Such an infectious groove... I'm a hafta sample this here funky jam on my next hip hop track!

Paul this is an amazing rocking master peace.

Great sense of purpose and movement to this track.

RIVER OF SANGRÍA FROM PERNILLA COMET

Music: Jan Schonander

I published a vocal version of this a while back, but originally I had intended this to be instrumental only. Turns out I listen to this a bit so I thought maybe there are some listeners out there that might enjoy it too.

Getting Somewhere Instrumental

Getting Somewhere | Instrumental

Very lovely to write this new song at my real piano again! Thanks to my lovely Sander for awesome mastering job! 😊🎹🎤🎶💕❤️🎧🎵❤️
@wane-of-summer for lovely music!

DEEP DOWN (acoustic piano & vocals)

We're going under
This is not our lucky day
My mind's asunder
Oh, let's save those thoughts away
Yeah I heard the thunder
There are still so many things to say
You disturbed our slumber
Oh, this is not your lucky day

We're going out there
We're going all the way, the wrong way
You may think it's unfair
But it was you who chose to play
And now we don't care
No, we can keep this up all day
Yeah, you better beware
'Cause this seems not you lucky day

Oh this is where you drown, you drown
It's all the same so let's, get out of town
Love will end and now, you're down, you're down
Thoughts may blend, and you, will drown, will drown

Oh this is where you drown, you drown
It's all the same so let's, get out of town
Love will end and now, you're down, you're down
Thoughts may blend, and you, will chase yourself around

Lucky Day

Sparkling River 
So Deep and So Far Down
How'd  I end-up Here
In this RiverTown

Can't go back – Can't turn around

I'm Gonna Crack that Surface
All Around 
It'll Make a Pretty Picture
When you're Looking Down

Deadly River
So Cold and So Far Down
I Lost my Way
Up in this RiverTown

Can't go back – Just one way out

I'm Gonna Crack that Surface
All Around 
It'll Make a Pretty Picture
When you're Looking Down

Sparkling River - Deadly River
Can't turn around

Sparkling River - Deadly River
I'm Sorry but there's Only One Way Out

RiverTown

Margareta & Mats 1993

Pernilla, tänkte jag. 697 ( 1993 ) Margareta Theorin - Eddy Mango ( Margareta )

....this track is a wild mix of vocals from different tracks by Special Cecilia

lyrics & vocals: Special Cecilia
vocalwhirl: electroHippie

https://soundcloud.com/specialececilia
https://soundcloud.com/specialvocals/tracks

Special Cecilia - elevate the element YinYang (wildVocalwhirl)

Highway / Open Collaboration Offer Paploviante
Paploviante: Composing, Bass, Arrangement, Mix, Picture and Mastering
The track is downloadable as a mp3 file!
You can complete what you want!
If you publish it, you have to mention me in the description and title!
98 BPM
Free Download

Highway - Paploviante

Music: Jan Schonander
Crows from Pixabay
Image generated with OpenAI with a prompt

The anticipation - the standoff - the requiem 

A favorite movie of mine from my younger days is "The Good, The Bad & The Ugly" famously ending in a Mexican Standoff between Clint Eastwood, Eli Wallach and Lee Van Cleef. Directed by Sergio Leone with music by Ennio Morricone I recommend this spaghetti western to anybody who hasn't seen it.  On a whim I thought I would perform a musical reenactment, although in my version there are no survivors.

The experimental part of this has to do with the reverb on the drums in the "shootout" to simulate gunshots.

A Mexican standoff is a confrontation where no strategy exists that allows any party to achieve victory. Any party initiating aggression might trigger everyone's demise. At the same time, the parties are unable to extract themselves from the situation without suffering a loss. [Wikipedia]

Mexican Standoff

Recorded in Modesto, Ca.  Featuring Gibson 335 Electric Guitar solo.  Fender Rhodes Electric Piano solo. Trumpet solo. Acoustic Bass. Roland Synthesizer Bass.  Acoustic Piano Rhythm. Trap drum set. Percussion Congas, Bongos, Cowbell, Timbales, Zildjan Crash cymbal.

Capitola

Sangria

Written, performed and recorded by Neli CoKo, 2023, all rights reserved.
Thank you for listening :)

Neli CoKo - Green Comet

Volume on 11 for this one …. The pulsating rhythms instilling a sublime sensation of both restraint & motion, like driving. Part one is a guitar ensemble and later part 2 introducing bass effects and an addictive synth motif hook

AutoBeat

Blueprint for track that became 'Sandycove Milk'.

