Such an incredibly lush and layered mix, complex and beautiful work!🤍

"At Perpendicular, the forest itself seemed to listen back. A singular voice in dub shaped grooves and textures born for that moment alone — drawn from his own hands, his own particle world. Every layer carried the crowd deeper, a dialogue between artist and place. Nothing borrowed, nothing repeated, just a set written into the woods, as fleeting and unshakable as the day itself."

Javier Marimon (@javiermarimon) is the sound output of a visual mind interested on twisted perspectives, off tangents (@offtangentrecs), crackling noises, espacios perpendiculares and moving thingies from a lost village in Northern Spain.

https://javiermarimon.bandcamp.com/
www.instagram.com/offtvisuals/

Recorded djset at Perpendicular 2025 (@espacio-perpendicular) - somewhere in the woods. When? Sunday 12:30 Where? In the main stage.

Artwork: Javier Marimon - Off Tangent

HOCast #255 - Javier Marimon - Perpendicular 2025

https://soundcloud.com/velvia50

https://soundcloud.com/espacio-perpendicular Festival 2025
Saturday morning 11:30-13:00

Obscure Echoes: Velvia [Perpendicular 2025]

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Help us stay on air by donating to our fundraiser: https://www.gofundme.com/f/help-refuge-worldwide-community-radio

Guest show - Ina Kacz - 25 Aug 2025

After an extended pause for much needed rest and slow reflection, the Patterns of Perception crew is excited to return to our mix series with fresh energy and a stellar new mix from Jasmin, aka softi (@jazz_brown). 

Soulful, breezy and groove-laden, softi's Patterns of Perception 122 shimmers with her kaleidoscopic, minimal sound. Weightless sparks float and flicker in dim light. Time dilates; seasons drift. 

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A few thoughts from Jasmin:

Hey Jasmin, how’s it going? What's been happening for you lately?
I’m well, I’m currently living between Lisbon and London this summer which has been a dream! Great food, beach sessions and writing music. It’s been a wild 3 months and I’m just getting myself ready for the seasons changing!

What can you tell us about your mix?
For this mix I wanted to mould my love of groovy minimal and psychedelic tones for the moody season ahead, which is usually my signature sound! I have been producing a lot of this recently and some of my unreleased bits are exclusively inside 💜

⁠Is there a track or tracks that are extra special for you?
I’d probably say my own productions are the special to me as it reminds me of how much I have developed as a producer and artist. I love connecting with the tracks and being able to create my own atmospheric world for listeners to get lost in. But one track that I always come back to is "bluep" by Underground City Loop (a producer from Aus). I have been playing this track for years and it has every sonic element you'd want from a track - low end sub groove with dark melodic synths.

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Links:
@jazz_brown
instagram.com/__softiii/

@cozi-716789961
instagram.com/cozi______/

Patterns of Perception 122 - softi

«The Japanese artist OCCA embodies that spirit with his solid trajectory, and his set at Mostra 2025 was perhaps the best example of how an electronic journey can be as original as it is absorbing, as nuanced and layered as it is genre-defying. Tracks unfolded with a sensitivity that challenged the very logic of convention.»

«El artista japonés OCCA encarna este espíritu con su sólida trayectoria, y su set en la edición de Mostra de este 2025 es, posiblemente, el mejor ejemplo de cómo se conjuga un viaje electrónico tan original como absorbente, tan sugerente como lleno de matices y géneros electrónicos, con tracks y una sensibilidad musical que desafían la lógica de lo convencional.»

· OCCA Soundcloud: @oooccaaa
· Mostra Festival Soundcloud: @mostrabcn

· Leer más: https://vanitydust.ninja/occa-djset-mostra-festival
· Read more: https://www.vanitydust.ninja/occa-djset-mostra-2025-en/

Read & Play

OCCA @ Mostra Festival 2025 (Barcelona)

We are delighted to bring you a gem from this year’s Mostra Festival: a two-hour live recording from Lynne, captured in Barcelona 2025. In this set, she moves with ease through ambient textures, deep basslines, rolling percussion, drones, and surprising rhythms. Her love for drum & bass and dubstep quietly ties it all together.

