unreal .Paul could you contact me regarding Keith Connolly. your email isn't working

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More podcasts from Robert Babicz, Slam, Nadja Lind, Derrick May, Klartraum, Justin Berkovi, Sebastian Mullaert aka Minilogue, Terry Lee Brown Jr.,...
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Style: #Deep Techno #Techno #house #Chillwave #DownTempo #Ambient #DJmix #DeepHouse #DeepTechHouse #TechHouse #Techno #Housemusic #ProgressiveHouse #Minimal #MinimalTechno #ChillOut #ChillHouse #ChillOutMusic #Downtempo #Electronic #future #retro #sound #vinyl #wax #Lucidflow #2019 #2020 #Deutschlandfunk #Deutschlandradio #DeutschlanfunkNova

Reckreator - Subtraction Intro (Live Mix)
Reckreator - Isotonik (Live Mix)
Reckreator - Drifts (Live Mix)
Reckreator - Lemon Dance (Live Mix)
Reckreator - Dropout (Live Mix)
Reckreator - Flow (Live Mix)
Reckreator - Subtraction / Scenic Route (Live Mix)
Reckreator - Addition Outro (Live Mix)

LUCIDFLOW RADIO 185: RECKREATOR LIVE - LUCIDFLOW-RECORDS.COM

@derKlient

Style: Deep Tech
Length: 01:45:18
Quality: 320 kBit/s

Tracklist:
D&S – The invisible workings
Irradial – Untitled 2 05
Kaap – Basics 02
Aron – Delaware
Alexandar Kyosev – Reflections
Mihai Popoviciu – Fall
Arhel – Radiant
Berg – 3000-3099
Irradial – Untitled 4 04
The Mountain People – Mountain017.1
Thor_Sanasol – All sides will be Lost
Irradial – Untitled 3 01
Gradient – Ornament 01
Hidden Sequence – Moonlight Shift 
Sam Chorlton – Shadows 
Teasel - Hiver
Upwellings - Ostara (Bluetrain springtime Dub) 
Anonym – Go Deeper
Alexandar Kyosev – Berg

Alle der diesjährigen Kalender-Mixe finden sich hier: www.kraftfuttermischwerk.de/blogg/tag/ak2022/.

Das KFMW Adventskalender 2022

2022 #16: Der Klient - For Tilos Radio

In this show we introduce the selected remixes Vol.7 in a dj mix.
https://sevenvillas.bandcamp.com/album/selected-remixes-vol-7

Radio Show with Selected Remixes

Buy Album

Loggia

Second installment in the irregular series. Some deep bleeps emanating from a very cold winter at the foot of Africa. Music from @javiermarimon @advdr @soundsofkaspiann @zemog0 and others.

Irregular Orbits 02

Follow: @tiefstone / @camilaarmusic / @plaisirssonoresrecords 

After the success of Gems Pt. 1 and Gems Pt. 2, Plaisirs Sonores Records proudly continues its acclaimed compilation series with the release of Gems Pt. 3. 

This latest chapter once again delivers a carefully curated selection of forward-thinking progressive house cuts, showcasing the depth and diversity of the global scene. 

The compilation opens with Lucas Zárates Secrets, a track that blends organic grooves and emotive melodic layers, weaving an inspiring and powerful soundscape. With its hypnotic flow and standout melodies, it sets the tone for a journey filled with movement and drive. 

Next, Tiefstone and CAMILA (AR) deliver The Void, a collaboration that shines through its arpeggiator, pulsing rhythms, and atmospheric tension. Both artists bring their strengths to create a track that feels equally driving and propulsive—perfect for peak-time dancefloors. 

Closing the compilation, Paul (AR) and Dhany G return with Ashes, a deep and emotionally charged piece. With intricate melodies and layered textures, the track offers a cinematic progression that resonates long after the final note. 

