Welcoming new collaborative partnerships to the Particles roster is always an exciting opportunity and witnessing the combined talents of Chris Domingo and Eric Lune for their Particles debut is no exception, the duo revealing their "Sentimental Fool" EP.

Talented artists in their own rights, US star, Chris Domingo and Canadian talent, Eric Lune, have found their music allied to some of the finest underground imprints, counting Balkan Connection, Black Hole and Juicebox Music among them. Moreover, both have found homes on Belgian label, Sound Avenue with an impressive array of original and remix production material. Both have also found themselves hitting impressive heights on Proton Music, not least through Eric Lune's "Airbag" EP which saw a remix from Mariner + Domingo. Now joining forces on a debut original track, "Sentimental Fool" sees Domingo + and Eric Lune create a bright and evocative track that revels in shimmering arpeggios and acoustic field recordings that add a subtle vibrancy to proceedings. Anchored by heavy kick and offbeat percussive flair, interwoven melodies filter into sonic range as hypnotic arpeggiated sequences, breathy vocals and multi-layered pads, combine in counterpoint harmony to create a superb original work.

An iconic figure withing the underground dance industry, Pole Folder is a name synonymous with modern progressive house after making a name for himself debuting on John Digweed's Bedrock. A regular on Proton Music since 2006 and, more recently, with a trio of original EPs that include 2020's "Serengeti" and 2021's "Mara", Pole Folder now makes his fifth remix appearance on Particles with a typically impressive reworking. Redolent in additional production material that has become such a trademark feature of the Belgian's work, a new bassline based on the progression from Domingo & Lune's original, casts a magical spell over the 6-minute track as woven sonic textures cascade across each other, opening up post-breakdown underneath a heavy beat and 808 clap to create a remix worthy of the "Full Sentimental Mix" title.

Production moniker of Australian artist, Sam Liburn (aka Sammy Pstump), Slipp. has seen the Tasmanian producer create a distinctive ‘melodic, progressive and psychedelic dance music, inspired by the traditions of techno and house'. Digital Structures, Dreaming Awake and The Next Levelists have all played host to the Slipp. name as he now debuts on Particles with a coruscating and arpeggiated reworking that rises and falls in hypnotic fashion against a rhythmic anchor of deep kick and ticking hi-hat pattern. Echoing the themes resonant in the original to magical effect, new guitar passages and exquisitely syncopated chords pitch and fall in innovative new patterns to create a highly original remix that showcases Slipp.'s range of skill, craftsmanship and technique.

As Domingo + and Eric Lune develop a new relationship, remixes from Pole Folder and Slipp. help to showcase a "Sentimental Fool".

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Domingo +, Eric Lune, Cid Inc.
Design by Ben Mautner
Text by James Warren

Sentimental Fool

Sentimental Fool (Original Mix)

Gaston Ponte is an artist with a rapidly growing reputation within the progressive house community. A Buenos Aires native, Ponte has quickly found his feet with a plethora or original and remix production material dating back to a late 2018 debut for Clinique Recordings. Since then, the Argentinean artist has not looked back with over a century of credits for the likes of Balkan Connection, Or Two Strangers and Asymmetric Recordings. A remix of Andrea Cassino and Lio Q's "Asante" saw a Proton Music debut in October 2021 as Gaston Ponte now debuts on Particles with the tension filled "Accelerated". A driving rhythmic foundation and machine gun hi-hats fire across the percussive top line while a combination of searing synth swells, free-flowing melodies and 303-tinged arpeggio swirl across the 8-minute piece. Reaching a rousing crescendo at the breakdown, a drop down to the bass-heavy, rhythmic bedrock then sees the melodic collage once again build to a dynamic finale.

Simos Tagias has been at the vanguard of the progressive house scene for almost a decade. Some 400 production credits later, the Greek icon has found himself a regular on Proton Music with such gems as the "Airlock" and "Audacity" EPs. 2014 saw a Particles debut followed by a flurry of releases including December's "Drunk State". Remixes for Jelly For the Babies, Antrim and James Monro have added to his reputation as Simos Tagias returns with a 24-carat remix that builds on the central pillars of "Accelerated" and transforms them via a swathe of new production material. A deep, rolling groove and beautifully sculpted arpeggio finds itself the perfect vehicle for Gaston Ponte's synthscapes to flow across the stereo spectrum, while Simos' unrivalled ability to create a cutting-edge progressive house floor-filler ensures that the track is destined for success and support from the DJ elite.

Balad is a name that has been synonymous with a deep and organic house sound that has found itself much in-demand since originally finding favour on the likes of Parquet Recordings in late 2017. Going on to feature on the likes of Natura Viva, Global Underground and Armen Miren's Hoomidaas, the Australian based artist has found himself supported by such star-studded names as Lane 8, Nick Warren and Yotto. Now bringing his production talent to Particles, the Balad remix of "Accelerated" harnesses the "melancholic, emotional and beautiful" characteristics for which his music has become so synonymous. Waxing and waning elegantly via thumping beat and crisp hi-hat patterns, smooth melodies pulsate gently across the near 8-minute piece. Chock full of additional production material and new harmonies, sparkling arpeggios blend with glass plucks and filtered analogue stabs. Sensitively retaining the fundamental character of Gaston Ponte's work, Balad has inspired a new interpretation that is as beautiful as it exquisitely crafted.

Speeding smoothly forward with remixes from Simos Tagias and Balad, Gaston Ponte has seen success "Accelerated" at rapid pace.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc. Simos Tagias
Design by Ben Mautner
Text by James Warren

Accelerated

Accelerated (Simos Tagias Remix)

A familiar name within the underground house fraternity, Rafal Ligienza has been at the vanguard of his country's music scene through his Rafa'EL moniker. Operating out of his Wysoka home in north central Poland, Rafa'EL has been developing his innovative sound for nearly 15 years.

Making his debut on Usessions Records in 2013, the Polish star has subsequently been a regular on Particles, centred around a pair of original EPs in 2015's "Twin Flames" and 2019's "Floating Moments". Remixes for Rauschhaus, Mariner + Domingo and Juan Deminicis have shone a light on another side of Rafa'EL's production talent as he now returns with "Light the Shades". The title track flows with deliciously rolling groove and clicking percussive top line as a melancholic piano progression adds gravitas. Evolving with ease, a sultry synth line makes its intermittent presence felt, while a stripped back breakdown provides the perfect vehicle for melodic elements and spoken vocal sample to shine before a twinkling arpeggio opens up a moment of magic in the second half. "Overload" immediately hits hard with its strong beat and chunky rhythm, while a deep bassline and muted synth stabs play in syncopated fashion. Arpeggio and growling analogue synth add to the sonic collage as a symphony of melodic components converge in counterpoint heaven, culminating in a gated reverse sequence that heralds a drop for rhythm and groove to showcase dancefloor prowess in the latter stages.

Finding a home on Proton Music with such memorable outings as 2019's "Organik" and "Sunsweat" EPs, Imran Khan has also created a strong sonic identity on Particles with 2018's "Arrival", plus a clutch of remixes for the likes of Kamilo Sanclemente, Savvas and Chihaka, in February 2022. Returning to Particles, the Imran Khan remix brings a trademark depth to his reworking of "Light the Shadows". Enveloped in powerful rhythmic heft, a growling bassline and breathy effects pave the way for elements from the original to forge a new path, away from the melancholy of Rafa'EL's work, creating a tension-filled offering that revels in white-noise effects and hypnotic groove. Allowing the emotive keys and pads from "Light the Shadows" to shine during the breakdown, Imran Khan brings them sharply into focus alongside his deep groove-oriented and dynamically rhythmic offering.

An artist with over a century of production credits to his name, dating back to a 2018 debut for 3xA Music, Jorge Viana has continued to make a name for himself with music signed to the likes of Mango Alley, Freegrant Music and Dopamine White. From Rosario in the Sante Fe province, Jorge Viana continues to impress during a relatively short career thus far. Now the Argentinean artist makes his debut with an intricate rhythmic backdrop that captures listener interest through imaginative use of the central melodic found in "Overload". Creating a new central motif, familiar elements wax and wane with throughout the complex percussive backdrop. A powerful effects-fuelled breakdown opens up a new direction before melodic fragments filter into range in a glitched and dramatic zenith.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

Light the Shades

Light the Shades (Imran Khan Remix)

October 2021's "Spark" saw Petar Dundov at his beautifully melodic best. Now returning to the twin-track EP, "Day Unseen (Particles Edition)" sees a pair of new remixes from rising Russian and Argentinean stars.

