hey my friend - long time no see - great bluesy fusion:)) I am back after a long break

Magical groove from true funk with touches of rap. Warm energy that overflows with inspiration. Solid vocals. Magnificent production.

Great groove and vibe @paul-racle  ! You FUNKED this track all up! Your lyrics and vocals sank right into the pocket Paul carved out fo you@SteelCityRed!

@paul-racle Hey Paul, YOU GUYS FUNKED THIS TRACK UP BIG TIME! Sounds like Clyde Stubblefield, James Brown,Marcus Miller, Nile Rodgers, Jimmy Smith, Maceo Parker, got together for a Funk Reunion Concert!

DROWN ENERGY SINCE THE TIME WE MET

Orbital Path - Τροχιακή Διαδρομή

https://soundcloud.com/33per , my dear donkey fellow sent me this wonderful instrumental, a Big Thank You for that, it was a great pleasure to write and sing along.

The image shows Gregory Peck as captain Ahab in John Houston's film adaptation of Melville's “Moby Dick” from 1956, having just nailed a Spanish dubloon on the main mast.

AHAB (All Hypocrates Are Basterds)

O-o-ohh, o-o-ohh…
Tell me please…
Is that really happening-ä-ä-ä-äppening ?
Do you feel that too ?

Noone is getting out here
Oh no-no-no-no-noo, o-o-o-o-o-ooh
Noone is getting out here alive

Ohh no
Not even the feckin’ basterds
No, no
Not even those feckin’ basterds

Will survive
Whatever may be the strive

See, because 
Noone is getting out here alive
Not the president
Nor his wife

Whatever may be the strive
That won’t work

Ohh oh 
All hypocrates are basterds 			(AHAB)
Ohh, oh
All autocrates are feckin’ basterds 			

They can fool the people 
For some time,

But,
But,
But,

They can’t fool all the people all the time
Not really …
That’s beyond the line

It’s possible to continuate
To self-determinate
To not participate…

So to say:
I would - and - i would…

And i-i-i-i-i-i-i- would 
And I would… 
I-I-I would…
And i would and I would…
I-I-I would…
I would prefer not to…

AHAB (wt 33per, raw edit)

In The Game feat. SteelCityRed
Vocals and Lyrics SteelCityRed:
https://www.looperman.com/acapellas/detail/23517/in-the-game-hook-acapella-by-steelcityred-120bpm-rap-acapella
Paploviante:
Bass, Music Composing, Mix, Picture and Mastering

In The Game feat. SteelCityRed

A quiet chill jazz fusion atmosphere perhaps NuJazz with minimal percussion but a throbbing beat and electro, including one synth — a marimba sounding arp like a ticking clock — that I use in this  composition and a few new songs such as Hidden Room. Time Machine is the title track from my upcoming Time Machine EP. 
..................
With respect to H.G.Wells, I daresay that the brain, and more expansively, the mind is the best time machine of the cosmos. In fact, it created the idea of a time machine and discovered the physics that can someday engineer a time travel device. Time itself is a construct or an invention of the mind.

Our minds as time machines can instantly travel to the past — retrieving data about history and the physical world, and experiences from memory as if they happened today. Our minds can also zoom out to the future — conjuring a vision of how the world could look as a mental rehearsal, a daydream, a thought experiment, and a creative process for solving problems and making art. Or building time machines. 

We, humans, may be physically limited but our minds are not. And that gives me hope, even in the midst of chaos.
..................................
An original composition, no AI, produced digitally using a MIDI keyboard and DAW.

76 bpm

DAW: Apple Logic Pro X
MIDI: Akai Professional keyboard

E-INSTRUMENTS:
Concert Grand 
Ambient Lead
Cinema Strings
Violas
Lunar Chords
Rain Harp
Robot Talk
Deep Round Synth Bass
Upright Ballad Bass

E-DRUM KITS:
Drum N' Bass Remix
Trance Remix

COVER ART: AI-generated images via the DaVinci app and composition of the final art using Photoshop
..................................
.

