Part 1
01. Blame Mate - Hood Habit
02. Marco Grosso - Job
03. Jacky - Laterz
04. Jesse Garcia feat. Corey Andrew - Love Me Now (Peter Horrevorts Remix)
05. Loco Dice - Detox
06. Josu Freire - Chance
07. David Pher - Moleque
08. Roosevelt - Moving On (Andhim Dub)
09. Le Couleur - Vacances de 87 feat. French Horn Rebellion (Beat Market Remix)
10. Marco Bailey - Bill The Trumpet Player

Part 2
01. &ME - Avalon
02. Sascha Funke - MZ
03. Comuno - Kanuma
04. &ME - Cape Coast
05. Martijn Ten Velden - Octagon (Extended Mix)
06. Sentre - Sunshine (Extended Mix)
07. Tim Green & The Slow Revolt - Still Not Born (Club Mix)
08. Eefje De Visser - Jong (Nuno Dos Santos & Quince Remix)
09. Luciano - Rise Of Angel (Andrea Oliva Remix)

Summer 2017 Mixes

Logue

KMRU - OT

With modular synth, accordeon, violin, and voice.
credits
released February 7, 2022

Original Motion Picture Soundtrack
for the film "An initiation to Game B"

Composed, performed, recorded, mixed & mastered
by Hélène Vogelsinger
Original Artwork by Jake Ruiz
Layout by Chalisk Pito

Each Other's Roles

Minifreak : pad
Matriarch : drones & leads
0-Coast : beat

Photo MrBlue - Metz août 2022

Three Steps Dance - MrBlue

Empty

Music from the forthcoming EP by Luke Abbott and Jack Wyllie of Portico. 

Released via Buffalo Temple (BFFT003) on 25th September available on 12" vinyl and digitally.

Xantako

Buy the exclusive collaboration on Bleep: https://bleep.com/release/73657-mark-pritchard-x-kaitlyn-aurelia-smith-nownow-absolut-collaboration

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We believe that « everything is a remix »

Remixes are a major part of the electronic music history. The club culture take off on remixes, some of the greatest dance hits where made from remixing original tracks.
Our primary purpose is to highlight this exercise by offering the opportunity to artists to either work on a remix or offer a track to be remixed by an artist they admire. It is overseen and curated by independent music lovers and supported by The Absolut Company, a brand that is permanently involved in the field of contemporary arts and creation with a tradition of supporting artists such as Keith Haring and Andy Warhol at their very early stage of their career. The Absolut Remix project is dedicated to the art of combining or editing existing materials, to produce something new.

As a start, every last Thursday of the month, we will unveil a new remix, from a newcomer or a legend, from disco to techno or IDM and house music. And more to come...

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Kaitlyn Aurelia Smith
@western_vinyl | facebook.com/kaitlynaurelia | twitter.com/kaitlynaurelia

Mark Pritchard
@markprtchrd | facebook.com/markprtchrd | twitter.com/markprtchrd

Absolut Remix
@absolutremix | www.facebook.com/AbsolutRemix | twitter.com/AbsolutRemix

Buy on Bleep

Mark Pritchard x Kaitlyn Aurelia Smith - Now:Now (Absolut Collaboration)

Loess - Striae

from 'Electric Stutter' [CD|2xLP|Digital]
Denovali Records · den281
available on all formats at [http://denovali.com/orsonhentschel]

Almost one year after his debut LP Feed The Tape, Orson Hentschel enters new musical terrain wearing old shoes. His second LP Electric Stutter, which is almost 55 minutes long, is only loosely connected to his debut. Whereas Feed The Tape was strongly shaped by Classical Minimal Music, Hentschel now incorporates influences of Trip-Hop and Electronic Pop Music. Since his childhood, he considers artists like Massive Attack, Portishead and Björk as some of his most important sources of inspiration. The influence of this kind of popular music is clearly audible. Hentschel’s new tracks are shorter, more shaped and reduced in the density of their sound material. Pattern-oriented repetitions, which where in the focus of Feed The Tape, now fulfil the function of sophisticated sub-components of the overall composition and are subordinate to the melodic forms or merge with them. Also the amount of sample-based material has decreased in order to create space for synthetically produced sounds with melodic character. Electric Stutter is more complex and more detailed than Feed The Tape. At the same time the reduced density of sound material and the higher amount of melodies form a kind of music that is more easily accessible.

Whereas the Düsseldorf-based composer started off with classical piano, he by now concentrates on electronic and experimental music and film compositions. Even though Hentschel has experienced a classical education, his composition techniques are anything but traditional. His creative starting point is rarely rooted in musical ideas, but consists of finding appropriate sound material. His sources are diverse: sounds and samples like soundtracks, film sounds, music albums or internet findings encounter polyphonic vocal-music from the 14th century and composition techniques of Minimal Music such as Steve Reich. In his compositions Hentschel draws a cross-section through the history of music and its genres in order to form his own musical expression. Considering his studies of music science in Düsseldorf and previously in Vienna and Dresden, his musical time-jumps appear less surprising.    

Describing Orson Hentschel only as a composer of contemporary music does not do him justice. In his self-conception as an audio-visual artist he creates his own live show, combining lights, visuals and fog to a stunning atmosphere, which cannot be eluded. Supported by live-drummer Lukas Baumgart, Hentschel delivers a sound, whose energy is physically palpable and electrifies the audience. A live-show generating an intense experience, going to the limit and erasing any sense of time. Orson Hentschel moves perceptions not merely through sheer volume, but with driving repetitions and extensive tension.