An artist with a clutch of hugely impressive releases stretching back to a debut for NewBorn Records in mid-2010, Izzet has continued to release his atmospheric work on an array of blue-chip labels that include Liquid Grooves, Clinique Recordings and the renowned Visceral compilation series. Moreover, the Russian producer has been responsible for three original EPs on Particles via January 2019's "Summer Goodbye", March 2021's "Abstract Distortion" and March 2022's "Puncher". In between, remixes for Rafa'EL, Pole Folder and Savvas have followed as Izzet returns with a magical reworking of "Spark" that is dominated by cavernous beat and bristling shaker-fuelled percussion. A bassline groove adds dancefloor character as smooth pads hint towards the introduction of melodic themes from Petar's original. A delicate arpeggio is introduced that filters its way across the 6-minute piece in hypnotising fashion to create a distinctive new reworking.

Originally from Patagonia at the southern end of South America, but now firmly ensconced in Córdoba, Martina Mossoni and Matías Villafañe are a rapidly rising duo who have created quite a stir within the underground dance fraternity through their Alto Astral moniker. Able to combine live performances with more traditional DJ sets, the pair's production work has seen them hit the ground running since a Balkan Connection debut in April 2021. With original and remix material subsequently signed to the likes of Movement, 3rd Avenue and AH Digital, December 2021 saw the Argentinean artists make their Particles debut with a remix of Juan Deminicis' "Rebellion". Now returning to the label, their remix of "Day Unseen" immediately echoes the themes of Petar's track as a running bass groove and head-shaking percussive cadence pave the way for Martina's vocal melodies to drift across near 10-minute piece in captivating fashion. Sublime melodic phrasing and emotive key changes provide a sonic anchor to the original, particularly at the breakdown, but the presence of effects-laden vocal layers and white-noise crescendo, make for a powerful drop that powers the reworking forward to its dramatic conclusion. The result is a sparking gem of a remix from Alto Astral.

A pair of new remixes from Izzet and Alto Astral create a bright new dawn across Petar Dundov and his "Day Unseen".

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Izzet, Cid Inc.
Design by Ben Mautner
Text by James Warren

Day Unseen (Particles Edition)

Day Unseen (Alto Astral Remix)

A new artist moniker to grace the Particles catalogue, Dmitry Molosh hits the ground running with his Maudlin alter-ego and the twin-track, "Trailway" EP. Already seeing a pair of remixes for Anton Ishutin and The Cobb feature on Pepper Cat and -102C, Maudlin delivers a silky-smooth title track. "Trailway" blissfully wends a magical path with a swathe of interwoven melodies through keys, arpeggios and thickly textured pads. A strong kick and ticking percussion provide dancefloor character while a loquacious vocal line trips along elegantly, perfectly placed within rhythmic and melodic elements. "Awake" continues a similar rhythmic framework with rolling cadence paving the way for sumptuous arpeggios and filtered motifs to blossom. Glorious counterpoint strings add a melancholy air while meandering brass and haunting lead line create a wistful character that rises and falls with ease over the 7-minute duration.

A Particles regular with a slew of original material which has seen "Twin Flames", "Floating Moments" and "Light the Shades" showcase the Polish artist's work between 2018-2022, Rafa'EL now returns to Particles with a typically impressive remix. A groove-laden affair, Rafa'EL takes the melodic foundations of "Trailway" and applies a panoply of production treatments and the introduction of a powerful new bassline sequence. Familiar vocal lines make their presence felt as they are cut and laden with effects before a new lead drives Rafa'EL's remix in a dramatic new direction.

A Colombian star who has become a staple on Proton Music with his collaborative work alongside Kamilo Sanclemente and his own "Equilibrium" EP in May 2022, Dabeat is a welcome Particles returnee after an appearance on the seasonal "Winter 2019" compilation with "Beyond the Stars". Reworking "Awake", the Dabeat remix is a richly textured affair with a Latin groove and immaculately syncopated synth phrasing. Making effortless use of the core melodies found in Maudlin's original, they are transformed with ease into a flowing and perfectly observed progressive house gem.

Michael Chihaka has become a Particles favourite with his score of production credits that include the "Nyara", "Pinda" and "Ndariska" EPs between 2019 and 2021. Now returning for a fifth remix after reworkings of Pole Folder, Ric Niels and most recently, about : river in mid-2021, the Chihaka remix of "Trailway" makes imaginative use of the vocal lines so integral to Maudlin's track. Cut, repeated and filtered, their use sits perfectly within a rapid-fire percussive top line and delicate melodic bed that captures the essence of the original while extending it in new and vibrant directions that blossom post-breakdown.

A pair of original tracks combined with a trio of wonderful remixes find Maudlin on a magical voyage of discovery via "Trailway".

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

Trailway

Trailway (Original Mix)

A new artist to grace the Particles roster, Francisco Jose Ricardo makes a stylish debut with his "Tongue & Groove" EP. Mentored by Bedrock resident and global superstar DJ, Nick Muir, the US resident now follows up on a pair of 2021 releases for Record Union with twin original tracks. Remixes come from Simos Tagias and Nick Muir himself.

The title track opener sees "Tongue & Groove" develop easily with metronomic beat and a filtered arpeggio framework. Blossoming with club-friendly prowess, a grooved bassline is perfectly entwined between heavy beat and ticking percussion as a glass motif heralds a new sonic phase. Intelligently placed chords provide an old school house vibe while a swathe of effects and subtle piano phrase combine in the second half to impressive effect. "Jones" continues the retro vibe as a Kraftwerk-esque synth line shines through a cadenced top-line that creates dancefloor energy via a dynamic rolling groove. Stereo-panned arpeggio and textured pads add to a rich sonic collage as the track pauses for breath at the 5-minute point before dropping back into a glorious melody-fuelled finale.

A legendary figure in the underground scene as part of the Bedrock outfit alongside long-time production partner, John Digweed, Nick Muir is the epitome of the global superstar DJ. A career that dates back over 30 years, Nick's solo work as producer and DJ has seen him travel the world, while more than 400 production credits sit proudly next to his name. A trio of remixes for Rick Pier O'Neil, Sebastian Sellares and Eric Lune have seen Nick feature on Proton Music between 2019-21 as he now debuts on Particles with a typically innovative and powerful interpretation of "Tongue & Groove". Replete with a plethora of magical production techniques and backspin DJ effect, Nick Muir's skill is to expertly sculpt a new melodic framework for familiar themes within Francisco's work to shine anew. With eloquent dancefloor know-how, the track builds through its phases to create an immaculate and expertly crafted interpretation.

Simos Tagias requires little in the way of introduction with 30 production credits on Proton Music and Particles. The early part of the Greek artist's career saw such EPs on the latter that included 2014's "Drunk State" and 2017's "Airlock", while remixes for Antrim in 2015 and Gaston Ponte in June 2022 are now followed by another typically impressive remix. Characterised by a powerful bassline groove and rolling top line cadence, the Simos Tagias remix of "Tongue & Groove" provides hypnotic dancefloor energy. A filtered arpeggio enters the fray appearing alongside a swell of additional motifs and familiar pulsating soundscapes at the breakdown, before hitting its straps once more in the latter stages, propelled forwards with hypnotic vibrancy.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

Tongue & Groove

Tongue & Groove (Simos Tagias Remix)

A Particles debutant, Chris Cargo has been an influential figure in underground house for over two decades. Over 250 production credits are testament to this longevity with the UK artist seeing his music feature on the likes of Paul Thomas' UV, D-Formation's Beat Boutique and Nick Warren's The Soundgarden, with a further half-century on his own If You Wait imprint. Now debuting on Particles, "Wide Eyed" is a low-slung groover that develops with easy rhythmic poise before subtle melodic overtones filter into sonic range. Luscious pads and grooved bassline add to the aural collage before a breakdown introduces a swathe of new elements that fizz to a rousing white-noise crescendo before dropping back into the gently pulsating rhythm of earlier movements. The result is a smooth and immaculate offering from the Chris Cargo studio.

