Mix Series

Radioblog 
06.05.2021 
uj pa gaz  b2b Ger Kacerja 
[ 12 vjet Radiobar ]

https://soundcloud.com/ujpagaz
https://soundcloud.com/tdalshin-tomthat

Radioblog 06.05.2021 - uj pa gaz  b2b Ger Kacerja [ 12 vjet Radiobar ]

Episode 610 of @DarkScienceElectro

Anthony Rother - Polycentric
Morphology - Absence Of Matter (Hardfloor remix)
Franck Kartell - Cyber Criminals
Das Muster - Horizontale Drehung
Kavinsky - Nightdrive (Arpanet rework)
Elecktroids - Stun gun
Rutherford - Autism
Arpanet - Probability Densities 
UHU - Virtual Network
Obergman - Supersymmetry
Maschine Brennt - The Language Computer (V2)
Animistic Beliefs - Virgin Circuit
MetaComplex - Quantum Compression
Techmarine Bottom Feeders - Sons Of Thunder (Ectomorph remix)

www.darkscienceelectro.com

Dark Science Electro

Dark Science Electro - Episode 610 - 5/7/2021

HDE 001 w/ Extase Urbaine & Dollkraut (23.06.21)

KGBK is flying solo this month with a selection of music for all your cleaning/work out/background music needs (underline where necessary), or if you are a lucky one - pre-party/after-party. Bangers and slow burners from all around the world.

Full tracklist - https://www.lyl.live/episode/parabox-16

Parabox 017/045 - KGBK

@invernonrevni
instagram.com/invernonrevni/
facebook.com/invernonrevni/

What are moments you can think of that make you want to listen to slow, stripped down music like in your paradisco set? 

In terms of seasons, we are totally in the middle of it at the moment. Fall-Winter. We have this constant vibe of “last rays of light", the day declining and before the street lights will pop. 
This moment when you don’t see super clearly but you can still notice poetry in details.
Just before the darkness.

If there were an event where you could play the genres of music from your paradisco set, what would the setting be like?

A big building with a spacious room and huge windows, from which you can see the day light declining slowly, with some trees around and why not a wind storm. A bit dramatic, a bit cinematographic.
An endless and ephemeral landscape that can disappear if you blink your eyes.
That’s what I picture when I listen to one of the tracks in the set: Monolake (Robert Henke & Gerhard Behles) - Infinite Snow [2009]

Are there any artists in particular that inspire you when it comes to music outside of typical electronic music genres?

I have some names from the Portuguese Fado, like Amália Rodrigues, Carlos do Carmo. Or the biggest Portuguese queer icon António Variações. Luz Casal in Spain.
Also Hamlet Gonashvili called “the Voice of Georgia”, was a soloist singer in choir ensembles and and performer of traditional Georgian music. I love choirs.
Yugoslav dark wave music bands… So many to mention. Impossible to list all of them.

Towards the end of your mix you played the amazing eurodancey track by Sonique - do you often like to incorporate nostalgic tracks in your mixes? What is your relationship with eurodance and trance?

I am a nostalgic person, regarding music. I love the new stuff, because it’s important to re-invent the genres and evolve, but I witnessed the Eurodance, Trance and other movements of the 90’s, first hand. I was a teenager when all of this invaded radios, tv shows… 
Sonique and Massive Attack are both from 1998, the oldest tracks in the set.
That’s kind of a love letter to my younger self.

Paradisco 009 // INVERИO

NGC-5128 & Astron liveset @ Mala in Cēsis, Latvia on 07/05/2022.

Cēsu Audio Ukrainai @ Mala 07/05/2022

NGC-5128 & Astron – Cēsu Audio Ukrainai liveset

@plattenaffine

1. We saw that you love playing records, and by extension, collecting them. Could you guide us through your preferred way of finding some little gems to share with your audience?

A lot of my records I bought at flea markets or small shops, find them on the street or get them for my birthday :)


2. You are playing a lot in festival and bigger clubs of Berlin and around - how do you manage to connect with the big crowds during your sets?

Good question I never thought about how to do it, I think it just happens through the music, I love my music and I get happy listening to my records and if I am happy the people get happier too, I guess.


3. The tunes that you gracefully played in your set for Paradisco are mostly things from quite a few decades ago; is there any particular time-era that you like the most in the music history of the world?

I love music from the eighties, for me this was just the best time, where a lot of really great music comes from.