Time Machine

i’m already 
goin’ down
to the end of the story now
wind is blowing
to the end of the story now

come away   come away

time is bending 
drifting down
spin the hourglass all around
pulverize it
spin the hourglass all around

i’m comin’ after 
i’m comin’
i’m unembodied
i’m free

i’m already 
leaving town
train is rounding the mountain now
got my ticket
train is rounding the mountain now

come away   come away
---------------------------------------------------------------------------

image from Malcom Shadrach via Unsplash


Quietus

Recorded in Modesto, Ca.  Featuring Gibson 335 Electric Guitar solo. Alto Saxophone solo. Flute solo. Fender Electric Bass.Roland Synthesizer Bass. Fender Rhodes Electric Piano
(right). Fender Rhodes Electric Piano Rhythm (Left) Baritone Electric Guitar Rhythm. Drums Acoustic Full drum kit set. Percussion Shimmer Chimes tree, 22" Zildjian Crash & Ride Cymbals.

Cannery Row

Firefly

I couldn't resist revisiting my tilt at this 1980's classic from The Korgis, now with Rick!

@rick-4-1: Teaching The Drums
@phil-mcwalter: Learning The Other Stuff

Everybody's Gotta Learn Sometime - The Korgis

Change your heart
Look around you
Change your heart
It will astound you
I need your lovin'
Like the sunshine

And everybody's gotta learn sometime
Everybody's gotta learn sometime
Everybody's gotta learn sometime

Yea ea eah

Songwriting credit: James Edward Warren / The Korgis

Everybody's Gotta Learn Sometime

Everybody's Gotta Learn Sometime II

Whatever’s haunting you
Whatever you’ve been through
That broke your heart in two

Whatever’s come before
The demons at your door
Will never change my love for you

Just the way you are
You are beautiful and scarred
You’ve gone up against the gods
And beaten the odds

Whatever’s on your mind
Together we’ll survive
As long as love’s alive

So let me hold your hand
Let me comfort you
Through all these trying times

So take me as i am
A lost and broken man
But as long as I’m with you
Together we’ll get through
Whatever comes our way 
We’ll take it day by day 
Whatever comes our way

Whenever skies are gray 
My love will shine each day
I’ll wipe your tears away 
Whatever comes our way


whatever

This my 80th song on SoundCloud！
There occurred many things around me for these several months including career change. The environment changed but I 'm still happy that I can keep on making music (^_^)
I hope you enjoy !!

Wandering Around With My Guitar

Music by GRENZLICHT | Music & Lyrics by REKHA a.k.a. REKHA - IYERN [Fe] | GOTH ROCK | YT VID

A fire burning dark-goth-rock song about how love is now dead & gone but the memory still remains! The forever longing continues to haunt but we can only re-visit the grave, re-visit the once cherished love of all loves...sadly, it's now, all-only-dust!

Music: Composed & Produced, Recorded & Performed, Mixed & Mastered by GRENZLICHT in Germany | Vocals: Composed & Produced, Recorded & Performed by REKHA - IYERN [Fe] at IYERN [Fe] RECORDS in CANADA

Cover Art Design & Video: Graphics & Light FX by REKHA - IYERN [Fe] | AI Royalty Free Heart/Thorn/Vines Image

Old Energy, YT Vid Here: https://www.youtube.com/watch?v=vja0TOjvfSU

Our other track, Bottle: https://www.youtube.com/watch?v=8vhVGS2PHi8

Listen to the amazing music of GRENZLICHT here: https://soundcloud.com/grenzlicht

© & ℗ 2025 IYERN FE RECORDS CANADA/REKHA SONGS PUBLISHING & GRENZLICHT | SOCAN, All Rights Reserved

Old Energy - Music & Lyrics by REKHA - IYERN [Fe]
 
Wo Oh Oh Oh
Ah Ah Ah Ah Ow
Old times
When we were alive

Old time energy 
It's comin' over me, me
Just wanna feel you 
In my veins

Babe we are long gone
Eh Ee Yeah
Eh Ee Yeah
Eh Ee Yeah
In the grave, grave

Eh Ee Yeah
Ahn Wo Wo Wo
Oh Oh Oh Oh
Wo Oh How

Well, well, well
We are once alive
Heart to heart

Once alive 
In that old time energy
That keeps me movin' on
Even though we are 
Lost and gone, Yeah
Lost and gone Babe, Oo

