground and with what force of impact.
All one can really do is enjoy the path it takes.
How like life…

Chromosphere is the solo project of Digital Poodle and Kinder Atom alumnus Kris Helstrom.
Often tightly packed with special guests, Chromosphere is an electro-forum for odd, and sometimes not so odd, musical ideas. Experimental and urbane improvisations jammed loosely over oozing break-beats most easily describes the sound from within the Chromosphere.

Produced by Kris Helström.
Guitar by Roland Last.
Recorded at Temple Studios, Toronto.
Mixed at Wright Sounds, Toronto.
Mastered by Sillaste, Helström.
Socan 2013

Chromosphere_Down Drafting

LES FONTAINES are a Toronto “éléctro-psyche” synth pop duo. Their debut 8 track album MAGIC TOUCH is out now on Toronto’s paper+sound label. Released on 150-gramme vinyl and digital download.
Lorenz Peter (synths, noise, turntables) has played in numerous duos, including CORPUSSE and in bass synth duo PROCESSOR.

Heiki Sillaste (synths, drum machines, effects) has previously made music as cult elektro industrialists DIGITAL POODLE and electronic maximalists KINDER ATOM.

When it came to recording their debut album, Les Fontaines settled into the secluded confines of a sauna cabin in the great Canadian wilderness.

Created solely utilizing a small collection of vintage synthesizers, drum machines and cheap & nasty effects units, MAGIC TOUCH was recorded live to tape with no computer trickery.

Long sessions of electronic music improvisation influenced by a collection of cheap 80′s hi-energy 12″ singles, fueled by other-worldy substances and self-hypnosis instruction records came together on tracks such as BURN THE MATTRESS, GREY ZEBRA and MAKE IT POOLSIDE.

Les Fontaines love their distorted hand-played synth leads, over-layed on top of choppy drum box funk rhythms, arpeggiated bass lines and swirling, walls of phased sound. Occasional metallic voices float in and out of the mix, commanding the listener to pay attention.

Magic Touch is an uncompromising LP. Les Fontaines create their own
singular sound of psychedelic, electronic, art synth punk funk.

http://www.paperplusound.com/

Les Fontaines_Super Burger

Huren unleashing $CUMTRONIC$ is structured relapse therapy. Unfamiliar feelings. Vaguely vile - compelling... Avoiding the limited framework. The fuckin' suckers got stuck up!

Track taken from the HUREN Liquidation World album (DL/Hi-bias red cassette. Ltd. to 150 copies) released on 
Toronto electronic music label PAPER+SOUND.

http://huren1.bandcamp.com/releases
www.paperplusound.com

HUREN_I WARNED YOU NOT TO COME OUT TONITE

Lorenz Peter is an electronic musician & well known comic artist living in Toronto, Canada. His new album LP Lorenz is released on Toronto label paper+sound in a limited edition cassette format, as well as a digital download.

"The Assembler was a synth I owned for about 6 months. It may have been a kit, but it was the first one custom built by my friend J. I renamed it The Offender because of it’s bad attitude regarding peoples ears."

www.paperplusound.com

LP Lorenz_Offender 1

Processor’s music is created using driving bass guitar rhythms,
pulsing synthesizer sequences, tapes and other modulated sounds.

Rogersville Sessions marks Processor’s third release for paper+sound and is released as is a limited edition cassette and digital download album. Recorded in Rogersville, New Brunswick in a highly productive eight day recording session, direct to four-track tape.

www.paperplusound.com

PROCESSOR_Bus Ride

Elektro Canuck Jams! Hard drum boxes and buzzy synths topped with broken loops and plenty of beer. Raw and in your touque beats… Perfect for your next rackety outdoor grillin’fest.

This is the title track taken from the HOZERZ brand new cassette. 

www.paperplusound.com

HOZERZ_Hozerz Booty Party

www.paperplusound.com

Track taken from the new 3-track Mega City Acid e.p.

Mega City Acid

Mega City Acid e.p.

