Checkin Out

'Sonic Bayou', written and produced by Editor Cole. I wrote this recently with the idea of it being on an EP for spa music, but when It was complete, It worked really well with the rest of the tracks I had written for 'Landing Party', which is an electronic album I'm releasing this spring. It's mostly ambient, dark ambient, atmospheric, sometimes hypnotic, and cinematic in parts. I've yet to finish mixing this, but as ever, best to listen with headphones, or through good monitors.

Sonic Bayou

Wrote this one in the middle of lockdown thinking about all the festivals I'd been to in the past, and if we'd ever get them back. Nice to see it coming back now.

Big love to Richard Golddigger who helped me out with the production. He does some cracking tunes here:: https://soundcloud.com/richard-rgd

Would love to give this a blast some day. 5am vibes.

Let The Love Shine

Galactic Warfare

At the time when there is a fire or a famine or plague, a fire-red calf has been roaming the so-called Ochsengasse in Mergentheim with a terrible roar for ages. It is said that it was often seen and heard in Mergentheim in the past.


Recorded with an Arturia Microfreak in Reaper. I used two excellent reverb plugins by Airwindows in this track:

Galactic: https://www.airwindows.com/galactic/
Verbity: https://www.airwindows.com/verbity/

Wuotis (and other ghost stories)

Summoning the red calf

LOOP DIGGERS SUNDAY ROULETTE CHALLENGE 111 - BAROCK
JUST ONE MAN'S OPINION.

HERDY GERTIE, MAN.

CLASSICAL TRUMPETEERS (LOOPDIGGERS SUNDAY ROULETTE N° 111)

a way

Disquiet Junto Project 0617: Haunt Scape
The Assignment: Halloween is coming up. Do your thing.

In the haunting shadows of a disquiet Halloween, I craved a genuine fright, so I summoned an 8-track version of Bitwig with a cruel code from the sinister pages of "ComputerMusic" magazine (August 2023). Since that blood-curdling Superbooth 23 affair, the eerie Cthulhu call of this DAW has haunted my dreams, yet the terrifying thought of the time needed for mastering IT always kept me at bay. Now, having dared to dance with this phantom... it's eerily … but okay. Alas, this 8-track version, drained by nocturnal vampires, has had many of its limbs horrifically amputated. Thus, even armed with my trusty modular hatchet, it's hard to gauge if braving this ghostly realm is worth it. Be that as it may, a few nocturnal samples, mummified synths, and a disemboweled Lyra8 impro might not raise the dead from the graves, but together they gave me some creeps. (A little bit.)


Track cover made with Dall-e 3.


More on this 617th weekly Disquiet Junto project, Haunt Scape (The Assignment: Halloween is coming up. Do your thing), at: https://disquiet.com/0617/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0617-haunt-scape/

The Synths Have Eyes [disquiet0617]

Disquiet Junto Project 0621: The Leftovers
The Assignment: Use recently discarded material to make something new.

Step 1: At the end of the calendar year, people often participate in holidays that result in lots of leftover food. Think about the leftovers — discarded tracks, or MIDI files, or ideas — that result from your music-making process.

Step 2: Scrounge around on your hard drive and recording equipment, and in your memory, to access the sort of creative leftovers that came to mind in Step 1.

Step 3: Make a new track primarily using the resources that surfaced in Step 2. You can, of course, add new material. And be sure to reheat sufficiently.

Old test file of 3 Euclidean sequencers. 
1)  Steingraeber & Söhne piano - Hirajoshi
2) Tank drum - Dorian  C3 (Left channel)
3) Kalimba - Major Pentatonic A#3 (Right channel)

Some noise filters, used in an extremely controlled manner.

Very light track, performed on tiptoes.

Galactic Warfare

The Unspoken Truth

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