Draw Near

Composed & Produced by Brock Hewitt
In Collaboration with The David Roy Collective

Copyright 2021 Stories in Sound

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You can listen on Spotify, Apple Music, Youtube and other major music streaming platforms!! 

https://open.spotify.com/artist/1PWCCcjCmwzjYb48VWpGcm?si=AGbTh7BNR46WA3UocUj8Tw

https://music.apple.com/ca/artist/brock-hewitt-stories-in-sound/1227900382

Stream/Download

Draw Near (w/ The David Roy Collective)

Hallelujah

U-Turn Lili

“A Song No One Hears” is a tender and introspective acoustic folk ballad, baroque in tone and lyrical in spirit. Set against soft fingerpicked guitar and delicate strings, it tells the story of a song meant for no one—and yet sung with quiet conviction. Melancholic yet warm, the music captures the quiet power of expression, even when unheard. It is a gentle ode to solitude, memory, and the unseen resonance of the soul.

A Song No One Hears

#DublinHouseNYC #dublinhouse #nyc #storytelling #greatnycirishpubs #REM #latenight #earlyfires #walkofshame #drinktilthemoneysgone #driver8

what’s it gonna take to get you home

Wrote this one early Spring morning long ago, when out walking with my 3 year old daughter, Janine.

Little Legs (Janine's Song)

Leather cracks in frozen dusk
Steam from breath, his eyes combust
Dragging hooks through alder bark
Blood leaves trails where nights go dark

He hums like a priest with a drill
The hyacinth blooms after every kill

Hyacinth Lobotomizer walks
Twisting spines and feeding stalks
Unnamed village, nameless dead
Brains leak pink on the riverbed

Rusty scoops in mittened fists
Lobotomy lists, alphabetic twists
Elders nailed to sauna doors
Kids whisper prayers through warped floorboards

“It’s for the flower,” he explains
While scraping marrow from the drains

Hyacinth Lobotomizer feeds
On spleens and twisted local creeds
His leather sack drips cold regret
He waters roots with villagers' sweat

Hockey goals turned autopsy rigs
Torsos posed like pagan pigs
Midnight sun won’t cleanse the stench
Each petal blooms from a severed wench

The village keeps no record books
Just moss, and screams, and lacerated looks

Hyacinth Lobotomizer reigns
Stomping through cerebral plains
No one leaves, no names are spoken
All that grows is split and broken

Blood seeps slow through brittle snow
No roads out, no path to go
The bloom survives, the mind decays
He plants again. Another phase.

Scent of lilac masks the bile
The lobotomy’s done. Now he’ll smile

Hyacinth Lobotomizer grins
As memory withers from within
The village breathes, but not for long
He’s already picked tomorrow’s son

Hyacinth Lobotomizer

**About This Track**  
An original AI-assisted composition by Rob Nelson (*Bring Your Own Brilliance*) and Ron Cameron (*Alien Garden*). This song blends human creative direction with AI tools to bring our vision to life—merging storytelling, mood, and innovation into a dynamic listening experience.

**Creative & Technical Details**  
- **Lyrics**: Alien Garden tracks by Ron Cameron; Bring Your Own Brilliance tracks by Rob Nelson
- **This song track, created lyrics based on the poem titled, “Dead End No Exit,” by Tyler D. Knight (a.k.a. Gerald Ruskinov).  
- **Executive Producers**: Rob Nelson  
- **Vocals & Instrumentation**: Produced using TopMediAI and AIGenMusic.AI  
- **Audio Format & Editing**: Mixed from MP3/WAV with NCH Software (trims, fades, conversions)  
- **Stem Splitting**: Processed with LaLaLaLa AI  
- **Cover Art**: Created with Stable Diffusion 3 Online, Aiease.ai, Pollo.ai, and Pixabay (Creative Commons)  
- **Song Structure & Mood Profiling**: Cyanite AI

**Our Creative Blueprint**  
“CHOICES” is our internal code for the DNA of each track: genre, vocal tone, tempo, instrumentation, and emotional arc. Every detail is human-directed—AI simply helps us realize it.

**Rights & Licensing**  
We retain full commercial and non-commercial rights under our membership with [TopMediAI’s Terms & Conditions](https://www.topmediai.com/terms-conditions/). Lyrics, production, and arrangement are fully original works by Rob and/or Ron.

**Creative Use & Inquiries**  
Artists and producers are welcome to adapt or re-record our work—please credit us in any public releases. For licensing, collaborations, or sync opportunities, reach out directly:

Bring Your Own Alien Garden  
c/o Rob Nelson & Ron Cameron  
1211 Huron Street N., Suite 202  
London, Ontario, Canada  
N5Y 4L1

**Final Words**  
Each song we share is made with intention, imagination, and care. Thank you for listening—your support brings these stories to life.


"When Our Soul Speaks" [Version # 2][WOSP2]

VULTURE by Nova J

Bitch I see you, yes I do
Your entitled attitude
You so petty, full of hatred
Scavenging oh you so shameless

You think I don’t know (ooo)
You a sneaky hoe (ooo)
Pack your shit and go (ooo)
Leave my studio (ooo)

I got breaking news, bitch
I am onto you, bitch
You and me are through, bitch

You ain’t nothin’ but a vulture
(Vulture! Vulture!)
Got no manners, got no culture
(Vulture! Vulture!)
You’re a shady lil’ fucker
(Vulture! Vulture!)
You ain’t nothin’ but a vulture
(Vulture! Vulture! Vulture!)

You circlin’ close, smellin’ death
Talkin’ sweet with toxic breath
Fake concern, fake regret
But you just waitin’ for what’s left

You think I don’t know (ooo)
You a sneaky hoe (ooo)
Pack your shit and go (ooo)
Leave my studio (ooo)

I got breaking news, bitch
I am onto you, bitch
You and me are through, bitch

You ain’t nothin’ but a vulture
(Vulture! Vulture!)
Got no manners, got no culture
(Vulture! Vulture!)
You’re a shady lil’ fucker
(Vulture! Vulture!)
You ain’t nothin’ but a vulture
(Vulture! Vulture! Vulture!)

Vulture. (Yeah, I said it.)
Vulture. (Best forget it.)
Vulture. (You thought you’d win it)
Vulture. (It’s time to quit it.)

Bitch I see you, yes I do
(Your entitled attitude)
You so petty, full of hatred
(Scavenging oh you so shameless)

I got breaking news, bitch
I am onto you, bitch
You and me are through, bitch

You ain’t nothin’ but a vulture
(Vulture! Vulture!)
Got no manners, got no culture
(Vulture! Vulture!)
You’re a shady lil’ fucker
(Vulture! Vulture!)
You ain’t nothin’ but a vulture
(Vulture! Vulture! Vulture!)

Lillian

With deep textures, slow BPM, and evolving atmospheres, it's perfect for menus, cutscenes, exploration, or emotional storytelling in games.

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Pascal Wolff