This is a collection of records sampled or covered by Massive Attack from their first three LPs and the singles of that time.

Tracklist is over here: http://toiletries.wordpress.com/

The Music of Massive Attack (1988 - 98)

Mario Kart 64 - Koopa Troopa Beach (Ackatos Remix)

Watch me, tremble.
What me, shed a tear.
Choke and stumble,
and crawl away from fear,
from fear,
from;

Here in my nightmare
it's over doleful.
It's standard for me to feel
woeful

I screamed "Betty! Pump the breaks! We're going too fast, too fast, too fast, too fast!"
I screamed "Betty, would you pump the breaks? We're going too fast, too fast, too fast, too fast!"

And crawl away from fear,
from fear,
from fear,
just crawl away from here,
from here,
from here.

Betty (Pump The Breaks)

Night Aches

inoculation

Ghost in the Machine

Escape

We are back. After 8 Miles High, The Last Day Of Sun & Keep Walking, we present you our new baby "Tripical Moon". 
This Song is written in a Memory of a really special and massive time in our life and it´s dedicated to a very special Friend of us. We hope you gonna enjoy it. Our Ep will be available on 14  February 2016. Cheeeers :*

Tripical Moon

Querox & Phaxe - Tripical Moon

Singer/Songwriter, Guitarist, Wayne Allen has performed music in numerous venues, theatres, and bars, across the US from 2001 to present.    Formerly of the bands Green Lemon & the SKYS, he is currently pursuing an independent music career.   Wayne has written hit songs that have received such awards as Relix Magazine’s New Groove Jammy Nominee, HomeGrown Music’s Album of the Year, and CMJ/Relix Jam-Off Winner.   Many of his songs have been ranked as the #1 most requested song on radio stations across the US.   Wayne has played in several national music festivals in the US some of which include:  Wakarusa Music Festival in KS/AR – 4 years, 10,000 Lakes Music Festival in MN – 3 years, Oregon Country Fair in OR, CMJ Music Marathon Music Fest in NY, SXSW Music Festival in TX, Mateel Summer Arts Festival in CA, Harmony Festival in CA, SummerCamp Music Festival in IL – 2 years, Green Apple Music Fest in NY, Gem & Jam Music Festival in AZ, Green Apple Music Festival in IL, Joshua Tree Music Festival in CA, Smilefest in NC, Buffalo Music Festival in VA, Ashfest in NC, Harvest Festival in ME, Diversafest in OK, Independence Day Jam, in OK, Crossroads Music Festival in OK, & Paseo Arts and Music Fest in OK.    Wayne is currently in the recording studio and will have a new CD releasing soon.   Wayne’s talent lies in his creative ability and musical vision which together bring about amazing songs.  It is evident with each new project he produces; his music takes his listeners to new places and keeps them coming back for more.     

Listed below are a few reviews regarding Wayne’s recent music projects: 

 
Having never heard Wayne Allen's previous band Green Lemon, I'm pleased to say that I managed to approach his new music project “the SKYS” with no preconceptions as to what would be contained inside his new project's debut album “Small Dreams In An Elevator”.  That said, I really wasn't expecting the electronic rhythms mixed with indie rock pretentions and gentle simple melodies bolstered by fragile yet confident vocals that ooze out of the speakers.   

While there are samples and loops used throughout this album, the feel never strays too far from organic and Allen possesses a voice that betrays the oft modern feel for something more akin to Stephen Stills or Paul Simon when he was still singing with his tall mate and while these styles may seem at odds, what Allen has achieved is to bind them together with wonderfully melodic phrases, intelligent vocals and sparse drama that make for tracks that are accessible and challenging at the same time. 

Some have already lumped the SKYS with the likes of Radiohead, however the feel created here is too up tempo in a down beat manner to truly be put in that bracket and Allen isn't afraid to be overtly pop when the mood takes him. "Bad Guys" comes on like a light weight Killers, however with more listens the stringent beat and jaunty keyboard colours really take hold and as so often during the disc, Allen's vocals raise what could have been a good track into a great one.  There are no histrionics to his delivery, however the heartfelt, high pitched timbre is tailor made for the soundscape going on beneath it. "Heavy Eyes" reminds of a less twee "Our House" by Stephen Stills, a gentle acoustic guitar strums behind Allen's excellently layered harmonies and when the synth joins in the feeling is both uplifting and relaxing. 

You could imagine the chorus of "Dirty Weather" cropping up on a later day Marillion album, however the double timed high hat in the chorus is altogether more dance oriented and brings a strangely sedate urgency to the singing keyboard backing.   In contrast "Turtles" has a strong riff quietly holding an almost spoken vocal to acoustic strumming, piano stabs and glockenspiel pings before the wonderfully arranged vocals soar with an angelic quality and alter the mood completely. "Driver" has a vibe that makes you think of Simon and Garfunkel sitting together in a darkened room with only a spotlight for company as the plaintive acoustic guitar backs another seductive vocal and in an album full of intricate rhythms and beats the contrast is all the more stark and effective. As though to reinforce that contrast "Animal" is pure 80's electronica with a regimented beat gently pushing the synth melodies, although the song itself never gets above a considered jog, somehow the SKYS manage to make these sedate electronic meanderings compelling and vital.  The whole album has been building and as the chorus to "Slow" washes over you with its gloriously melodic hook the peak of the disc has been reached.  Listen to it once and you'll be humming it for days, give it a couple of repeat listens and you'll discover a chorus line and melody that will stick in your head for eternity.  Simple, memorable and stunningly effective. It's like rediscovering a long lost friend.  You can't quite believe your luck and then it's like you've never been separated.  Following that is a tough ask, so the SKYS just decide to change tack once more by closing the disc with the angular piano build of "Different Faces" which has a vocal which is intentionally buried behind a dense wall of sound that slowly unravels as it brings the album to a close. 
I wouldn't normally seek out an album that housed so much sampling and electronic embellishments, however on Small Dreams In An Elevator they are used to compliment some simple but hugely effective melodies and as already said Allen's vulnerable vocals are perfect for this album.  The songs are extremely well written and along with Allen, Will Bradford (bass, guitars, keys, synth, etc.), Will Holland (bass) and Barry Marino (drums) put in flawless performances. 
The SKYS may have small dreams, however this is one elevator ride that ensures the journey is even more rewarding than reaching your destination.   By Steven Reid – Sea of Tranquility -  

Wayne Allen’s new music project “the SKYS” present a scintillating collection of electronic loops, savvy songwriting, and arresting melodies with this debut release.
 