Paradisco 022 // Plattenaffine

@paddy_jennings 
https://www.instagram.com/pat__dj/

Full interview on substack: https://paradisco.substack.com/023-pat

Interview snippet:
- We listened to your set during a Friday in Mid-July while it was raining by a low 20 degrees. When recording this delight, what kind of scenery did you have in mind for you & for the listeners?

I recorded this on a sunny Sunday afternoon into the evening and wanted to convey a warm and serene feeling as I was dreaming of an upcoming trip to the Italian coast. 

- We have been served here with an eclectic palette of genres & groove - how do you dig your tracks in general?

I love all kinds of music and am always looking for new and interesting stuff that I can draw from for whatever I need for the moment. I try to keep it simple and play what I am currently enjoying or feeling at that moment. I also love focusing on one particular style or sound as well sometimes for my radio show on Refuge Worldwide or for gigs. I really enjoy the flexibility to be able to share a wide range of music I enjoy with people whether it's an eclectic mix or one style. I don't believe any artist should be pigeonholed to one style even if that's what they're known for, I think everyone is free to express themselves how they see fit. 

- What is the most important message that you like to convey in your sets? 

I want to convey an unpredictable but fun and easy going vibe with a variety of moods and sounds where anything could be played. I want people to have fun, to hear lots of different styles of music and to be pleasantly surprised about what they hear. 


Tracklist:
Finis Africae - Ceremonia Magica en El Estranque
Khan Jamal - Lovely Afternoon
Beverly Glenn-Copeland - Sunset Village
David Axelrod - Holy Thursday
Jay Richford & Gary Dtevan - Having Fun
Move78 - But What If We're Wrong
Louisa Miller - Share The Love Around 
Zas - I Love My Body 
Costa & Chyps - Detriot City Cats 
Heather B - Takin Mine 
Yo Yo ft Mc Lyte - One For The Cuties
Mama Mystique - Style's I Murder 
Showbiz & AG - Full Scale 
Sault - Foot On Necks

Paradisco 023 // Pat

@kaodi-alum
https://www.instagram.com/koalum/

1. What an amazing mix, thank you so much for that! May we ask how your journey into jazz began?
I definitely grew up listening to a great deal of jazz and classical music: my grandma would have WQXR, NYC's classical music radio station, on at all times in the kitchen; and my mother would go from one Thelonius Monk album to the next in the living room. So I've always been passionate about jazz, even more so when I found out my grandfather -who passed away before I was born, was the biggest jazz fan. His favorite track was Glenn Miller's Moonlight Serenade, which will always hold a special place in my heart. I truly feel like jazz is the one genre capable of making you dance, weep, smile and swoon all in the span of one track.


2. How do you go about discovering new music?
I definitely go through phases: I'll listen to the same mix or playlist for a few consecutive weeks until I'm sick of it and forced to have an intense digging week -which usually involves around 90 open tabs at once at 3AM. I mostly find music through bandcamp, soundcloud, youtube -my personal favorite, and, when i'm lucky, I just wake up to an email from a friend sending me new tracks.


3. What are your thoughts on covers of tracks? We heard a cover we couldn't ID and would be curious to hear how you feel about them!
I absolutely adore covers ahah When I was a teenager, I got obsessed with this music collective called Postmodern Jukebox, that would make jazz covers of top pop hits -a 1950's Doo Wop cover of Miley Cyrus' We Can't Stop or a 1920's Gatsby style cover of Lady Gaga's Bad Romance... I've always found it fascinating when an artist is able to reinterpret a classic in a completely different tone or genre. I would even go as far as to say that a lot of hits we listen to today are actually covers of the original tracks; and especially in jazz, the most known versions of standards are almost always reinterpretations of the original compositions.

Paradisco 025 // Kaodi

We're happy to present our 24th mix by the Berlin-based DJ Planet 8, with elements of dub, disco, future jazz and more.

@planet_8
instagram.com/___planet8/

 1. We heard quite a deep dub influence in the mix, where does that inspiration come from?

For me, dub reflects an aesthetic approach that I like and strive to hear in my mixes. I am also fascinated by the influence that certain production techniques related to dub music had on various dance music genres, making them - in my opinion - more pleasing and interesting.

2. How do you go about digging new music?

I have a meticulous way of wading through obscure labels and artists on discogs.com, hopping from link to link to link (the research process being probably at least partly influenced by my training as a social scientist). Apart from that, I use Soundcloud and Instagram to keep track of current releases. Then I also like to dig for actual records in actual stores, especially when I’m visiting new places.

3. What is your relationship to disco and hip hop? There were a few superb selections we really enjoyed! Thanks for the great mix!