"With Gems Pt. 3, we continue our mission of highlighting artists whose sound pushes boundaries while staying true to the emotional essence of progressive house. Each of these tracks has already proven to be a standout moment in our sets, and were very excited to share them with a wider audience" - Hicky & Kalo, founders of Plaisirs Sonores Records. 

Each track in this compilation is, once again, a true gem—crafted with passion and designed to shine on dancefloors across the globe.

Tiefstone , Camila (AR) - The Void (Original Mix)

Sound Avenue presents the Deep Motions EP from Brazilian producers Cipriani and Hans Gerd. The three-track release features the title piece Deep Motions alongside Woods Acid Adventure and Antares, offering a refined blend of deep, melodic, and progressive sounds.

Based in Brasília, Hans Gerd made his first appearance on the label group with a track on the Dimensions compilation and later contributed releases to both 3rd Avenue and Future Avenue. Known for his warm-up sets and his role as co-founder of the local collective Altar, Hans brings a detailed and organic touch to his productions.

Cipriani makes his debut on Sound Avenue, following recent collaborations with Hans Gerd on 3rd Avenue and Future Avenue. Together, the duo showcases a natural creative chemistry, delivering an EP that captures the deep, percussive, and evolving essence of the Sound Avenue sound.

Stream/download here: https://go.protonradio.com/r/rl_BtK930h3gQ

Follow Sound Avenue:
• Beatport: https://www.beatport.com/label/sound-avenue/21138
• Bandcamp:  https://soundavenue.bandcamp.com/
• Facebook: https://www.facebook.com/soundavenue
• Instagram: https://www.instagram.com/soundavenuelabel
• Youtube: http://youtube.com/user/SoundAvenueTV
• Spotify: http://bitly.com/soundavenue_spotify
• Merch: http://bit.ly/soundavenue_t-shirts
• Submithub: https://sbmt.to/sound-avenue
• Submithub Coupon: https://www.submithub.com/coupon/soundavenue

Follow our Spotify playlists:
• Back Catalog: https://spoti.fi/3nz2LKs
• Labelgroup New Releases: https://bit.ly/soundavenuelabelgroup
• Progressive House: https://bit.ly/progressivehouse_sa
• Organic House: https://bit.ly/organichouse_sa
• Deeper Underground: https://bit.ly/deeperunderground_sa
• Ambient: https://bit.ly/ambient_sa
• Lo-Fi Music: https://bit.ly/lofi_sa
• Mixes: https://bit.ly/mixes_sa      

To submit demos, send a private Soundcloud link to demo(at)soundavenue.be.

#progressivehouse #organichouse #soundavenue #soundavenuelabelgroup

Hans Gerd, Cipriani - Woods Acid Adventure [Sound Avenue]

Higher

PAUL DALEY ALFRESCO FESTIVAL DJ SET MAY 2017

4 Jahre KataHaifisch <3

Keep it under control 
Jeder Mensch trägt ihn in sich. Mal vernimmt man seine Stimme lauter, mal ist sie kaum wahrzunehmen. Am liebsten plappert er die ganze Zeit. So oft es geht kommentiert, bewertet und urteilt er über den Moment und das jetzt. Besonders in stressigen Situation kommt er unzweifelhaft zum Vorschein. Dann flüstert es in deinem Kopf, du kannst das nicht, du bist es nicht Wert, gib einfach auf ...
Die rede ist vom, wie ich ihn hier nennen möchte, Egoverstand. 
Dieser Vollzeit Kommentator ist selten bis nie positiv gestimmt. Er ist anders als das Verstandesdenken weniger ein Werkzeug, als vielmehr ein Saboteur von Offenheit und Optimismus. Wohin die Reise führt, wenn man ihm folgt, weiß ich nicht. Depressionen, mindestens permanent schlechte Laune, sind eine plausible Konsequenz.
Es ist ein Kampf der Tag um Tag aufs neue ausgefochten werden muss. Mal gelingt es besser, mal weniger gut ihn im Zaum zu halten. 
Doch so wie für alles im Leben, gibt es auch in dieser Angelegenheit Mittel und Wege, um dem Herr zu werden. Eine simple und zugleich auch sehr herausfordernde Methode ist ihn einfach reden zu lassen und die Position eines neutralen Beobachters einzunehmen. Meiner Erfahrung nach wird er dann verstummen. Nur um kurz darauf wieder mit dem flüstern zu beginnen. Je öfter man es macht, desto länger hält der Effekt der Stille an. Selbstverständlich kann man das Ego auch mit anderen Tricks überlisten und zum Schweigen bringen. Wie auch immer man es bewerkstelligt, es lohnt sich. Man geht leichter und unbeschwerter durchs Leben, sieht die Welt werturteilsfrei und möglicherweise ein Stück mehr, wie sie tatsächlich ist. Zumindest hat muss man sich nicht mehr ständig, mit sich selbst herumschlagen. Der Weg zum Ziel mag lang und schwierig erscheinen, doch bereits das beschreiten dieses Pfades ist gewinnbringend. Am Ende erwartet Dich Ruhe und Gelassenheit, die dann durch Dich in die Welt und zu anderen Menschen getragen wird. Das auch sie beginnen der kleinen nervigen Stimme im Kopf, auf gut Deutsch das "Maul zu stopfen".