Chris Domingo is another longstanding artist within the underground dance fraternity. Finding success in both solo guise and with former production partner, Mariner, the US artist has seen his music feature on a host of leading labels that include Songuara, 3rd Avenue and Stellar Fountain, while work for Particles included 2021's "Azimuth" and "Lose Control" EPs, before May 2022 saw the debut of his Domingo + moniker in collaboration with Eric Lune and "Sentimental Fool". Now returning to the label, the Domingo+ remix sees an intricate percussive top-line based on elements from "Wide Eyed" shine before a familiar bassline cadence also makes its presence felt. Introducing a new syncopated synth line adds depth and intensity to proceedings before the second half reveals a glorious and meandering synth line that provides a touch of class and emotion to the original.

Subandrio needs no introduction to the particles faithful. A renowned figure across his Sri Lankan home and far beyond its borders, his unmistakable production work has lit up a plethora of labels including Mango Alley, Perspectives Digital and Hernan Cattaneo's Sudbeat Music. A regular on both Proton labels, a quintet of remixes has seen him rework the likes of Andre Sobota, Juan Deminicis, Trilucid and Matter since a December 2015 Particles debut. Now returning to the label for the first time in 5 years, the Subandrio remix is a typically sumptuous affair with powerful rolling groove melded with the textured pads and melodic bed of Chris Cargo's original. Full of vibrancy and atmosphere at the breakdown, a superbly cadenced motif and rippling stepped arpeggio combine to create a memorable interpretation.

Including remixes from Subandrio and Domingo +, Chris Cargo is "Wide Eyed" with musical delight.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Chris Cargo, Domingo +, Cid Inc.
Design by Ben Mautner
Text by James Warren

Wide Eyed

Wide Eyed (Subandrio Remix)

An Argentinean artist of growing global renown, Alan Cerra has seen a rise to prominence since a debut for 3rd Avenue in late 2019. Since then, 150 production credits have swiftly found their way on to a plethora of high-profile imprints including Armen Miran's Hoomidaas, Paul Thomas' UV and Nick Warren's The Soundgarden. Making his Particles debut, the "Opposite Ways" title track is propelled forward by a chest-thumping kick and ticking percussion, while a sumptuous selection of complementary melodies vie for attention. Subtly placed, meandering sequences and distorted lead lines pan the stereo spectrum with ease alongside fizzing white-noise pulses. A syncopated bass groove adds to the rhythmic power in a dancefloor tour de force. "Orbital" is similarly characterised by hefty rhythmic weight and bouncing bassline groove. Head-shaking hats and a smoothly cadenced arpeggio add urgency with counterpoint melodies and flowing chord progressions creating a sublime sonic landscape. Hitting its stride once more in the second half, Alan Cerra has created another intelligent floor-filler.

Sebastian Sellares has been a regular contributor to the Proton Music catalogue with 2020's "Jinsei / Zen State" and forthcoming "Conviction / Reverse Call". Also a regular on Anjunadeep, Replug and GMJ & Matter's Meanwhile imprints, the Córdoba resident continues to chart a rapidly rising path. Now marking his Particles debut, the Sebastian Sellares remix of "Orbital" immediately excites with its chunky rhythm and syncopated bassline. Evolving easily in early movements with delicate layering, the cadenced arpeggio from the original makes its presence felt in a quick-paced reworking. A chorus of effects and growling bass note add intrigue to the hypnotic backdrop as the track rises and falls in effortless fashion, showcasing the Argentinean star's production talent.

A duo of considerable repute, Blood Groove & Kikis have been at the centre of the underground house scene for over a decade. A regular on Spring Tube and Monstercat Silk with their earlier work, 2014's "Wonderland" album for the latter was a notable highlight. Particles has also played a significant role in the Latvian duo's output with a host of remixes for the likes of GMJ, Andre Sobota and East Café. Returning, the Blood Groove & Kikis remix of "Opposite Ways" is characterised by a smooth rolling bass groove and immaculately crafted percussion. Using the central melodic themes found in Alan Cerra's track to superb effect, coruscating melodies rebound off each other with consummate ease. The result is a multi-faceted sonic architecture that juxtaposes easily against the powerful and metronomic rhythm to create another hugely impressive remix from the Blood Groove & Kikis stable.

Through a pair of superb original tracks and sparkling remixes, Alan Cerra finds sonic harmony in "Opposite Ways".

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

Opposite Ways

Opposite Ways (Original Mix)

Falling Down

Home (Pambouk Remix)

An artist with a long and distinguished production career within the broad Progressive House arena, Robin Thurston returns to Particles with his "Piedra Oscuras" EP. A regular on a host of renowned underground progressive labels since early work for Liquid Grooves and BQ Recordings, the UK resident has since gone on to see his work released through BC2, AH Digital and Arbor Recordings. 2017's "Cura Brochero" EP was a notable Particles highlight in 2017, bookended by appearances on the "Summer Particles" series in 2014 and 2018 with "Mr Kolotev" and "Sausalito Sunset". Now returning to the label for the first time in more than 5 years, the title track is characterised by a hypnotic groove of fierce metronomic bassline juxtaposed with harmonically-rich looped pad. Deriving energy via a strong beat and rapid-fire hi-hats, a beautifully meandering and free-flowing synth sequence provides a Kraftwerk-esque vibe. Evolving over its 8-minute timeframe a kaleidoscopic array of melodic layers builds through "Piedras Oscuras" to create a mature and evocative sonic tapestry. The richly textured pads and developing chord progressions of "Neverending" create a typically smooth and powerful sound. Combining his sonic palette with ease, Robin's skill and technique emerge with trademark coruscating melodies and grooved bassline backdrop. Hitting its stride in the latter stages, the driving beat and sustained bassline add to a majestic and powerful production.

No stranger to the Proton faithful, Dmitry Molosh has been a staple of the flagship label with a host of original tracks and remixes for the likes of Kastis Torrau, Andrea Cassino and Paul Deep. A 2014 debut for Particles saw "Teleport" showcase the Belarusian's production skills before remixes for Exoplanet and Valer den Bit followed within a year. Now, almost a decade later, Dmitry Molosh returns with a typically dance-friendly remix. Using elements from the original, he takes "Neverending" on a driving voyage of discovery with high-tempo percussive intent, bassline groove and dominant kick. Adding layers of additional production material, effects, melody and club brio, they are joined at the breakdown by the free-flowing melodic themes integral to Robin Thurston's work with a pulsating arpeggio adding vibrancy in the second half to devastating effect.

A more recent Particles contributor, Jesus Gonzalez has found a rising wave of success within the underground house arena since the debut of his OHMZ moniker in 2019. After appearances on Flug Lab, RYNTH and The Purr, December 2022 saw the Chilean release his impressive "Articulation" EP on Particles with remixes from NHAR and Wolfframm. A single remix of Chihaka's "Kupisa" earlier that year was another notable highlight in the OHMZ portfolio as he now returns with a deep and undulating interpretation of "Neverending". Intelligently using elements from Robin Thurston's track in looping and effects-laden patterns, the OHMZ remix is a stripped-back remix that rises and falls imperceptibly with its dominant beat framework and ticking percussion. Brim full of pulsating sidechain compressed waves, the OHMZ reworking weaves a delicate and magical story across its 5-minute timeframe.

Full of light moments and dark undertones, Robin Thurston is front and centre stage with his "Piedras Oscuras".

Directed by Jay Epoch
A&R by Marina Enebeka
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

Piedras Oscuras

Neverending (OHMZ Remix)

Neverending (Original Mix)

Piedras Oscuras (Original Mix)

Neverending (Dmitry Molosh Remix)

Both artists with long and significant contributions to the underground dance community, E.F.G. & Neptun 505 have each enjoyed long and successful production careers. For over 15 years and more than 600 credits between them, their solo work has graced the catalogues of Stellar Fountain, Smart Phenomena, Natura Viva and Lamp. Joint forces on almost a century of credits, the pair's output on the likes of Stellar Black and Electronic Tree has been prodigious with a host of original EPs including 2022's "Echoes / Orbit of Thoughts" and 2017's full-length "Cycle" album for the Tuxedo-led Polish imprint.

While E.F.G. has seen a pair of EPs on Particles in the shape of 2018's "Clockwork" and 2020's "Thunderground", his collaboration with label debutant, Neptun 505, sees the title track redolent in smooth melodic flourishes and cascading delays. With a deep progressive character, an intermittent vocal sample carries "Rise Again" forwards, as does a hefty kick and metronomic offbeat hats. Waxing and waning with ease, muted plucks create a head-shaking cadence that sits perfectly atop the smooth sub-bass groove. Partner track, "Dawn Amid Dusk" immediately appeals with its tribal rhythms and syncopated chord motif. Full of subtle dancefloor character, a house-inspired piano phrasing comes to the fore at the breakdown alongside an evocative string sequence. A rippling arpeggio adds to the sonic collage, evolving gently with immaculately placed call-and-response motifs in the second half to mesmeric effect.

