naviarhaiku402 – 
How cool cut hay smells
when carried through the farm gate
as the sun comes up

Nozawa Bonchō was a haikai poet and disciple of Basho who worked as a doctor in Kyoto. Later in life Bonchō distanced himself from Basho’s school and was imprisoned for a crime. He died in 1714.

For this track I made heavy use of Spitfire Audio's LABS Instruments: Soft Piano, Tape Orchestra Strings Flautando and Peel Guitar Ensemble. The field recordings in the background are from LABS' magnificent Tundra Atmos.
#labscommunity13 #labssoftpiano #labstapeorchestra #labspeelguitar #labstundraatmos

haiku by Nozawa Bonchō https://en.wikipedia.org/wiki/Nozawa_Bonch%C5%8D
image by mike liu https://unsplash.com/@mike33538

to participate visit https://www.naviarrecords.com/about/naviar-haiku

Cool Cut Hay [NaviarHaiku402]

The Long Dance (2002)

For a December Night (naviarhaiku413)

Listening with good quality headphones in a quiet environment is recommended.

2021.12.05 Rufous Whistler and Kangaroo. Dawn. Mallee Country. Early Summer.

Wrecifying

Created for the Disquiet Junto Project 0523: Chill Communication
@disquiet

The Project: Record the sound of ice in a glass and make something with it.

These ice samples were recorded by whirling ice cubes in a growler back in 2017. I looped a section and processed that through a Make Noise Strega, recording the piece mostly as one improvised take where I 'played' the filter to create layers of feedback in the delay. There is one overdub where I improvised repitching the same ice loop in Samplr and also processed that through the Strega, creating different tones of delay feedback. There's a bit of judicious volume envelope editing added in post to calm the feedback swells a bit. It all reminded me of a slow motion version of the wild ricochet sounds made by dropping ice down a bored ice core well.

Many congrats and thanks to Marc ( @disquiet ) and Happy 10th Anniversary to the Junto!!

More on this 523rd weekly Disquiet Junto project – Chill Communication (The Assignment: Record the sound of ice in a glass and make something with it) – at: https://disquiet.com/0523/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co : https://llllllll.co/t/disquiet-junto-project-0523-chill-communication/

Ice Drops - [disquiet0523 - chillcommunication ]

Snugh

DtO til da world blow

EDA BROWN_RITUAL SONG ★『CHILLIN IN MY SOUL EP』

Rub my eyes

Performed by Georgia Denham
Recorded by Joseph Ockford

Era - Movement 1 (2017)

Patrick Ellis (b. 1994, UK) is a composer, performer and curator based in London. His music has been described as being "focused, intense and unrelenting" (Gaudeamus Jury, 2024), with much of his work utilising limited musical materials, small developments and juxtapositions.

He has worked with many acclaimed ensembles including Terra Invisus (UK), Ensemble Klang (NL), collective lovemusic (FR), XTRO Percussion (NL), the Residentie Orkest (NL), Kluster 5 (NL), Orkest de Ereprijs (NL), The Tantrum Saxophone Quartet (NL), The Spaceship Ensemble (NL), Kirkos (IE) and 315 Ensemble (US/UK), and has collaborated with soloists such as Kathryn Williams (flute), Huw Morgan (organ), Alfian Emir Adytia (cello), Dauphine Van der Velphen (saxophone), Chris Cresswell (electric guitar) and Carson Cooman (organ).

Upcoming projects include a new multimedia work exploring burnout within the classical music industry for the ensemble Standard Issue, a new piece for electric guitar and fixed media for Chris Cresswell, as well as a long-form collaboration with the French-Canadian cellists Laurence Gaudreau and Audréanne Filion.

Patrick's music has been presented at numerous festivals and concert series across the European, North American, Asia and Australasia, including, Gaudeamus Festival (NL), Festival Dag in de Branding (NL), November Music (NL), Rainy Days Festival (LU), Mittelfest and Mittelyoung Festival (IT), De Link Tilburg (NL), Lilium SoundArt (IT), Sundays at The Hugh Lane Gallery (IE), AżTak Festival (PL), New Music Now NL's Dag van de Componist (NL), Click Fest (US), Sounding Here (NL), Kirkos Ensemble's Biosphere Festival (IE), Union Musicale (IT), Mainly Slow Organ Music (UK), Kammer Klang (UK), the Frequency Series Chicago (US), Ideas of Noise Festival (UK) and the Harmos Plural Festival (PT).

In 2024, Patrick was nominated for the Gaudeamus Award and in 2022, he was the Artist in Residence for the AMPA Fontys/De Link Residency programme in Tilburg, The Netherlands. He has also been a part of the Psappha Composing For Piano Scheme in 2019-20, the 25th Edition of Orkest de Erepijs’ Young Composers Meeting and Kathryn Williams' innovative Coming Up for Air Project.

His music has been broadcast on Dutch radio stations, including NPO Radio 4, NPO Klassiek, Concertzender,and Stranded FM, as well as on the US station WCNY, and has been featured on releases from Birmingham Record Company and Huddersfield Contemporary Records.

Patrick is also the artistic director of Open Union, an electric guitar and modular synth duo with composer-performer colleague Peter Bell. Described by the treasured composer Howard Skempton as being 'sometimes subtle and unstable; sometimes rich and dense', the duo aims to build up strong collaborative relationships to create new works. Their current collaborators are Christine Cornwell, Wilson Leywantono, May Chi, Paolo Griffin and Seán Clancy. The duo have performed across the UK at events such as Ealing Extranormal, AMOK, Don't Mind Control, Birmingham Modular Organisation and CODA Festival. In 2025, they co-hosted a portrait concert with saxophonist David Zucchi featuring music by Paolo Griffin at the Hundred Years Gallery; earlier in the year, they supported Passepartout Duo at Centrala Space, Birmingham as part of their UK Tour, and in 2023, undertook a mini tour of The Netherlands as part of the Sounding Here concert series, where they performed at Splendor in Amsterdam and Batavierhuis in Rotterdam.

Alongside composing and performing, Patrick works as the creative director of PRXLUDES, an online contemporary music magazine, platform, and resource dedicated to the promotion of the work of emerging and early-career composers. Together, with the artistic director Zygmund de Somogyi and a team of contributors, they have written about over 125 composers, ensembles and music organisations from the UK and abroad. In 2025, they began hosting events, presenting Alex Groves' DANCE SUITE (performed by Zubin Kanga) as part of PRS Foundation New Music Biennial 2025. Recently, PRXLUDES have been awarded a multi-year partnership with The Hinrichsen Foundation in order to help platform emerging and early-career composers through a series of concerts, conversations, and commissions throughout the UK from 2025 to 2028.

He holds a Masters degree in composition from the Koninklijk Conservatorium Den Haag (Royal Conservatoire of The Hague) and a Bachelor's degree from the Royal Birmingham Conservatoire. His principal tutors have included Martijn Padding, Guus Janssen, Andrew Hamilton, Seán Clancy, Ed Bennett, Howard Skempton and Michael Wolters.