Obscure Echoes

@fhionnbarra

https://soundcloud.com/espacio-perpendicular Festival 2024
Monday 00:30-2:30 AM

Obscure Echoes: Fhionbarra [Perpendicular 2024]

@vandmusic @shoall

https://soundcloud.com/espacio-perpendicular Festival 2024 
Sunday 01:30-3 AM

Obscure Echoes: Voal (Live) [Perpendicular 2024]

https://soundcloud.com/parautas64848754

https://soundcloud.com/espacio-perpendicular Festival 2025
Sunday 20:30-21:30

Obscure Echoes: Parautas (Live) [Perpendicular 2025]

Live recording at the Future Intel headquarters in The Hague. Streaming live every Thursday and Friday on YouTube and futureintelradio.com. For more info, visit our website.

Homelander ╚═ Future Intel ═╗ 25 07 2025

ტონი w. Irakli [23.07.25]

https://soundcloud.com/velvia50

https://soundcloud.com/espacio-perpendicular Festival 2025
Saturday morning 11:30-13:00

Obscure Echoes: Velvia [Perpendicular 2025]

Unseen Objects

CVT006 - Barefoot - Unseen Objects

Mirella Kroes ╚═ Future Intel x PODD ═╗ 21 08 2025

Psýchodripsis to konceptualny ambientowy projekt oparty na idei ucieczki od własnego „ja”. Nadchodzący album to zbiór dźwiękowych opowieści utrzymanych w klimacie takich gatunków jak ambient, noise czy muzyka filmowa.

Anegonia ( Echoes of the Forgotten Self) to singiel z nadchodzacej EPki. Utwór jest ostatnim elementem opowieści, gdzie słuchacz nie otrzyma odpowiedzi, nie znajdzie katharsis.
Zamiast tego – poczuje chłód. Rozluźnienie. Lekką grozę. Może niepokój, który nie ma źródła.
Może też coś więcej: ulgę w tym, że nie wszystko trzeba rozumieć.

"Psýchodripsis" is a conceptual ambient project exploring the idea of escaping one’s own self.
The upcoming album is a collection of soundscapes influenced by ambient, noise, and cinematic music.

"Anegonia (Echoes of the Forgotten Self)" is the closing track of the upcoming EP.
It offers no answers and no catharsis — only a sense of coldness, release, subtle dread, and unease without a clear source.
It may also bring something else: the relief that not everything has to be understood.

Anegonia (Echoes of the Forgotten Self)

Ambient minimalism is gaining momentum. Some would argue that evoking atmosphere is harder than sequencing beats, and Fragments of Silence is proof. Laden with lush textures and ambient leanings, the album invites deep listening.

This 8-track LP marks the debut collaboration between Synthbiont, Anassimandrus, and Sacred Seeds: three artists with distinct sensibilities, united by a shared affinity for ambient, experimental, and dub techno sounds. Their convergence sets the tone for a singular, immersive experience.

Fragments of Silence is not background music. It’s a serious body of work that commands attention. It’s an hour-long descent into a vacuum chamber. An environment that evolves, coils, shifts, and builds toward dissonance and stillness.

Each track is grounded in a strong atmospheric character, unfolding with deliberate progression. The album leans heavily into experimental minimalism, imagine dark tunnels, ominous energy fields, and brooding landscapes.

Fragments of Silence is one of those albums that explores the intersection of distinct creative temperaments, marked by structure, mood, and experimentation. The result is an album that flows with intention and feeling, creating a space that listeners can fully sink into.

Description by SreeLakshmy 

Sacred Seeds is an ambient electronic music project by Wasim, founded in 2014 in Calicut, Kerala (India). Blending synthesis, field recordings, and experimental sound design, Sacred Seeds’ music explores the interplay between organic and electronic textures.

Sacred Seeds has performed at renowned festivals such as Magnetic Fields, Hilltop Festival, and Bloom in Green, sharing the stage with influential artists like Gaudi, OTT, Suduaya, and Symbolico, and many more.