Lynne’s story began in Tokyo, where a first night raving to drum & bass changed everything. It sparked a move to London, where she soaked in jungle, dubstep, and the UK’s raw underground energy before returning home to shape her own sound within Tokyo’s experimental scene.

Now moving between Tokyo and London, Lynne explores the in-between spaces of techno, experimental, and drum & bass. Her mixes feel like small journeys: thoughtful, a little mischievous, and always true to the rhythms that first lit the spark.

Please enjoy this moment with Lynne’s musical selections - let it unfold slowly, take its time, and maybe surprise you along the way...

Thanks a lot to @lynne-tokyo

LYNNE on the web:
Bandcamp: lynnetokyo.bandcamp.com/
Instagram: www.instagram.com/lynne_tokyo/
RA: ra.co/dj/lynne

UNRUSH on the web:
Bandcamp: www.unrush.bandcamp.com/
Hardwax: www.hardwax.com/label/unrush/
Instagram: www.instagram.com/_unrush

MOSTRA on the web:
Homepage: www.mostra.barcelona/en
RA: ra.co/promoters/104662
Instagram: www.instagram.com/mostrabcn/

Photo by Laura Dominguez
Cover artwork by Irakli Kiziria

Lynne @ Mostra 17.04.2025

It’s our pleasure to feature our friend @tangeladj for the 32nd episode of the Herbarium mix series. She put together a magical trippy yet playful mix, we’re in love with its dynamic.  🌳

Here’s a little insight into Tangela’s choice of a plant as a synaesthetic base for her mix -
Melaleuca alternifolia (tea tree) or kallara as referred to by the Bundjalung People in Northern NSW is a particularly special native tree. They grow in swampy environments next to bodies of water. I have fond memories soaking in tea tree lakes in the northern rivers, stained brown by the leaves stewing, precious oil seeping into the water. For centuries the Aboriginal people have used this plant for medicinal purposes as a natural antiseptic and tea tree lakes were often sacred women’s spaces used in birthing ceremonies. This shrubby tree doesn’t scream for attention amongst the vibrant flora but its significance runs deep, a swampy healer and spiritual protector. This mix is a sensory soak in the soothing, tingly river, dripping with kallara magic. 	

—

About Tangela 

Tangela’s style of aural storytelling is as distinct as it is varied. She guides the listener through deep, subby, subterranean worlds, encouraging listeners to float up through spacious, textural soundscapes full of unexpected turns, all with a nimble and playful touch. You’ll find yourself wondering how it is you got here from where you began.

Tangela’s meteoric rise through the underground scene finds its origins in her weekly radio slot on Sydney’s iconic FBi radio 94.5FM, currently in it’s fifth year of broadcasting all things “squelchy, wobbly, gooey, twisty”. Her signature style has translated from the airwaves to dance floors across many of Australia’s cult clubs, DIY warehouses and bush raves, including her own as founder of both dstreet and Minutiae Festival. Her record label Oomycota pushes into the experimental realm of techno, platforming emerging artists from Australia and beyond. 

Alongside curating and throwing DIY events, she is heavily involved in her local community, organising ‘Dance Class’, a series of BIPOC & FLINTA DJ workshops and radio mentorship.

—

Follow Tangela
https://soundcloud.com/tangeladj
https://www.instagram.com/tangela__t/
https://oomycota.bandcamp.com/

—

Artwork by @polygonia

Herbarium No 032 - Tangela - Melaleuca Alternifolia

Peter Van Hoesen performed on the second day of #Mostra25 at Fabra i Coats: Fàbrica de Creació.

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Clubs, festivals, theaters, football stadiums, museums, beaches, mountains and beyond - Peter Van Hoesen's take on visceral techno has been presented worldwide in many different settings for nearly two decades.

One central element always remains: a deep love and understanding of sound and all its influential effects. Peter Van Hoesen runs Time To Express and Center 91. Together with AtomTM he is SYNC. - a live techno project focused on improvisation and collaboration. Together with Yves De Mey he is Sendai, a forward looking experimental outfit with releases on Editions Mego, Archives Intérieures, Konstrukt and Stroboscopic Artefacts.

@petervanhoesen

Obscure Echoes: Velvia [Perpendicular 2025]

Parallel Perception

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