Tape Hiss

Building Castles Out of Matchsticks is the musical diary of Anne Sulikowski. Track taken from her new album "Magical Thinking", available on CD/DL on the Toronto based paper+sound label.
www.paperplusound.com

Magical Thinking

Building Castles Out Of Matchsticks_Port Rowan

Chromosphere is the solo project of Digital Poodle and Kinder Atom alumnus Kris Helstrom.
Often tightly packed with special guests, Chromosphere is an electro-forum for odd, and sometimes not so odd, musical ideas. Experimental and urbane improvisations jammed loosely over oozing break-beats most easily describes the sound from within the Chromosphere.
This mix is a a different, iltemporized mix from E.P.1's original. 
FREE DOWNLOAD.

http://www.paperplusound.com


Chromosphere_The Android (remix)_free download

Atonement is the recording project of Heiki Sillaste (Digital Poodle, Kinder Atom) and David S. Faris (Parade), exploring the further reaches of electronic sound and improvised music. Formed in the late '90s, Atonement is an outlet for uninhibited collaborations, utilizing a variety of electronic gear, primarily analogue synthesizers, drum machines, and an assortment of effects units and guitar pedals, largely steering clear of computers and sequencers. The resulting material ranges from subtle ambient tones to unlikely beat-driven tracks to intense noise manipulations. Atonement create music that revels in the purity of raw electronic sounds, drawing inspiration from 20th Century electronic music, first wave industrial music pioneers, ambient music, and the adventurous spirit of '80s cassette culture, among other things.

While Atonement has existed for almost a decade and a half, "Age of Atonement" is the duo's first official release. Beyond a few obscure live shows and compilation appearances, Atonement has remained under the radar to date. "Age of Atonement" breaks the silence, an e.p. of suitably uncompromising sound explorations and improvisations, drawn from various sessions in different studio environments, and offering a brief glimpse of things to come. Atonement's debut full-length album will follow later this year on Paper+Sound.

Dust Static is a system music piece comprised of thick, heavy tones and dark drones. Infused with a sense of menace and a foreboding nocturnal atmosphere, “Dust Static” is a soundfield of analogue synth tones, merged with field recordings from Thailand, courtesy of ambient/experimental artist Dust That Collects.

Atonement_Dust Static

Lorenz Peter is a Toronto based recording artist and comic artist. In 1991, Lorenz began to produce volumes of nightmare ridden, ink drenched, underground comics entitled Side Effect, and along with that came a soundtrack.Noise, effects, space sounds and sci-fi surrealist soundscapes were produced with guitarist K. Adams under the name Ludwig Felicio.
With Adams, Lorenz went on to perform with Mike Nightmare & The Things in 1993. Mike Nightmare was formerly of Toronto’s notorious ’77 punks The Ugly. The group lasted only seven months but the experience lasted a lifetime and inspired Lorenz to write his critically acclaimed Chaos Mission graphic novel.

In 1997, Lorenz joined Corpusse, a perfect combination. A power duo that would influence Toronto’s underground art rock/noise scene for nearly 15 years and record 3 albums together. For almost seven years a Roland SH 1000 and a vintage Ace Tone Rhythm Ace drum box were the only instruments used to create the Corpusse sound.

Since then, Lorenz has also recorded two albums with Toronto based painter Jay Isaac as the Bay of Creatures and one album as the Terror Dancers in 2006. The equipment has changed, but the experimentation continues, as Lorenz teamed up with Heiki Sillaste in 2009 to produce an album and 7″ single of electro-psyche as Les Fontaines.

Duos have been the key in this musician’s history, but this new release is Lorenz Peter’s first solo effort. “Alone At The Foam Party” gives a very complete picture of the artist’s sense of drama, humor and current musical tastes.

“The formula has always been about making use of what is there, whether it be a TV, a bus, a keyboard, or a computer. Found sounds, cassettes, radios, and recycled recordings have always been a big part of the process. On “Cadillac Billy”, I have reworked a song from my “Things” days into something very different and relevant, using what is available on a computer."

Lorenz Peter's debut album for the paper+sound label is named Alone At The Foam Party.

Lorenz Peter_Cadillac Billy

paper+sound is a Toronto based electronic music label, releasing music under the broad sub-categories of ambient, techno, house, dub, downtempo and experimental sounds.
The paper+sound release schedule includes download MP3s, CDs, vinyl and videos.
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