wow Patrick, very stimulating to my ears. Give me the chills. This is music out of the box.   You too know how to awaken senses my friend! Amazing work!

ok now I know why you liked my Mystic Land 😂😂 you love the noise!!!!!!!! 💕🤩

This shaked every sense in my body!!! Congrats 👏🎉

checking back in for a refresher--this song is so interesting and complex , it always seems brand new:)

Ingenious, experimental electric guitar session. Wonderfully magical and transparent. So much creative noise!  🪐

Un voyage extraordinaire, où la guitare prend une place unique  de créativité🌸

Shock the Algorithm

Youtube: https://youtu.be/xzSF8Mu3CgA

The Formerly performs a semi-acoustic set in my living room!

The Formerly: https://linktr.ee/theformerly

Living Room Session

Illusion

sonic and rhythmic exploration of my noisy electric guitar solo.
visual: extract of one of my recent abstract painting in colors.

DANS L'OMBRE DE MA GUITARE  PATRICK PICAULT

I've been away from SoundCloud for a while working on my new album and several writing projects, but the album's nearly done, so I thought I'd emerge from my cocoon and post this song, which means a lot to me. It features my good friend Akmaral Zykayeva on violin. For the past ten years, I've been doing a lot of consulting work in Kazakhstan. I met Akmaral in Almaty, Kazakhstan about six years ago. She is a hugely gifted composer, singer, and violinist who records as "Akmaral Mergen" and also as "Mergen" (Mergen means "woman warrior" in Kazakh).
For this song, Akmaral wrote a beautiful six-violin arrangement, playing all the parts herself.
The photo on the cover is the view from my hotel room in Almaty on one of my trips. In the foreground is Almaty Opera House and in the distance are the snowcapped Tien Shan Mountains (the "Celestial Mountains"). Beyond the mountains is Kyrgyzstan. 
Main guitars on this song are my Taylor GC-5 acoustic and my 1966 Guild Starfire XII (electric twelve-string).
The cricket and bird sounds at the beginning and end were recorded by me with a field recorder in a wild area of southern Wisconsin.
(This song can be found on my "Twilight on Tunnel Road" album, which I'm happy to say won the Alternative Album of the Year award from the Madison Area Music Association.)
LYRICS:
"Let Me Go”
Words & Music by Timothy Walsh

Nothing I say to you makes it untrue.
Let me go—I can’t say how much I love you.

Taking it all away, I can’t bear the day.
In the night I just see your face staring at me.
Let me go.

Seeing I don’t know why, why you must try
to go far away now, climb mountains so high.

Every single day, I’m making my way.
I can’t deal with you gone and I’m not okay.
Let me go.

I don’t say you should not go—closing off the future before you can know.
I just can’t get loose from your strings,
they’re wrapped around my heart entangling all things.

I remember how we used to play, how we used to dance, how we used to run,
dissolving in the moonlight as if we were one.
And all those days, all those times, all those nights we held to each other,
held so tight as if we might lose the one thing we love.

And I think that I can’t go on now,
without you I’m lost, I just don’t know how.
Now the light has gone out of my life,
nothing ahead but torment and strife.

Twilight on Tunnel Road

Let Me Go

Crazy Story

Dedicated to my late father. It's grief in music.

Sabrina Corpac's Album

Remember

Blood Moon (A tormented night)

method: after creating another digital punchcard and some listening to singing bowls (see video here: https://www.instagram.com/reel/DIpWlMmt9M6/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==), I took my melodica out to a nice spot in the forest, later going through samplitude (daw) paces
narration: I imagine some human ancestor sitting in the mouth of the cave, still awed by printing his ochre hand on the cave wall - she or he or they .....such a puzzeling, bewildering act:  the creation of identity and the affirmation of connection simultaneously .... Identification, after all, is a younger sibling to alienation ;-)
image: copyright jo richter

poem / copyright jo richter:

his astonishment
when he saw
his own hand
on the cave wall

imprint

Tsy-fact

Spring Impressions

Construction #22

The great https://soundcloud.com/remnant60 sent this beautiful piece to the collab project
https://soundcloud.com/noxpox20/sets/noxpox-padang-open-collab

Remnant60 | noxpox - Padang2

Otagle

Recording sessions from 13/05/2025 - 07/06/2025.
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks / Without AI
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,
  Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

- #Ambient #Movies #Experimental

The Fair of Immortals

⚜️⚖️⚜️ The Fair of Immortals ⚜️⚖️⚜️

Traurigkeit in der Menschheit

Battle cry (Extra Slowed + Reverb) - ilyhiryu

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

DANS L'OMBRE DE MA GUITARE PATRICK PICAULT

Patrick Picault

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