https://sfx-space.bandcamp.com/track/wait-aya-dub-zo-mc-pherson
Brilliant surprise remix by the wonderful artist @aya_yco ! A slow-burning roaring footwork drum and bass remix of my track Wait taken from my album Pitch Blender.
This one comes as a super yummy cherry on top of the already delightful Pitch Blender remix EP, with works by Scratcha DVA, Jana Rush, Kasimyn Gendang, Jessica Ekomane, Mc Yallah and me.
We've heard with immense joy these being played out there in clubs and on the airwaves. Thanks for the love!

Giving it extra back at you now! Go hear it now
Red-flavoured artwork by Alessandra Leone

Pitch Blender remixes

Zoë Mc Pherson - Wait (aya Dub)

strike/grapple

Oldyungmayn & Estoc - Strike / Grapple [M.A036]

Lip Flip

aya - Lip Flip (ft. LOFT)

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



Klahrk - Blistering
SFX, 2024
𝓑𝓾𝔂 👉🏾 https://sfx-space.bandcamp.com/album/blistering

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
https://soundcloud.com/klahrk
https://www.instagram.com/klahrk/

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
https://s-f-x.space/
https://www.instagram.com/sfx_space/
https://soundcloud.com/s-f-x-0101

YOUTUBE

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#182 📢 Klahrk - &3&4 [SFX]

The French deep-rave & tech-naturalist imprint Virtual Forest Records gives us a masterclass of synth-tailored mental bass & IDM from the Swiss producer Fels. Hear the EP’s title track getting a peak-time remix treatment by Nostro Hood’s boss Galtier.

Read more on CxC 🔗 couvrexchefs.com/en/fels-sirens-virtual-forest-records-galtier-remix

Article

PREMIERE: Fels - Sirens (Galtier Remix) (Virtual Forest Records)

In The Clouds is the first song from 43°C, my (real) debut LP. 

"It's the result of a decade of cultivating a musical identity that focuses on hybridization, sonic recycling, and playfulness. The enigmatic title "43°C" signifies a haze of bliss (4+3=7, the producer's lucky number) backdropped by the ecological state of a world that’s grown slightly but surely warmer. In this intimate anticipation fiction, Basile3 offers a soundtrack that is an exploration of club music, electronica infused with r&b and ambient synths. The French producer warmly invites listeners to his state of mind, blooming with genre-bending floating soundscapes."

full release out 31.05.24 on @infine-music

43°C

In The Clouds

pre-order lp

Out now : https://links.paradoxeclub.fr/trash-parallels

Ignite your primal rage on this head-banging trap-esque beat, crafted with the spine-chilling soundscapes of an action / horror movie ⚟

Written and produced by @ZeroCrossingPoint
Mastered by Le Dom
Artwork by Manuel Moreno Cortes

PRDXS009 - www.paradoxeclub.fr

Zero Crossing Point - Trash Parallels

Diessa x Eyeza - Warp Sharks
Label: Infinite Machine
CAT#: IM109
Format: Digital
Release Date: March 29, 2024

Tracklist:

1. Karandras
2. Penitent Engine
3. Warp Sharks
4. Nuns with Guns

Artwork by Benfika

‘The Immaterium is a strange and terrible place. You might as well throw a traveller into a sea of sharks and tell him to swim home send him through The Warp unprotected.’

With “Warp Sharks”, UK producers Eyeza and Diessa join forces for a blood-curdling 4-tracker. Inspired by Warhammer 40K characters and lore, this boundary pushing EP combines dark themes of the 40K world with heavy club-focused weaponry.

“The Warp” is an alternate dimension of chaos and psychic energy underlying the material universe. It is simultaneously understood to be a medium by which faster-than-light interstellar travel is possible. “Warp Sharks” could be said to evoke these elements; high-bpm drum breaks throughout the record emulate a sense of frenetic speed while manic synth progressions and energy blasts build towards a sense of peril. Within each composition, multiple rave-friendly genres are saturated under a blanket of distortion and impact. The record opens with “Karandras,” where eerie vocals, arpeggios and heavy drums flow in and out of each other, with intermittent waves of static and sci-fi warble. “Penitent Engine” begins the next phase: gritty wobbles and drum breaks combine under washes of dramatic ambience before teasing in and out of a heavy techno beat. The track morphs into something more vicious two-and-a-half minutes in, where stuttering breaks come to the fore, supported by kicks and 808s that swarm rapidly in elaborate club rhythms. The title track follows with intricate breaks steadily firing over heavy bass lines. “Nuns with Guns” concludes the record, where gabber kicks snap through dub inspired vocal chops and fluttering snares.

The record’s relentless energy evolves with every track, each composition seamlessly blending genres of underground electronic music. “Warp Sharks”, like many Infinite Machine releases, is unapologetically experimental, while remaining accessible to dance floors.

Karandras

@gaia-formella
@baitlabel

Bait’s second VEP (Various EP) is a 4-track dive into a rather modern phenomenon: 150 dubstep, as DJs and crowds seem to be enjoying the faster bass sounds, yet broken rhythms and heavy halftime pulses. For this release, we’ve got L.A.’s rising bass-music talent Carré, who specialised in racing wobblers, and recently released her debut solo EP on her label FAW (Fast at Work). Track 2 is by UK-born Berlin-based Formella. This is the Femme Bass Mafia member’s first-ever release. The Third track is by Fast Castle label captain Gent1le $oul, also Berlin-based and pushing hybrid dubstep in the German capital with hot vinyl releases and parties. Last but not least, SPLT’s mental banger “Grill Party” that Beatrice M. happened to discover in Laksa’s Truant podcast and reached out after dropping an “ID?” comment on SoundCloud. The Lyon-based producer never misses, his tracks have been played out multiple times by Garçon and Agonis, in the continuity of merging bass and techno.

PREMIERE: Formella - dripstep (Bait)

Site-██, deep snow and high-altitude mountainous conditions. “Maul Rheo” repair/destruction cycle is internalised but maintaining a safe distance was necessary to avoid triggering its violent programming.

“Maul Rheo” appears to possess an amorphous body capable of self-repair and self-modification. Discovered in the ███████ Mountains. The entity exhibits a perpetual cycle of self-inflicted violence, leading to continuous destruction and reconstruction of its form. This cycle is believed to be a result of its original programming, its behavior suggests a programmed directive, compelling Maul Rheo to engage in intuitive violent behaviors. Future research should endeavor to trace a genealogy of violence.

Body is composed of an unknown metallic alloy, showing properties of both high durability and malleability. During its self-destructive episodes, body parts can be observed to tear, split, and then reform. The process is accompanied by the expulsion of a black oil onto the white snow. This substance quickly solidifies in the ice.

Encounter with Ziyiz:

An interaction between Ziyiz was recorded on ██/██/████. Ziyiz attempted communication with “Maul Rheo” using a series of synthesized electromagnetic propagations. This interaction led to a temporary cessation of “Maul Rheo’s” violent behavior, but it’s internal directives could not be dissuaded. Further research into the effects of acoustic frequencies and speculative technologies on programming is recommended.

—————————————————————————————


REMADE004 is out digitally on 17/04/2024
Cover art by Rayan Elnayal.

Maul Rheo

Ziyiz - Slipd

Steller - Ego Death x Your Luv - Trampa (Tripsitters Remix) mashup by Ponderance

Ego Death X Your Luv (Tripsitters Remix) Repondered Final

Paris based record label www.paradoxeclub.fr

🖄 message@paradoxeclub.fr

@rinse_france resident

Zero Crossing Point - Trash Parallels

Paradoxe Club

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