Name: Posers // DiD records! [Preview] by Paula Cazenave
Duration: 2 min 53 s
Description: Out on Different is Different records (Beatport)

love the energy in this track, really gets me going :)

Great crescendo and amazing break, like it a lot !! ;)

Bomb Track and even more cooler Track name :) Huge Support @ my We Love Techno Music FB Page !! :) Keep up the very good work !! ;)

Out on Different is Different records (Beatport)

Posers

Posers // DiD records! [Preview]

Buy on bandcamp

Hurukan - Haumea (Red Richards)

Ten DJ-ready melodic-techno tools sequenced for harmonic mixing from warm-up to peak and back. FDD1181–FDD1190 move through minor-key grooves, rolling basslines, gated hooks and peak arps, with clean intros/outros for fast, reliable blends. Built as a utility “toolset” for real rooms: functional, emotive, and mix-friendly.“Collective DJ” delivers ten precision-built cuts aimed squarely at the booth. The sequence (FDD1181–FDD1190) climbs from warm-up glide to peak-time lift and settles into an afterglow closer, keeping keys minor and BPMs tight for seamless harmonic mixing. Expect rolling low-end, gated synth lines, tool-grade drum programming and clear 8/16-bar structures that make quick work of transitions. Titles follow the Toolset logic—Warmup Layer, Drive Loop, Peak Arp, Closing Pad—so crate navigation is instant on a dark stage. Human taste leads; machine-scale rigor keeps everything consistent. Free for non-commercial play under the Fixer Creative License; commercial sync/licensing available on request.

FDD1185 — Chord Stack

STYLE

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Avgusto counts to the core artists of FLASH with several EPs and an album. This time he reveals his affinity for mathematicians and physicists as well as for uncompromising grinding Techno beats. 

His unique blend of simple and effective vocal or synth cuts combined with full-on peaktime drums constantly proofs to be working in many warehouses and festivals around the world.

Avgusto - Hadley [ FLASH 184 ]

Relapso - Pray The Gods (Robert S (PT) Remix)

Paulo Av - Back to my Roots (Aimless Audio remix)

The sixth release of Form and Function, is the second one of the Function series. This time it’s Qindek who provides his debut EP on the label. “Reach For The Cosmica” is a lovely journey through Qindek’s world. It’s the perfect combination of both abstract and functional. The weird meets the wonderful. The package is topped of by Setaoc Mass who does an incredible job remixing Takes A pad.

On the A-side, the first track is “Climate Shift”. A track that tells a story through dubby elements and chords, backed by a powerful and thumping low end. A movement of continuous energy and subtle but noticeable changes which have an impact on the track as a whole can be seen as the precursor for cosmic endeavors.

Next up is “Reach For The Cosmica”, the second track of this release. It’s an epitome of the soundtrack of traveling through space. The minimalist build up tells us about how the journey just started outside of the atmosphere, transitioning into more depth that has been inaugurated by a sound that is the sonic equal of the rocket engine. As the beginning journey develops, there are few sudden bursts of power, together with the presence of the perpetual powers that cause the final move to outer space.

The arrival in outer space brings us to the 3rd part of the release and the first track of the B-side. Setaoc Mass gives the EP it’s the concluding boost that gives us that last drop of power before the arrival. Elements of the original are still to be found, whilst given a little twist and a lot more of dancefloor energy. All while keeping the pace up to enter the final chapter of the journey.

“Take A Pad” exactly asks us what we need to do. Finding the ultimate balance between speed while preserving the right amount of power, is how sub-bass is working in harmony with the percussive elements.

Space is calling upon us with delicate voices. A beautiful ending of a classy and well crafted EP by Qindek.

Reach For The Cosmica

Takes A Pad (Setaoc Mass Remix)

SLAM - ARCHIVE EDITS LP ( @Soma DA124)

1. Nitzer Ebb - Join In the Chant (Slam Rework)
2. Slam - Scorpion (Live Edit) 
3. Slam - Memoriam (Original)
4. Silent Breed - Sync In (Slam Re-Edit)
5. Slam - 1001 (Original)
6. DK8 - Murder Was The Bass (Slam Re-Edit)
7. Terence Fixmer - Body Pressure (Slam Re-Edit)
8. Damon Wild - Rotary (Slam Live Edit)
9. Hertz - Recreate (Slam Rework)

Slam rework Nitzer Ebb Nitzer Ebb, Silent Breed, DK8, Terrance Fixmer and more for the final instalment of their Archive Edit series

Soma label heads Slam curate a specially designed package of tracks to finalise their Archive Edit project that sees them delve deep into Techno’s past to bring some of the genre’s best tracks into the modern age. The Archive Edit project started as a way for Slam to showcase and share the many different edits that had made their way into their DJ sets over the last few years. The pairing of Stuart McMillan & Orde Meikle have both raided their extensive collections, picking out tracks that have defined countless sets over their career. Tracks from luminaries such as Nitzer Ebb, Thomas P Heckmann (as Silent Breed), Damon Wild & Terrence Fixmer have been re-edited alongside some of Slam’s own unreleased material, showcasing the duo’s current sound; one that constantly naturally evolves, matures and demonstrates why the duo have been at the forefront of the global scene since its inception.

