Pardon My Early Exit ; Hope You Survive ! Tunes & Live Sets

Big City Orchestra, “Pardon My Early Exit; 
Hope You Survive!”, Adam Asnan and 
James Holcombe, Filter Feeder (DJ set)
Cafe OTO, London, September 2009

for the occasion members of "Pardon My Early Exit; 
Hope You Survive!” were Seven Wolf and Raphael Duplay.



cafe oto set

debut set of "pardon my early exit; hope you survive' at the schwarzer kanal in berlin ... under a starry night we blew the sound system and pissed some people off...but other loved it!had much fun in any case...members of "pardon my early exit; hope you survive!" for this action were Seven Wolf and Raphael Duplay.

Set berlin queer rebel

 eye wont ever forget the Lobotomobile ride Rob gave me to make it to the snake coils...thanks to Raph @ crustpictures for filming the vision, and to Angela Nanni for all her love and support, as well as all the kreatures who came along and made it such an unforgettable night
watch the video recording in three parts at:
http://youtu.be/H-Gvw-wh3Kc
http://youtu.be/0_b_naI6C4Q
http://youtu.be/gtcynL8eG5Y


Liberty snake VII

envisioned and recorded with Memento Mori ( http://soundcloud.com/memento-mori ) under the stars of a night that to me will remain forever special, thinking of, and to accompany and interact with, Magda Bondo's haunting photography.
a unique thank you to Magda and Gunther for the trust and encouragement given to me in a moment of my existence where only the braves would take such risk.

dolls limbs museum: peeking through a porcelain soul

Wolfs Ile chronicle

Wolfsville.Chronicle

Temperamental: Sound Scapes, Shapes, Shadows.

stolen, created, self assembled, re-produced

sound collector, sonick wizard, sound worshipper.

theres no earthly way of knowing+which direction we are going

"Pardon my early exit; Hope you survive!" is an open multimedia platform existing as a solitary experiment at times, at others as a shared journey along fellow creators equipped with a mis//matched approach and fascination towards sound.
I also utilise it as a cathartic self help tool for finding semi-sanity.

an obsessive/compulsive collector interested in what others reject/can't find use for.
to give it a new life, name, identity, a different meaning.
mixing analogue/digital equipment, electroacoustic techniques with electronics, percussive vocals, real life samples and broken melodies.
loud or quiet, clean or distorted, rhythm without beats, a bit of rhythm,thinking of dancing, dancing without thinking, no preconceptions, maximalist sometimes, other times using restraint and limitations as a tool to reach further, sink deeper, spread out wider and then again shrink.
in the world I inhabit sound and image work together or against each other.
hearing becomes a spiderweb to capture the other senses.to alter dimensions.
sometimes a guess,all ways a bet, never ready.

"Pardon my early exit; Hope you survive!" shapes  up near the end of the first decade of the new millennium, as a continuation, expansion and  'memento mori' of "Devotchka.s Conundrum", the masked duet sound project which had started this sonic exploration in Londons underground noise scene experimental underbelly a few years earlier, fast living and young dieing.

My search takes many disguises, such as site specific installations, especially in places other than art galleries, creation of other spaces through soundscapes, sonic walks and interventions, live performances, often collaborative efforts inviting the destruction of the divide between audience and performer, calling for a more participant interaction of the former,  alternative realities via sonic illusions and sensory deprivation, random sound chaos rituals, collective  invocations of the aural gods, goddesses and sonic daemons... 

Since its researching and wandering started, "Pardon my early exit: hope you survive!" got involved with beHind bars Collective in london and barcelona, blew up schwarzer Kanal's sound system In Berlin,  playing along  experi-mentalists of sound from all corners, such as Big City Orchestrae, Meira Asher, Yann Keller & Jan Schlaeger, Hermann Kopp, before almost killing itself while setting up its own funeral waves at Milk and Lead Art Gallery. Further actions happened at Interzone and KaosLondon by Lee Adams, Cafe Oto, Abattoir,  London Underground Film Festival, Undogmatisch in Berlin, on the Ms Stubnitz German ship... invites to participate remain open.

Influenced by: +in a wild order and as far as i recall+ 
viruses and bacteria, infrasound, fairground and funeral music, toys,extremism,tecknokolor, haruki murakami, melancholy, medical equipment, MILKandLEAD, jose' macabra, chorozon chaos, ron athey, nurvuss, petra flurr, black sun productions, sudden infant, patricide, othon mataragas & ernesto tomasini, vulkan, mary & the boy, symbols, optical illusions, the circus, martyrs, zen, evolution, conspiracy theories, lunatics, taxidermy, fairy tales, matthew barney's cremaster cycle, completely white rooms, georges méliès, electricity, tim burton, genesis breyer p-orridge,noise, dead trees, alejandro jodorowsky, anechoic chambers, feral children, saints, natural disasters, circa-industrial music, dust, pirates, sadness, lukas moodysson, coil. wolves, pipe organs, delicatessen and the city of lost children, snow and ice, danny elfman, cabaret music, anatomy, the apocalypse, decadence, altered states, numbers, david lynch, bulgakov's master and margarita, the pioneers of electroacoustic music, children drawings, bjork gudmundsdottir, deep sea creatures, aliens.