carnt help but bounce to this track ..... love it :)

cadence

After having blowing each other’s minds for years with their hard-earned audio finds, Andrew Weatherall and Sean Johnston decided to organize their own club night in 2010 in order to give their sound an outlet. On July 26th both gentlemen came to Trouw together for the first time and gave us an amazing set filled with primitive house, post-punk, dub, krautrock, disco and new beat. We've isolated a couple of hours of this all night long set by the wonderful music connaisseurs for this twelfth edition of the Trouw Live Podcast Series!

Trouw Live Podcast Series #12 - Andrew Weatherall & Sean Johnston @ ALFOS

Boreta - Bubblin in the Cut

Boreta - Lobegrinder

Music from the era where labels like Warp, Easy Street, R&S, Kickin, Nu Groove and then the home grown sounds of early breakbeat morphed into the early hardcore jungle techno sounds.
1. Siren Intro
2. Sweet exorcist Testone
3. KLF Make it rain
4. Code 6 C.O.D.E.S
5. Open Mind The Trance
6. Precinct 13 Listen to your heartbeat
7. Mental Cube 'Bass Of A Chile Generation
8. Scot & Keith  Chillin Out
9. Shades Of Rhythm Exorcist
10. Low Noise Block Rave in the bedroom
11. Higher Octave Untitled
12. The Scientist The Bee
13. Dune Mordeeb
14. Direct Let it ride remix
15. Da Bass invaders I Believe
16. Rhythm interface Hard Freestyle
17. Pka Let me hear you say yeah remix
18. Westworld The Slam Remix
19. 2 Extreme That Piano Track
This was not a planned mix just me enjoying pulling tunes out of the racks and trying to remember what they were and how they sounded, keeping it old skool with the vinyl and the trusty 1210's. Hope you enjoy this as much as i did doing it.

Strictly roots of my culture ( Bass, Breaks & Bleeps )

⏺️ Recorded live @refugeworldwide Wednesday, June 25th 2025.
🔘 Host @vios 🌟 guest @fantastic-man
🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Help us stay on air by donating to our fundraiser: www.gofundme.com/f/help-refuge-wo…-community-radio

Flight Mode - Fantastic Man - 25 June 2025

Did a mix of some favourites of mine from this spring and summer. A bit of sloppy mixing here and there, but hey, it kind of makes it more real, doesn't it :)
Enjoy!

Dana Bergquist - Summer '25

www.openlab.fm | 106.4FM in Ibiza & Formentera
Check the full tracklist on our website: https://openlab.fm/news/international-sounds-21-dicky-trisco-with-kabinett

Dicky is back from Colombia. Que chimba! He is alive and ready to treat your ears to yet another episode of his International Sounds show with special guest Kabinett from Bogota. Expect only the very best vibes and magnificent music from just about everywhere.

Download our App:
IOS: bit.ly/OLappApple
Android: bit.ly/OlAppAndroid

International Sounds 21 - Dicky Trisco [with Kabinett]

www.openlab.fm | 106.4FM in Ibiza & Formentera
Check the full tracklist on our website: https://openlab.fm/news/time-space-110-jr-hartley

This week JR dives deep into some leftfield electronica introducing and playing some new promos and the spoils of a recent rummage around Bandcamp. He also gets some soundbites from a couple of the artists featured on the show, telling us a little bit about their music. Expect music from Comatone, Kreggo, NIAN, Polyfan Polyphenix, Braille, Holly Waxwing, lynyn & more.

Download our App:
IOS: bit.ly/OLappApple
Android: bit.ly/OlAppAndroid

Time & Space 110 – JR Hartley

Balearic Potion Volume IV: Issam Dahmani

Here we go! Issam has recorded a silky mix for us, effortlessly gliding through the Balearic and Italo house realms, including rare vinyl cuts and new unreleased material 💙

Featuring tracks from the likes of Bogdan Da, Craft Music Records, Colectivo Miramar, Marius Acke, Manuold + more… 

¡ᴠᴀᴍᴏꜱ ᴀ ʙᴀɪʟᴀʀ!

