Dem Kaisers Techno

ROBIN HIRTE - COMING HOME

http://www.mixmag.net/read/adam-beyer-joseph-capriati-premieres

'Parallels' is a brooding, venomous beast of a track and one that vibrates with dread and angst. The kicks are heavy, the rhythm is controlled yet toxic and the mutant builds reveal drops that aren't for the faint of heart. It may be darkness-drenched but it's one hell of a way to kick off an imprint. Fire.

'Redimension001' will be released on June 20 via REDIMENSION

More exclusive music

Premiere: Adam Beyer & Joseph Capriati 'Parallels'

Amelie Lens – Let It Go EP [SNDST020]

Beatport: btprt.dj/2bnuWok

1: Amelie Lens – Wild 
2: Amelie Lens – Linger On 
3: Amelie Lens – Let It Go 
4: Amelie Lens – The Finest Hour

It is with a feverish excitement that we can finally announce the next EP in our catalog from our newest addition to the Second State family: Amelie Lens. Besides being quite a multi-talented virtuoso, the Belgian artist comes in hot and heavy for her debut release ‘Let It Go’ and with it showcases her prowess for dark, cutting-edge techno. Over the span of four tracks Lens takes us on a tour-de-force journey into the cerebral spaces of large, dark rooms and flashing strobe lights. Kicking things off is the hypnotically inducing 'Wild' with looping vocals laid over an ever increasing pressure of percussion and white noise. Much like the EP opener, 'Linger On' casts the same spell yet picks up the pace with racing snares and meteoric synth washes creating a deeply euphoric ride. The title track ’Let It Go' is up next and is by far the most 'cheeky' tune of the EP with a twisted acid line swirling around the constant begging of Lens’ voice encouraging you to "Let It Go, Let It Out". Rounding out the EP is 'The Finest Hour' and Lens wraps up her debut with the most psychedelic cut of the package. Low rumbling bass tones and spaced out pads over sparse drums leave lots of room for the imagination providing each listener to create their own journey to navigate. If this is Amelie Lens' debut with us, we expect a lot of very big things to come from the young Belgian and so should you. Welcome Amelie Lens!

@amelielens
@secondstateaudio

Released by:
Second State Audio
Release date:
19 August 2016

Wild

Since Skober's massive success with his remix for Monika Kruse's 'Highway No. 4' at lot has changed for the Ukrainian artist: New releases on Tronic and Phobiq and now finally his debut on Terminal M is in the pipeline. Curious to hear which of the 3 tracks you prefer.

Check:
https://www.facebook.com/TerminalMRecords
https://www.facebook.com/SkoberDj


Satisbeat

Skober - Satisbeat

Sam Paganini makes his return to Drumcode after his chart topping album ‘Satellite’ with a four track, pounding EP. ‘The Beat’, is crammed with thudding drums, reverberated vocals and floaty synth lines. The EP, packed with tantalising synths and explosive drops, will ignite any dance floor.  

Sam Paganini - The Beat (ft. Zøe)- Drumcode - DC162

Up first is Get Enough, seven minutes of seductive techno that has an almost machine-gun like disco synth firing across the groove. It is a rumbling peak time track with real force and energy that will bring any floor to life. The title track, Toleranz, is a gritty and stripped back basement cut with dry hits and burrowing acid bass that takes you deep into the night. Cobra then proves this pair have real breadth in the studio and is a barrel chested house cut with more big hits, rib rattling bass and incendiary techno hi hats that really get you on your toes. Remixing are the tech duo of Pleasurekraft, whose releases on Octopus and Mood Records have won them plenty of DJ and dancing fans. They layer in some dark melodies to SQ80 and build it steadily before allowing the militant drums and crisp snares to explode and drive you and the whole club forwards.

Kaiserdisco - Get Enough - Drumcode - DC163

Moby is a name synonymous with us all in the electronic music world and we are lucky enough to have been able to hand select some Drumcode artists to remix his work. This 9 track package included remixes from Enrico Sangiuliano, Dense & Pika, Bart Skils, Alan Fitzpatrick, Marco Faraone, Tiger Stripes, Manic Brothers and Luca Agnelli. Each one has been thought out and accomplished with precision using some of Moby’s synonymous samples.

The Remixes

Moby - Go (Tiger Stripes White Tail remix) - Drumcode - DC164

Get this track here www.beatport.com/label/flash/4025

Follow @ejeca | @flash-recordings | www.flash-rec.com

Ejeca - Aurora [ FLASH Recordings ]

Highlighting sets everywhere from Awakenings during ADE to Spazio 900 in Rome, the tracks are hard-hitting master studies in industrial-edged techno.  ‘Future’ is a chunky stomper perfect for the winter warehouse party season, as multi-layered synths and effects rub shoulders with heavy-set drums to ensure this one hits its target.