Electric Stutter

Orson Hentschel - Fade In, Fade Out

Summer 2017 Mix

Summer 2017 Part 2

Summer 2017 Part 1

Llyr brings his debut EP release on Mesh and the next issue in the 3D Reworks series, following the second binaural experiment by Reid Willis in June ’20.

The 3D Reworks series aims to challenge artists to express their work and expand their creative awareness to enable every listener to experience high-definition immersive audio. The EP comprises three tracks of headphone surround sound, immersive audio at it's most powerful. 

Experience: shifting scenes with trains thundering past; teleportation into a futuristic virtual reality headphone rave; and an escape to a digital dream-like state. Llyr presents music created using a mixture of binaural recordings captured of an eerily daunting present-day London by award-winning sound designer Will Cohen and a series of personal answer phone recordings left for him by Crystal Tassels, a renowned burlesque singer from the Berlin performance art underground

Digital Tracklist 
01 Depersonalised 3D
02 Powergraze 3D
03 Dream Sequence 3D

Release schedule 
5th Feb - Released on Bandcamp
26th Feb - Available across all major stores 

Contacts
Label: anthony@thewildseeds.com
Press: mt@tailored-communication.com 

The release is available for free download/pay what you want from Bandcamp for one week only.
 
Llyr
"In keeping with Mesh's 3D Reworks series this was originally conceptualised for headphone listening. I used binaural (‘3D’) recordings and lots of binaural (and other spatial) processing techniques. It should translate fairly well to regular speakers too, but you'll be missing out on some of the fun. I tried to create dense, dynamic mixes with a rich audio environment to explore. The intention is that with repeat listens you can discover different things buried in the music. I hope you enjoy listening as much as I enjoyed creating it."

Max Cooper
"Llyr aka Gareth Williams has been a long-time advisor and tutor of my own work for many years, and demonstrates his breadth of knowledge with this treat of a surround-audio package optimised for headphone listening. I was also excited to see the involvement of award-winning sound designer Will Cohen of 'String and Tins' studio. The result being an enveloping abstracted wander through dream space, beautiful sweeping harmonies, and even a delve into the dancefloor where we get a more centralised punch before returning to the outer edges of sound around our heads. It's a pleasure to hear and get lost amongst, many thanks Llyr.


Credits
Written, mixed and produced by Llyr (Gareth Williams) 
Mastered by Chris at Blacklisted Mastering Ltd
Additional binaural recordings by Will Cohen
Answer phone recordings by Crystal Tassels
Artwork by Tyler Hobbs
(P) Mesh (C) Gareth Williams (Llyr) 2021

01. Llyr - Depersonalised 3D (Binaural Version - Headphones Only)

BUY LINK: https://lesdisquesbongojoe.bandcamp.com/album/la-ola-interior-spanish-ambient-acid-exoticism-1983-1990

Taken from album: LA OLA INTERIOR: Spanish Ambient & Acid Exoticism 1983-1990
Label: Bongo Joe Records (https://soundcloud.com/bongojoerecordshop)
Release date:  4 february 2021
Format : Double Vinyl (incl. special ed. Blue vinyl) w. full colour booklet liner notes + CD + Digital

Malagueñas 2 is the second single release from Bongo Joe's exploits into the history of the Spanish electronic underground: LA OLA INTERIOR: Spanish Ambient & Acid Exoticism 1983-1990. The compilation features 20 tracks selected from a fertile period of electronic music production and experimentation in Spain, which shines a light on a tape culture movement and buoyed by a fetish for an exoticism of Asia and Africa.

Made in 1990 in Tenerife but left to the archives and untouched, until now, Malagueñas 2 is an intense rush of electronic hypnotism and was discovered by compiler Loïc Diaz Ronda:

"I knew Javier Segura was influenced by acid folk in his first attempts and also that the Canarian Islands are the Spanish threshold to Africa, so I knew there had to be some tracks... Finally, I landed by chance on his youtube channel and discovered a bunch of unrealeased tracks from the early 90's. Among them, there were two versions of Malagueñas. Malagueñas 1 was a track with vocals. Malagueñas 2 was the instrumental version and it blew my mind as soon as i heard it. With its complex sound layers and its hypnotic pulse, the track had this Andalucian / Arabic flavour. It has only been listened to 10 times on youtube! Javier told me he loved this track immensely"

LA OLA INTERIOR COMPILATION
With the Spanish recordings and philosophy of the 'musica discreta' (Spanish ambient) movement overlapping the premise and manifesto of Brian Eno and Jon Hassell's Fourth World, compiler Loïc Diaz Ronda wanted to carve out deserved spaces for the artists involved, as key components within the history of experimental music. This 'post movida' selection features some cult and pioneering artists like Finis Africae, Suso Saiz (Music for Memory) and Miguel A. Ruiz but the majority of artists featured are generally unheard of in Spain or beyond. The album includes two tracks discovered and released for the first time ever (Suso Saiz's Horizonte Paseo & Javier Segura's Malagueñas 2), a handful of digital and vinyl exclusives and provides the musical backdrop to a scene that went under the radar, whilst simultaneously to the east, on the white island of Ibiza, another much publicised revolution, was well underway.

Summer 2017 Part 1

Patrick Schroen

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