Balearic Potion Volume IV: Issam Dahmani

Long time Dream Chimney contributor, DJ, Producer Dennis Kane is facing eviction and looking for support. https://gofund.me/7db0132b

We are hosting the original Disques Town podcast episodes and making them available to stream/download. Please consider donating to help Dennis. At the moment Dennis finds himself in a serious financial jam, and we are raising funds to help he and Roan stay in their home of 31 years.


--
Originally Recorded Nov 12 2011


Our man Tiago was in town recently for some gigs and was nice enough to come out to Kane studios to record a podcast, hang, and have some liquid refreshments. Hailing from Lisbon where he is a weekly resident at Club Lux, Tiago has a laid back intensity that is reflected in the expansive and inquisitive nature of his sets. Raised on good music in his home, turned on to drumming by his older brother, he came to Dj'ing via live music. He has been at it for close to twenty years, and in the last decade added production work to his resume. Check his production and remix work on labels like DFA, Jolly Jams, and Hands of Time here: https://www.instagram.com/avc4324 ... thanks T!!!!

Shouts to Angelo Vasquez for the studio help & to Danny K for the back up mixer on short notice!

Just a quick programming note - I thought this self evident, but people have asked - I play the first hour or so of the podcast and then the guest drops their set. Coming up we will have some double booked sets and I'll take those sessions off.... ez DK

Disques Town podcast: Episode 5: Dennis Kane w/ Tiago

Tiger's Christmas Special for KK

Bugged Out's Johnno Burgess brings us a colourful selection of yacht rock for this week's RA podcast.

RA.131 Johnno Burgess

Download / Stream ‘Drink the Sea (10 Year Anniversary Deluxe Edition)’: https://smarturl.it/DrinktheSeaX
Shop Limited Edition 'Drink the Sea' Merch & Vinyl: http://shop.theglitchmob.com 

Shows // Tickets on sale now at http://theglitchmob.com/ctrlaltreality
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9.10 // Houston, TX
9.11 // Same Same But Different Festival // Perris, CA
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9.17 // Nashville, TN
9.22 // Washington, D.C.
9.23 // Charlotte, NC
9.29 // Des Moines, IA
9.30 // Detroit, MI
10.01 // Minneapolis, MN
10.04 // Las Vegas, NV
10.05 // // Denver, CO
10.06 // Denver, CO
10.07 // Denver, CO
10.08 // Atlanta, GA
10.14 // Los Angeles, CA
10.15 // Portland, OR 
10.21 // San Francisco, CA

FOLLOW THE GLITCH MOB
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Drink the Sea

Animus Vox

Download / Stream

I Can't Stop

Andrew Weatherall pure genius @ Disco Deviant April 2012 3hrs long

ALFOS Weatherall & Johnston at Disco 1

PAUL DALEY (ex Leftfield) PRESSURE DROP "LEGACY" PAUL DALEY REMIX 2004

BOOKINGS (WORLDWIDE) - www.constructindustries.com

Paul has been on Dance music’s frontline since the release of Leftfield’s debut single ‘Not Forgotten’ in 1989. With partner Neil Barnes, the duo went onto become one of the most globally successful and respected acts in Dance music, along the way shaping styles and creating sounds that have influenced heavily and been borrowed from literally. As a DJ, remixer and producer in his own right, Paul employs the same approach to being different, fresh and exciting as he has throughout his vocation and the success he has enjoyed has come through an absolute understanding and love of the music, the clubs and the people.

Paul spent the late seventies and the early eighties soaking up the wide variety of music that the vibrant gig and club scene of his hometowns of Ramsgate/ Margate offered. This meant he was able to soak up everything from Rock'n'Roll, Punk, bass leaden Reggae rhythms,Disco/Funk, Soul and an emerging post punk underground electronic music scene.
Along with being a drummer with various local Punk bands such as The Rivals and The Need he also ran and DJ'd at his own nights in a basement club on Margate seafront, based around underground european uk/us electronic disco/ Post-Punk/Funk
and alike. 

