4 track EP - Available on bandcamp

https://microlith.bandcamp.com/album/1234

1234 EP (Previews)

Back in April we released our debut project, ‘Glitch With Friends: Samples Vol. 1’. Since then we have been hard at work on a new batch of projects, the first of which is ‘Glitch With Friends: Compilation Vol. 1’, an 8-track compilation produced entirely using samples from our prior sample pack.

The compilation features many familiar faces from 'Samples Vol. 1' as well as some newcomers. There were no instructions given for this project other than - "use only samples we created", and as a result there is a wide variety of musical styles and sensibilities on display here, illustrating the sonic range of the samples and the producers themselves.  
----------------------------------------------------------------------------------------------------------------
This tune is my contribution to the compilation. I hope you enjoy! I spent about two months working on the tune, having an hour or two per day (not every day, though). Two more tunes were created out of the same project, which will hopefully be released by the end of the year, or the start of the next one. 

I am very excited to see how this community develops over time.

And I'd like to give a huge thanks to everyone that participated, and @oddlogic for creating the glitch.cool website!

WWW.GLITCH.COOL

Glitch With Friends: Compilation vol. 1

Stricture

Glitch.cool

Long time following Bewwip's footsteps, the encounter between us was only a matter of time. We cannnnot overstate our love for this elusive artist and we bring it proudly. Welcome sir 4rd. A+++ stuff for those who know. 
-
+++ OUT NOW +++
LTD. PURPLE VINYL + DIGITAL: bit.ly/2rZY4PR
-
AF027
BEWWIP
E DRIVE EP 
-
A1 WRGV COMPILE 04:45

A2 BS3 03:40

B1 SQUIDGYCID4 03:28

B2 FINALLY EARLY 2 6B 1 02:39

B3 BLOCK BY BLOCK 02:52
-
©+Ⓟ Analogical Force 2019. All rights reserved. 
Written and produced by Bewwip somewhere in Philadelphia ⁄ US. 
Mastering by Carlos Koschitzky at Koschitzky Studio, Gijón.
Artwork by The Partisan, Madrid. 
Distributed by Clone, Rotterdam. 
www.clone.nl
www.analogicalforce.com

Buy Now

[AF027] BEWWIP 'E DRIVE EP' [2019]

A Jam with the the Division Department 01/IV/ Elektron Digitone controlling it, and Oberheim Sem /Euro rack.

ISN 01/IV SEMZ (JaM)

Sunday Sq80 Groove

 proximamente en PIRA.MD  Records. Version demo para decarga gratuita.


DreamSettings - Paperworks

Tired of me

dolphin VST is a free (slightly old) tb bassline vst, its no ABL3 but it does the job. anything the hardware 303 couldnt do (or i could be bothered to try and program) like subdivisions, extended range notes or devil fish-esque modulation bizniz i used dolphin (and some max4live units to automate it).

SOON TO BE ACQUIRABLE VIA PLASTIC DISC!

MBC003 - Mause - Run\Stop EP
Available to Pre-Order 2xLP and digital now at https://massagebraincult.bandcamp.com/album/mause-run-stop-ep-remixes


***Hi! We need to inform that MBC003 w/ Mause - Run/Stop EP + remixes from D´Arcangelo, Bot1500, Uf0, Utopia Cloak, Anitta and Suso Flores due to overload of work at the pressing plant, release date will be delayed 20 days. We just activated 2 new tracks on the preorder that you can listen and download from MBC Bandcamp. We hope you understand the delay. Sorry and thanks for contributing to making the release happen!***

"In a whirlwind of sequences, mause presents his latest project to the world through mbc

|RUN/STOP|

Six tracks of acid, funk, electro and drum’n’bass derived musings plus remixes from some of the finest names in the “Braindance” sphere to date (some old, some new), cornering various angles of electronic music and bending them into signature contortions of scattered breakbeat rhythms, acid lines and melodic features, let yourself be taken on a no brakes ride through the various facets of this scene.

The concept was simple, bridge the gap between the digital production temperaments present in mause’s upbringing as an artist, and mause’s new found obsession with spending too much money on hardware, bringing different disciplines to the proverbial table."

