Name: INTREMIX 2 -- Park Jiha, The First Time I Sat across from You by Patrick Hargon
Duration: 24 min 38 s
Description: The music inside the music inside the music inside. Granular sampling. I use short loops, "intraloops," from a recording, manipulate the "playpoints," where the loops begin, and activate different playpoints by performing on a keyboard. The composition heard here is one take, edited down from an hour-long performance. Consider it ambient without bevelled edges. It is unbevelled-edgy.

This is lovely.  I greatly enjoy the textures in this work.

Presented here is Doug Shipton's 32 minute DJ mix created for our Teatro Malocchio screening of Next of Kin (1982) on 22 May 2021.

Doug Shipton @ Rendezvous Film Club x Teatro Malocchio - 22 May 2021

for Orchestra and Clarinet Solo

www.roberthonstein.com

Verge

Nico Muhly- Time After Time

from Music for Dance

Christian Ryan (2013)

Finale (2013)

for violin and pre-recorded tape (2014)
composed by Christian Ryan

performed by violinist, Kehan Zhang & mastered by Franziska Wackerhagen at the Royal Conservatory of Denmark, November 2014

Quick Gestures (2014)

Listen to a sample of Long Phrases by Nico Muhly, which soundtracks ‘The Wilton Diptych’ at The National Gallery's 'Soundscapes' exhibition.

Sample of 'Long Phrases' by Nico Muhly

This is a stereo mix. 8-channel and 10-channel versions available upon request

In[n/ H]er Head uses dialogue and recitation to explore self perception and definition. The inspiration behind In[n/ H]er Head lays in one of it’s main components- C.P Cavafy’s poem Walls. The poem discusses the feeling of being shuttered out of the world, trapped in a room without a clear understanding of who trapped you there to begin with. My reading of the poem interpreted the unheard builders (those who trapped you) to be the trapped person him/herself. Being inspired by this poem I started asking myself many questions about these things that happen without anyone noticing; how much of what we think defines us is our doing? What do we deny ourselves of unknowingly? Who are the builders we did not hear and why did we not hear them? What are our limits? What are themes that even in the back of our minds are not to be touched or talked about?

In(n/ H)er Head Stereo Mix

Lost In The Forest

The music inside the music inside the music inside. Granular sampling. I use short loops, "intraloops," from a recording, manipulate the "playpoints," where the loops begin, and activate different playpoints by performing on a keyboard. The composition heard here is one take, edited down from an hour-long performance. Consider it ambient without bevelled edges. It is unbevelled-edgy.

INTREMIX 2 -- Park Jiha, The First Time I Sat across from You

An eclectic mix of Americana instrumentation with sexy vocal, melodic harmonies and driving ,rock percussion. This is the first single for Eddymink, 'Open Container Heart Surgery' - the debut recording from singer songwriter Kerry Eddy (vocals, guitar) and her band: Patrick Hargon (baritone guitar, pedal steel), Darryl Rivers (bass)and Ben Armstrong (percussion. Recorded at ARC (Ben Brodin) produced and mixed by Sean Beste and Kerry Eddy.

EATEN ALIVE - single

Recording of duet recital by Christopher Hobbs and Dave Smith at the conference, With Four Hands, Senate House, London, 18 June 2013.

British minimalism and postminimalism concert

Experiments, successful and otherwise. Also: SPLICEROCK! Or Intremixes. (Intending to connote "Entry" + Remix). Intraloops. Inside all recorded music is an infinite expanse of recombinative music. This is the music music makes. The sound inside the sound. 

Also: obliquely Appalachian instrumentals recorded in my apartment in Athens, GA around 2004. 

Photo by Tim Cavidini: http://www.cavadini-photography.com/

Banner image by Glenn Kennedy

INTREMIX 2 -- Park Jiha, The First Time I Sat across from You

Patrick Hargon

Recent comments

justplainpaul

Related tracks