The SKYS, features Wayne Allen's music and lyrics, and the production talents of Will Bradford. Allen, who led the underground jam stalwarts, Green Lemon, and Bradford, who has played with the Seepeoples, bring a varied sonic pedigree to the SKYS. Allen and Bradford share producer credits with Will Holland for “Small Dreams in an Elevator.” This album, with its sonic exploration and varied moods, has a lot of different facets and will leave the listener wanting more. The band spotlights Wayne Allen and Will Bradford on guitars, keys, vocals, beats and sequencing, with Will Holland on bass, Danny Marino on drums, and Brooke Binion on electronic beats and sequencing as well. The band creates an interesting dynamic with their arrangements, blending sounds that remind of Beta Band, the Postal Service and the Shins, and infusing them with the jam sensibility of Lotus and Perpetual Groove. As these songs reflect a large variety of influences, the sound of the the Skys is hard to pigeonhole. I have found these tracks to be alluring, beautiful, and even somewhat mysterious. Although it is sometimes difficult to assess the value of an album before it “ages,” I have found the tracks on this album to be gratifying and addictive. This has to be one of the more unique recordings I have heard in my year of working for Home Grown Music, and I've had the opportunity to hear lots of them.

The album begins with the loops and meanders of “Bad Guys.” This song depicts “life in a fishbowl” (in a figurative sense) and utilizes excellent imagery to tell the story. The music sways, heaves and undulates over Allen's wistful lyrics. “Heavy Eyes” feels nostalgic and carefree, despite a spirit of reluctance that seems to guide the vocals. I find comparison to other bands to be a less desirable mode of description for these reviews. However, certain songs just scream for simile or metaphor, and I feel that about “Dirty Weather.” The guitar, loops, and emotional honesty reminds me of the early days of Perpetual Groove (think “TSMM”) and this song skips along to a feverish, satisfying ending. “Turtles” feels like some modernized Pink Floyd B-side with its layered vocals and sequencing; the track transports the listener away in a wash of wistful feedback. My favorite song on the album is the sparsely populated, but incredibly evocative “Driver.” The song is defined by subdued guitar, vocals, and a sense of melancholy. The lilting beauty of this track reminds me of the Shins, and feels like some missing component to an unrealized movie soundtrack. The relative simplicity of “Driver” is juxtaposed against the sonic layers of “Animal.” This song saunters then fades into a wash of loops and sequencing. The album closes with “Different Faces,” utilizing a methodical beat, interesting effects and vocals as it ratchets forward to its conclusion.

The overall effect of “Small Dreams in an Elevator” is quite satisfying. The SKYS employ a nice mix of wistful lyrics, technological blips and beeps, and intelligent musical choices to create an album that is charming and elegant, yet mysterious. I have seen comedians who declared that you always want to “leave the audience wanting more,” and that seems to be this case with this album. The 8 tracks contained on this release provide a nice introduction to The SKYS, and leave a favorable first impression. With repeated listens, the album lodged itself into my subconscious, and I would find myself liking the album more with each listen. In fact, when “Different Faces” ended, I often found myself wishing there was at least one more track to discover. This album is defined by an eclectic blend of songwriting, musical experimentation, and elegant simplicity. “Small Dreams in an Elevator” succeeds on many levels. As a debut release, it indicates there is much more to be heard from The SKYS and I look forward to the discovery. - by J Evan Wade - HomeGrown Music

BAD GUYS LYRICS:

BAD GUYS – Music & Lyrics by Wayne Allen

Can you tell me, am I running late
You’ve got an honest face
Decisions, have they all been made
I wish I had some say
So here we are, inside this bowl
Swimming round until we’re sold
One man leaves the race
Another takes his place
Swimming round until were old
Everyone likes a smile
It doesn’t matter if it’s just for show
Everyone’s got their own to hide
Everyone has an alibi
Got their money in the bank
Swimming through the bubbles in the tank
 I remember when I was a boy
The more you learn the less you enjoy
Everyday a baby is born
Everyday a man is made to conform

Chorus:
I’m waking up in these small dreams
It’s been so long since I could think
I hope you’ll do the same damn thing
We can’t go back, it’s not the same

Can you tell me, do you believe in fate
Is everything suppose to be this way
Cause I’ve been searching all around this place
For reasons to want to stay
But everyone likes a smile, it doesn’t matter if it’s fake
It’s so easy to let the bad guys in here
They all know our names
It’s so easy to be a victim of theirs
But it’s all a game

Chorus:
I’m waking up in these small dreams
It’s been so long since I could think
I hope you’ll do the same damn thing
We can’t go back, it’s not the same


Wayne_Allen_Bad Guys

Based out of the Tacoma/Seattle area. always looking to make  some music with people. I make beats using fruityloops 10 and record acoustic song ideas. hit me up if you wanna jam! :) 

Ghost in the Machine

Paul James Fix

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