À L'UNISSON 2021 : MUSIQUES NOUVELLES ET LA GÉNÉRATION ARTS² 
Parsa Hadavi .E, Breaking News - We f* hate you !
( Dedicated to Musiques Nouvelles Ensemble )
Enregistrement à Arsonic, Mons, 2021
réalisation son-image: Jarek Frankowski ©2021 Acoustic Recordings
https://youtu.be/kPms-kjFfj0

Title: Breaking News: “We f* hate you!”
The piece commences with the question of Perception, which is the phenomena of both structure and the story of this piece. 
The starting points of the structure and form of the piece were the two questions of “What is Perception?” and “How can we define a multi-dimensional perceiving world in music?”. In the piece, sound objects form the “Gestalts”, and the Gestalts are the fundamentals of Morphologies, and a combination of Gestalts, Morphology, and sound objects are the defining elements of the dimensions in the piece. Perception of the piece is based on an abstract concept which leads the audience to walk inside a world created by the piece and observe its morphological objects. In this case, the development of each object is inside its dimension. 
The piece is about gender-based violence, which is a real crisis in the world even to this day. The hateful and criminal act has deeply penetrated in the different layers of society. 
The violence which could be defined as a cycle is being repeated. This fact is based on the cycle of desire in Lacan’s theory. Victims are in silence, afraid of “being inappropriate” and rejected by society. Society as the position of power ignores the applying the equality between the weak position and itself and protects the criminal against the victim with the answer of Sh! 
Space syntax is the common element in all fields of morphology, with finding a definition for space syntax in music, there will be a common element between sonic perception and visual perception. The question of space syntax is answered by the sound spatializing in the piece. The installation of the instruments is the cause of sound spatializing in the piece.

Breaking News: We F* hate you!

Breaking News - We F* Hate You ! - MUSIQUES NOUVELLES, ARTS

Diagnosis result: ROSE Error! 2021-22

PATHOS / ELLIPSE IV - Homage A Xenakis, 2024

Metamorphosis is a piece in memoriam of Qolamali Marqiri ,a piece with calculated form influenced by Iranian southern "Zar" regional music that combines the "zar' and Contemporary Eletroacoustic composition formal materials. In other hand with artistic attitude the piece is about the meaning "metamorphosis", which also has an important meaning in Iranian southern philosophy...

Metamorphosis-Hommage à Qolamali Marqiri- For Tapes- 2017

Parsa Hadavi, born in 1995, Gorgan Iran. He is a composer–researcher mainly focusing on the field of ecologies and its approaches to musical creation and composition. He is an interdisciplinary artist with a background in architecture and astrophysics. His interest in science led him to develop a compositional method called the Multi-dimensional composition system by evolving the perception manners in composition both in the author’s and auditor’s part. 
He has studied architecture and urbanism at the Tehran University of Art and has pursued his education in instrumental and électroacoustique composition under the supervision of Claude Ledoux, Geoffrey François, and Gilles Gobert at the Royal Conservatory of Mons, Belgium, and later in Paris under the supervision of Jean Luc Hervé and Roque Rivas and currently he is a student in Musicology at University Paris 8. 
His research contains political-social concerns with ecology and ecofeminism approaches and his compositions mainly involve accessible technology.

Parsa Hadavi

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