Very happy to see patterns of perception back 😍

Command D summons the gods of the deep to have us completely submerged in a world of interdimensional dub techno, traversing us through an hour and a half of infinitely looped reflections and subaquatic soundscapes. 

@commandd

Q. This certainly feels like one of your most immersive mixes to date, deeply contemplative and full of dreamy dub techno atmospherics. What inspiration did you draw upon, and what type of setting or situation could you imagine it being enjoyed in? 

A. I started to get into this sound when I was putting together my mix for the Moonshoe mix series. I didn’t know what to call it at the time but I found all of those tunes and tied them together with a certain feeling that was really inspiring me then, it was very organic and that is still one of my favourite mixes. You can hear dub elements scattered throughout that whole mix.

As I started incorporating more dub elements into my productions I discovered artists like Stephen Hitchell and Rhythm & Sound that had created a kind of music that was really extremely satisfying for me to listen to, especially considering my developing love for hi-fi and larger sound systems. I incorporated those artists into my FHUO mix which was a much more considered exploration of the style. Looking back on the process of making the mixes and how much I enjoyed them really assures me that the deep and contemplative sound is a big part of who I am.

For this mix I’ve taken inspiration from the MDC series itself which I’ve been listening to for years. I wanted to add little hints of deep house sounds as a nod to the mixes of the past. I personally think mixes like this are the best to listen to when you’re travelling and looking out a window, otherwise maybe sitting at a desk on a rainy day doing some work. I’d like people to listen to this in a time where they won't be distracted by something else or feel the need to skip forward, I’d want people to just throw it on and let it play, drifting in and out of the tracks and their own thoughts.

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. My favourite tracks in the mix are Saftig Komposition by Rasmus Hedlund and Sedlec Ossuary by Persuasion. At a base level I love these tracks because they take a more modern approach to a dub techno track with tight production. Going deeper, the thing that really resonates with me is hard to put into words and best left unsaid. I think this kind of music (along with many other kinds) allows the listener to feel emotions that aren't able to be put into words, part of why I love it so much. I find that dub techno specifically can feel sad and happy at the same time like lots of jazz ballads. That to me is a really beautiful sound that kind of encapsulates life in general.

Q. Tell us about the development of your live set, and where things are currently at with it? Do you feel like you’re able to explore different shades of your sound when playing in a live setting?

A. Putting together my first live set was an awesome experience. I got to play it all around Australia from clubs to rainforests. I’ve put the current live set to bed for now and am starting to work on a new one with a slightly different setup. Although it was a challenging experience, I loved making a live set because often when I would dig for tunes to play out I’d think ‘I wish I had a song like this’ and writing a live set meant that I could bring those ideas to life and curate a set exactly how I wanted. I think I’m really starting to settle into ‘my sound’ in production and DJing, but there are creative limitations in both like finding new music or learning new skills. Overcoming technical barriers in production allows me to get closer to my most true form of expression when it comes to what’s coming out the speakers so I’ve been really working on that recently. Hoping the next live set will be bigger and better : )

MDC.302 Command D

This recording is from the first edition of L’Appuntamento, a series of open-air listening sessions initiated by Villa Lontana Records and Donato Dozzy in Rome. Each gathering pairs a vinyl set by Dozzy with a live electroacoustic performance by a new-generation artist.

In this first edition, held in the garden of Villa Lontana, Donato Dozzy opened the evening with a selection of minimal, folkloric, and acoustic-rooted records — setting the tone for Verde Prato’s live performance.

L’Appuntamento is an ongoing invitation to pause, tune in, and share time through listening. 
Next appointment is Thursday 26 June 2025 with Ange Halliwell.

L'Appuntamento with Donato Dozzy + Verde Prato - Listening session at Villa Lontana on 11 May 2024

Fresh off the release of his outstanding album ‘Berlin’ we welcome Felix K - a true purveyor of sophisticated, deep electronic music. His work explores the fringes of techno, jungle, dub, and ambient, building immersive sound worlds that defy easy categorization. Known for his meticulous approach to production and his ability to weave complex narratives through sound, Felix K has carved out a unique space for himself in the global underground scene.

For this marathon journey, Felix K delivers a masterclass in patience and precision, guiding listeners through a three-hour odyssey that is as introspective as it is rhythmically compelling. The mix is a testament to his expansive musical knowledge and his ability to connect seemingly disparate genres into a cohesive, flowing narrative.

In his own words: "The mix was recorded in my studio in Berlin. Beginning with slower Dub Techno, it slips into the early, minimalist 85/170 Drum-and-Bass era, showcasing plenty of those formative highlights before closing with authentic Amen Breaks combining with a sound design that actually anticipates the vibe of some of today’s darker techno productions."

