Would love to get my hands on a download of this..........Perfection!

Astonishing selection of music, Paul Daley's dj sets are what djing is all about bring the listener too many levels and hearing different styles and always forward thinking. well done and I am over the fucking moon to have found this gem. 

That was a great old school Tom work out :-)

All I can say is: thank you very much...!

Paul Daley

This is a slo mo/disco/balearic/italo/electro exclusive dj mix i did for my good friend
Andy Wilson at sonica radio in ibiza. It was broadcast twice in Feb 2011
This station is the best in the meditteranean and always inspires me.
Viva sonica !

PAUL DALEY (ex Leftfield) BALEARIX 103 - DJ MIX FOR SONICA RADIO -IBIZA -WINTER 2010

The Monologues Podcast invites producers to mix an hour of their own productions. Follow our Bandcamp for our label releases at http://monologuesrecords.bandcamp.com

The crown prince of Germany's Italo/Electro scene takes the reins for our latest mix. Whether it's his solo endeavours or his excellent Tuff City Kids collabs with Gerd Janson and Black Spuma project alongside Fabrizio Mammarella, he's a producer who always delivers, taking the sounds of the '80s and bringing them bang up to date. 

*How would you describe your sound?*
Dance music between Italo, House, Electro, Synth, Rave, Acid and a little Techno .. mostly leaning towards 80ies sound.. maybe

*What and who inspires you and influences your sound?* 
I guess listening to music since being a kid and one specific and very forming influence was DJ Ata in the early days of the  Robert Johnson Club .. I guess that place in general.. i spent so many nights there.

*Can you tell us a little about this mix and what it means to you?*
My first 12" release came out 25 years ago ..and when i stumbled across your idea (from a few years back) to record a 100% Lauer music mix i thought: now is the time !   I tried to cover most periods featuring  some personal faavourites of mine.. and some "hits" ..  Its a bit random .. but  i feel it is a good representation of what   i did in the last years... hehe

Tracklist: 
Lauer - Handcuffs [Separe Rec]
⁠Lauer - HR BosS [LARJ]
⁠Lauer - Delta NRG [Brontosaurus]
⁠Lauer - Tyler [Running Back]
⁠Maximilian Dunbar - Polo (Lauer Remix) [LARJ]
⁠Lauer - Hershel [Permanent Vacation]
⁠Lauer - Stigma [Beats In Space]
⁠Lauer - Antinat [LARJ]
⁠Lauer - Muscles [Running Back]
Lauer - Vizzi Vazzi [Running Back]
Lauer - Gammelan 25 [Permanent Vacation]
Lauer - Inkeliet 880 [DGTL]
⁠Lauer - Fatigue [Running Back]
Lauer - Felt Bat [Public Release]
Lauer - Make It Stay feat. Dena [Permanent Vacation]

Our Bandcamp

M82: Lauer

www.openlab.fm | 106.4FM in Ibiza & Formentera
Check the full tracklist on our website: https://openlab.fm/news/rollover-hangover-16-rocco-fusco

A smooth and hazy ride through morning moods and sunset sounds — from psychedelic edits and soft rock gems to off-kilter dancefloor oddities and love-soaked electronics.
This episode features tracks by IDER, Zei Ibarra, Alex Kassian, Francis Bebey, LCD Soundsystem, Tame Impala(reimagined), Flying Mojito Bros, Fabio Ricciuti, Cosmo Dance, and many more.

Download our App:
IOS: bit.ly/OLappApple
Android: bit.ly/OlAppAndroid

Rollover Hangover 16 - Rocco Fusco

Welcome to Episode 01 of the Balearic London mix series, where we introduce you to our favourite selectors. Starting strong with one of our favourite DJs Lovefingers, recorded live during our takeover at Multi Multi in July 2024. We were hanging on every track he played in the Hackney Wick sunshine and we're so happy to share this recording with you.

We're back at Multi Multi 2025, taking over the GROW Terrace in the sunshine from midday-4pm on Saturday 12 July. Get 20% off tickets here https://ra.co/events/1964567?p=BALEARIC

@lovefingers
https://www.instagram.com/lovefingers/

Balearic London Episode 01: Lovefingers

Belfast's Jordan Nocturne joins JDH ahead of their Good Room party on Friday. 

https://www.instagram.com/fixednyc
https://www.instagram.com/jordannocturne

https://www.soundcloud.com/jdh_fixed
https://soundcloud.com/jordannocturne



FIXED with Jordan Nocturne and JDH @ The Lot Radio 08-22-2025

This is the first episode of Q Radio, a series of DJ mixes showcasing tracks I've recently (re)discovered that particularly resonate with me.

