1:09 of the set, what is the track id, dears?

Anyone have an ID on the track an hour in?

Heeeere weee gooo. A little blast from the past. Starting off with slow and sexy swings and quickly upping the tempo to move ya hamstrings. Raphaël Top Secret played an all too sweet set at Post Bar in February 2019 (when most people woulda laughed at the idea of a pandemic hitting in a year, hah). And it’s all on tape. Hit it.

Post Recording 019 - Raphaël Top-Secret

Four hours of sun kissed boogie, disco and soul from Melbourne party veterans and record label Wax'o Paradiso AKA Edd Fisher and Simon TK.

Interview: https://www.stampthewax.com/2021/11/23/extended-mix-waxo-paradiso/

(Extended Mix) is a new charitable series that celebrates all-night specialists and more simple, carbon-friendly lineups. Instead of paying on the door for this extended experience, we invite listeners to donate to the DJ directly while their gigs are cancelled, or to a chosen charity.

Wax'o Paradiso have chosen to pair their mix with the Jilya Institute, an organisation supporting Indigenous mental health and suicide prevention, as well as directly funding the education of the next generation of Aboriginal psychologists in so-called Australia.

(Extended Mix): Wax'o Paradiso

Trushmix 195 presents Melbournes own Myles Mac! 
The man behind the now longs running mix page Melbourne Deepcast, check it out for a lot of fun interviews and mixes from a great variation of DJ's.

For this mix Myles serves us a three hour mix exploring house related music from the late eighties to mid nineties. Slower mellow house sounds, street soul, hip-house, balearic infused tunes, and much more. This a perfect mid summer mix to feel the vibe!

Enjoy music from the top!

Trushmix.com

Trushmix 195 - Myles Mac

——> Yoooooo we baaaack <——

 Compensating for the absence, we couldn’t be happier to present this 2,5 hour jaunt by the Australian/Greek Queen - Adriana.  You know the drip, get yourself some good refreshment because global warming isn’t the only thing making this late summer hooooot 🍹🧊🥵

ID Requests -> @goodlucktoyourdad

To keep our project going and growing, please support us with a donation on BuyMeACoffee. It's quick, easy, and you don't even need to create an account. Your contribution, whether one-time or recurring, helps us thrive. Thank you for your consideration 💖💖💖
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TASCAM DR-05X

Adriana

Recording of Tako & Relmer's set at Dekmantel Selectors 2022.

Tako & Relmer at Dekmantel Selectors 22

Bar Part Time master celebrator Jeremy Castillo aka Jah Remy aka Dadbody not dadbod going deep and serving up two hours of cuts we wish we all were across. Pour yourself a high qual glass of whatever makes you feel right and ride this one out…

ID requests ~ @jeremy_castillo

1800 triiip - Jeremy Castillo - Mix 046

Please meet London based DJ and producer, former Cafe Del Mar resident, and our long time close friend Phil Mison (@cantomamusic). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Phil, many know you as one of the DJ's who has played all the best sunset spots across the globe. How did your summer look this year, still been scoring sunsets here and there?

PM: My summer was great. I travelled to Amsterdam, Cork, Copenhagen and Barcelona and had some nice gigs in the UK. My friend Deke has opened a bar on the seafront in Margate, you get pretty epic sunsets down there. I played a few records one evening and managed to fit in a few old cafe classics as the sun disappeared into the sea. 

MFM: Please tell us a bit about how it all started for you?

PM: I grew up in the 70’s, so there were quite a few different influences. David Bowie ‘Life On Mars’ was an early memory, and I was obsessed with Blondie. Parallel lines was the first album I bought. Later it was Northern Soul, Electro, nothing really that mellow! In 87 I met a couple of people who were really into House. I started going to groove records in soho to buy records like Adonis - No Way Back, Ten City - Devotion. Then as 88 rolled around I got into the more Balearic side of things. Later in 89 I’d pop into Reckless Records for second hand stuff and started to browse the New Age section where I got things like Kitaro  ‘Tunhuang’ and Paul Greaver ‘Joy’. Those records were the starting point really. 

MFM: DJing in clubs to make people dance never really attracted you?

PM: I’d say pretty much most of my DJing has been in clubs. I started at the Milk Bar in Soho in 1992 after giving Darren Emerson a tape. Even though I was doing the warm up and playing mellow stuff at the beginning, you had to build it up to a full dance floor by the end. In 1996 and 2000 I was the tour DJ for Lefttfield, playing in front of 1000 odd people. ‘Just get it going before we come on!’ Alongside Ross Allen and Rob Da Bank, I was resident at Bar Rhumba for our Next Level night in 1997. It lasted a year and we opened with Harvey and closed with Andrew Weatherall. I Have to mention Moonboots and Jason Boardman’s night Aficionado too. I always enjoyed playing to a dancefloor there, they’ve kept the Balearic flag flying since 1998. 

MFM: At what point did you got into making music on your own? 

PM: I’d worked on a project for Kenneth Bager in 1994. Then later on he started his Music For Dreams Label, and asked me if I would be interested in making an album.  So the first Cantoma album was started in Copenhagen in 1999, and finished in London in 2003. 

MFM: How do you come up with a new song, is there a certain Phil Mison way to it? Do you write the parts for the musicians?

PM: It usually starts with an idea that pops into my head. Sometimes a memory or travelling will get a melody going, and I’ll sometimes hum it into my phone and use that as a starting point. Ive worked with Engineer/Producer Robin Twelftree on all the Cantoma albums. I’ll go into Robin’s studio and usually start with some basic keyboards, then I’ll play a bassline in. I’ll take the demos away and think about what would work on the tracks. For some musicians the music is written down. Ive worked with Robin Lee from Faze Action on a few Cantoma tunes, and he usually transcribes my basic melodies onto sheet music. Other times I’ll play the melodies on a keyboard or hum the tunes for the musicians to follow along to. On some tracks I’ll write the lyrics too and get a singer to record on a track. There’s a lot of going back and forth until I’m happy with the final cut. The music rarely ends up sounding like the first version.

MFM: Making a mix must have been a piece of cake for you :) What is this mix like?

PM: I went back through my 92-94 selection and picked a selection of the lesser played records. Memories of magic times at the Milk Bar and warm summer evenings at the Cafe del mar.

MFM Mix 044: Phil Mison

SWAYMIX 001 - Telephones

And we're back! Here's another dusty trip down memory lane. Two hours and change of Dane (@commonedit)& DJ D.DEE (@derekdee) going cheek to cheek in the booth at Pacific Rhythm's annual Halloween session, Walk The Night.

Revisiting this one was a real treat. Enjoy the sounds everybody!

Paradise Archives Vol. 2 with Dane B2B DJ D.DEE

‘Please Don’t Step on My Rainbow,” our latest mixtape and contribution to Jungles cassette series, is an escape into the Wax’o world of assorted balearica, sun-drenched psychedelia, downtempo and contemporary soul. Music both new and old, some rarities and some starterpack jams. Cassette available now via Bandcamp or Jungles webstore!

Jungles Mixtape: 'Please Don't Step on My Rainbow'

3 hour excerpt from an 11 hour b2b set back in May 2019

Paradise Archives Vol. 2 with Dane B2B DJ D.DEE

Paradise

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