Für den KataHaifisch Podcast 109 begrüßen wir Disfunctional Disco zurück auf unserem Channel. Wie bereits das erste Set, ist auch dieses ein wahres Prachtexemplar und reinste Sahneschnitte. Gerüstet mit jeder Menge unreleased Tracks und einem kontinuierlichen Roten Faden, kehrt Disco wieder im Hause KataHaifisch ein. 
Unsere wärmste Empfehlung für einen lauwarmen Spätsommertag.

Dankeschön ❤

Artwork https://soundcloud.com/finnsn

More info: 
Disfunctional Disco
SC: https://soundcloud.com/disfunctional_disco

KataHaifisch
SC: https://soundcloud.com/katahaifisch

Disfunctionaldisco

KataHaifisch Podcast 109 - Disfunctional Disco

Recorded live from KaterBlau (Berlin) at the @LautUndLuise Showcase on Sep 6 2019

Follow: @esteble
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INSTA: https://www.instagram.com/esteblemusic/
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Esteble - When We Dip Radio #129 [30.9.19]

BOOKINGS (WORLDWIDE) - www.constructindustries.com

Paul has been on Dance music’s frontline since the release of Leftfield’s debut single ‘Not Forgotten’ in 1989. With partner Neil Barnes, the duo went onto become one of the most globally successful and respected acts in Dance music, along the way shaping styles and creating sounds that have influenced heavily and been borrowed from literally. As a DJ, remixer and producer in his own right, Paul employs the same approach to being different, fresh and exciting as he has throughout his vocation and the success he has enjoyed has come through an absolute understanding and love of the music, the clubs and the people.

Paul spent the late seventies and the early eighties soaking up the wide variety of music that the vibrant gig and club scene of his hometowns of Ramsgate/ Margate offered. This meant he was able to soak up everything from Rock'n'Roll, Punk, bass leaden Reggae rhythms,Disco/Funk, Soul and an emerging post punk underground electronic music scene.
Along with being a drummer with various local Punk bands such as The Rivals and The Need he also ran and DJ'd at his own nights in a basement club on Margate seafront, based around underground european uk/us electronic disco/ Post-Punk/Funk
and alike. 

The early 80’s were also spent living/moving to  London with underground clubs such as the Dirtbox,
Le Beatroute,Mud and Wag clubs along with early warehouse parties in the then derelict east/south of london providing the night-time hangouts and the places to hear old and new/contemporary underground music such as US/UK Funk,Rockabilly,jazz,soul,early 80's US\ UK Electro, Hip-Hop,dub. 70's soundtracks,disco,afro latin,dub, northern soul and unrealised at the time these clubs and happenings were to be the embryonic Balearic/House/scene pre-cursor to the late 80's\early 90's uk rave movement to which Paul was later to be fully involved on a creative musical level.