“We resurrect nine cuts from our archive collective collections for your listening and spinning pleasure. Some are original material, some are live re-edits, some are well-known, others are not! They all have one thing in common, they all attempt to unashamedly destroy dancefloors, and thus featured heavily, (usually toward the end of our DJ sets) in the last year or so well known”. Now we share them with you!"

Slam open the album with an absolute monster track in the form of their rework of the legendary Nitzer Ebb’s ‘Join In The Chant’. The anthemic EBM/post-punk infused original is given a thrashing overhaul from the duo marking one of the standout tracks of this collection.  A special live rework of fan favourite ‘Scorpion’ drops before the previously unreleased ‘Memoriam’ delivers on a more emotive tip. Firing back into the edits is Thomas P Heckmann’s seminal ‘Sync In’, under his Silent Breed Moniker which is a fast-paced, Neo-Trance affair Slam then drop the manic ‘1001’ which takes the BPM stratospheric. DK8’s, Murder Was The Bass is up next and given a 2019 update as the duo's edit snatches up all the most perfect elements of the track leading nicely into a rework of French EBM legend Terence Fixmer’s ‘Body Pressure’ - driving through with its twisted beats and vocals. Another special live edit of the first Archive Edit release, Damon Wild’s Rotary makes an appearance as the album closes out with the rave infected, rework of the Hertz classic ‘Recreate’

All Tracks Mastered by Conor Dalton @ Glowcast Mastering

Scorpion (Live Edit)

Get this release on our Bandcamp or subscribe https://flashrec.bandcamp.com/album/irregular-synth-origins-ep-incl-moerbeck-remix

Follow @irregularsynth @flash-recordings

Irregular Synth - Unacceptable [ FLASH Recordings ]

SEND YOUR PROMOS TO:  promos@paulacazenave.com
If we talk about Paula Cazenave, it´s about Techno and a long career.
Born in San Sebastian-Donostia (North of Spain) and settled in Barcelona since 2003, Paula has been walking her case since the late 90s through the best venues and festivals in Spain, Europe and South America, highlighting her presence in such important events as Awakenings, DGTL, Brunch in the Park, Dreambeach, Aquasella ...

Her beginnings were spent combining her studies of audiovisual production and sound technician with events on weekends in venues throughout the Basque Country. When she moved to Barcelona, she started DJing and organizing parties with local collectives in venues such as La Cova, making an important place for herself on the Barcelona scene until today.

As an artist, we find ourselves in front of a real DJ, without frills. Her sessions are built in the purest old school style: Technique, fast and smart mixes, versatility and eclecticism. She is characterized by hooking the listener on a journey without rest that can encompass everything from groove to dark and raw sounds, always with that unmistakable signature. We cannot classify Paula in a specific Techno sub-style, but we can say that we are talking, most of the time, of forcefulness. From her beginnings, she was influenced from artists as diverse as James Ruskin, The Advent, Ben Sims, Surgeon or Slam, to name a few. We are talking about an artist in constant evolution who has known how to adapt to the times, always faithful to Techno.

In her role as a producer, we go back to the middle of 2000, when she began to edit Techno productions on vinyl in the international market. Her works during the past decades alone and with A. Professor with other akas such as Daisychain and Secret Labz paid off, thus achieving a more important place on the international scene with European tours and major festivals. It is also worth mentioning the vinyl references that came out in Patterns records and on her first label Grind Records, whose first release had a great success in 2009 until it sold out, receiving the support of many influential DJs on the scene. We can find his productions in a large number of European labels till today.

Since 2017, she has been immersed in the management of her label Combine Audio, where she has released works by recognized Techno artists such as Ben Sims, Ken Ishii, DJ Shufflemaster, Patrik Skoog, Gayle San ... along with more established and emerging artists. Combine Audio has carved a niche for itself on the Spanish techno label scene and has received the support of many artists worldwide. As she well says "This label is not for me, it´s for everyone" and with it she intends to support many emerging artists to keep the scene alive and make it grow.

Posers // DiD records! [Preview]

Paula Cazenave

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