Synthbiont & Anassimandrus is the ambient/experimental/dub techno project born at the end of 2018 by the collaboration between Nicolò Faggiani and Tommaso Gobbo. Their musical background comes from different musical experiences as DJs, vinyl collectors, and founders of EMC series. Their performances and music are composed through the elaboration of different digital and analog sources, processed field recordings, and sampling to create unique soundscapes.

Produced and mixed by Nicolò Faggiani and Tommaso Gobbo (Synthbiont & Anassimandrus) (1,2,5,6) and Wasim Raja (Sacred Seeds) (3,4,7,8)
Mastered by Dionis Afonichev (Dionisaf)
Cover picture by Krishnan (Kiss in Silence, Shot on Kodak Tri-X 400, Nikon F100 / 2019, Karnataka)
Cover design by Dionis Afonichev

Fragments of Silence

Attraverso Il Vuoto

We are thrilled to welcome back Feral to our Live series with another epic session recorded at this years Mo:Dem festival.

Hypnotic rhythms await as we go back to a moment in time direct from the mind of Feral.

Words from the artist -

To Marco, Val, and everyone who has supported my work through these years in the forest at Mo:Dem Festival - this set carries fragments of my path, shaped by the woods, friendship, and years of sound exploration.  See you in the 5th dimension.

Follow :

https://soundcloud.com/feral_music


MNMT Live : Feral @ The Swamp, Mo:Dem Festival 2025

https://soundcloud.com/l037

https://soundcloud.com/espacio-perpendicular Festival 2025
Saturday 08:00-09.30

Obscure Echoes: 037 [Perpendicular 2025]

2025年9月23日 21:00-22:30 JST 

yolabmi 
https://instagram.com/yolabmi

#electronic

MADPIAは、シンセサイザーとモジュラーシステムの卓越した技量で知られる台湾出身のロンドン在住サウンドアーティスト兼DJ、ジン・シンセを招聘する。2024年にUALでAbleton Liveワークショップを主導した後、今度は彼女のユニークな音響的ビジョンを当ステージに届ける。

MADPIA invites Jin Synth, a London-based sound artist and DJ from Taiwan, known for her mastery of synths and modular systems. After leading Ableton Live workshops at UAL in 2024, she now brings her unique sonic vision to our stage.

Room 303 ・三○三号室 
https://instagram.com/room303radio

@ WPÜ HOTEL SHINJUKU 
https://www.instagram.com/wpu_shinjuku

MADPIA with Jin Synth｜2025年9月23日

Haruka x Craig Gonzalez opened the Dance Room at I.T. presents The Bunker, May 26, 2025, Day 3 of Return to the Source, at Tangent, Detroit.

Craig Gonzalez – @craig-gonzalez:

It's one thing to hop on the decks with someone during peak time at a party in a packed room like the first time Haruka and I played together in NYC but it's another to open a party during the last leg of RTTS weekend. So we started talking about the set a couple of months beforehand, but nothing really prepares you until you're in the middle of RTTS weekend itself. We were texting and chatting about the setup and direction throughout the weekend and eventually landed on keeping things a little funky and fun.  Playing with someone with a similar approach to DJing and also range really made the set feel so effortless for me and I feel that cohesion and the fun we had translated quite well to those that were in attendance.


Haruka – @haruka_ptc:

2023, Good Room (Brooklyn)
We were both booked to play a Bunker party that night and with an hour left before our room was about to shut down, I asked Craig to jump on for an unplanned B2B.  Craig had already set the room up with a deep, super-diverse selection and then vibe in our room was so good, I will never forgot it. So when IT asked us to do it again we got hyped.

RTTS, Detroit
Our slot opened the last day of the three-day marathon, and other parties were running in the daytime too, so it felt like one long 72-hour session. Craig also played Movement. It was my first time in Detroit, so I wandered around, popped into a bunch of events, but spent every night back at Tangent Gallery with Craig—talking, listening to other artists, and getting a real feel for the room. That helped us lock in the vibe and refine the ideas we’d been tossing around for months.

The set
Two words kept coming up: funky and fun (maybe sexy too). I played only a few recent tracks but most were older finds with some electro slipped in naturally. In hindsight the whole thing was a back-and-forth between electro and deep, psychedelic techno, with extra flavours layered on top.




Obscure Echoes: 037 [Perpendicular 2025]

Parallel Perception

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