Turkish producer Erdi Irmak has been a central figure in the Proton story since late 2013. A decade later, a plethora of original EPs and remixes have seen the Istanbul-based artist continue to excel, breaking new sonic boundaries with his ability to transform traditional dance music with a range of cross-cultural influences. From his cosmopolitan surroundings, 2014's full-length album, "You're Either Guilty or Not Guilty" saw a high watermark moment on Particles, as have 7 iterations of his "Hidden Arcadia" series on Proton Music. Remixes for the likes of Sebastian Busto, Stories of Others and a January 2024 reworking of Dave Leck's "Opal" have further shown the Turkish star's production talent as he now returns to Particles with another powerful remix. Taking on "Rise Again", the Erdi Irmak Remix is a beautifully constructed interpretation that takes the melodic themes central to the original and transforms them into trademark new directions, not least at the breakdown where a flowing freeform flute sequence links a dynamic rhythmic groove and undulating arpeggio that brings hallmark energy and vitality to his work.

Showcasing a long and lasting production relationship, E.F.G. & Neptun 505 "Rise Again".

Directed by Jay Epoch
A&R by Marina Enebeka
Mastered by E.F.G. & Neptun 505, Cid Inc.
Design by Ben Mautner
Text by James Warren

Rise Again

Rise Again (Erdi Irmak Remix)

Dawn Amid Dusk (Original Mix)

Rise Again (Original Mix)

From his home in South Argentina, Alan Cerra makes a welcome return to Particles with a pair of new original tracks and a remix from the iconic figure of Gai Barone, as he showcases "The End of the Line".

An artist with more than a double century of production credits to his name, Alan Cerra has come a long way since a debut for 3rd Avenue in late-2019. Since then, a host of original and remix production material has appeared on the likes of Mango Alley, Juicebox Music, AH Digital and Miss Monique's Siona Records. Finding his way onto Particles in July 2023, the "Opposite Ways" EP saw twin original tracks from the Santa Cruz resident grace the label with a pair of standout remixes from Blood Groove & Kikis and Sebastian Sellares.

Now returning, the title track is a pounding melodic house number that oozes bassline drive and rhythmic intensity. Haunting pads add delicate juxtaposition before a syncopated motif hints at what is to come. Maintaining its bass intensity through the beatless breakdown, "End of the Line" pauses for breath before the rhythmic foundation engages dancefloor force once more in the third movement. Moreover, the plucked motif of earlier phases comes full to the floor in a display of smooth production prowess.

Partner track, "For All Time" hits the ground running with a graceful grooved bass sequence and perfectly placed rhythmic backdrop. Evolving with easy elegance, a soul-stirring motif leads the way before being joined with cascading arpeggiated sequence and lead. A cinematic breakdown adds a swathe of new sound textures and shimmering emotion before the track drops into familiar groove-laden territory and searing synth through the second half.

Gai Barone has been a welcome addition to the Particles catalogue since a label debut remixing Verche's "Riptide" with some time production partner, Luke Brancaccio. 14 months later then saw an appearance on Mortinaire's "Amped" album remixing "Somewhere". With almost 750 credits to his name on some of the industry's finest imprints, the Bologna-based star with releases on such esteemed imprints as Sprout, Black Hole, JOOF and Afterglow, now reworks "End of the Line" with typical aplomb.

Making excellent use of the bassline dominance of the original, a huge low-end swell builds in energy before a hypnotising arpeggio, filters into range with its searing and vibrato edge. A chorus of effects and soundscapes then evolve before the heavy beat and offbeat hats drop back into a rhythmic collage. Waxing and waning with ease in a track chock-full of production and dancefloor knowhow, Gair Barone's reworking of "The End of the Line" is a powerful reminder of why the Italian sits at the head of underground dance's top table.

A new EP and a remix from Gai Barone have illustrated that Alan Cerra is far from reaching "The End of the Line".

Directed by Jay Epoch
A&R by Marina Enebeka
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

End of the Line

End of the Line (Original Mix)

End of the Line (Gai Barone Remix)

For All Time (Original Mix)

Collaborative pairings often bring a frisson of excitement in the world of music production, particularly when an established artist and comparative newcomer join forces. "The Version" EP from Sapiens and Springa brings that thrill to Particles.

From the Bauhaus inspired buildings of the 1930s on the Mediterranean coastline, Tel Aviv resident, Alon Shapiro, has been immersed within the culture of music, spending a decade honing his production persona. Now debuting that production talent through his Sapiens moniker, the Israeli producer builds upon recent success. Trained in classical piano from an early age, a subsequent vinyl addiction and the joy of music stemming from the art of the 'mixtape', Sapiens found an eclectic passion for "intelligent, underground genres" ultimately distilled into a love of pioneering electronic that included Jean Michel Jarre, Kraftwerk and The Orb. Academic studies in music production followed as did gigs at local clubs and venues in the mid 2000s before the Sapiens name took hold in 2006. A portfolio of work has subsequently flowed leading to work signed for Baroque, Suffused Music and Stellar Fountain.

Although the name Springa has an outward appearance of a newcomer to the underground dance movement, Mattias Lindblom is a name firmly entrenched in the modern music industry through an integral part played in the Swedish outfit, Inkfish. A man of incomparable production pedigree, Lindblom has seen his work signed to a vast collection of blue chip labels including over 250 signed to Inkfish's own successful, eponymously named imprint. Launching the Springa production alter ego through a remix of Mistol Team for Baroque in 2014, 2015 has proved a successful year for Lindblom as Springa has seen further work signed for Mistique Music and Pangea. Furthermore work for System Recordings including a remix of Sapiens himself, set the duo up for exciting collaborative work that now manifests itself fully in "The Version".

An EP arranged into two distinct halves, "Introversion" and "Extroversion" supply a pair of opening salvos wrapped around a common percussive narrative and musical themes. "Introversion" opens proceedings with a metronomic bass line that fires off the rhythmic section with intelligence while a series of musical motifs, riffs and stabs provide an elegant contribution. A driving, pulsating affair, "Extroversion" quickly finds its feet with a spine-tingling bass line progression that dominates the melodic direction. A clever vocal cut weaves its way in and out in a variety of guises that are reminiscent of classic progressive house tunes of yesteryear to crate an aura of intrigue and nostalgia.

Taking vocal cues from its "Extroversion" counterpart, "April Heart" continues the bass line dominance of its predecessor as it growls and filters its way over the opening movements in emotive fashion. Evolving purposefully in the breakdown and beyond, a delicious arpeggio riff opens up the upper frequency spectrum with delightful fashion to create a driving, vibrant work. A stripped back "Dub Mix" minus the vocal component completes an impressive picture.

A quartet of tracks from Sapiens and Springa demonstrates a striking common purpose through "The Version".

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Sapiens and Springa
Design by Ben Mautner
Text by James Warren

The Version

Buy on Beatport

Sapiens & Springa - April Heart (Radio Edit)

In April 2016, Ad Brown shone another powerful light on his distinctive production prowess for Particles. With the "Here Now/Our Power" EP, Brown created a pair of tracks that would light up clubs across the summer season. Now revisiting to the EP, Particles is delighted to announce two new remixes of "Here Now".

From central Hungary, Robert Reisz is a very welcome addition to the Particles family with his Robert R. Hardy production alter-ego. A music producer with a wealth of experience to his name, under both his D.M.P and Hardy monikers, Reisz has thus built a solid fan base amongst peers and followers alike. A prolific artist, the Robert R. Hardy name has already accounted for some 450 production credits since the debut original, "Seven Billion Souls" EP for BQ Recordings in December 2013. Quickly hitting his stride, the Robert R. Hardy name was a regular on the Stellar Fountain imprint as Balkan Connection, Soundteller and Clinique all played host to a growing reputation and an expanding portfolio. Despite seeing so much of his work signed to Proton family labels, it is thus a surprise (but no less an honour), that Reisz should make its debut on Particles towards the end of 2016. To that end the Robert R. Hardy remix of "Here Now" is a typically impressive offering, full of melodic poise and rhythmic flair that pays homage to Ad Brown's original with its intelligent use of original components retaining familiarity with Brown's work. A chunky rolling rhythm makes its presence felt and the vocal phrases so integral to the original are brought fully to the fore. Additional production material provided through the use of a new melodic motif post-breakdown, illustrate an emotive offering full of polish and élan.

