Over the past few years, I've been into the electronic genre more so than I once was. Being so, I needed a form of mentor. A guiding light, so to speak, in these ever changing musical times. DEADMAU5 is by far one of the most influential artist/producers of the present shift. The mixture of his expanse of possibilities, and his genius music theory/sciences, helped me to form my own form. As well as gain priceless experience. I apologize for the high peaking at the very beginning. Seems to be a DAW error. Ill update the file with a corrected version at some point. Without any more adu, As a thank you to DEADMAU5.... I give to you. . .    ADRIFT ANEW 

ADRIFT ANEW

TEK ME

WINTER HAS COME, AND IM ALWAYS A TORN MESS ON HOW TO FEEL ABOUT IT. SO TO DEEL WITH SAID QUANDRY I DECIDED TO WRITE A SONG. AS ALWAYS PLEASE TELL ME WHAT YOU THINK. YOUR FEEDBACK IS IMORTANT TO MANY OF US. IT HELPS US PROGRESS IN MANY WAYS. THIS TRACK HAS A FAIRLY HIGH CEILING, SO IF WEARING HEADPHONES CHECK YER VOLUME. HOPE YOU ENJOY.

CURRENTLY WINTER 64 BIT SYNC

THE TALE OF DOUBLE D. THE REASON FOR THE TITLE IS MORE THAN THIS LITTLE DESCRIPTION BOX COULD POSSIBLY HANDLE. SO SIT BACK AND ENJOY THE TALE OF DOUBLE D.

THE TALE OF DOUBLE D

A TRACK IN SOME SERIOUS NEED OF VOCALS. THE TAIL END OF THE TRACK GETS A BIT REPETITIVE. I INTENDED FOR LYRICS, BUT IN THE LAST TWO MONTHS HAS BEEN A CHALLENGE TO FIND ANYTHING THAT FITS. IF YOU DO RECORD ON IT, IF YA FEEL LIKE IT, PLEASE LET ME KNOW.  
      ALL IN ALL A TRAP BASED TRACK WITH HEAVY BASS FEATURES,. IF YOU HAVE SUBS THIS ON IS DEFINITELY GOING TO SHAKE EM AROUND A LITTLE. HOPE YOU ALL ENJOY.                           

TIMES TO CHANGE

A track that was lost but now is found. The DAW save file has been missing for almost two years, a little tweaking and patience and here ya go. As always enjoy :) 

OUT OF ONES HEAD

Wisdom + Teeth = Track + (Wisdom Teeth) = :P 
Just a fun little track using some strange sample techniques. Honestly cared not when I wrote it. But everybody seemed to like it, so here ya go. 

Patrick M. Coleman