I used to produce hiphop instrumentals for my rapping friends as a teenager, making extensive use of sampling. This, in turn, led me to dig first into jazz, then soul, then funk, and finally disco music. Naturally, my first DJ sets were composed of the more dance-y tunes of these genres. From there, house music wasn’t far. What has always striked me about house - and what I am still looking for in the genre - is a specific approach that reminds me of hiphop: raw, organic, sometimes rough, yet subtle and reduced, combined with a DIY-aesthetic.

Thank you guys so much for the sweet words and the opportunity to showcase some of the music I like!

Tracklist:

Talaboman - Madhouse Dub (feat. Kristian Harborg)
Benjamin Fröhlich - Roundabout (feat. Vilja Larjosto)
Sultan Shakes - Interstellar Love (Young Marco's Trybal Dubb)
RTSAK - The Way They Do (Pender Street Steppers Remix)
hubbabubbaklubb - Mopedbart (Mystic Jungle & Whodamanny Rework)
Michael J Collins - Nothing Wrong To Holding On (Soul Clap Remix)
Uffe - Keep Smiles (Short Dub)
Nelson Of The East - Burning Palm (Fantastic Man Awakening Dub)
Tarjei Nygård - Katapult
Akwaaba & Todd Terje - Bodies (Prins Thomas Orgasmotron Mix)
Noel Nanton - North Of Houston (Dub)
SW. - Untitled C1
Dauwd - La Nota
Ski Oakenfull - Ain't Gonna Justify (A Short Trip To Space Mix)
The Ballistic Brothers - Streets Are Real
The Ballistic Brothers - Blacker (4 The Good Times)
Schmoov! - Destinations

Paradisco 024 // Planet 8

@funky-fasching
instagram.com/funkyfasching/
mixcloud.com/FunkyFasching/

We're delighted to present our latest mix and interview by Berlin-based musical explorer and radio show host Funky Fasching! A velvety smooth and soft mix to transport you to a sweeter place for an hour.

For the full interview, check our substack: 

Here is a snippet of the interview:

1) Some very lush strings, chords & saxos delighting our senses all the way through - could you guide us through your thought process while you selected your tracks?

I wanted to make a sweet and sensual mix and thought of a soft pink cloud that takes you away from the freezing cold and gray Berlin winter for an hour.
The trickiest part for me was to find a strong and meaningful opener that would also work as a headline for the whole mix. At first, I had a completely different track in mind. But then I threw all my plans overboard after discovering this great UK underground soul compilation "Just a Touch", which was recently released on the Athens of the North label. When I heard "Passion" by Taffy for the first time, I immediately knew and felt: This is it! It also asks this great and important question: "What would we do without passion?", which invites you to think about who or what makes your life special and what passion means to you personally. After the first track was set, I digged some balearic and r&b records from the mid 80s to early 90s, but also some dream pop and indie pieces with a similar smooth and breezy vibe that fit into the whole mood. And so one thing led to another.

Paradisco 026 // Funky Fasching

A new Document is on by,  Brooklyn based Alonzo. 
Not much is known about Miami’s ALONZO aside that he’s based in Brooklyn and has had releases since 2005. He’s released on WT Records, Kraftjerkz, & Marguerita Recordings among others. He’s also one half of Lithium Parasites, alongside Detroit’s Vidrio, which recently released on Rotterhague Records. This LIVE set was recorded at Rhythmic Discourse, Bossa Nova Civic Club in Brooklyn, New York.

Phormix Podcast 129 Alonzo (live)

The Brvtalist is proud to present a new mix from Ireen Amnes. The Italian artist has become one of our favorite emerging talents to watch and her passionate sets of experimental sounds, hypnotic melodies and distorted beats are some of the most dynamic today. For more visit: www.thebrvtalist/newbrvtalism164/