Israeli artist, Alon Shapiro and Swedish producer, Mattias Lindblom, have demonstrated a considerable degree of success through their Sapiens and Springa pairing. Lindblom, already part of the highly influential and successful Inkfish outfit, has seen his name writ large across legion blue chip imprints and releases. As Springa, Lindblom has continued to court success with his work for Suffused Music, Mistique Music and Low Pressings, amongst others. Similarly, Shapiro has derived similar success through his Sapiens moniker. An artist whose work is oft in-demand, his releases for Baroque, Pangea Music and Suffused Music, have been held in high regard. Indeed, the "Five Point Fiction" EP was a notable highlight for the latter imprint with its remixes from Monojoke, Advent's Rising and Inkfish themselves.

"The Version" EP in October 2015, saw a debut outing for the Sapiens and Springa collaborative partnership on Particles as the four-track EP provided a real insight into the duo's burgeoning sound. A remix of Li-Polymer's "Silence Between Us" in April 2016 showed a new set of skills and it is with genuine pleasure that we welcome back Sapiens and Springa with an innovative reworking of "Here Now". Retaining the essence of the original through its vocal cut and melodic motif, a hypnotic two-note bass line ploughs a relentless path through proceedings. As a collage of additional production sits within a deep techno framework, both pitched and textured chord progressions supply clever variation in an interpretation of impressive skill, technique and ingenuity.

A pair of new remixes from Robert R. Hardy and Sapiens and Springa have demonstrated that Ad Brown is still very much "Here Now".

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Robert R. Hardy, Sapiens & Springa
Design by Ben Mautner
Text by James Warren

Here Now (Robert R. Hardy, Sapiens & Springa Remixes)

Here Now (Robert R. Hardy Remix)

A gifted musician in possession of an array of talents, Luc Angenehm has caused quite a stir within the underground dance fraternity. With a growing collection of outstanding original material to his name, the "Kaiserkraft" EP for Proton Music broke new and exciting ground. Already receiving a quartet of remixes across two EPs for the label, a third, this time for Particles, once again extends Angenehm's work.

San Francisco based, Mark Slee, is a name well-known across the bay area and beyond. Passionate about his work as DJ and producer, Slee has been heavily involved in the music industry since co-founding the House-Heads collective in 2008. In tandem with regular gigs across San Francisco, appearances at "Burning Man" and to international acclaim in South Africa and Mexico, Mark's "Heron Sound" show for Proton Radio has also showcased his talent as taste-making DJ. As a producer, Mark Slee has been a firm favourite on Jondi and Spesh's Looq Records, with additional work finding its way on to the catalogues of Submarine Vibes, Cityfox and Lucky Sun. Furthermore, the formation of his co-owned Manjumasi imprint, with Atish, has proved an enormous success with a roster that includes Nico Stojan, Brian Cid and MUUI.

A trio of high-profile remixes for Proton Music have been combined with a single rework of Vitamindevo for Particles as Mark Slee now returns to the label with a typically polished affair. An elegantly crafted, deep percussive groove holds sway with sumptuous bass line variation, as melodic elements from Angenehm's original are juxtaposed against the hypnotic rhythmic patterns. A wealth of original production is in full evidence as stuttered motifs keep interest high in a work of skill and poise.

On Australia's south-eastern coast, Nick Retz has hit a rich vein of form through his Retza production moniker. Responsible for the "Rework Podcast", Retza's DJ skills have seen his diary increasingly filled, driven by inspiring performances at the likes of "Rainbow Serpent Festival", "CHI WOW WAH" and on the international arena, while Rework itself "is a collective of DJs and producers that came together…to push techno and house on the dance floors of Melbourne's underbelly." 

As a producer, a growing portfolio of material has found its way onto the likes of Lo-Fi 45, All Day I Dream and Watergate Records, supported by the underground DJ elite that includes, Kasey Taylor, YokoO and fellow countryman, Jamie Stevens. Now making his Particles debut, the Retza remix of "Kaiserkraft" lives fully up to its "Day Dream" title. A rich, low-slung groove drifts across a near nine-minute voyage that revels in dream-like melodies and pads that bleed into each other in unhurried fashion. Ever-evolving, a canopy of sound in the mid to upper frequencies gently covers the hypnotic rhythms below, creating a post-breakdown third movement that cleverly revisits Luc Angenehm's original elements in inspiring fashion to create an ethereal and opulent offering.

Remixes from Mark Slee and Retza still find Luc Angenehm very much the master of "Kaiserkraft".

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

Kaiserkraft (Mark Slee, Retza Remixes)

Kaiserkraft (Retza's Day Dream Mix)

Kaiserkraft (Mark Slee Remix)

An Argentinean artist raising a storm through his ever-growing body of production work, Nicolas Rada, continues to cause a stir in his home country and beyond. As he returns to Particles with a brand-new EP, the Russian themed, "Sheremetyevo" is a welcome arrival.

An accomplished musician, Nicolas Rada grew up in the bustling Buenos Aries capital, studying piano and with a passion for percussion. Maturing over time, Rada began to experiment in the multi-faceted electronic musical form, taking his audio cues from UK act, Radiohead, and the audio experimentations that became a staple feature of the band's work. Further inspired by underground DJs including Nick Warren, Hernan Cattaneo and Stephan Bodzin, the Nicolas Rada production sound began to emerge from a melting pot of ideas and influences, taking on elements of progressive, tech and deep house with a dash of techno seasoning.

A 2007 debut for BIT Records Mexico laid the foundations for Rada to develop his sound as he and fellow Argentinean, Nicholas Van Orton performed in clubs and pubs across the country. A raft of further work for the likes of Majestic Family, Superordinate Music and Soundteller, has followed in the intervening years but it with the Balkan Connection family of labels and the Van Orton owned, South American variant, that Rada is particularly known. Thus, over a century of production credits have graced the Balkan Connection name with an abundance of work for the BCSA imprint. Indeed, the December 2015 full-length debut album, "Air Ports" was a notable highlight in amongst legion original EPs and multiple remixes for the likes of Robert R. Hardy, Deepfunk and Van Orton himself.

Work for Particles is centred around October 2016's "Yaroun" EP including a remix from the iconic Italian artist, Andrea Cassino, while Rada remixed Simos Tagias' "Airlock" in May 2017. As he now returns to the label with the twin-track, "Sheremetyevo", the title track itself is a wondrous melange of rhythm and melody, imbued with Rada's characteristic percussive flair and melodic enterprise. A seismic kick keeps the track in check and luscious pads form a foundation for a pitched lead-line to shift across the sonic spectrum. Combined with a cleverly cadenced motif, the rhythmic explosion in the third movement sees the track burst into life.

Partner track, "One-One Eleven Thousand" oozes class with is bouncing bass groove, dynamic percussive urgency and machine-sounding artificial voice effect. Providing a hypnotic bed for melodic elements to emerge, a shimmering arpeggio filters into listener consciousness with a bright and pulsing counterpoint motif providing the perfect accompaniment. Rising and falling with veritable ease across the duration of the track, Rada's skill and technique is in full evidence.

With a pair of new tracks to his name, Nicolas Rada is certain to see his career take-off further via "Sheremetyevo".

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Nicolas Rada
Design by Ben Mautner
Text by James Warren

Sheremetyevo

One-One Eleven Thousand (Original Mix)

Kamilo Sanclemente is a Colombian producer with a rich musical heritage to his name. Now making his debut on Particles, Sanclemente provides rich entertainment with his original three-track, "Revelations".

From Cali, in the south west of the country, close to the Pacific coast, Sanclemente has built a strong and rapidly evolving reputation for himself. With close to a double century of Beatport production credits, the Colombian has thus found himself a regular on high-profile labels that include Einmusika, Baroque and Darin Epsilon's Perspectives Digital, since a debut for Suite 7 Records and the five-track September 2013, "Angels". Indeed, it was through the "Galathea" and "Arisen" tracks in 2015 that Kamilo saw his stock rise even higher for the Epsilon led label, with another appearance on the "MMW and WMC 2017 Sampler" with "The White City" in March 2107.

