Very happy to see patterns of perception back 😍

One year on, I am so excited to share the recording of my set at Mo:Dem 2024, playing at The Seed stage 🌀💠🌀

My first experience of The Seed blew me away, opening new doorways in my mind and rewiring neural connections between genres and sonic sensations. Each stage at Modem @mo_dem is a universe of its own, and I felt completely at home at The Seed ~ a place for lucid dreaming and floating through the depths of space ✥

I played on Friday night from 11PM-2AM, slithering through subaquatic dubstep, spectral IDM, molten halftime and slinky psychedelic nighttime music of all shades ~

The set starts off propulsive, and as we descend into the night, the energy slowly evaporates, as The Seed shifts into a cocoon of pulsating luminescence for the late night hours. 

Thank you to @marcomental and @spekkiwebu for the invitation and inspiration. Returning to The Seed this year was equally special, it is now deeply nestled in my heart, and the recording of 2025’s set might also surface one day. But for now, I hope you enjoy this dive back to 2024 ~ three hours of psychedelic bass vibrations from the depths ✧｡⋆.

Feat. music by VC-118A, Jonnah, Eusebeia, Forest On Stasys, Eafhm, MARMO, RM Estali, Javier Salazar, Trois-Quarts Taxi System, LOIF, Varuna, Refracted, Toki Fuko +++

📷 by @timnah-sommerfeldt

꧁꧂


Sybil @ The Seed Mo:Dem 2024

Reaching our 100th edition feels special, and we couldn’t be more honored to celebrate it with Anthony Child. Many know him as Surgeon or as part of the British Murder Boys alongside Regis whose work has left a lasting mark on techno. Yet there’s another side to his work - one that steps away from the club and into more spacious terrain. You can hear it in his electronic recordings from the Maui project in 2015, in his collaborations with Daniel Bean as The Transcendence Orchestra, or through OLD Technology, the label they run together as a playground for questioning reality.

For Unrush, Anthony offers a mix that only he could create. A journey that wanders through krautrock, psychedelic twists, ambient spaces and moments of lighthearted play. It has the same curious energy that makes his monthly Noods mixes so inspiring, and yet it feels made to be taken in slowly, with time and openness.

We’re grateful to share this milestone with someone who has shaped so much of the music we love, and who reminds us that listening can be both grounding and transporting. Press play and enjoy it - on a walk, with friends, or in your own quiet time...

Thanks a lot to https://soundcloud.com/dynamic-tension

ANTHONY CHILD on the web:
Bandcamp: https://old-technology.bandcamp.com/
Noods Radio: https://noodsradio.com/residents/nog-zone-w-anthony-child
Instagram: https://www.instagram.com/tony_surgeon/

UNRUSH on the web:
Bandcamp: www.unrush.bandcamp.com/
Hardwax: www.hardwax.com/label/unrush/
Instagram: www.instagram.com/_unrush

Cover artwork by Irakli Kiziria

Tracklist:

Cindy Lee - Baby Blue
Chris Weisman & Greg Davis - The Nine Times
Mac-Talla Nan Creag - Five Sisters
Sean Booth - Twitch AMA (excerpt)
Bob Lind - Fennario
Panda Bear - Take Pills
Neil - Cosmic Jam
The Transcendence Orchestra - The golden jaws of the celestial vice
Bernard Parmegiani - de natura sonorum: premiere serie: accidents / harmoniques
Anna von Hausswolff - The Truth, The Glow, The Fall
David Sylvian & Stephan Mathieu - Saffron Laudanum
Chris Watson - Crucero La Joya
Open University - Parents talking to teenagers cassette (excerpt)
Dionne Warwick - Don't make me over
Imaginary Softwoods - Diagram Of The Universe
Jo Johnson - Alterations 1: Unbroken
Jim O’Rourke - A Man's Mind Will Play Tricks on Him
Zyggurat - Crepuscule / Druids Heath
Rotary Connection - I am the Black Gold of the Sun

100 - Unrushed by Anthony Child

After an extended pause for much needed rest and slow reflection, the Patterns of Perception crew is excited to return to our mix series with fresh energy and a stellar new mix from Jasmin, aka softi (@jazz_brown). 

Soulful, breezy and groove-laden, softi's Patterns of Perception 122 shimmers with her kaleidoscopic, minimal sound. Weightless sparks float and flicker in dim light. Time dilates; seasons drift. 

---

A few thoughts from Jasmin:

Hey Jasmin, how’s it going? What's been happening for you lately?
I’m well, I’m currently living between Lisbon and London this summer which has been a dream! Great food, beach sessions and writing music. It’s been a wild 3 months and I’m just getting myself ready for the seasons changing!

What can you tell us about your mix?
For this mix I wanted to mould my love of groovy minimal and psychedelic tones for the moody season ahead, which is usually my signature sound! I have been producing a lot of this recently and some of my unreleased bits are exclusively inside 💜

⁠Is there a track or tracks that are extra special for you?
I’d probably say my own productions are the special to me as it reminds me of how much I have developed as a producer and artist. I love connecting with the tracks and being able to create my own atmospheric world for listeners to get lost in. But one track that I always come back to is "bluep" by Underground City Loop (a producer from Aus). I have been playing this track for years and it has every sonic element you'd want from a track - low end sub groove with dark melodic synths.