Bank Holiday's of the early/mid eighties provided rites of passage weekender trips to Bournemouth and the uk coast for Dirtbox all nighters and daytime sessions again accompanied by a pre-balearic DJ soundtrack.
The mid/late 80's saw Paul working a lot in the Acid Jazz scene run by Eddie Pillar and Giles Peterson,
he  also playing regularly as a percussionist with bands and dj's at Blitz legend Chris Sullivan's Wag club.
A trip to the states in the late 80's as session percussionist with the Brand New Heavies enabled him to visit clubs such as The Sound Factory, Red Zone, Save The Robots and many other underground happenings of the NYC club scene of the time, opening him up to the exotic American scene and House music in particular.

Back in the UK and Ibiza this new breed of dance music was bubbling away, but it’s highly potent cocktail of repetitive beats and exiting new  electronic sounds would explode on contact with a simmering British boredom and the Ecstasy boom. For Paul, the abundance of music arriving from the States and Europe, the excitement of the clubs and hearing British DJ’s mixing it up and doing things differently persuaded him to become involved in the music and get behind the decks again. 
Paul was now in demand as a DJ on a UK and international level taking his cutting edge sound around the country
and the world as part of the early 90 's wave of superstar dj's to emerge from the london underground scene of the time. 
He also played regularly at every main club in Ibiza such as Ku,Space,Pacha,Amnesia as well as playing regularly along side chill out legend Jose Padilla at the sonic sunset temple that is Cafe del Mar.
He held down guest and residency gigs at uk clubs such as Love Ranch,Full Circle,Strutt,Solaris,Ministry of Sound,Renaissance, Back to Basics and many more including regular trips to Naples,Amsterdamn,Japan,Ireland,Scotland,
South/North America,Australia,Goa,Canada and Europe.
“Suddenly at those early Acid-House/Balearic parties, it seemed that everything I’d ever been into came together under one roof,and everything was nice’ Cue Leftfield...

In 1990 Paul was given the opportunity to remix "Not Forgotten" the first single by Leftfield.
The result was the 'Hard Hands" remix.
Paul's Hard Hands mix was a genre splitting funked up heavy bass spaced out balearic/techno dj dance floor monster, still dropped today and regarded as a seminal 
tune in the history of dance music, it set sound systems alight and paved the way for other budding electronic artists and dj's.
This record joined the ranks of classics and cemented Paul and Neil's partnership for the coming decade.......

As dance acts go they don’t come any bigger and few have had such an enormous impact on the international scene. By not repeating themselves, Leftfield delivered two key albums - for which they received Brit & Mercury nominations for Best UK Dance Acts in both 1996 & 2000 - that helped shift Dance music’s sound into new and dynamic phases and as such the reputation and the respect that the name Leftfield still commands to this day, is literally second to none.

Their debut album ‘Leftism' (1995) redrew the borders for dance music, pioneering a radical hybrid that drew intuitively on rib-shaking dub, futuristic techno, house and breaks and with its timeless qualities, is regularly declared ‘The Greatest Dance Album Of All Time’. Its included collaboration with Sex Pistol John Lydon on ‘Open Up’ was the first ever dance/rock crossover not to sacrifice any of the attitude of either genre. Their second album ‘Rhythm & Stealth’ (1999), contained an equally exciting new blend of crisp, cutting-edge electronic sounds and alongside vocal contributions from Afrika Bambaata and Roots Manuva, included the fearsome electro-breaks beast ‘Phat Planet’, with which Leftfield once again wiped all pretenders away. Sales are in excess of 1,000,000 copies worldwide for each album.

With the Leftfield sound dictating much of clubland’s direction they were in-demand as remixers and subsequently deconstructed then dusted their magic over an assortment of artists that included David Bowie,Stereo MCs, Inner City, Tricky ,Renegade Soundwave and many more. During the Leftfield years the duo also formed their own label Hard Hands which itself was at the front of the scene and aside their own music was responsible for issuing over 60 other releases by underground artists that included Pressure Drop, Dark Globe and Full Moon Scientist.

