3rd time running it back and i ain't even finished half the track .. this is wild

..aight, 4th time..then I'll let it ride. 😅

Digit0nica & Tufi - Nox-flamma [OMB0011]

Digitonica and Tufi embarked on a collaborative journey a year ago, exchanging sounds throughout the web. Their partnership resulted in a mesmerizing EP, weaving threads of connection through the storm. This vibrant collaboration traverses unseen dimensions, defying classification.

DIGITONICA - audiovisual artist, sound designer, singer, and electronic composer, based somewhere on the internet. Having worked in the past with a variety of genres, at the moment is engaged in post-electronics, post-internet, post-club, meta-punk, deconstructed music with an interweaving of academic and pop tradition and a lot of voice manipulation like alien processing. The music has a psychedelic and surrealistic tone, like a living voice coming from the digital environment. Hosts her own show "Lunar Prism '' on Ola radio. Published on such labels as Postworld, Hyperboloid, Mutants1000000, Internetghetto, Infinito Audio, Hyperlink, Exiles and more.

Argentinian DJ/producer and sound engineer based in Berlin.
His artistic output acknowledges the diversity of different musical genres and converges them through wild and experimental productions and DJ sets. While exploring the eclectic, deviant and niche subgenres of electronic music, Tufi likes to relentlessly hop between styles to enchant listeners with hard-hitting breakbeats on one hand and blissful sonic sensations on the other.

release date: July 19, 2024
All tracks produced by Digitonic & Tufi
Mixing & Mastering by Digitonic & Tufi
Cover artwork: Digitonica & Asdrúbal Gómez

NÜ PREMIERE : Digit0nica & Tufi - Swarm (OVER MY BODY)

I’ve made a track and AGENDA⋮ has made a song out of it.

“Paradigms” out in 3 versions.

Ikävä Pii - Paradigms -++
Ikävä Pii - Paradigms --
AGENDA⋮ - Paradigms +-

A fancy press release text here. A big concept. The usual tags, buzzwords, adjectives. Post-facto meaning, retroactive motives. Tropes for easy consumption, categories for easy detection. Some big DJ played it out! It's forward-thinking - yet the usual.
Or, left turns, fuckups, new experiments, old loves.
Lyrics, words, good ideas, desires, tea, fears, memes, questions, wrong answers, bad ideas.
No interesting sound was ever made by playing it safe.
Have fun you coward :)

҉p҉҉a҉҉r҉҉a҉҉d҉҉i҉҉g҉҉m҉҉s҉ ҉l҉҉o҉҉r҉҉e҉҉c҉҉o҉҉r҉҉e҉ ҉d҉҉e҉҉e҉҉p҉҉f҉҉a҉҉k҉҉e҉҉s҉ ҉s҉҉t҉҉e҉҉r҉҉e҉҉o҉҉t҉҉y҉҉p҉҉e҉҉s҉ ҉c҉҉l҉҉i҉҉c҉҉h҉҉e҉҉s҉ ҉c҉҉o҉҉s҉҉p҉҉l҉҉a҉҉y҉҉s҉ ҉d҉҉r҉҉a҉҉w҉ ҉t҉҉h҉҉e҉ ҉l҉҉i҉҉n҉҉e҉ ҉f҉҉u҉҉c҉҉k҉ ҉u҉҉p҉ ҉b҉҉u҉҉t҉ ҉w҉҉i҉҉t҉҉h҉ ҉g҉҉r҉҉a҉҉c҉҉e҉

Ikävä Pii - Paradigms -++

Out now ⛭ https://links.paradoxeclub.fr/komkomkom

Written and a s m r produced by @modern-collapse
Mastering le__dom.mix
Artwork manuel_moreno_cortes

PRDXS016 - www.paradoxeclub.fr

KomKomKom

B E N N-WARP

Youth Remixes

Promises (Sylvere Remix)

@patarlab @vinerrrrr

Music Video: https://www.youtube.com/watch?v=S4ehGk52g3E
-----------------------------------------------------------
Death is certain, life is not. And both are available at our supermarket. 