Supported by such icons of the underground dance arena as Hernan Cattaneo, Tim Penner and Danny Lloyd, Kamilo Sanclemente continues to impress with original and remix production material in the progressive and tech house genres. Now making his debut on Particles, the "Revelations" EP presents a musical triptych of the highest order.

Opening, with the title track, the dark brooding sounds of "Revelations" build effortlessly through sumptuous pads and eerie lead line that flows in liquid beauty. Through its elegant and evolving characteristic, a strong rhythmic foundation is laid with clicking percussive cadence, before a haunting vocal phrase permeates the upper frequencies, lending a richly textured layer to Sanclemente's work.

"Desolation" continues the Colombian's exacting attention to detail as a strong percussive groove provides a beats-laden backdrop. Building with consummate-ease, themes mirrored in "Revelations" are immediately evident as free-flowing middle-eastern melodies ease into the mid-range. Hitting its stride in the third movement, the rhythmic urgency, counterpoint motifs and reprised themes, showcase Sanclemente's skill and technique.

Fuelled by a driving, running bass line that supplies urgency and dynamism, "Another Earth" builds with gathering pace as strong beat and offbeat snare/clap combine with hi-hat pattern to create a robust backdrop. A filtered arpeggio enters the fray with rising chord progressions and epic snare fills, creating a storming floor-filler that thrills the senses. Sanclemente's technical knowledge of the dance arena is in full evidence through carefully placed use of rise and drop in an impressive club track.

The "Revelations" over Kamilo Sanclemente's talent are in little doubt in his three-track musical vignette.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

Revelations

Kamilo Sanclemente - Another Earth (Original Mix)

With a debut solo EP on Proton Music in the shape of December 2016's "Pronoia", Matter took another step up the ladder to the upper echelons of the underground dance scene. With subsequent remixes from Mononoid and Lanvary on the label, Particles now turns to Australia and the UK to continue the ride.

Rich Curtis is an artist with an enviable reputation within the underground dance fraternity. An esteemed club promoter, responsible for bring the likes of Hernan Cattaneo and Anthony Pappa to his Queensland home, Curtis' own appearances behind the decks have showcased a gift for crafting sets that keep dancefloors packed across his home country, South America and beyond. A producer of repute, Curtis has found his music allied to a plethora of high-calibre imprints. As such, Flow Vinyl Tulipa and Sudbeat have all played a part in the Australian's career development with the latter accounting for 2012's "Open Other End" EP and "The Ghost Writer" on 2014's "Sudbeats 2" compilation for the Cattaneo owned label. A regular on Proton Music with work that includes 2013's "Safety Thirst" EP and a 2016 remix of GMJ and Matter's "Atoms", Rich Curtis now follows up a quartet of remixes for Particles with a fifth.

Taking the essence of Matter's melodic themes, Curtis now extends their reach with a raft of additional production material in an interpretation of "Pronoia" that bristles with dynamic house groove and rippling arpeggio. Reaching their zenith in the third movement, a departure from Matter's original motifs sees a joyous house remix that is highly original and innovative.

Production pair, Andy MacDougall and Hilton Caswell, are artists with an impressive reputation to their names through their Trilucid pseudonym. Residents at Ministry of Sound's "Gallery" in London, provides a headline grabbing achievement that has seen the duo perform with a multitude of DJ superstars. With equally impressive production credentials, Caswell joined MacDougal's solo Trilucid project in 2013 and the duo have not looked back since. A portfolio that is thus the envy of any modern artist, the Trilucid name can be found on such leading imprints as Perfecto Black, Anjunabeats and Markus Schulz's Coldharbour Recordings. Supported by global icons that include Gareth Emery, Armin Van Buuren and Matt Darey, Trilucid continue to gain admirers with each subsequent release. 

Making their Particles debut, the Trilucid remix is centred around a stunning bass groove that takes its lead from Matter's original and turns it into a dancefloor destroyer. As the shimmering pads from the original filter into aural range in a stripped back breakdown, the combination of bouncing bass line and immaculate house rhythm, combine in the third movement with delightful riff accompaniment, to create a work of genuine skill and technique.

With superlative new remixes from Rich Curtis and Trilucid, Matter continues to enlighten through "Pronoia".

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc., Trilucid
Design by Ben Mautner
Text by James Warren

Pronoia

Pronoia (Trilucid Remix)

With "Binary" highlighting the dynamic Mondkrater production sound for Proton Music in April 2017, Particles now returns to the EP with three new impressive remixes.

An artist on an a rapidly rising upwards trajectory, Fairchild is an artist with a strong reputation. Finding his work supported by the the DJ elite, Pete Tong, Jeremy Olander and Jody Wisternoff are three of many to showcase the US producer's name. Indeed, it is on October 2017's "Anjunadeep 09" compilation, co-mixed by Wisternoff himself, that Fairchild sees his track "The Light in You" featured. A portfolio that includes releases for Arkade, NU Ideals and Motorik, now sees a debut remix for Particles. Taking on Mondkrater, the Fairchild remix wraps "Limb" in a shaker-fuelled percussive casing that grips the listener with a head-nodding groove and deep kick. Making full use of original melodic elements, a sweeping and meandering motif enriches the opening movements before a new, silky smooth arpeggio creates a spine-tingling moment in the breakdown. Rhythm and melody combine once more in the second half to create a work of passion and emotive tension.

Danny Lloyd is a storied name in the world of underground dance music. Fascinated by music from an early age, his forays into a diverse range of musical genres has brought him much success in both solo and collaborative ventures. With a portfolio that has seen work signed to BCSA, Lowbit and Soundteller, Lloyd's music for Particles is centred around 2015's "Espejismo" EP which went on to see remixes from fellow production partner, Andrea Cassino and French icon Rick Pier O'Neil. A clutch of remixes including Loquai and Pier O'Neil and Desaturate, is now joined by a remix of Mondkrater. Creating a dynamic groove and tightly interwoven bass line, Lloyd cleverly develops the melodic sequences that are so prevalent in the latter stages of Mondkrater's original into new and exciting directions. With subtlety and poise, a light and airy affair drifts enticingly along a nine-minute voyage of delight that passes in a hypnotic flash.

Polish producer, Jakub Heliński, is an artist who has carved out a sizeable niche over the course of 2017 with his Controlwerk moniker. Describing himself as a risk-taking 'sound auteur', inspired by Digweed and Kobana, Controlwerk's passion for progressive and deep house has led to over a century of production credits for the likes of Soundwaves, BC2 and Spring Tube, while January 2017's full-length "Borderline" album featured on Tuxedo's Electronic Tree. His music supported by a gamut of international DJs that include Gai Barone, Above and Beyond and Kenneth Thomas, it is a pleasure to welcome back Controlwerk after his remix of East Café in June. Crafting a unique remix of "Stellar Depth", the melodic themes central to Mondkrater's work immediately make their presence felt as a strong percussive backdrop fills the stereo spectrum and a swathe of shakers and hi-hats accompanying a dominant beat. Beautifully crafted new melodic structures make a sympathetic appearance at the breakdown in a work of imagination and technique.

Remixes from Fairchild, Danny Lloyd and Controlwerk find "Binary" divisible by three.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc., Andrea Cassino, Controlwerk
Design by Ben Mautner
Text by James Warren

Binary (Particles Edition)

Limb (Fairchild Remix)

As the warm autumnal colours of copper, russet and ochre turn to muted monochrome palettes, hues of icy blue and opaque crystal usher in a seasonal compilation that bursts through slate grey skies in sparkling sunlight, cascading sonic reflections across the underground dance scene.

"Winter Particles 2018" draws together a collection of artists that traverse the globe from North and South America to Africa, Asia and Europe. An assemblage of subtle and beautiful tunes is brought together that epitomises the Particles ethos – showcasing established artists and highlighting aspiring newcomers in an aural collage of electronic sound.

The arrival of seasonal shift sees shafts of light reach out into the shadows and dust. A mote sparkles in the bright light; caught in light breeze it drifts gently in hypnotic patterns. The presence of a filtered arpeggio takes a similar path, rising and falling in effortless waves. A piano note hits, cascading repeatedly into eternity as a growling bassline creates perfect juxtaposition; a liquid ink sky lit up by a carpet of luminous pinpricks.

