This is an experimental electronic music project performed and produced by Saif. He has been creating music since the age of 16.   with various instruments and methods – mainly focusing on playing guitar and using multi-track analogue equipment for recording and production. 

His approach to music is a daringly beautiful combination of atmospheric music with emphasis on rhythms, variety of tone and the layering of electronic textures over a more traditional approach. 
Saif describes his song writing method as being vertical "I add layers and subtract others over shifting and interlocking rhythmic parts. The main theme of the track is always there in one form or another. it's usually the first idea I start with. everything around it is a result of that first spark" 

Welcome to my “musical” diary…. A Sonic sketch book of feelings and impressions.

One!

It's 2018 and Binary Code just wrapped up recording their next full-length album in October with Aaron Smith (Envisage Audio, Seattle, WA) at the helm for the instrumentation engineering, and 'Moonsblood' vocal producer John Douglass of Audiohammer notoriety.

It’s very rare for a band in the New York/New Jersey scene to stand out among the 
stiff competition, but standing out is exactly what Binary Code excels at. Formed in 
2004, Binary Code always emphasized originality, musicianship and a mammoth live show.

Now, Binary Code has toured North America (Canada and the US) with Norway's finest prog metal outfit, Leprous, and has been packing houses at Saint Vitus and The Knitting Factory, in Brooklyn, opening near sold-out shows with bands like Periphery, Textures, Haken, and many other major bands — either wowing die-hard fans seeking the band out at every opportunity, or converting completely new crowds.

Unlike many contemporary East-coast bands that largely identify as “djent”, Binary Code draws inspiration from the Swedish prog and post-metal scene. But it’s not just about being inspired by Textures and Cult Of Luna that makes Binary Code unique. It’s the complex sense of groove, atmosphere, uncharacteristic song structures, and vocalist Oded Weinstock’s signature croon that sets the band apart from anyone 
else.

2016's 'Moonsblood' was mixed by Eyal Levi (August Burns Red, Whitechapel, Monuments), and mastered by Alan Douches (Black Dahlia Murder, Converge, Mastodon) Moonsblood will boast dark, brooding, somber moments juxtaposed with high technicality and ferocious riffs. Do not sleep on this record! For fans of Textures, Cult Of Luna, Katatonia, Gojira, Tesseract, and Sikth

It's been 10 years since we've been playing shows and recording our brand of music. We've played countless amounts of shows in that time, toured the country Nationally, and we just can't seem to be killed by the hardships of being in an underground band. 

If you like progressive metal and rock, you'll like us! If you like death metal and technical music, you'll like us! If you just like new music that is hard to pin to a genre, you'll love us!

Inquire within for details on anything business related.

Sludge Studios is the next step in the evolution of Moulder Masters. Having started as a mastering only studio in 2008, we are now offering full production services, which include recording, mixing and mastering.

Our studios are digitally based, so we don't offer drum recordings at this point but will hopefully be able to in the future. We currently have two studios - one is located in Berlin, Germany, the other in Tampa, Florida. We are specializing in Metal, Hardcore/Punk and Indie/Alternative Rock music. Our most recent productions include:

War from a Harlots Mouth - Voyeur (guitar/bass recordings, editing, mastering)
The Sleeper - Aurora (guitar/bass recordings, mixing, mastering)
Science of Sleep - Exhaust (guitar/bass recordings, mixing, mastering)

Simon also plays guitar in War from a Harlots Mouth (Season of Mist Records).

Message us if you need some work done!

Patrick Prestage is following