Inspired by wondrous music by Conin, whose track 'Kitty's Wake' reminded of the rich clay of Joyce's 'Finnegan's Wake'. This track, about the opening pages of Joyce's Ulysses, borrows coffee spoons, forever those of T.S. Eliot, in an effort to add sweet milk...drawn from the milk-well of honeyed Sandycove.  The lyric speaker is, notionally, Stephen Daedalus. For practical purposes, the lyric speaker is James Joyce himself. His aim? To hit Haines for a guinea [a pre-decimal unit of currency] before heading to France on a ferry. Whilst Haines still feels guilty (sheepish) about having fired his pistol at an imaginary cat he thought he saw in the fireplace in the Martello tower in Sandycove (now the Joyce Museum....a sacred...magical place, whose attendant Joyce scholars told me about the Haines' imaginary cat episode....it is all true...yet also dovetails eerily with the first chapter of Ulysses).

The reference to Haines having consumed Absinthe is a narrative fiction, invented to offer an explanation for his dangerous behaviour. No peer reviewed evidence capable of demonstrating Absinthe has hallucinogenic properties, exists, to my knowledge.


Lyrics

[chorus]
Gotta learn me some Italian
Gonna get me a guitar
Gotta learn me some Italian
Gonna get me a guitar

Hellenise me now
She come and go
talking bout Michelangelo
there will be time
there will be time

do I dare to eat a quiche?
I shall wear enchanted trousers
and float upon the beach

I’m still dreamin
something happened last night

Haines downed a snot-green bottle of Absinthe
started shooting at his Schrödinger's cat
in the fireplace
looks real sheepish this morning
gonna hit him for a guinea [a pre-decimal unit of currency]
and get outta here
gliding on the Emerald sea
to Paris
with Haines’ guinea in my pocket
when I’m at sea

gonna go uptown now
hitting the top deck of this here Martello
gonna watch the mailboat
glide on an Emerald sea
gonna rest my shiny elbows
on the jagged granite
just leavin the harbour

and here comes stately Buck
bearing a bowl of lather
crossed razor and mirror as well
holding the bowl aloft
and intoning...intonin

Introibo ad altare Dei
sacred chalice
sacred cross
and now I’m lookin at the sea
Thallata...sweet mother
Hellenise me
mailboat clearin the harbour
rage of Caliban inside me
cos of Haines....[firing a gun inside the Martello tower when drunk the night before, at a giant cat he imagined was sitting near the fireplace]
sweet Thallata
buttercups on the quilt
powdered musk and gauds of amber beads
calm now like the sea
there will be time
there will be time

Martello

Spring time (Guitar solo)

Reborn

I’m happy to post this song with help from my first SC friend https://soundcloud.com/espere-verde, who encouraged me on to improve my music making from a very start. Good musician & draughtsman (he did this artwork too), his vocal performance here gave the mood I couldn’t to the song.

Technical highlights:
>Most vocals: Espere Verde
>Music & almost no vocals: Ruizzoidman
>Odd patterns hidden along three levels in this track: amalgamated psycho-hard coating, usual 7/2 in punk/ska intermediate parts, and finally the sweater core is structured in groups of five measures.

Lyrics: strangely, I wrote about these stressing things when I was 21 and supposedly happy; I'd say similarly today I'm twice as old...

SIN MUJERES NI TABACO, SIN PRISAS  /  WITHOUT WOMEN OR TOBACCO, WITHOUT HURRIES
  
Todo lo que odio me ayuda a vivir,  /  Everything I hate helps me to live,
lo que me pone enfermo me empuja a seguir.  /  what gets me ill pushes me on.
Todo aquello que quiero dejar de sentir  /  Everything I want to stop feeling
es lo que da sentido a mi vivir.  /  is what gives sense to my life.
  
No puedo vivir sin mujeres,  /  I cannot live without women,
ni tabaco, sin prisas,  /  or tobacco, without hurries,
no puedo vivir.  /  I cannot live.
  
Mi ración horaria de tabaco  /  My hourly ration of tobacco
me mata por dentro.  /  kills me from inside.
Mi ración horaria de tabaco  /  My hourly ration of tobacco
me ayuda a vivir.  /  helps me to live.
Mi ración diaria de prisas  /  My daily ration of hurries
me saca los nervios.  /  gets me on my nerves.
Mi ración diaria de prisas  /  My daily ration of hurries
me empuja a seguir.  /  pushes me to continue.
  
Mi ración … de mujeres  /  My … ration of women 
me hace sufrir.  /  makes me suffer.
Mi ración … de mujeres  /  My … ration of women 
me ayuda a vivir.  /  helps me to live.

ER29HC8 ©1995 ®2015

Sin mujeres ni tabaco, sin prisas (Most vocals by Espere Verde)

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

Thanks much for 815980 Plays, 43392 Likes, 26920 Reposts, 10222 Comments and 7243 Downloads since 2016 !!!
Explanation to my open collabs (You see it in the title or the description):
The track is downloadable as a mp3 or wav file!
You can complete what you want!
If you publish it, you have to mention me in the description and title!
If you want the track different ...contact me!
------------------------------------------
Unfortunately there are always people who use my open collab tracks, but don't have the decency to like the original track or to repost and comment...shame on them!
I will not support such collaborations anymore, no matter how good they are!

(Don't follow me here, best follow my main page ;)

Highway - Paploviante

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