With everything that’s happening in the world, one must wonder if there’s breaking free from it all or should they just stop trying to make sense of it. It’s a choice and it isn’t — depending on the circumstances one finds themselves in. What seemed senseless beginning to take form and what had always been solid shatters into pieces: home, family, plans, love, identity, freedom, sex, philosophy, technology, making-it, bank account, self, traumas, patterns, overcoming them, residence, conscience, morals, vodka, values, vulnerability — they have equal chances to serve as safe place or jail, wake or deliverance, life or death — go figure.

In its first release, Patar flips the table — and the cards, and the chips with it. No stake is too high to even mention it. One track and 7 versions of it, as an attempt to transgress from confusion to clarity — or maybe the other way around. Here’s an artistic experiment for you: do not brief, do not declare, do not obey, and do not fight — or do. And see what comes out of it. 

Qurgōn is a pit grave. There are dead horses in it, dead people, dead weapons, and vessels. It stinks and it’s scary. It’s a place where nothing will ever be born, or will it? It requires nothing, silently craving admiration. It only ever serves a collective memory of all the heroes and the blood-thirsty freaks alike. They are one, after all. It only is to be unbothered, looked at in awe and disgust; to be a break out on the smooth surface of the steppe’s ass.  

One artist made a call, seven responded — to dig to the bottom of that pit or touch upon its stony texture.

In order of appearance:

Viner [France, Marseille]
Şüräle [Kazakhstan, Almaty] 
Wulffluw XCIV [Moldova, Chișinău]
yutani [Armenia, Yerevan]
Sha Gen [Tajikistan, Dushanbe]
Aunt Zazà [Spain, Barcelona]
Hayk Karoyi [Armenia, Yerevan]
A.Fruit  [Spain, Barcelona]

Here’s another experiment for you: renounce all styles and genres and go with it. Who cares, anyway? Gloomy and epic, repetitive and bass-y — oh, always bass-y. Percussion-thick, yelling, obnoxious, rich. The sound of dying, finding peace, losing it again, and returning back to the hassle. The all-penetrating sound of a baby’s cry and the last exhale of a fighter knocked out for good. Ferocious sirens needling through the layers and layers of dead horses and weapons, clanking, squelching — resonating. With the horrors and hope. With memories and fantasies. With clinging to what seems to be it — and letting go. 

Nothing is certain anymore, yet everything is clear. 

p.s. The locations are mentioned to help gig providers locate the artists and, maybe, give an idea of their background and current state of mind, but not really and not necessarily.

* Qurgōn [Uzbek], commonly unknown as Kurgan [Turkic] or Курган [Russian]  a circular burial mound constructed over a mass burial site of warriors; originally in use in the Russian Steppes, Caucasus, and Central Asia, but later spreading into eastern, central, and northern Europe in the third millennium b.c.

text by Nastassja Popova
mixing & mastering by A.Fruit
cover by Timur Zima

Qurgōn (WULFFLUW XCIV Remix)

@bonebrokk
After 5 standout releases, including debuts from many fresh faces to the left-of-field underground scene, Plasma Sources presents its inaugural compilation: Multi-Source. It brings together the current label family and a slew of other artists operating on the cutting- edge of dance floor electronics for a multi-genre, sound design heavy, wild ride. In turn, the label takes aim at establishing itself as one of the most exciting imprints in the experimental club scene.
From the 90BPM cinematic, Lorn-esque sludge of newcomer Guide’s ‘Gemological’ to the crisp staccato transients and negative space of Ziyiz’s ‘Plastic Sentiments’, each track adheres to one of the guiding principles that the label has employed so effectively to curate it’s platform, irrespective of tempo: a love for sci-fi aesthetics and a desire to transpose these into sonic equivalents.