Follow
https://soundcloud.com/flxk1
https://www.instagram.com/flxk1/
https://flxk1.bandcamp.com/album/berlin
https://nullpunktrec.eu/flxk1


MNMT 481 : Felix K

underwater aficionado and lifelong friend surfing on what eases his mind

"I’m truly honored and proud to release this mix on the label run by my longtime friends, leopold and simon. we’ve known each other for years and grew up together through music, so being able to share my very first time mix on their label feels quite special to me.

this ambient, dubby and aquatic mix is an immersion in low frequencies that resonate like the heartbeat of the ocean, inspired by the latter that surrounds and soothes me every day. a tribute to the calm and powerful energy of the waters"

recorded in soulac-sur-mer
05.08.25

@reyyq
@tustance

nunsen·tape 25 - rey q

After an extended pause for much needed rest and slow reflection, the Patterns of Perception crew is excited to return to our mix series with fresh energy and a stellar new mix from Jasmin, aka softi (@jazz_brown). 

Soulful, breezy and groove-laden, softi's Patterns of Perception 122 shimmers with her kaleidoscopic, minimal sound. Weightless sparks float and flicker in dim light. Time dilates; seasons drift. 

---

A few thoughts from Jasmin:

Hey Jasmin, how’s it going? What's been happening for you lately?
I’m well, I’m currently living between Lisbon and London this summer which has been a dream! Great food, beach sessions and writing music. It’s been a wild 3 months and I’m just getting myself ready for the seasons changing!

What can you tell us about your mix?
For this mix I wanted to mould my love of groovy minimal and psychedelic tones for the moody season ahead, which is usually my signature sound! I have been producing a lot of this recently and some of my unreleased bits are exclusively inside 💜

⁠Is there a track or tracks that are extra special for you?
I’d probably say my own productions are the special to me as it reminds me of how much I have developed as a producer and artist. I love connecting with the tracks and being able to create my own atmospheric world for listeners to get lost in. But one track that I always come back to is "bluep" by Underground City Loop (a producer from Aus). I have been playing this track for years and it has every sonic element you'd want from a track - low end sub groove with dark melodic synths.

---

Links:
@jazz_brown
instagram.com/__softiii/

@cozi-716789961
instagram.com/cozi______/

Patterns of Perception 122 - softi

Un viaggio musicale pieno di sorprese : downtempo, bass music, techno in uno dei back to back più belli di sempre. 
 
Incantati, 24 maggio 2025 Cascina Cappuccina

Donato Dozzy b2b Hugo Sanchez b2b Foresta _ Incantati _ Muovo Musica _ Nique

TSO Berlin 2025 • Marco Shuttle

My recent set from @thelotradio, for this one I wanted to go for the sort of meandering mix I like to tune into on the radio, a warm + mellow daytime vibe to pop on whilst pottering about in the kitchen ☕️

I enjoyed this chance to unearth some tracks buried deep in the USB that I haven’t played in years ~ silky dub techno, deep house, slinky minimal, downtempo trance, floaty halftime etc ~ hope you enjoy ☺️🌿🍄🤍✨

Feat. music by Noah Lyas & Eafhm, In Transit, Aurora Halal , Alfred Czital, Vardae, Cousin, Donato Dozzy, Greenteeth, Daniel[i], Marco Shuttle, Andrea Parker, Massimo Vivona, Photek, The Bug, Vainquer, Legowelt +++

Also on https://youtube.com/watch?v=yeIpg1_zKp8

The Lot Radio ~ 11.11.25

Polyphonie 14

Buy on bandcamp

Emilien Day - Polyphonie 14

Petite Victory Collective proudly presents ‘Various Artists Vol. 3’!

Petite Victory Collective´s Various Artists Vol. 3 is out! Its full of wonderfull and obscure electronic goodness. Cool Science Soviet Nostalgia evokes the feeling of discovery from a bygone era of analog technology. 

‘Various Artists Vol. 3’ is meant to celebrate the end of the year while showcasing the best of
what our community has to offer. This compilation is a carefully curated mix of electronic
music that all stays true to PVC's raw, minimal and eclectic sound and ethos of electronic
and sonic experimentations.

Supporting this compilation is a simple but meaningful way to fund and support the
Collective and global creative work around it. You’ll help us take care of the fees associated
to run the label. As well as envision and raise a little budget for further collective activities.

Thankful for your time supporting and caring the way you do.

Paper Money - Soviet Nostalgia

Dive deeper into a real feeling of afro house, music can be used as a voice

Patterns of Perception 122 - softi

Patterns of Perception

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