Episode #1 Playlist:

Session Victim - Sometimes - Delusions Of Grandeur
Sebb Bash - Grade E (Q Edit)
Lexx - Far Away
Mr. Beatnick - Dance Of The Dolphins - International Feel
Broke One - Gazelle Flip - Big Bait
Roberta - Make It Right - Night Moves
ex_libris - #32 (Walrus)
Metric System - Soul 440 - Kontakt
Soundstream - Show Off
Belcampo - Love & Affection (Manuel Tur Remix) - Lazy Days
Impérieux - Cawuso - Hessle Audio
Anthony Naples - Scanners - ANS/Incienso
Genius Of Time - Kinetic (feat. Matinda) - Aniara
Baikal - Baby You - Maeve
Quarion - Broken Sword - Paraphe
PVNV - Intrasolaar (Shlømo Remix) Taapion
Stimming - Lucky Me

Q Radio Episode 1

Buy our records here: https://www.yoyaku.io  
FOLLOW US: 
Instagram: Yoyaku: https://www.instagram.com/yoyaku.fr/ 
Yoyaku record store: https://www.instagram.com/yoyakurecordstore/ Soundcloud: https://soundcloud.com/yoyaku /
Yoyaku events: https://linktr.ee/yoyaku.fr
Yoyaku record store events & latest news: https://linktr.ee/yoyakurecordstore
FOLLOW THE ARTIST: 
Instagram: https://www.instagram.com/daniloplessow_mcde/
Soundcloud: https://soundcloud.com/danilo-plessow

Yoyaku Instore Session with Danilo Plessow aka MCDE

Jius-Ed & Move D all night long at Globus, Berlin 2025-09-05
I'm joining in at around 1h30min

JUS-ED & Move D ALL NIGHT GLOBUS 2025-09-05

Recording of my DJ set at Club der Visionäre on August 12th. Unfortunately, the original recording was clipping quite a bit, so I re-recorded parts of the set. I had a bit too much fun, got carried away, and didn’t fully stick to my track list from that night 🫠. Hope you still enjoy it! Big thanks to Robert from Rawax for having me & shout out to Johannes Albert, Alexkid, Mario Liberti & Hila Max for the great company 🩵

DJ Set - Club Der Visionäre August 2025

blessed moments at basscoast festival, british columbia, july 9th, 2023
thank you who were there and who put this on...

move d @ basscoast fest 2023

Thanks to Jay Bacon @ Project Audio and Ben Laingsmaid for making this mix happen.
PDxx

LA ROUX "AS IF BY MAGIC" - PAUL DALEY (ex Leftfield) REMIX 2010

Andrew Weatherallいよいよ来日！
2016.04.30 SAT @ WOMB
more info: http://www.beatink.com/Events/Andrew-Weatherall/

2016.04.29 FRI - RAINBOW DISCO CLUB 2016
静岡県 東伊豆クロスカントリーコース
[ http://www.rainbowdiscoclub.com ]

2016.04.30 SAT - WOMB, TOKYO
GUESTS: GONNO AND MORE ...
DOORS OPEN 23:00 ADV. 3000YEN / DOOR 3500YEN

2016.05.01 SUN - CCO クリエイティブセンター大阪
OPEN 14:00 / CLOSE 22:00 ADV. 3500YEN / DOOR 4000YEN
GROUP TICKET（4枚組）12000YEN


最新アルバム『Convenanza』絶賛発売中
http://www.beatink.com/Labels/RGC/Andrew-Weatherall/BRC-494/

ANDREW WEATHERALL来日！2016.04.30 at WOMB / Weatherall mix – Rainbow Disco Club

This mix is dedicated to Jam El Mar and the late Mark Spoon RIP.
It will be released in 2012 on a best of Jam and Spoon compilation.
PDx

JAM AND SPOON-"HEART OF AFRICA" - PAUL DALEY (ex Leftfield) REMIX 2011

PAUL DALEY (ex Leftfield) LIVE TECHNO DJ SET PART 2 @ SUBSTANCE EDINBURGH 9TH OCT 2010

BOOKINGS (WORLDWIDE) - www.constructindustries.com

Paul has been on Dance music’s frontline since the release of Leftfield’s debut single ‘Not Forgotten’ in 1989. With partner Neil Barnes, the duo went onto become one of the most globally successful and respected acts in Dance music, along the way shaping styles and creating sounds that have influenced heavily and been borrowed from literally. As a DJ, remixer and producer in his own right, Paul employs the same approach to being different, fresh and exciting as he has throughout his vocation and the success he has enjoyed has come through an absolute understanding and love of the music, the clubs and the people.