Summer's petrichor a distant memory amidst the icy shards that cling to bare branches, the snow-swept ridges keep their secret of once green and rolling hilltops. Winter's zeitgeist is firmly held within pulsating rhythms and melodies to warm the soul. The acceleration of time brings with it a new musical direction and impulse for change. Elevated to new heights, shimmering percussive intent casts a spell of hidden energy, an electrical charge and dynamic spirit. The fusion or organic and electronic sounds are crystal clear in invigorating sonic shapes and patterns.

Heading for the winter trip, heading for the slide. A mountain isn't far to fall when you're falling from a silhouetted moon.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc., Izzet, Tech D, Rob Small
Design by Ben Mautner
Text by James Warren

Winter Particles 2018

Eva (Original Mix)

Zeitgeist (Original Mix)

First appearing on the "Winter Particles 2018" compilation, "Arrival" showcased Imran Khan's burgeoning talent. Now joined by a second track, in the shape of "Dreamcatcher", a pair of remixes from central and south America continue the story.

An artist with a rapidly rising profile, Imran Khan first came to prominence by way of a pair of original EPs that showcased a quintet of original tracks in late 2016. Going on to feature on a range of high-calibre imprints that include Stellar Fountain, Astrowave and Seva Records, a pair of remixes of Hot TuneiK's "Erase and Rewind" in October 2017 and Kamilo Sanclemente's "Eva" in May 2018, saw Khan become a regular on Particles. "Dreamcatcher" captures the essence of Imran Khan's penchant for smooth melodic lines and sultry rhythmic framework. Evolving gently through muted arpeggio sequence that gradually opens up with shimmering panned delay, pulsating pads and counterpoint motif add depth and space to a contemplative and beautifully crafted track.

Colombian duo, Kamilo Sanclemente and Dabeat have been regular collaborators since joining forces to remix Alfonso Muchacho's "Things Change" for Stellar Fountain in August 2016. Both successful artists in their own rights, Sanclemente's music for Perspectives Digital and FSOE UV have been notable highlights, while Dabeat's "Light As Air" EP for Pollen Flug Records provided rich entertainment in March 2018. Working their combined magic for the likes of Spring Tube Limited and FSOE UV, the Kamilo Sanclemente and Dabeat remix of "Arrival" captures the essence of Imran Khan's original with its intelligent use of the central grooved melodic element that extends out into a stereo-panned hypnotic sequence. A raft of additional production material is carefully constructed around these central elements, building to a rousing crescendo in the breakdown before rhythm and a slew of emotive melodies combine to mesmerising effect in the third movement.

Mexican producer, Hot TuneiK needs little introduction to the Particles faithful, centred around his best-selling "Erase and Rewind" in October 2017 and the twin-track "Tulum" EP in May 2018. A further double century of production credits can be found for a series of blue-chip imprints that include, Balkan Connection, Sound Avenue and the Visceral compilation series, while April 2018's "Revival" EP for Proton Music saw a stunning original debut following a remix of Andre Sobota's "Departure" at the end of 2017. Hitting is stride with trademark production flair, the Hot TuneiK remix of "Dreamcatcher" is a dark and brooding affair that takes the melodic themes central to the original and extends them into a new and hypnotic direction that oozes quality. Pausing at the mid-point for a stripped back moment of sonic magic, the third movement sees a mesmerising groove continue to strike a chord with Imran Khan's narrative.

Imran Khan's stunning new "Arrival" sees remixes from Kamilo Sanclemente, Dabeat and Hot TuneiK take-off with new departures of sonic flair.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

Arrival

Dreamcatcher (Hot TuneiK Remix)

As a rising star with an impressive 2018, Mio and His Flute found himself integral to the Particles artist roster. Now returning to the label, the German producer presents "Ping Pong in Space".

With his Particles debut, "Barbecue on the Moon" debut, Mio and His Flute created a wonderful slice of progressive heaven. Now, the title track of his sophomore effort is full of the Freiburg artist's trademark attention to detail as elegantly crafted rhythms and freeform lead riff give a distinctive flavour of far off lands. Meandering across a near ten-minute journey, the track waxes and wanes, held together by a metronomic four/four beat and a raft of panned effects and club-friendly rhythms. "Brimborium" is characterised by a wonderful plucked earworm riff repeated in hypnotic fashion while a subtle percussive groove is the perfect backdrop. Final track, "Summa Summarum" continues the penchant for strong melodic lines as an intricate riff works in syncopated fashion with robust groove and middle-eastern timbres. Pausing for breath at the mid-point with rich pad tones, the third movement creates a mesmerising and original work.

Both successful artists in their own rights with music signed to Balkan Connection, Clinique and Superordinate, the Argentinean pair of N'Pot and Nahue Juarez hit the headlines with their 2016 "Selcouth" EP for Stellar Fountain, before "Endless Summer" showcased the duo's talents on Particles in April 2018. The four-track offering shone a spotlight on the duo's collaborative work together and it a pleasure to welcome them back to the label remixing Mio and His Flute. Taking "Ping Pong Space", N'Pot and Juarez have generated a clever remix that builds upon the elements in the original, turning them into a deep, club-friendly track. Adding a swathe of additional sounds and melody N'Pot and Juarez have retained the themes of Mio's work while creating an innovative new narrative.

Argentinean, Antrim, is no stranger to success in the underground dance scene with over 400 production credits found against the Cordoba resident's name for the likes of Balkan Connection Perspectives Digital and Clubsonica. Supported by a DJ elite that includes Nick Warren, Eelke Kleijn and Hernan Cattaneo, his debut on the "Summer Particles 2014" compilation with "Metheny", went on to see a release of its own with remixes from GMJ and Simos Tagias. January 2018's "Dizziness" was a further highlight as Antrim now returns with a glorious club-friendly remix of "Brimborium". Redolent in pulsating bassline emotion, Mio and His Flute's central melody soon comes to the fore anchoring the Antrim remix to the original. Building effortlessly, a sublime a new riff appears in the third movement along with sumptuous pads and a rolling clave percussion to create a strong and mature reworking.

A trio of new tracks alongside remixes from N'Pot and Nahue Juarez and Antrim have found Mio and His Flute champion of "Ping Pong in Space".

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc., Nicholas Van Orton, Antrim
Design by Ben Mautner
Text by James Warren

Ping Pong in Space

Brimborium (Antrim Remix)

Combining a host of established and emerging talents under a seasonal banner, the "Winter Particles 2019" compilation once again showcases the wealth of global talent found in the underground dance arena. Eleven tracks now represent the very best in progressive and melodic house and techno.

Opening the winter selection box, Greek sensation, Savvas, reminds listeners of his attention to detail and melodic prowess through "Mindfulness", while dub.format and Pedro Capelossi and NOIYSE PROJECT hit the ground running with impressive low-end theory as "Mentalist" and "Myth in Manus" combine huge bass prowess with delicate melodic touch.

German star, Wisqo demonstrates why he has been such a hit with the likes of Lump Music and Pipe and Pochet with the elegantly crafted "Limitless" before Kynan Cosma takes a break from his new Sense of Mind moniker to carve out a rasping bass gem and Moog inspired melody in "Sequent" that Bodzin himself would be proud of. Notable for its middle eastern vocal flourishes, E.F.G. then combines a strong rhythmic backdrop and sumptuous chord progressions in "Days and Nights".

Veteran, Rick Pier O'Neil, rarely disappoints and "Shining" is no exception to an ever-growing catalogue of prized jewels, with its dynamic energy, bass prowess and sparkling lead motif keeping the French artist firmly on point. Bosnian, Youngen, immediately impresses with the exquisitely crafted and emotive "Atlantis" that explodes into a chorus of counterpoint motifs.

Argentina's very own Nicholas Van Orton continues his distinctive groove-laden approach to his craft through "Siete Dioses" as haunting melodies and guitar phrasing play a central role in a mesmerising track. Colombian Dabeat departs from fellow countryman and regular collaborator, Kamilo Sanclemente, to shine brightly on a solo outing, "Beyond the Stars", as gated synths and stepped arpeggio present a strong representation of the title and pitched and warped melodies bend space and time. Continuing the outer space theme, Neptun 505 closes the compilation with a shimmering affair that finds a twinkling lead motif illuminating the "Light of a Non-Existent Star" in an iridescent glow, backed by dominant beat, richly textured pads and ticking percussion.