RUN\STOP

buy me

Dolpin Funk1

How do you think life originated?
Since bacteria were underwater, the first step in evolution was a mistake.
Thus all the steps that have led to evolution and survival have been errors and accidents: a deformation caused the bacteria to perceive light and develop eyes.
That genetic line survived, and it reproduced by inheriting its genes.
There have been errors in the genetic lines that allow organisms to perceive more information from their environment. By perceiving more information, they are able to survive and develop, protect themselves, and even manipulate this environment.
Natural selection and evolution are just mistakes…
Glitches in genetic systems.
Maybe it has no purpose at all.
We are all the result of a series of mistakes … We are all the result of a series of glitches.

Amotken presents his 4th album: “Life’s A Glitch“, the result of a two-year exploration where a synergy fusion between organic textures and digital and analog glitches takes place. Where electricity adjoins a wooden body and strings to explode in endless textures and changes, taking the narrative through the most innocuous places.

https://www.abstraktreflections.net/releases/amotken-lifes-a-glitch/

Amotken - Exp 9

Mesh Series 005: Rob Clouth 

A curated series where we commission artists to make an hour long mix of whatever inspires them to experiment, produce, play out and what they listen to.

As a multidisciplinary artist working in the fields of electronic music, computational sonics and new media, Rob Clouth's motivations include searching for raw emotion amongst intricate musical structures, developing experimental audio software solutions and, in the broadest sense, rethinking the ways in how we interact with music and technology.

Initially received as an IDM artist, his sound has evolved consistently over the years, with critically acclaimed excursions into techno, ambient and neoclassical. Today, he employs a range of influences, drawing upon research-based practices with a heavy dose of improvisation to forge microscopic textures rich with melody and harmony. A proficient software developer, he codes his own digital instruments in tandem with the music, an iterative cycle in which one feeds off the other.

After a few years exploring the outer realms of dubstep as Vaetxh, Rob’s first EP under his own name arrived with 2012’s Cloud Complex on Traum Schallplatten. Fusing the glitchy aesthetic of his previous work with fragile melodies and techno rhythms, it signalled the merging of his detail-oriented production with multigenre, dancefloor-ready tracks. Two acclaimed 2014 releases on Barker’s Leisure System imprint - Clockwork Atom and Deep Field - expanded further on his interest in atypical structures and sweeping spatial arrangements, landing him a spot on Bleep’s best releases of the year.

Hidden Structures - a 2015 EP, again on Leisure System - considered the inner workings that lie within the universe, using the notion of concealed structures to build a delicate 30-minute release of mind-melting sonic explorations. The follow up to this, 2018’s Transition - Rob’s first release on Max Cooper’s Mesh imprint - represented a new direction in his methodology. The landmark four-track EP is accompanied by an online algorithmic summary of his entire musical output since 2003, documenting his development as an artist as part generative music piece, part visual summary, and rethinking the traditional formats attributed to a release. 

March 2020 saw the release of Rob’s debut album Zero Point - a love-letter to noise, chance, chaos and order. Written over a year and a half between Barcelona and a remote village in Northern Spain, the album is inspired by the zero-point field, a quantum sea of random energy that exists everywhere in the universe. Seemingly complex scientific processes might suggest a challenging listen, but Rob’s music positions the listener firmly in the centre, encompassing moments of awe and affect amongst shifting rhythmic structure

Artwork was created by Rob Clouth

TRACKLIST:
Hiromi - Kaleidoscope
Avishai Cohen - Chutzpan
Dorian Concept - Dishwater
Niels Broos & Jamie Peet - Sparrows
Elusive - Alien Simulation
Oak - Escapist
Rippps - Plush
Eero Johannes - bel_air.obj
Anomalie - Velours
Ivy Lab - Live On Your Smile (E. Train Remix)
J-E-T-S - Pink Beat
Rochelle Jordan - How U Want It (feat. Machinedrum)
Bop - Spiral
Harald Grosskopf - B. Aldrian
Nathan Fake - Pentiamonds
Lusine - Chatter

Artist Info:
https://www.facebook.com/robclouth/
https://www.instagram.com/robclouth/?hl=en

Mesh Info:
www.meshmeshmesh.net/
www.instagram.com/meshmeshmesh_
www.facebook.com/meshmeshmeshdotnet/

Contacts:
Label: Anthony@thewildseeds.com
Press and Radio: rosalie@tailored-communication.com

Mesh Series 05: Rob Clouth

Jim Kimchi remix for Poztman's Burial Blossom single. Listen to it here: https://fanlink.to/KLhgb

DreamSettings - Paperworks

Paperworks.

Recent comments

Kryone

José Soberanes

David Inexacte

Related tracks