retro techno

@tunnelvisions1 return to their home label @Atomnation for a fourth fantastic release in the last three years. This six track excursion builds on the pair's warm, richly melodic and always hypnotic style with fantastically colourful results.

atomnation.bandcamp.com/album/end-of-time

Tunnelvisions is Emiel van den Dungen and Raynor de Groot. Both artists keep busy with their own solo projects (Milio and Coloray respectively) but continue to find fascinating middle ground when they come together in the studio. 2020 saw them step out on Moscoman's Disco Halal and Solomun's Diynamic, while they have also been remixed to great effect with influential DJs like Dixon and Tale Of Us playing the results. Now, though, they are back on Atomnation with another superb collection of cuts.

The undulating 'Acid Neverland' opens up with its succulent and supple drums overlaid with heavenly chords and glowing pads. Coloray's vocals are then layered in to bring some drive and attitude to this most compelling of tracks. 'King Cobra' is a dubby delight. Its airy hi hats, bulbous bass notes and tripped out melodic motifs all sinking you into a trance.

There is more angst and energy to the malfunctioning melodies and steel-plated drums of 'Mirrored Identities' while 'Waiting For The Morning' is a perfect dreamscape. It's a super widescreen track with deft pads coming in and out of focus, glistening melodies reflecting light and pulsing drums locking you in. 'Private XS' flips the vibe with more drawn out and sinewy synths gurgling and bubbling away as they ride up and down the scale like a slow motion cosmic explosion. Last but not least, 'End of Time' has the most pop hooks and catchy riffs of the lot. They dart about the mix as smeared pads and crunchy, punchy drums encourage you to cut loose.

This is another masterfully cohesive collection of colourful dance floor cuts that take in pop, techno and synth music and skew them the unique lens of Tunnelvisions.

End of Time

Tunnelvisions - Acid Neverland

Tunnelvisions - Private XS

Tunnelvisions - End Of Time

Mastered At – Frankford/Wayne Mastering Labs

Engineer, Keyboards – Peter Daou
Mastered By – MJS*
Producer, Mixed By – Bobby Konders

Mystarz Music Pub. ASCAP 
© ℗ 1990 Nugroove Records (212) 398-1855 

Mastered at Frankford/Wayne Mastering Labs, NYC, USA. 

Bobby Konders - Nervous Acid (1990)

Kraftwerk - Das Model

Slav: https://www.youtube.com/watch?v=PH0npw-XsfA

12 Inch
LOBSTER: bit.ly/2uRCnNI
JUNO: bit.ly/2wU0IDX
PHONICA: bit.ly/2wFM5on
REDEYE: bit.ly/2w0KjRt
DEEJAY.DE: bit.ly/2wUe8zz

Willie Has A Hunch

Justus Köhncke - Timecode

Ed Rec 100

Fame

We love true music gems. And as a special treat because you came all the way here to listen to some real kick ass music, here’s Steve Monite’s true 1984 hit Afro-Disco single “Only You”… Steve Monite is from Nigeria.  Tell me you love this...

Steve Monite - Only You

Smooth, Italo boogie from @nu-guinea taken from their new album Nuova Napoli, the result of extensive research into the funk and disco sound of their Neapolitan hometown.

Read more & buy: http://www.stampthewax.com/2018/03/02/premiere-nu-guinea-ddoje-facce/
Listen on Youtube: http://bit.ly/ddoje-facce

Nuova Napoli

Nu Guinea - Ddoje Facce (STW Premiere)

Stonewall Hi-NRG Anthems Vol. 1

Smalltown Boy

https://soundcloud.com/tunnelvisions1 return to their home label Atomnation for a fourth fantastic release in the last three years. This six track excursion builds on the pair's warm, richly melodic and always hypnotic style with fantastically colourful results.

atomnation.bandcamp.com/album/end-of-time

Tunnelvisions is Emiel van den Dungen and Raynor de Groot. Both artists keep busy with their own solo projects (Milio and Coloray respectively) but continue to find fascinating middle ground when they come together in the studio. 2020 saw them step out on Moscoman's Disco Halal and Solomun's Diynamic, while they have also been remixed to great effect with influential DJs like Dixon and Tale Of Us playing the results. Now, though, they are back on Atomnation with another superb collection of cuts.

The undulating 'Acid Neverland' opens up with its succulent and supple drums overlaid with heavenly chords and glowing pads. Coloray's vocals are then layered in to bring some drive and attitude to this most compelling of tracks. 'King Cobra' is a dubby delight. Its airy hi hats, bulbous bass notes and tripped out melodic motifs all sinking you into a trance.

There is more angst and energy to the malfunctioning melodies and steel-plated drums of 'Mirrored Identities' while 'Waiting For The Morning' is a perfect dreamscape. It's a super widescreen track with deft pads coming in and out of focus, glistening melodies reflecting light and pulsing drums locking you in. 'Private XS' flips the vibe with more drawn out and sinewy synths gurgling and bubbling away as they ride up and down the scale like a slow motion cosmic explosion. Last but not least, 'End of Time' has the most pop hooks and catchy riffs of the lot. They dart about the mix as smeared pads and crunchy, punchy drums encourage you to cut loose.

This is another masterfully cohesive collection of colourful dance floor cuts that take in pop, techno and synth music and skew them the unique lens of Tunnelvisions.

retro techno

Pascal Klümper