It just came on in a brand new Netflix show and blew my mindddddd. I remember seeing this video when it came out…dated 11 years ago. Ughhh https://youtu.be/JWnX41TBFF4?si=0PpLqn6QpLv36QJF

On s'ambiance

Rone - Bye Bye Macadam

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“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - Deceive (feat. Sune Rose Wagner of The Raveonettes) [Clip]

"NEPTUNE" EP - FRANÇOIS IER // OUT NOW
Order : https://itunes.apple.com/fr/album/neptune/id882560215

TRACKLIST
1/ François Ier - Neptune (Original Mix)
2/ François Ier - Blue Hole (Original Mix)
3/ François Ier - Cold Currents (Original Mix)
4/ François Ier - Sonar (Original Mix)

2014 Boxon Records
Artwork : Romain Danos

https://www.facebook.com/FrancoisIerMusic
http://www.boxonrecords.com

Buy on iTunes

François Ier - Neptune

Song For Denise

New Theory - Rennes [FREE DL]

Between The Buttons

The night is velvet. 
I float slow on the soft warm air.
A full moon is my mirror, clean and cold, reflecting only truth as my guide.

I found focus grace where the world's pull just dissolves in the night.

I have simply risen above its gravity.
I am still here.
My quiet is not emptiness. 
It's the power I claim.
I am the butterfly. 
I will not fall.

Butterfly never falls - Valentino

THYLACINE – Moskva

After Party

Diamond Veins feat. Sarah Rebecca

YOU MAN SPECTRUM OF LOVE - FIRST LP 

Who We Are
When We Fall feat. Jérôme Voisin 
Planet Circus 
Breathing feat. Black Cracker 
Into The Sun 
Birdcage 
There Is A Land 
Vibe
Futuro feat. Antoine Pesle 
Techno Prophet 

Recorded and produced by You Man : Giacomo De Falco & Stéphane Huleux 
Mixed and mastered by Mainro. except Who We Are mixed by Thibaut Javoy (RedBullStudiosParis)
ALPAGE RECORDS / 18 NOV 2016 
ALP028 

You Man : http://www.you-man.eu/ 
Facebook :  http://on.fb.me/1dQEo0B
Twitter : http://bit.ly/1jtGp41
Soundcloud :https://soundcloud.com/you_man
Instagram : http://bit.ly/2eVStxL  

Merci l’univers

NEWS - You Man
You Man, Electro Disco Deviante Hypnotique & Futuriste. Project by TEPAT HULEUX - GIAC DI FALCO. https://www.youtube.com/watch?v=GhxJ9CZWzm8

Who We Are

+++ Just dropped: Bicep - Meli (Bek Rework) -> https://soundcloud.com/bek-1/bicep-meli-bek-rework-1

I'm a big a fan of the british Bicep boys for a long time. Their debut album is great and this piece of music has been released shortly before the album. In it's original version it's a decent breaks track that will let you float away. I tried to keep this feeling, but added some different 4/4 drum elements to make it a bit more playable in the club. Hope you like it! Feel free to drop comments and share it!

Update: Changed a few details October 1st.

This Rework is unofficial!

Check the whole Bicep album here:
https://www.beatport.com/release/bicep/2048907

Like Bek on Facebook:
www.facebook.com/BekNews
www.instagram.com/dj__bek

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