Yeah Ee Yeah
Can you hear me callin'
Do you hear me call
Call your name, a name

And the fire burns me
In, in the grave
In the ground
It's only dust

© & ℗ 2025 IYERN FE RECORDS CANADA/REKHA SONGS PUBLISHING & GRENZLICHT | SOCAN, All Rights Reserved



Old Energy 24 bit final

Old Energy

Old Energy - Music by GRENZLICHT | Music & Lyrics by REKHA - IYERN [Fe] | DARK GOTH ROCK| YT VID

it's about looking in the mirror and building yourself up

stand-up-be-yourself.m4a

The fourth track of CHEMICAL is BEGINNING 3. 140 BPM. 6m1s. This is avant-garde and lacks any clear scale-based melody. In that sense, this may be similar to Polygon Window QUOTH. Dance music consists only of beats, sound effects, and noise. I guess I just hate common sense and preconceived notions. CHEMICAL Link in Bio!

BEGINNING 3

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Bandcamp

Drown

Recorded in Modesto, Ca.   Featuring  Hammond B3 Electric Organ solo. Gibson 335 Electric Guitar solo. Soprano Saxophone solo. Gibson L5 Jazz Guitar Rhythm. Hammond B3 Electric Organ Rhythm. Acoustic Stand up Bass. Drums Acoustic Full Drum kit set. Percussion Tree Chimes. 22" Zildjan Ride & Crash Cymbal. 

Carmel

Ocean Waves

LYRIC VIDEO  https://www.youtube.com/watch?v=yukpFvbhX-Y
So ~ I wasn't really intending on writing / recording another new song at the moment since I'm attempting to finish a number of other songs for my current project ~~but This One came to me one day in July & I felt compelled & decided to kind of drop everything  & record it, as I was hearing it as the possible song I may tag on as the Final Song of my new project once it is complete to close it out ~~
Would Love to hear any thoughts on it at all ! :-)
©2025 Donna Dior

THE LAVENDER

Firstly on easy listening 6/4 bars, I cut some notes out of the main theme so as to give it dynamism, and finally obtained a prime amalgam of 17 quarter notes. I hid any recognizable thing in the accompaniment, and for the organic lines (voice and guitars) I tried the strong rhythm would not fix too much the melodies, first paying a lot of attention, and finally ... just letting me go.

Translated lyrics:

Oídos sordos (17 negras)  /  Deaf ears (17 quarter notes)

Quiero gritar todo lo que siento, estando solo;  /   I want to shout out everything I feel, being alone;
pero gritándolo al viento y si no contesta,  /  but shouting it at the wind and if it doesn’t answer,
dime, ¿de qué me sirve? (bis)  /  tell me, how does that help me? (bis)

Todos los vientos conocen mi historia  /  All the winds know my story
pero no hacen nada.  /  but they don’t do anything.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

He estado aquí y allí gritando como un loco,  /  I’ve been here and there screaming like a madman,
pero todo sigue igual.  /  but it’s all the same.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

Quiero gritar…  /  I want to shout out…

Ahora sé que no sirve de nada;  /  Now I know it’s no use;
el viento sois todos que callais al verme,  /  all of you are the wind, silent when you see me,
y dejáis que hable y hable,  /  and letting me speak and speak,
y dejáis que hable y hable y hable.  /  and letting me speak and speak and speak.

No creo que vuelva mañana  /  I don’t think I’ll be back tomorrow
a escuchar vuestro silencio.  /  to listen to your silence.
Quiero encontrar a alguien. (bis)  /  I want to find someone. (bis)

Quiero gritar…  /  I want to shout out…

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)
Image: "Red eared cactus", photo by Ruizzoidman

Oídos sordos (17 negras)

(Don't follow me here, best on my main page ;)

COMPOSER - PRODUCER - MUSICIAN
I PLAY BASS GUITAR AND DRUMS
IN THE BAND „4NO1“
(ALL STYLES, SINCE 1992)

In The Game feat. SteelCityRed

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