The early 80’s were also spent living/moving to  London with underground clubs such as the Dirtbox,
Le Beatroute,Mud and Wag clubs along with early warehouse parties in the then derelict east/south of london providing the night-time hangouts and the places to hear old and new/contemporary underground music such as US/UK Funk,Rockabilly,jazz,soul,early 80's US\ UK Electro, Hip-Hop,dub. 70's soundtracks,disco,afro latin,dub, northern soul and unrealised at the time these clubs and happenings were to be the embryonic Balearic/House/scene pre-cursor to the late 80's\early 90's uk rave movement to which Paul was later to be fully involved on a creative musical level.

Bank Holiday's of the early/mid eighties provided rites of passage weekender trips to Bournemouth and the uk coast for Dirtbox all nighters and daytime sessions again accompanied by a pre-balearic DJ soundtrack.
The mid/late 80's saw Paul working a lot in the Acid Jazz scene run by Eddie Pillar and Giles Peterson,
he  also playing regularly as a percussionist with bands and dj's at Blitz legend Chris Sullivan's Wag club.
A trip to the states in the late 80's as session percussionist with the Brand New Heavies enabled him to visit clubs such as The Sound Factory, Red Zone, Save The Robots and many other underground happenings of the NYC club scene of the time, opening him up to the exotic American scene and House music in particular.

Back in the UK and Ibiza this new breed of dance music was bubbling away, but it’s highly potent cocktail of repetitive beats and exiting new  electronic sounds would explode on contact with a simmering British boredom and the Ecstasy boom. For Paul, the abundance of music arriving from the States and Europe, the excitement of the clubs and hearing British DJ’s mixing it up and doing things differently persuaded him to become involved in the music and get behind the decks again. 
Paul was now in demand as a DJ on a UK and international level taking his cutting edge sound around the country
and the world as part of the early 90 's wave of superstar dj's to emerge from the london underground scene of the time. 
He also played regularly at every main club in Ibiza such as Ku,Space,Pacha,Amnesia as well as playing regularly along side chill out legend Jose Padilla at the sonic sunset temple that is Cafe del Mar.
He held down guest and residency gigs at uk clubs such as Love Ranch,Full Circle,Strutt,Solaris,Ministry of Sound,Renaissance, Back to Basics and many more including regular trips to Naples,Amsterdamn,Japan,Ireland,Scotland,
South/North America,Australia,Goa,Canada and Europe.
“Suddenly at those early Acid-House/Balearic parties, it seemed that everything I’d ever been into came together under one roof,and everything was nice’ Cue Leftfield...

In 1990 Paul was given the opportunity to remix "Not Forgotten" the first single by Leftfield.
The result was the 'Hard Hands" remix.
Paul's Hard Hands mix was a genre splitting funked up heavy bass spaced out balearic/techno dj dance floor monster, still dropped today and regarded as a seminal 
tune in the history of dance music, it set sound systems alight and paved the way for other budding electronic artists and dj's.
This record joined the ranks of classics and cemented Paul and Neil's partnership for the coming decade.......

As dance acts go they don’t come any bigger and few have had such an enormous impact on the international scene. By not repeating themselves, Leftfield delivered two key albums - for which they received Brit & Mercury nominations for Best UK Dance Acts in both 1996 & 2000 - that helped shift Dance music’s sound into new and dynamic phases and as such the reputation and the respect that the name Leftfield still commands to this day, is literally second to none.

Their debut album ‘Leftism' (1995) redrew the borders for dance music, pioneering a radical hybrid that drew intuitively on rib-shaking dub, futuristic techno, house and breaks and with its timeless qualities, is regularly declared ‘The Greatest Dance Album Of All Time’. Its included collaboration with Sex Pistol John Lydon on ‘Open Up’ was the first ever dance/rock crossover not to sacrifice any of the attitude of either genre. Their second album ‘Rhythm & Stealth’ (1999), contained an equally exciting new blend of crisp, cutting-edge electronic sounds and alongside vocal contributions from Afrika Bambaata and Roots Manuva, included the fearsome electro-breaks beast ‘Phat Planet’, with which Leftfield once again wiped all pretenders away. Sales are in excess of 1,000,000 copies worldwide for each album.

