Wonderfully abstract, juxtaposed images, surreal...

Love it! Haven't heard the Lizard King for many a year... :)

Always surprising and always creative, I greatly appreciate it!!! ❤️Love, 🕊️Peace, 🙏Respect

Paul Amlehn - Intuitively-Determined Voice/Instrument Placements, Editing, Mixing, Production
Terry Edwards - Real-Time Radio Manipulation and Recording, Synthesizer, Percussion, Effects (Part One of Music Composition)
Eberhard Kranemann - Bass, Digitech FX Unit, Piano, MC-303 Groovebox (Part One of Music Composition)
Elliott Sharp - Synthesizer, Glissentar (Part One of Music Composition)
Jim Morrison - Poetry, Spoken Word Vocal
John Haeny - Sound Engineer for Jim Morrison Recording
Trent Reznor - Writing of Music and Performance (Part Two of Music Composition) 
Atticus Ross - Writing of Music and Performance (Part Two of Music Composition) 
Alessandro Cortini - Writing of Music and Performance, Guitar (Part Two of Music Composition)
Adrian Belew - Guitar (Part Two of Music Composition)
Hector Belioz - Sample from  His "Songe d'une nuit de sabbat" from His "Symphonie Fantastique" (Part Two of Music Composition)
David Lynch - Visual Art

They Haven't Invented Music Yet

Hi and welcome to the 6th track by "Then She Reaches For The Gun". Huge thanks everyone involved! people come, people go and new stuff happens : ) 

The project’s inspiration is two fold: Firstly its a homage to some of the stuff i grew up listening to like Mr. Bungle and other noisy bastards where anything goes, and often in quick fire succession and secondly it” a chance to work with an never ending stream of talented musicians that i have known for years either in real life Australia or via the Internet. Each track will no doubt change depending on who has sent me what. 

Post-Woke Cunt features the following artists

Vartch - Voice
Nosensend - Keyboards
Dane Renshaw - Drums
Muterial -Electronica
W:I:L-o’ the-wisp - Keyboards
Ariad Music- Clarinet/Percussion
The Windscale Blues Experiment - Saxophones
Thomas Bergheim - Bass
Hverheij - PIano
Bellai Pelegrim - Electronica
Glenn Ward - Cunt
Dylan Banks - Voice
Adam Meredith - Voice 
PuppetXeno- Synths
Axel Weis - Guitar
Widar’s Spiritual Front - Electronica
Primaloop -Drums

Me - Bass/Noise

If you would like to be part of this ongoing project

The process is simple, I collect a bunch of random recordings from people and then see what i can arrange from it. Nothing subtle here, just huge noisy fun : ) I am open to anyone that thinks they might like to be part of this mess. Drop me a message and i will send you my email. The only criteria is that i wont be using samples from TV/film/other music etc, so just original stuff played on instruments, field recordings, stupid drunk conversations etc. Cheers!

Post-Woke Cunt

A Slow Day

Kit: uKORG, Hammerhead, Fugue Machine, Sampletank, Yamaha Synth&DrPad, Logic Pro X.
Acknowledgments: 
Samples 1) Samuel Corbin - “tba” copyright 2016.
2) Dead Peoples Records, No. 31 Mediated Voice & Silence (2014).
Both sample sets - Licensed under a Creative Commons Attribution license, CC-BY (freemusicarchive.org). 
Cover Art: Cold Dark Matter: An Exploded View (1991) by Cornelia Parker - a shadowy interpretation from Tate Modern.

Anthropomorphism 3

part of the Darksiders Summer Playlist 2022
https://soundcloud.com/pfaender/sets/darksiders-summer-colors

HEX#1A2B3C

DIE BÖSE HEXE VERLIERT AM ENDE

Taking five, waiting for the time to arrive, searching for the will to survive, on the drive of your lives
Taking four, chilling for another cold war, dreaming of the broken dance floor, falling through another trap door, hoping for more
Taking three, dominoes are falling over me, imprisoned in the land of the free, submerged in a fake reality
Taking two, power trippers calling after you, looking for another breakthrough, rejoicing at the callous menu, it’s true
Taking one, mad dogs running for the sun, fat cats have only just begun, creaming cream, having fun

Counting Down

Evenings in the Garden of Time

Method: A Vintage Lemon Drop guitar and voice through roland vt4, catalinbread many worlds and catalinbread cloak into zoom r20. 
Narration: People get older, the ones I care for not excluded.
Artwork by myself, as usual.

Lyrics / copyright jo richter:

frail, so frail
light hits like hail
wading through water
made of air

pain, all in pain
TV says you're sane
mute actors share
a voice with your mother

lost, all lost
covered by frost
each single day
like the other

frail

Witnessing the fascinating conjunction of Venus and Jupiter from my hostel window prompted me to revisit one of my early attempts at writing music for solo MIDI electronics. 

"Celestial Dance", composed in May 2019, is in three parts, each following the other attacca, without pause. The harmonic structure of the work is derived from the clash (conjunction!) of two diminished seventh chords, with their root notes a semitone apart. Pierre Boulez had used such a chord in Sur Incises (and Incises)  which piqued my interest in its sonority. The instrumentation albeit MIDI oriented (which allowed me to push the instrumental performance to superhuman virtuosity) is made up of the instruments Boulez used in Sur Incises - with the addition of an electronic piano and solo strings. 

Celestial Dance, for electronics (2019)

Pure World

Hi. My name is Paul Amlehn. I am an interdisciplinary artist, working in the mediums of literature, music, visual art, theater, and film. I am of Italian, Irish, and Maori descent. I am currently based in Aotearoa New Zealand. 

My poetry, prose, and texts for theater and opera have been published in literary journals in 23 countries,  including Exquisite Corpse, the California Review, the Salzburg Review and Evergreen Review. My visual art and sound art works have been exhibited throughout the world, including at Artist's Space, Luhring Augustine, the Chelsea Art Museum, Tate Liverpool, and at festivals which include Art 42 Basel (with the Serpentine Gallery - curated by Julia Peyton-Jones and Hans Ulrich Obrist), documenta 14, and the 51st, 55th, 56th, 57th, and 58th Venice Biennales.

On my sound art and music projects I have collaborated with Robert Fripp (King Crimson), Ulrich Krieger (Lou Reed), Chuck Hammer (David Bowie), David Van Tieghem (Laurie Anderson), Leo Abrahams (Brian Eno), F.M. Einheit (Einsturzende Neubauten), Mick Harvey (Nick Cave and the Bad Seeds), Mick Rossi (Philip Glass Ensemble), Jeff Zeigler (Kronos Quartet), and many others.

I am working on an album of music which has texts and vocals by William S. Burroughs, in cooperation with the Burroughs Estate. I am about to embark on a new album of music which reimagines the work of John Cage, in cooperation with the John Cage Trust.

Cover art for my albums has been provided by painter Gerhard Richter and artist and filmmaker David Lynch.

I am presently undertaking an artist residency at The Exchange art space in Christchurch, New Zealand. In October 2024, I will be performing music and sound art at the 60th edition of the Venice Biennale courtesy of the Italian arts organization Moving Lab. In late December 2024, I will be undertaking an artist’s residency at the Kunstmeile Krems, in an der Donau, Austria.

They Haven't Invented Music Yet

Paul Amlehn 1

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