Paul spent the late seventies and the early eighties soaking up the wide variety of music that the vibrant gig and club scene of his hometowns of Ramsgate/ Margate offered. This meant he was able to soak up everything from Rock'n'Roll, Punk, bass leaden Reggae rhythms,Disco/Funk, Soul and an emerging post punk underground electronic music scene.
Along with being a drummer with various local Punk bands such as The Rivals and The Need he also ran and DJ'd at his own nights in a basement club on Margate seafront, based around underground european uk/us electronic disco/ Post-Punk/Funk
and alike. 

The early 80’s were also spent living/moving to  London with underground clubs such as the Dirtbox,
Le Beatroute,Mud and Wag clubs along with early warehouse parties in the then derelict east/south of london providing the night-time hangouts and the places to hear old and new/contemporary underground music such as US/UK Funk,Rockabilly,jazz,soul,early 80's US\ UK Electro, Hip-Hop,dub. 70's soundtracks,disco,afro latin,dub, northern soul and unrealised at the time these clubs and happenings were to be the embryonic Balearic/House/scene pre-cursor to the late 80's\early 90's uk rave movement to which Paul was later to be fully involved on a creative musical level.

Bank Holiday's of the early/mid eighties provided rites of passage weekender trips to Bournemouth and the uk coast for Dirtbox all nighters and daytime sessions again accompanied by a pre-balearic DJ soundtrack.
The mid/late 80's saw Paul working a lot in the Acid Jazz scene run by Eddie Pillar and Giles Peterson,
he  also playing regularly as a percussionist with bands and dj's at Blitz legend Chris Sullivan's Wag club.
A trip to the states in the late 80's as session percussionist with the Brand New Heavies enabled him to visit clubs such as The Sound Factory, Red Zone, Save The Robots and many other underground happenings of the NYC club scene of the time, opening him up to the exotic American scene and House music in particular.

Back in the UK and Ibiza this new breed of dance music was bubbling away, but it’s highly potent cocktail of repetitive beats and exiting new  electronic sounds would explode on contact with a simmering British boredom and the Ecstasy boom. For Paul, the abundance of music arriving from the States and Europe, the excitement of the clubs and hearing British DJ’s mixing it up and doing things differently persuaded him to become involved in the music and get behind the decks again. 
Paul was now in demand as a DJ on a UK and international level taking his cutting edge sound around the country
and the world as part of the early 90 's wave of superstar dj's to emerge from the london underground scene of the time. 
He also played regularly at every main club in Ibiza such as Ku,Space,Pacha,Amnesia as well as playing regularly along side chill out legend Jose Padilla at the sonic sunset temple that is Cafe del Mar.
He held down guest and residency gigs at uk clubs such as Love Ranch,Full Circle,Strutt,Solaris,Ministry of Sound,Renaissance, Back to Basics and many more including regular trips to Naples,Amsterdamn,Japan,Ireland,Scotland,
South/North America,Australia,Goa,Canada and Europe.
“Suddenly at those early Acid-House/Balearic parties, it seemed that everything I’d ever been into came together under one roof,and everything was nice’ Cue Leftfield...

In 1990 Paul was given the opportunity to remix "Not Forgotten" the first single by Leftfield.
The result was the 'Hard Hands" remix.
Paul's Hard Hands mix was a genre splitting funked up heavy bass spaced out balearic/techno dj dance floor monster, still dropped today and regarded as a seminal 
tune in the history of dance music, it set sound systems alight and paved the way for other budding electronic artists and dj's.
This record joined the ranks of classics and cemented Paul and Neil's partnership for the coming decade.......

As dance acts go they don’t come any bigger and few have had such an enormous impact on the international scene. By not repeating themselves, Leftfield delivered two key albums - for which they received Brit & Mercury nominations for Best UK Dance Acts in both 1996 & 2000 - that helped shift Dance music’s sound into new and dynamic phases and as such the reputation and the respect that the name Leftfield still commands to this day, is literally second to none.

Their debut album ‘Leftism' (1995) redrew the borders for dance music, pioneering a radical hybrid that drew intuitively on rib-shaking dub, futuristic techno, house and breaks and with its timeless qualities, is regularly declared ‘The Greatest Dance Album Of All Time’. Its included collaboration with Sex Pistol John Lydon on ‘Open Up’ was the first ever dance/rock crossover not to sacrifice any of the attitude of either genre. Their second album ‘Rhythm & Stealth’ (1999), contained an equally exciting new blend of crisp, cutting-edge electronic sounds and alongside vocal contributions from Afrika Bambaata and Roots Manuva, included the fearsome electro-breaks beast ‘Phat Planet’, with which Leftfield once again wiped all pretenders away. Sales are in excess of 1,000,000 copies worldwide for each album.

