Force Field PR Sept / Oct / Nov / Dec 2019 Playlist

"Run Around" is the first single from FRAME's forthcoming album POLARIZER. To be released in spring of 2014. 

Written by Frame
Co-writing by /// Alex Lipsen and Will Levith
Mixing /// Dan Long
Engineering /// Alex Lipsen
Mastering /// Jeff Lipton of Peerless mastering

RUN AROUND

A Place We Like - Hooray for Earth & Twin Shadow
Drop the Tough - Groove Armada (The Twelves Remix)
Innocence - Bjork (Simian Mobile Disco Remix)
Heart of Glass - Blondie (Oliver and Thee Mike B Remix)
I'll Get You - Classixx
Learn To Lose - Hockey (Filthy Dukes Remix)
Take a Walk - Passion Pit (Classixx Remix)
I Got This Down - Simian Mobile Disco
Dreams - Fleetwood Mac (Gigamesh Remix)
Bossy - Kelis (Alan Braxe and Fred Falke Remix)
We Don't Have to Take our Clothes Off - Jermaine Stewart

FRAME /// MIXTAPE

British musician Jo Johnson’s debut solo album for Further Records, Weaving, betokens an exciting presence in the world of minimalist composition. 

“Ancestral Footsteps” opens the LP with cascades of cyclical harp-like sounds, an homage to one of Johnson’s primary inspirations: Alice Coltrane. Channelling rigorous new age and mesmerizing Riley-esque/Reichian minimalism, the piece accrues heft and intensity, with occasional bursts of synthetic, tribal clapping until it fades out with cinematic flourish. The title track gradually alters simple guitar and keyboard phrases, along with a chiming motif that multiplies in a hall of mirrors. The disorientating arpeggios form moiré patterns against colossal bass notes. The mood lightens considerably with “Words Came After Music,” whose sweeping strings and drones could take you to whatever your idea of heaven is. Interestingly, the title of the piece is inspired by an anthropological theory Johnson stumbled across that musical ability predates language in humans. With its sombre, undulating synths and lustrous highs and lows, “In the Shadow of The Workhouse” plumbs profound emotional depths. Epic closer “Silver Threads” starts as an almost silent retreat in the vein of Laurie Spiegel's Appalachian Grove or Eno and Budd's The Pearl with the faint hum and buzz of telegraph wires, until four minutes in a stoic pulse and suspenseful chiming motif arise, buttressed by glowing synth sighs and the LP's only percussive thumps (think Incunabula era Autechre). 

While inspired by the "serious music" of Arvo Pärt, Wim Mertens and others, Johnson’s mandalas of tone mantras offer a playful, DIY sense of adventure, as you might expect from the former guitarist for incendiary punk group Huggy Bear and a long-term co-organizer of London’s Bleep43 techno club night and label. Weaving condenses Johnson's long love affair with free jazz, minimalism and electronic music and this unique ambient composition is invested with powerful emotional resonance.

Ancestral Footsteps

Papertwin - Alkaline  (TIPPY TOES REMIX)

Pre order your copy: bit.ly/1v9GKkV

Official release date 11/11/2014

Void Vision is a Philadelphia-based electronic project helmed by Shari Vari. It began around 2009 at a time when a wave of synth-revivalists were materializing, but the quality of the songwriting and intense vocals set the band apart from the pack. In a rare instance, Void Vision has managed to combine vintage dance elements with melodic structures, haunting melancholy, and lyrics that have a palpable soul. The songs themselves are dynamic, referencing a cross-section of the last 30 years of electronic music, while simultaneously retaining a uniqueness all their own.

Wierd Records weekly club night in New York, which showcased a variety of talented electronic and coldwave artists, served as an incubator for Void Vision in it’s early stages. After a standout debut performance at the club, they immediately caught the attention of Blind Prophet Records, who consequently released their first 7″ single, ‘In 20 Years’, which received excellent reviews.

Vari has continued performing and recording steadily over the last few years, releasing songs on compilations for various labels, including Rough Trade, and in 2012 the song ‘Everything is Fine’ was selected for Artforum magazine’s ‘Best of 2012′ issue. In 2013, Void Vision toured the West Coast and later that year released a split 12″ with Portland-based band, Vice Device. The first official full-length album, entitled ‘Sub Rosa’ is set to debut on Berlin-based Mannequin Records, followed by a European tour in 2015.

Shari Vari formed Void Vision in 2009 originally as a duo, during the explosion of the new minimal synth and cold wave scene in United States. Sharing the same scene of the Wierd Records associates like Led Er Est, Martial Canterel, Xeno & Oaklander, Automelodi, in 2010 VV released ‘In Twenty Years’ on Blind Prophet (Sean Ragon’s Cult Of Youth record label), receiving also the attention of the Rough Trade dudes, who asked to put out a track for one of their synth wave compilations.
After other split vinyls, tapes and compilations, Mannequin approached Shari with the intention to continue what Wierd Records started, giving a proper shape to her beautiful and youthful dark electronic sound. The result is 10 hypnotic cold analog tracks dominated by the warm and fragile Shari’s voice, some more “pop orientated” some others belonging to the original “cold wave” atmosphere.

“Sub Rosa” is an edition of 400 copies on 160 gram black vinyl and 100 copies on 160 gram white vinyl.

Limited silskcreen hand numbered art edition for the first 50 copies, 160 gram white vinyl.