Eleven tracks brightly lit in winter sun gives Particles a crisp, clean edge for its early 2019 collection.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Savvas, dub.format, Pedro Capelossi & NOIYSE PROJECT, Cid Inc., E.F.G., Rick Pier O'Neil, Nicholas Van Orton
Design by Ben Mautner
Text by James Warren

Winter Particles 2019

Myth in Manaus (Original Mix)

Originally part of the "Winter Particles 2019" in February 2019, Savvas opened the compilation with the glorious "Mindfulness". Now the melodic techno offering is given its own release accompanied by a brand-new original track and remixes from UK and Russian producers.

Savvas Karabinos has been at the heart of Greece's underground dance scene for some years. Hailing from the home of US house, the Chicago born artist has carved out a sizeable niche for himself with a swathe of open-air parties a plethora of releases on some of the finest imprints. Thus, Anjunadeep, Manjumasi and Nie Wieder Schlafen have all played host to the Savvas name. In addition to the title track, "The Lost Kingdom" is characterised by a clave-led percussive groove forming the foundation for a hypnotic arpeggio sequence to sit intelligently alongside the rhythmic foundation. Building in intensity, a rich and reverb-laden motif makes its presence felt, particularly at the stripped back breakdown, before blending with metronomic rhythm in the second half.

Fresh from the superlative "Organik" EP on Proton Music that included remixes from Barry Jamieson's Mono Electric Orchestra moniker and Irish legend, Silinder, Imran Khan returns to Particles after success with his "Arrival" on "Winter Particles 2018" and subsequent full release with remixes from Hot TuneiK and Kamilo Sanclemente and Dabeat. Remixing both artists in October 2017 and August 2018 and a Dante Pippi and Demitros reworking in November 2018, Imran Khan returns with a wonderful progressive house interpretation of "Mindfulness" that ripples and shimmers with contemplative prowess. Reinventing the central themes of Savvas' work creates a new melodic variation that percolates through the seven-minute track with skill and craftsmanship. Hitting its stride with richly textured pads that build to a denouement in the multi-faceted breakdown, Khan's remix is a work of sonic beauty.

An artist who has continued to gain prominence and traction through the course of 2019, Russian born, Izzet, began his production career in 2010 with initial work signed to NewBorn Records before going on to feature on a clutch of impressive imprints in the intervening decade. As such, releases on Clinique, Proton Limited and Liquid Grooves saw Izzet make his mark before "Summer Goodbye" hit the Particles catalogue in January 2019. Remixes from Bluum and Malbetrieb contributed the success as he built on his growing reputation. Now returning, Izzet treats "Lost Kingdom" to a wonderfully textured reworking that pulsates gently through sumptuously layered pads and cleverly programmed rhythmic interplay. Making clever use of a sympathetic arpeggio sequence that resonates with Savvas' original, the second half opens up in glorious manner to create a typically impressive production from the Izzet studio.

New music plus remixes from Imran Khan and Izzet finds Savvas successful in the here and now with his "Mindfulness".

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Savvas, Cid Inc., Izzet
Design by Ben Mautner
Text by James Warren

Mindfulness

Mindfulness (Imran Khan Remix)

Renowned for releasing a wealth of stunning original music, "Fall Particles 2019" continues the seasonal compilation series with seven new tracks from new and iconic artists alike.

Proton progenitor and a producer of legendary status, Biologik opens proceedings with "Lore". Beautifully sculpted from a host of modular equipment, a strong beat and gently pulsating sustained chords provide an elegant backdrop. A smooth lead-line then meanders across proceedings, building in power and detail to create a glorious opener. Iconic Greek artist, Kosmas, continues with "Under Control" using an intricate percussive groove as a framework for a rich, sustained bassline to play a substantial role. Effected vocal cuts add intrigue while a sublimely melodic motif ping-pongs across the stereo spectrum in delayed fashion while the bassline filter opens up in rasping side-chained glory to create a dancefloor destroyer.

A Sri Lankan and French partnership sees NOIYSE PROJECT and Cmb CruZz present "Naymaria" with pounding beat and rolling percussive rhythm. Textured pads add depth with intelligent chord progressions and ethnic vocal cuts revealing a world music flavour while melodic phases supply further dynamism as they develop into the third movement. Hitting the heights with "Sirius", Kostya Outta displays a mature production character. Hypnotic rhythms and offbeat percussion play alongside reverberated bass groove and pulsing pads sit tightly against a swathe of melodic elements. Full of dancefloor prowess, the Belarusian is a force to be reckoned with.

Striding out in solo guise, rising Brazilian artist, Dante Pippi hits hard with "Unruh". Immediately showcasing a club-friendly beat and epic bass groove, shaker led percussion adds dynamic flair. Evolving seamlessly, shimmering melodic motifs make their play as the track hits its stride post-breakdown in a powerful and dramatic offering. Argentinean, Julian Nates, continues the South American theme with the aptly titled, "Luminism". A hypnotic rhythmic framework forms the basis for a multi-layered glissando bassline to slide elegantly across the low and mid-range. A filtered arpeggio, muted in the early stages, then enters the fray through the breakdown and into the second half, reaching a rousing crescendo through judiciously placed snare rolls and white noise risers.

Debuting on Particles with the March 2019 "Border" EP, Hansgod closes with the immaculately crafted "Patchouli". A chest-thumping kick combines with metronomic techno hats while an intricately programmed arpeggio starts out as a muted percussive layer before opening up into rich melodic patterns that develop through extended delays and open filter. A pulsing pad adds further dancefloor character in the second half to intelligent effect.

Seven new tracks create a vivid palette of autumnal sonic colour in "Fall Particles 2019".

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

Fall Particles 2019

Naymaria (Original Mix)

Part of the "Fall Particles 2019", Julian Nates now returns with "Luminism", reprising the original track and adding the delightful, "Renaissance". Remixes come from UK and UAE stars.

From Cordoba, Julian Nates has forged a name for himself from his home in central Argentina. An accomplished pianist and violinist in early years, he reached a professional standard in drums after studying at the acclaimed music conservatory in his hometown. A switch to electronic music quickly saw success with over a century of production credits and releases on Balkan Connection, Soundteller and Nick Warren's The Soundgarden. Adding to the light melodic overtones of "Luminism", partner tack, "Renaissance" is full of the impressive musical sensibilities of the title track as off-beat shakers and intelligent clave percussion pave the way for a syncopated arpeggio to trip delicately across the mid-range. Building with ease, further arpeggiated sequences entwine and evolve as richly textured pads pulsate gently in waves before coming to the fore in a stripped-back breakdown. Hitting its stride, all elements combine once more in a sparkling second half to impressive effect.

A growing force since early production work for Clinique Recordings in late 2016 and early 2017, Imran Khan's career has continued to gather pace at an impressive rate. Through an unquenchable thirst for knowledge and developing his production technique, the UK artist's portfolio has continued to find him a sea of admirers with over 100 credits for the likes of MNL, Astrowave and Superordinate Music. The "Organik" and "Sunsweat" EPs were notable 2019 highlights for Proton Music, while "Arrival" was a Particles highlight in August 2018 including remixes from Kamilo Sanclemente and Dabeat and Hot TuneiK. Reworking the title track, the trademark percussive phrase of "Luminism" opens proceedings alongside an intricate groove carved by Imran Khan. New motifs shine through as Khan's production talent is in full evidence with a plethora of new production material that takes the essence of the original and takes it on a new sonic voyage of discovery. Over its 10-minute duration, layers of sound melt into the complex rhythmic structure to create another high-class sonic interpretation.

A renowned DJ across the Middle East, Ejaz Ahamed has found success with his support slots for Digweed, Cattaneo, Zabiela and a host of others. In tandem a production career has continued to showcase the Dubai resident's skill with a clutch of growing releases for the likes of Stellar Fountain, PHW Elements and Darin Epsilon's Perspectives Digital. A pair of remixes for Jero Nougues and Sam Heyman saw an opening salvo for Particles in mid-2017 and 2018 and it is a pleasure to welcome the Indian born artist back for a third outing. Taking on "Renaissance", the Ejaz Ahamed remix revels in cascading bassline prowess that pays tribute to Nates' original with its intelligent use of central arpeggio that is transformed and developed in innovative new fashion alongside a chorus of new production work. Cast within a strong and dynamic new rhythmic framework, the resultant interpretation is an impressive affair.

New music from Julian Nates plus remixes from Imran Khan and Ejaz Ahamed paints "Luminism" with a bright new sonic palette.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

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