With the Leftfield sound dictating much of clubland’s direction they were in-demand as remixers and subsequently deconstructed then dusted their magic over an assortment of artists that included David Bowie,Stereo MCs, Inner City, Tricky ,Renegade Soundwave and many more. During the Leftfield years the duo also formed their own label Hard Hands which itself was at the front of the scene and aside their own music was responsible for issuing over 60 other releases by underground artists that included Pressure Drop, Dark Globe and Full Moon Scientist.

As well as Leftfield scoring music for the soundtracks of the internationally successful Trainspotting and director Danny Boyle’s follow-up Shallow Grave, their music has been used on the big screen in the films Tomb Raider, The Beach, Hackers, Hackers 2 and Vanilla Sky. It has also been utilised in a number of television commercials, most notably the now infamous ‘White Horses’ ad for Guinness, for which the fearsome rumbling intro of ‘Phat Planet’ was also the teasing first taste listeners got of Leftfield’s then imminent second album. This critically acclaimed unison has since been voted ‘The Greatest Television Ad Of All Time’ in myriad charts, programmes and polls. Other Leftfield music used in advertising clips has been for Volkswagen’s Lupo car (‘6/8 War’) and the atmospheric intro of ‘Release The Pressure’.

The impact of Leftfield’s debut single helped secure Paul DJ bookings and he quickly earned himself a reputation for spinning a choice of solid tunes and raising the temperature on dancefloors worldwide. Throughout the decade he played regularly across the planet at clubs and festivals, including all the large UK outdoor events like Tribal Gathering, Homelands, Witness in Dublin (now the Oxygen Festival) and the Brighton Essential Festival. The overtaking demands of Leftfield meant that DJ’ing took a back seat through the turn of the decade, although he maintained a residency at London’s Fabric club between 1999-2003.

For the last ten years Paul has been in demand as a DJ, remixer and producer in his own right, turning out killer dancefloor ammunition for, among others, Slam (‘Alien Radio’), Dub Pistols (‘Six Million Ways’) and Bolz Bolz (‘Take A Walk’ - which went on to be synched to a Smirnoff commercial), plus the sunset-tinted ‘Adios Ayer‘ for long-time friend Jose Padilla (Café Del Mar) and a rework of Massive Attack’s ‘Butterfly Caught’. In 2004 he produced a single for the alliance of funk renegade Afrika Bambaata and robo-synth-pop pioneer Gary Numan, who teamed up on a new version of Numan’s 1979 track ‘Metal’, resulting in an electro floor-curler with a commanding presence.

Paul has been operating more in the shadows over the last few years, DJ'ing and remixing whilst putting the finishing touches to his solo album.
He is still just as comfortable playing to 100 people in a sweaty sub-basement as he is DJ'ing to larger event crowds.

When Paul DJ’s, it’s still predominantly a diverse mixture of electronically infused Techno, House and beyond. The linear connection being the all important funk and sonic subversive element. But appreciating so many different types of music, has always made it hard to pinpoint Paul Daley as a particular style DJ (or producer, or remixer…) and is key to his ability at keeping a dance floor and sound system on the edge.
"i'm not a one sided coin,being into a multi faceted pop culture for 45 years creates a lot of different influences, that is why i like playing different sets for different situations, there's too much good music around to be blinkered by one style or sound"

“My laws are still the same as when I was DJ’ing at my sister’s house parties in the mid seventies which is, if the people aren’t dancing or smiling then it’s not happening. I still get the same buzz I got when I was 12 years old playing records in my bedroom, it’s the same feeling but I’m sharing it with 100’s of other people”

Paul understands and encourages new music from underground labels from all over the world, anyone who comes to listen to a set should not expect to hear some kind of 90’s revival (he didn't hold down a 3 year residency at Fabric for nothing...), his sets and records represent an energy of someone half his age with twice as much musical experience. 
Anyone fortunate enough to catch his summer residency at Ibiza’s uber cool country club ”The Underground”from 2005 - 2010 bear witness to this.

Those who have heard Paul play understand his love and sincerity to the music. This has always outweighed taking an obvious commercial route as a DJ and this attitude continues to this day.



PAUL DALEY (ex Leftfield) PRESSURE DROP "LEGACY" PAUL DALEY REMIX 2004

PAUL DALEY (ex Leftfield)

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