Plasma Sources has always prided itself on delicately balancing dark and light, release to release. On Multi-Source, this broad spectrum is in full vision. Reinartz offers up dubbed- out, IDM-esque desolation on ‘Action Bias’, whilst Stolen Velour’s ‘Suigetsu’ brings a bright playfulness - high-pitched vocal cuts marry pulsating, organic beats which sound like if Untold’s Hemlock output got a 2024 facelift. Some tracks, like Prior Self’s brooding yet fidgety ‘Turn Out’ and Klahrk & Atrice’s flange-fuelled ‘You’ve Changed’ occupy the centre of this continuum with their takes on high-tempo techno-influenced mutations.

The full label family comes back to join in on the fun. HYPNA and NIQH team up on a collaboration which perfectly unites their sounds under a 4-bar bass-heavy roller laden with noise. NIQH offers up their own track, exploring crystalline club structures on ‘Pressure’. unearth’s cinematic, wasteland-ridden sound is in clear focus on ‘Safe Tread’ and Beton Brut’s signature grime-concrète comes through loud and clear on ‘WWW’.

Cortical offer up ‘Hammer’, a continuation of their relentless avant-techno manifesto established by their debut, whilst J-Shadow rounds things off with a space-age jungle- exploration on ‘X-38'.
The juxtaposition of dark and light. The delicate balancing of experimentalism and dance floor sensibilities. The interweaving of sci-fi and biologically-infused sound design. These are the key aesthetics with which Plasma Sources has approached its output ever since release no.1.
Multi-Source acts as a confirmation of this manifesto as it looks forward to 2025 and its future as a key player in the experimental club scene.

Mastering by HYPNA 
Cover Design by Joh000 // Jose Hernández

plasmasources.bandcamp.com
www.instagram.com/plasma__sources

Res90

@stolenvelour

After 5 standout releases, including debuts from many fresh faces to the left-of-field underground scene, Plasma Sources presents its inaugural compilation: Multi-Source. It brings together the current label family and a slew of other artists operating on the cutting- edge of dance floor electronics for a multi-genre, sound design heavy, wild ride. In turn, the label takes aim at establishing itself as one of the most exciting imprints in the experimental club scene.
From the 90BPM cinematic, Lorn-esque sludge of newcomer Guide’s ‘Gemological’ to the crisp staccato transients and negative space of Ziyiz’s ‘Plastic Sentiments’, each track adheres to one of the guiding principles that the label has employed so effectively to curate it’s platform, irrespective of tempo: a love for sci-fi aesthetics and a desire to transpose these into sonic equivalents.

Plasma Sources has always prided itself on delicately balancing dark and light, release to release. On Multi-Source, this broad spectrum is in full vision. Reinartz offers up dubbed- out, IDM-esque desolation on ‘Action Bias’, whilst Stolen Velour’s ‘Suigetsu’ brings a bright playfulness - high-pitched vocal cuts marry pulsating, organic beats which sound like if Untold’s Hemlock output got a 2024 facelift. Some tracks, like Prior Self’s brooding yet fidgety ‘Turn Out’ and Klahrk & Atrice’s flange-fuelled ‘You’ve Changed’ occupy the centre of this continuum with their takes on high-tempo techno-influenced mutations.

The full label family comes back to join in on the fun. HYPNA and NIQH team up on a collaboration which perfectly unites their sounds under a 4-bar bass-heavy roller laden with noise. NIQH offers up their own track, exploring crystalline club structures on ‘Pressure’. unearth’s cinematic, wasteland-ridden sound is in clear focus on ‘Safe Tread’ and Beton Brut’s signature grime-concrète comes through loud and clear on ‘WWW’.

Cortical offer up ‘Hammer’, a continuation of their relentless avant-techno manifesto established by their debut, whilst J-Shadow rounds things off with a space-age jungle- exploration on ‘X-38'.
The juxtaposition of dark and light. The delicate balancing of experimentalism and dance floor sensibilities. The interweaving of sci-fi and biologically-infused sound design. These are the key aesthetics with which Plasma Sources has approached its output ever since release no.1.
Multi-Source acts as a confirmation of this manifesto as it looks forward to 2025 and its future as a key player in the experimental club scene.

Mastering by HYPNA 
Cover Design by Joh000 // Jose Hernández

plasmasources.bandcamp.com
www.instagram.com/plasma__sources

KomKomKom

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