As well as Leftfield scoring music for the soundtracks of the internationally successful Trainspotting and director Danny Boyle’s follow-up Shallow Grave, their music has been used on the big screen in the films Tomb Raider, The Beach, Hackers, Hackers 2 and Vanilla Sky. It has also been utilised in a number of television commercials, most notably the now infamous ‘White Horses’ ad for Guinness, for which the fearsome rumbling intro of ‘Phat Planet’ was also the teasing first taste listeners got of Leftfield’s then imminent second album. This critically acclaimed unison has since been voted ‘The Greatest Television Ad Of All Time’ in myriad charts, programmes and polls. Other Leftfield music used in advertising clips has been for Volkswagen’s Lupo car (‘6/8 War’) and the atmospheric intro of ‘Release The Pressure’.

The impact of Leftfield’s debut single helped secure Paul DJ bookings and he quickly earned himself a reputation for spinning a choice of solid tunes and raising the temperature on dancefloors worldwide. Throughout the decade he played regularly across the planet at clubs and festivals, including all the large UK outdoor events like Tribal Gathering, Homelands, Witness in Dublin (now the Oxygen Festival) and the Brighton Essential Festival. The overtaking demands of Leftfield meant that DJ’ing took a back seat through the turn of the decade, although he maintained a residency at London’s Fabric club between 1999-2003.

For the last ten years Paul has been in demand as a DJ, remixer and producer in his own right, turning out killer dancefloor ammunition for, among others, Slam (‘Alien Radio’), Dub Pistols (‘Six Million Ways’) and Bolz Bolz (‘Take A Walk’ - which went on to be synched to a Smirnoff commercial), plus the sunset-tinted ‘Adios Ayer‘ for long-time friend Jose Padilla (Café Del Mar) and a rework of Massive Attack’s ‘Butterfly Caught’. In 2004 he produced a single for the alliance of funk renegade Afrika Bambaata and robo-synth-pop pioneer Gary Numan, who teamed up on a new version of Numan’s 1979 track ‘Metal’, resulting in an electro floor-curler with a commanding presence.

Paul has been operating more in the shadows over the last few years, DJ'ing and remixing whilst putting the finishing touches to his solo album.
He is still just as comfortable playing to 100 people in a sweaty sub-basement as he is DJ'ing to larger event crowds.

When Paul DJ’s, it’s still predominantly a diverse mixture of electronically infused Techno, House and beyond. The linear connection being the all important funk and sonic subversive element. But appreciating so many different types of music, has always made it hard to pinpoint Paul Daley as a particular style DJ (or producer, or remixer…) and is key to his ability at keeping a dance floor and sound system on the edge.
"i'm not a one sided coin,being into a multi faceted pop culture for 45 years creates a lot of different influences, that is why i like playing different sets for different situations, there's too much good music around to be blinkered by one style or sound"

“My laws are still the same as when I was DJ’ing at my sister’s house parties in the mid seventies which is, if the people aren’t dancing or smiling then it’s not happening. I still get the same buzz I got when I was 12 years old playing records in my bedroom, it’s the same feeling but I’m sharing it with 100’s of other people”

Paul understands and encourages new music from underground labels from all over the world, anyone who comes to listen to a set should not expect to hear some kind of 90’s revival (he didn't hold down a 3 year residency at Fabric for nothing...), his sets and records represent an energy of someone half his age with twice as much musical experience. 
Anyone fortunate enough to catch his summer residency at Ibiza’s uber cool country club ”The Underground”from 2005 - 2010 bear witness to this.

Those who have heard Paul play understand his love and sincerity to the music. This has always outweighed taking an obvious commercial route as a DJ and this attitude continues to this day.



PAUL DALEY ALFRESCO FESTIVAL DJ SET MAY 2017

PAUL DALEY (ex Leftfield)

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