Adam Beyer Vs Dense & Pika - Future - Drumcode - DC166

'Going Down' by Adam Beyer vs Dense & Pika is a venomous, pounding beast that's going to send you into guaranteed meltdown.

If you've been to see Beyer or any of the Drumcode artists recently, you'll have no doubt lost your shit to this one.

‘Going Down’ will be released on December 12 via Drumcode

Premiere: Adam Beyer vs Dense & Pika 'Going Down'

We Do What We Want

BUY BRAVE BANGERS

Alan Fitzpatrick - We Do What We Want

2017’s first Drumcode release comes in the form of chart topping regular Julian Jeweil, who’ll be putting out his first solo effort on the label. Jeweil’s ‘Rolling EP’ showcases his skill as a producer and kicks off with the emphatic title track ‘Rolling’. The perfect soundtrack for the early hours in the club, this sweaty affair proves just why he’s at the top of the game right now. ‘Venice’ and ‘Blue’ illustrate his signature sound to a tee, with the EP’s final track ‘Traffic’ an acid-tinged behemoth, guaranteed to light up any set.

Julian Jeweil – Blue – Drumcode – DC167

Julian Jeweil – Venice – Drumcode – DC167

Julian Jeweil – Rolling – Drumcode – DC167

On the back of their critically acclaimed ‘Oblivion’ EP, from which ‘Sensation’ was named one of the techno tracks of 2016 by Mixmag, Monika Kruse rejoins her brothers-from-another-mother Pig&Dan for another electrifying two-track EP.

Both tracks – ‘Get Me On’ and ‘So Good’ featured in her celebrated debut Essential Mix that aired on April 1 and have highlighted the iconic techno artist’s sets over the past month,  everywhere from Time Warp to her wildly popular b2b with Andrea Oliva at Boiler Room Madrid in March. 

Produced during an inspired couple of days in Mallorca with Pig&Dan in January, both records are explosive techno weapons built for the peaktime and propelled by a stunning warehouse stomp. ‘Get Me On’ is a driving affair from the outset, powered by a compelling mainroom groove that’s gradually immersed in exhilarating cyclone swirls of melody. ‘So Good’ is as delectable as its name, characterized by a roaring buildup that’s drawn out dramatically for much of its 8-minute running time, working in tandem with several carefully deployed breakdowns. Both records are destined to leave a devastating impact at festivals over the summer.

Monika Kruse Meets Pig&Dan - So Good

Amelie Lens - Drift

Tapping into a trifecta of talents with Junolarc, Chris Child and vocalist Ora Solar​ on board, 'Gone' is an energetic and driving tune that builds on a jacking rhythm. Solar's sweeping vocal layers bring a powerful and emotional layer to 'Gone' while Morillo's production work heightens alongside his longtime collaborators Chris Child and Junolarc.

'Gone' is out on Subliminal on May 22, the 20th anniversary of his beloved label.

http://mixmag.net/read/premiere-erick-morillo-celebrates-20-years-of-subliminal-with-gone-premieres

Premiere: Erick Morillo, Junolarc & Chris Child feat. Ora Solar 'Gone'

Drumcode returns with its 6th installment of the internationally celebrated A-Sides series. Renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why Beyer’s brand continues to go from strength to strength.

Techno titan Adam Beyer has grown Drumcode into a force to be reckoned with; the label has become synonymous with forward-thinking, functional techno and even after 20 years, Drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world’s number one techno label. 

2017 is no exception, with Beyer’s imprint hosting it’s first stage at Tomorrowland, not to mention the expansion of the critically acclaimed Junction 2 where the Drumcode stage is the centrepiece and Adam plays the key role of festival director. The Drumcode phenomenon continues to grow each week, chiefly fuelled by Drumcode Radio, Adam’s radio show that’s broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. 

The A-Sides series acts as a perfect vignette of Drumcode’s cutting-edge sound; functional yet inspired techno, all tracks tried and tested by Beyer himself. Vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. 

The heart-throbbing bass in Amelie Lens’ electrifying piece ‘In Silence’ sets the tone for the dark and dance-floor-ready energy that Vol.6 carries the whole way through. Other standouts include Mars Bill’s rough’n’ready ‘Mohave’. Pulsating and precise, ‘Mohave’ has highlighted many of Beyer’s sets recently as has Wehbba’s monster track ‘Fake’, which fans have been anticipating the release of all year. 

Label-favourites Dense & Pika also feature on ‘A-Sides’ Vol. 6 with their hard-hitting ‘Just a Beat’ and a huge track from Beyer himself who has joined forces with Enrico Sangiuliano to bring us their undeniably infectious ‘Preset Heaven’. 

With many more notable selections from the likes of Julian Jewell, Timmo, Tiger Stripes and Pig&Dan, A-Sides Vol. 6 is another impressive addition to the label’s prolific release roster and a testament to why Drumcode remains at the forefront of the electronic world.

Dem Kaisers Techno

Medi Kid