---

Links:
@jazz_brown
instagram.com/__softiii/

@cozi-716789961
instagram.com/cozi______/

Patterns of Perception 122 - softi

With the summer festival season drifting into memory, it feels like the right moment to linger on one of the most thoughtfully shaped events in recent years. The Mostra Festival unfolded over the Easter weekend across two Barcelona locations, and what set it apart wasn’t just the programming, but the curation - a balance of trust, patience, and precision. The first two days leaned toward the ambient and the experimental, tipping into rhythm as the nights wore on. Yet the real magic of that opening stretch lay in the beatless hours. Friday in particular offered a moment that still reverberates among Mostra regulars and beyond: Robert Henke’s performance of Dust. If there is any place in the world designed for such a work, Mostra provided the perfect frame. For one afternoon, Henke held the crowd in complete attention and reverence, something essential for any artist, but especially for one whose work is as delicate, shifting, and expansive as Dust.

For many of us, Robert Henke, Monolake to longtime listeners, has been a constant presence in the background of our musical lives. His records shaped taste, his performances redefined how electronic music could be experienced live, and his role as co-creator of Ableton changed the very tools we use to make and share sound. Few artists can claim such a dual legacy: architect of both the music and the machinery. Whether in moments of joy or frustration, whether in the studio or on the dancefloor, it’s impossible to imagine modern electronic music without his fingerprints on it. Henke embodies the link between technological innovation and artistic expression, and his influence runs deeper than most of us can trace.

Dust is perhaps the clearest expression of that link. Powered by a custom granular synthesis engine, it reduces sound to particles, field recordings, analog tones, machine hiss, bells, and waves, then disperses them into clouds that evolve in real time. The result is less like a composition and more like a living organism: fragile, unpredictable, always becoming something new. At Mostra, this unfolding took shape in late afternoon, after Patrick Russell’s set had sharpened the air with its own restraint. Henke stepped in with a 360-degree surround system that transformed the floor of Fabra i Coats into a resonant body. The sound was cosmic and liquid, grainy and immense, stretching outward until it seemed to erase the horizon. Every surface in the space shimmered with detail, as if the air itself had been tuned. What made it remarkable was how fragile it all felt. Nothing was forced; every movement seemed to arise on its own, like dust caught in late-afternoon sunlight. Yet the immersion was total. People surrendered, leaning into the space as if trying to hold onto something that could never be held. For that hour, Mostra wasn’t a festival anymore. It was a room of people floating together in a world made entirely of sound, knowing it would never happen in quite the same way again.

https://soundcloud.com/monolake
https://www.instagram.com/studio.robert.henke/

www.mostra.barcelona
www.instagram.com/mostrabcn/
@mostrabcn

Write up by @gilleswasserman

Follow us on social media:

@itsdelayed
linktr.ee/delayed
www.delayed.nyc
www.facebook.com/itsdelayed
www.instagram.com/_____delayed
www.youtube.com/@_____delayed

Contact us:
info@delayed.nyc

Read

Delayed x Mostra: Robert Henke presents Dust

The recording of Sunju Hargun’s debut live ambient set at 428 stage at Wonderfruit Festival in 2024 

Thailand-based Sunju Hargun is a producer, DJ, and co-founder of Siamese Twins Records, known for his "forward-thinking with past feelings" sound — a storyteller who brings together psychedelic acid, minimal, trance, techno, and ambient into timeless passages across mind, body, and space.

Credits:

Vocals by Chucheewa & GiGI FM

Additional voices sampled from Sheila Chandra & Alan Watts & Björk

Instagram: https://www.instagram.com/sunjuhargun/

Sunju Hargun -Live Set- at 428 Wonderfruit 2024

Once a year back to the core with a like-minded group. Enjoy the recording from a special gathering last June, somewhere in the woods of Spain. Big hug from Bas de Noche. 

@espacio-perpendicular 2025 -  Saturday 23:00 - 01:00

Bas Dobbelaer - Perpendicular 2025

An extremely underrated  Naarm based artist, WTP (@worktheperipherals) for number #182. Miles has been releasing music under his WTP alias for a few years now - with releases via Hannah D's @thespacebetweenus & Millu & Pjenne's @companionmelb & more. 

Locally adored & undeniably talented, Miles' releases are consistently luscious & groovy.- reminiscent of the pure bliss freedom of raves during late summer at home. Housey, progressive & full of rare-cuts - this mix is a perfect extension of MIles' style & a great fit for the series. Welcoming Spring in full bloom in Australia :) 

Thank you so much for the mix Miles! 

Downloads enabled 

Animix One Hundred & Eighty Two: WTP

@bambi-dj 

Recorded live at HORS-SOL Festival 2025 (Foresta Stage, July 2025).

https://www.instagram.com/hors_sol_festival

Photography: Margot Lavigne

Bambi at HORS-SOL Festival 2025

O pôr do sol ganha som. A melodia flui entre o âmbar do horizonte e o frescor da brisa. Cada nota reflete o momento exato em que o dia se transforma em noite.


🎶 Gênero: Deep House / Chill Out / Melodic
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Nova Elys – Transcend.mp3

Zoorvik favorite song to ride late at night 

Patterns of Perception 122 - softi

Patterns of Perception

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