El Laberinto, poesía de Jorge Luis Borges

Live recording of Robert Fripp's TRIO (track 5 from Starless and bible black).
Speculum is Alfredo Barrales, viola da gamba; Ramiro Morales, archlute and Ernesto Schmied, tenor renaissance recorder.

Trio by Robert Fripp (from Starless and Bible Black) • SPECULUM

Este es el laberinto de Creta.

Este es el laberinto de Creta cuyo centro fue el Minotauro.

Este es el laberinto de Creta cuyo centro fue el Minotauro que Dante imaginó como un toro con cabeza de hombre y en cuya red de piedra se perdieron tantas generaciones.

Este es el laberinto de Creta cuyo centro fue el Minotauro que Dante imaginó como un toro con cabeza de hombre y en cuya red de piedra se perdieron tantas generaciones como María Kodama y yo nos perdimos.

Este es el laberinto de Creta cuyo centro fue el Minotauro que Dante imaginó como un toro con cabeza de hombre y en cuya red de piedra se perdieron tantas generaciones como María Kodama y yo nos perdimos en aquella mañana y seguimos perdidos en el tiempo, ese otro laberinto.

• • • •

This is the labyrinth of Crete.

This is the labyrinth of Crete whose center was the Minotaur.

This is the labyrinth of Crete whose center was the Minotaur that Dante imagined as a bull with the head of a man, and in its network of stone, so many generations were lost. 

This is the labyrinth of Crete whose center was the Minotaur that Dante imagined as a bull with the head of a man, and in its network of stone, so many generations were lost, just as María Kodama and I were lost.

This is the labyrinth of Crete whose center was the Minotaur that Dante imagined as a bull with the head of a man, and in its network of stone, so many generations were lost, just as María Kodama and I were lost on that morning, and we continue to be lost in time, that other labyrinth.

J.L. Borges - El Laberinto (The Labyrinth • Atlas, 1984)

Blockflute & live electronics by Ernesto Schmied
(Usina de las Artes, Buenos Aires • 7-11-2014)

Soliloquio para flauta dulce • Francesco Marigo

Estudio • Juan de Dios López Maya

Blockflute & live electronics by Ernesto Schmied
(Museo Isaac Fdz. Blanco, Buenos Aires • 13-11-2014)

Prometeus (take 2) • Ernesto Schmied

Live improvisation upon Triste, 2nd American Prelude for piano by Alberto Ginastera.
Blockflute & live electronics by Ernesto Schmied

Live impro upon Triste (American prelude nº2) • Alberto Ginastera

LIve recording of Intrada by Otto Ketting.
Written in 1958 for trumpet in c or horn in F.

Intrada (1958) • Otto Ketting

Live performance of Favorito, brazilian tango by composer Ernesto Nazareth (1863•1934)
Recorder and electronics (Eventide H-9) by Ernesto Schmied

Favorito • Ernesto Nazareth

Live performance of Bach's BWV 924 Prelude adapted for tenor recorder and electronics

Prelude BWV 924 • J.S.Bach

Bachcycle • Ernesto Schmied

Prelude in D by Sylvius Leopold Weiss, originally written for lute and arranged for solo tenor recorder.
Tenor Friedrich von Huene "Loeki" (a 415)
Recorded live at my studio

Prelude in D • Sylvius Leopold Weiss

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J.L. Borges - El Laberinto (The Labyrinth • Atlas, 1984)

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