Void Vision - Slow Dawn

HOT GUTS - WILDS.
Avant! Records
Nov. 10th, 2014

A3 Kite And Shadow

'Europa Hymn' is the first track off of ‘MG’ - Martin Gore's new 16-track electronic instrumental album - out now on Mute. #MGxMG

BUY MG:
Digital- http://po.st/MGiTunes

MG ONLINE: 
http://www.martingore.com
http://www.facebook.com/MartinGore

‘MG’ TRACKLISTING
Pinking
Swanning
Exalt
Elk
Brink
Europa Hymn
Creeper
Spiral
Stealth
Hum
Islet
Crowly
Trysting 
Southerly
Featherlight
Blade

MG - Europa Hymn (Official Audio)

Empathy Test return for 2017 with their new EP ‘By My Side’. With echoes of CHVRCHES and Purity Ring, the enigmatic duo have impressed with their brooding electro sound; winning critical praise and a legion of dedicated fans worldwide. Empathy Test evoke a cinematic appeal with their songwriting and showcase an ability to transform the mundane into something beautiful and tragic. This partly stems from their inspiration by sci-fi worlds. Isaac Howlett and Adam Relf formed Empathy Test after discovering a mutual love of eighties sci-fi soundtracks and underground dance and indie music, with the name Empathy Test being taken from the film Blade Runner.

The new EP follows last year’s stunning ‘Demons / Seeing Stars’ release, and only adds further intrigue to their forthcoming debut album. The EP’s eponymous opener explores the emotions of desire within a dysfunctional relationship when all avenues of reconciliation have been exhausted. The listener is initially lulled into a false sense of security; with it’s serene synths and snaps twinned with more emotive lyrics of throwing “another lover on the fire”. The track swells until the soaring chorus perfectly balances the yearning sentiment of the lyrics “Don’t you wanna be by my side?”

If ‘By My Side’ represents the trauma of the EP, then ‘Vampire Town is the emotional light at the end of the tunnel, and conveys a sense of healing. The spacious washes and haunting vocals throughout the EP integrate to form an overall sense of darkness and mystery; and ultimately tell a story of longing, regret and, finally, acceptance. It’s a method that captures the duo’s strength and goes straight for the jugular. Empathy Test are renowned for captivating their live audiences with their branded mix of analogue synth sounds and eighties pop beats; and are playing upcoming shows and festival appearances around Europe - including Electronic Winter (Gothenburg, 28/1/17), Synth Pop Goes Berlin (Berlin, 17/2/17), and Amphi (Cologne, 22/7/17). If you haven’t already checked out the electro pop prism of Empathy Test’s world, then it’s time to acquaint yourself with this amazing new talent.

Vampire Town (Papertwin Remix)

Kal Marks' latest release is the incredible "Let The Shit House Burn Down" EP, due out 9/27 via Exploding In Sound Records

Kal Marks - Heads Been Ringing

Candy Cigarettes

Happy Half Lives

Crisps & Crackers

Hold Me is the first single from wished bone's EP, sap season

Hold Me - Single

"I Can't Dance" – The first single off "Nostalgia", out November 8th, 2019

Preorder the Vinyl: http://bit.ly/Nostalgia_Vinyl

TWITTER : https://twitter.com/MichaelSeyer
INSTAGRAM : https://www.instagram.com/michaelseyer/
SOUNDCLOUD : https://soundcloud.com/michaelseyer
FACEBOOK: https://www.facebook.com/michaelseyer
BANDCAMP : https://michaelseyer.bandcamp.com/

Lyrics:
He don’t pay no mind
To the little voice that he hears inside
Brushes it to the side
All he wants is to feel alive

I aint fancy no, when I’m dancing no lie
I’m just wilding one step at a time and it’s
So damn right

So, I got a glimpse of god
In the form of a living beat
It goes like,
I can’t dance no, I can’t dance no
I can’t dance no, no, no, oh!

She moves and catches his eye
They had little choice, they knew to jive
Swings her hips to the side
Dance floor seemed so dim in light

I’m so antsy oh, when I’m prancing no lie
I’ll just boogie one toe at a time and it’s
So damn right

Cause I know just what you want
Aint the same with what you need
It goes like,
I can’t dance no, I can’t dance no
I can’t dance no, no, no, oh!

I Can't Dance

Papertwin started playing music together in 2009, formed by Max Decker after narrowly escaping a lucrative career as a landscape painter. After two homespun EPs and a long hiatus, the band is set to release their first full length album ‘Family Portraits’ via Druyan Records.
Recorded in Decker’s home studio in Massachusetts with longtime friend Francis Cardinale and receiving guidance from Nick Shopa, the LP was mixed by Jorge Elbrecht (Tamaryn, Sky Ferriera, Japanese Breakfast) and mastered by Heba Kadry (Bjork, Slowdive, Ryuchi Sakamoto).
The friends convened after taking a beat to re-configure and re-evaluate their personal lives after some major changes. Lead singer Max Decker had recently had a kid and moved from New York back to Massachusetts where he had grown up, and instrumentalist and producer Francis Cardinale had just lost his father to a prolonged battle with cancer and decided to re-locate to Los Angeles. The band decided to leave behind the musical orbit they were inhabiting due to these evolving external life circumstances. This genesis & paradox is the foreground of Family Portraits -- kind of like a vortex/hole, an accumulation of noise & fragments from where things end & also where things begin. That’s not to say that the band went into this album with the intention of “documenting trauma” or sorting through it via the music, even. The theme of family acts as a foundation, but also as something to be explored. The record is both familiar & unsettling. Shocking but calm. There’s a languidness to the vocal production & melodic sensibility (if you can trace it underneath soundscapes that are unequivocal, fractured, dry & recall some of Talk Talk’s greatest tape collages to date). It’s impressionistic. Something you can’t quite inhabit, but can’t quite easily walk away from either. It’s elusive, self-contained and full of life — full of lives lost and the prospect of newer ones, whether they be sounds, experiences or chapters beginning.

Happy Half Lives

Papertwin

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