@ireenamnes

*artwork by Hila Angelica Mazzocco

Tracklist 

Untitled 1
Ireen Amnes – Rewind / unreleased
Puce Mary – the size of our desire / PAN
Ossa di Mare – Vague State / Metempsychosis Records
Kanding Ray – Serendipity March / Solens Arc
Rommek – Flint / Blueprint Records 
Vargdod – Bitten / Brutal Disciplin 
Morah – Voltage #3 (Vapauteen Remix) / Modal Analysis
Asss – Halt Sex Mi / Haunted Air
Restive Plaggona - Chaos Is Inevitable / NEN Records
Sean Pierce - Sutro / Mannequin Records
Kyoka – Smash / Hush  / Raster Noton
Ectomorph – Psychic Downfall / Interdimensional Transmissions
Giant Swan - Architectural Hangover/ Mannequin Records
Ciarra Black – Translation None / unreleased
Akkord - Gravure / Continuum (Regis Whip Hand mix) / Houndstooth
End Train – Mutation Seventy / unreleased
Vasili Carlson – Moors / unreleased
Flaminia – // / unreleased
Ireen Amnes – SOS (Polanski A - Version) / unreleased
Rommek – Obsidian / Blueprint Records 
Hiro Kone – Pure Expenditure / Dais Records 
Björk – Enjoy/ Hyperballad (Further over the Edge Mix) / One Little Indian
Samuel Kerridge – Silent Notes/ Downwards 
Kamikaze Space Programme – Untitled Jungle / unreleased
Ugandan Methods & Prurient – Call1 / Downwards
Burden – Elevation / unreleased
Ancestral Voice – Sleepless Ritual (Samuel Kerridge Remix) / Horo
Cosmic TRG – Brixtonstrasse / Sportiv
Ireen Amnes – Awake / Kombinat
Nils Frahm – Says / Erased Tapes

New Brvtalism No. 164 - Ireen Amnes

In anticipation of our 5th anniversary legs in Lisbon and Paris this weekend, @posthuman graces us with a fiery mix of Electro, Acid, Breaks, Juke and Rave music! Oi Oiiii!!!

LISBON -- https://www.facebook.com/events/524855711606771
PARIS -- https://www.facebook.com/events/2382644558618585


A modern spearhead of Acid House, resident & boss at long-running club night & vinyl-only label ‘I Love Acid”, and also running Balkan Vinyl.

Joshu has run well over a hundred parties since 2007 across the UK & Europe - with current regular residencies at Pickle Factory in London and Gorilla in Manchester.

The duo have an extensive back catalogue of 12"s on labels the like of Tusk Wax, X-Kalay, Dixon Avenue Basement Jams, Body Work, Craigie Knowes, Shipwrec, Chiwax, Acid Avengers, B12 Records as well as their own imprints.

Tracklist:

Exakt & Hyde - I Am The Enemy
B Calloway - Shake That Body
Le Car - Cinematique Automatic
Metrolog - Strident
A1 People - From Detroit
Kamus & PinballSpider - Marz Stomp
The Consumer - Looking For The Code
Mmt - Never Been To Bristol
Aux 88 - Extraterrestrial Time Travellers
Photonz - Emerald City (Almaty Remix)
Hack The Tab - I Am Machine
Ghetto 25 - If U R A DJ Suck My Dick
Glues - Pritt 19-3
Waxmaster Maurice - Keep On Jukin'
Foul Play - Dubbing You
Hate - Bad Organs
Marshall Applewhite feat. Kilo Kash - TV Jack
Zodiac Childs - Diviner
Local Group - Laser Dome
DJ Nerdiboy - Really Close To You
Anunaku - Temples
Eric Uh - Through The Ghosts
666666 - Untitled 4
Richard Holhburn - Just Stare

www.loose-lips.co.uk

Loose Lips Mix Series - 248 - Posthuman (LL 5th Anniversary Promo Mix)

Mixed by @raylasoul

Lloyd Stellar is one of the alter ego’s of Dutch electronic musician Erik Griffioen.

His electro sound is characterized by machine-like beats, melancholic pads, vocoder-driven vocals and futuristic themes that often deal with the apocalyptic consequences of man's greed, the relationship between humans and machines and wars on distant planets.

In 2020 there are releases coming by Lloyd Stellar on Hilltown Disco, KinetiK Records, Gated, Crobot Muzik, Abseits Recordings, Intellitronic Bubble and Specimen Records.

Tracklist:
White lies in dark times
Afternoonified
Trouvaille
Post-apocalyptic dreams
Nightmare
Lost in the clouds
Streetlights in an imaginary world
Byzantine algorithm
Unearthly
Code red
Structures
Distroy him, my robots!
Remedy
Metropolis
Esoteric enterprise
White lies in dark times

@lloyd_stellar
https://www.facebook.com/LloydStellar
https://lloydstellar.bandcamp.com

CyberDomain Artist Spotlight - Lloyd Stellar

AI is a modular synth performance I recorded live. 
It is planned to be released as part of Art Mechanical COG004 along with similar pieces of electronic music.

curated by @djahoy @imadfromlove @triqi030
💖🧡💛
monthly show on @thfradio
💖🧡💛
contact: helloparadisco@gmail.com
💖🧡💛

Paradisco 009 // INVERИO

Paradisco

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