With the Leftfield sound dictating much of clubland’s direction they were in-demand as remixers and subsequently deconstructed then dusted their magic over an assortment of artists that included David Bowie,Stereo MCs, Inner City, Tricky ,Renegade Soundwave and many more. During the Leftfield years the duo also formed their own label Hard Hands which itself was at the front of the scene and aside their own music was responsible for issuing over 60 other releases by underground artists that included Pressure Drop, Dark Globe and Full Moon Scientist.

As well as Leftfield scoring music for the soundtracks of the internationally successful Trainspotting and director Danny Boyle’s follow-up Shallow Grave, their music has been used on the big screen in the films Tomb Raider, The Beach, Hackers, Hackers 2 and Vanilla Sky. It has also been utilised in a number of television commercials, most notably the now infamous ‘White Horses’ ad for Guinness, for which the fearsome rumbling intro of ‘Phat Planet’ was also the teasing first taste listeners got of Leftfield’s then imminent second album. This critically acclaimed unison has since been voted ‘The Greatest Television Ad Of All Time’ in myriad charts, programmes and polls. Other Leftfield music used in advertising clips has been for Volkswagen’s Lupo car (‘6/8 War’) and the atmospheric intro of ‘Release The Pressure’.

The impact of Leftfield’s debut single helped secure Paul DJ bookings and he quickly earned himself a reputation for spinning a choice of solid tunes and raising the temperature on dancefloors worldwide. Throughout the decade he played regularly across the planet at clubs and festivals, including all the large UK outdoor events like Tribal Gathering, Homelands, Witness in Dublin (now the Oxygen Festival) and the Brighton Essential Festival. The overtaking demands of Leftfield meant that DJ’ing took a back seat through the turn of the decade, although he maintained a residency at London’s Fabric club between 1999-2003.

For the last ten years Paul has been in demand as a DJ, remixer and producer in his own right, turning out killer dancefloor ammunition for, among others, Slam (‘Alien Radio’), Dub Pistols (‘Six Million Ways’) and Bolz Bolz (‘Take A Walk’ - which went on to be synched to a Smirnoff commercial), plus the sunset-tinted ‘Adios Ayer‘ for long-time friend Jose Padilla (Café Del Mar) and a rework of Massive Attack’s ‘Butterfly Caught’. In 2004 he produced a single for the alliance of funk renegade Afrika Bambaata and robo-synth-pop pioneer Gary Numan, who teamed up on a new version of Numan’s 1979 track ‘Metal’, resulting in an electro floor-curler with a commanding presence.

Paul has been operating more in the shadows over the last few years, DJ'ing and remixing whilst putting the finishing touches to his solo album.
He is still just as comfortable playing to 100 people in a sweaty sub-basement as he is DJ'ing to larger event crowds.

When Paul DJ’s, it’s still predominantly a diverse mixture of electronically infused Techno, House and beyond. The linear connection being the all important funk and sonic subversive element. But appreciating so many different types of music, has always made it hard to pinpoint Paul Daley as a particular style DJ (or producer, or remixer…) and is key to his ability at keeping a dance floor and sound system on the edge.
"i'm not a one sided coin,being into a multi faceted pop culture for 45 years creates a lot of different influences, that is why i like playing different sets for different situations, there's too much good music around to be blinkered by one style or sound"

“My laws are still the same as when I was DJ’ing at my sister’s house parties in the mid seventies which is, if the people aren’t dancing or smiling then it’s not happening. I still get the same buzz I got when I was 12 years old playing records in my bedroom, it’s the same feeling but I’m sharing it with 100’s of other people”

Paul understands and encourages new music from underground labels from all over the world, anyone who comes to listen to a set should not expect to hear some kind of 90’s revival (he didn't hold down a 3 year residency at Fabric for nothing...), his sets and records represent an energy of someone half his age with twice as much musical experience. 
Anyone fortunate enough to catch his summer residency at Ibiza’s uber cool country club ”The Underground”from 2005 - 2010 bear witness to this.

Those who have heard Paul play understand his love and sincerity to the music. This has always outweighed taking an obvious commercial route as a DJ and this attitude continues to this day.



PAUL DALEY (ex Leftfield) LIVE TECHNO DJ SET PART 2 @ SUBSTANCE EDINBURGH 9TH OCT 2010

PAUL DALEY (ex Leftfield)

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