E490 demo (Robert Rich) showing the DIST mode. PWM on the VCOs.

E490 RR Sat

E490 demo (Robert Rich) with various resonance and delay.

E490 RR EchoSeq

E490 demo (Peter Grenader) using MIDI sequencing

E490 PG PatSeg

E490 demo (Dave Fulton) using 2 sequenced patterns (multi-tracked).

E490 DF LoopSeq

E490 demo (Ian O'Brian)using E370 Quad VCO, three different ways.

E490 IOB Freqency Three

E490 demo (Ian O'Brian) using E300 Ultra VCOs in different tuning scales.

E490 IOB 60 Second Variations

Demo from Dave Fulton on his MOTM modular synth. Not the drums tho. Or the sync saw Prophet at the end. The other stuff.

More Failed Motrik Demos

Kustrik Drum No Voc 1

3 LFOs sweeping Morph, Cutoff and resonance, with variances in the Morph knob and the different BP/Notch switch. Beginning minute or so is with Notch, then BP, then varying in different directions.

E430 SEM RandomArp Demo

Uses 2 E430s (Left and Right), pushed to the extreme limits. Testing the over-loading, high resonance, audio-rate modulation, you name it. Watch your levels, hide the pets.

E430 dual extreme

6 sections as follows:
1. Modulated modulator plays the notch - chewy nyay-nyah flavor
2. Now compare band pass (both process a Hyperion Spectral Drone)
3. Yes you can play the BP feedback like a self-resonator
4. Basic pad sound from BP feedback
5. Running the BP thru E490 Moog filter and riding the input level, even though there's no external osc!
6. Bit more industrial, using a VCA to rhythmically inject the BP-feedback


Fastus - SEM Super Secret  Filter Lab

soft pad

White Noise

saw drone

Various modes of the beta hardware/software of the SynthTech E352 Cloud Terrarium.

E352 Morph+Cloud Workout on Beta Unit

E352 Wave-Folding Getting Nasty

E352 in various modes with outboard stereo E440 Discrete OTA VCFs and delay. There is some distortion in the files, we are tracking that down. But too fun to pass up!

E352_MorphCloud_ArpeggioEcho

E352_2OP_FM_ArpeggioEcho-dry

Custom wavetable Chebychev cloud voice 1
Wavefolded bassline voice 2
Shimmer 2OP FM voice 3 
Fast echo arpeggio 2Op FM Voice 4. 

Some echoes, 2x E440 filter.

E370_4VoxDemo_RRich

New E520 Hyperion algorithm demo, the Stereo Reversing Delay. This has a 6min buffer that you can load audio into, and apply several effects including a 'scrubbing' function between running forwards or backwards. Still in development but wanted people to hear the effect. From Robert Rich. Scrubbing is around the 0;53 to 1:10 point.

e520_StereoReversingDelay_RRich

E520 Hyperion, Deflector Shield mode. 909 samples as source, manually tweaked (in Frequency Shifter).

E520 DS 909

E520 Hyperion, Shimmer using simple sequence from a E370 in Cloud mode.

E520 SH E370

E520 Hyperion in Looper mode. Sample of prepared piano, showing pitch shifting effects.

E520 Lpr Pianomelt

E520 Hyperion, Stereo Resampling Delay. Voice input, manually tweaking all parameter for maximum craziness.

E520 ResamplingDelayRRich

E520 Hyperion, Pitch Shifter. Voice, then +400 cents, then -300 cents.

520 PItch Shifter Vocal

E520, Resampling Mini-Delay. Using very long (50sec) delay and changling sample rate to get similar effects as the Looper audio example.

E520 Lpr - Pianomelt II

E520 Hyperion, Spectral Crush mode. Compression setting, 612cents pitch shifting.

E520 SC RB Congacrusher

E520 Hyperion, Spectral Crusher mode. Cello sample in. Compress setting, Pitch -1200cents, Phase Blur 68%

E520 SC Cellocrusher

E530 Hyperion, Spectral Time Machine. Drums, go in. A train comes out?

E520 STM Drum2Choo Choo

E520 Hyperion in Looper Mode. Pedal steel played by Robert Rich.

E520 - StereoLooperGuitar - RR1

E520 Hyperion in new DiffusionDelay algorithm, followed by the Flanger. Note the 'Dry' sample is at the very end.

E520 - DiffusionFlanger2Modes - RR1

Looper (new and improved algo) via Robert Rich. Detailed patch notes as follows:
Started with lap steel guitar, through Boss ME70 guitar pedal (providing some gain, EQ, short stereo delay and a bit of fuzz.) Started looping at the beginning of playing, then pressed “Tap” to go into overdub mode at approximately 14 seconds, and kept it in Overdub mode throughout the recording, so that it would slowly decay with the EQ, Warble and Sat/Drive further affecting each generation. I have the Resampling set to Quantize at octaves, starting at the 2.00 speed (letting me go up or down)

At the 3 minute point, I increase the EQ, Warble and Drive settings. After about 30 seconds you can hear the EQ get darker. Slowly the Drive adds additional decay and grit with each recirculation.

At 5:40 I set the direction to Reverse, and increase the Drive and Warble, you can hear it quickly get more grungy.

At 6:21 I shift the speed up one octave, then down two octaves. Now it is recirculating at the 8.0 setting, with large amounts of Drive and Warble. In the last minute, you mostly just hear grungy remnants. At around 7:50, speed is back up to 1.0 (an octave higher than the start) and I cut it off.

E520 StereoLoop GuitarDegradationALL RR

First pass (algo still being tweaked) of the new Variable Density Pattern Delay for the E520 Hyperion.

Input is a simple, mono 'plucked' sequence from a Prophet X. This is the 'Dry' signal at the very beginning and the very end. All other sounds are straight out of the E520, no overdubs.

E520 - PatternDelayTestRRich

E520 Hyperion in the Pattern Delay algorithm. Audio is a a gamelan arpeggio (the notes are played at the very end)while the pattern clock is from an E102 Quad Temporal Shifter. This demo has improved 'cross-fading' as the patterns and clock divider ratios change (via internal mapped LFOs). Pretty amazing effect.

Paul T Schreiber

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