wow very good...I like it...great sound design 👏

haha I did check to see!! it's really nice dude. really like it.

Le grande intro, vocal comes in its midst, with an echo, it's all very smoothly glued together. Beyond that, the lyrics are snazzy.

This short but captivating piece of musical art stands out with its beautifully constructed, subtle melancholy. Despite its brevity, the track manages to convey deep emotions and create a lasting impression. The gentle waves of melancholy are woven seamlessly throughout the composition, adding a layer of introspective depth that resonates with the listener. Each note and melody is carefully crafted to evoke a sense of quiet reflection and bittersweet sentiment. The artist's skill in balancing simplicity with emotional richness is evident, making this a truly remarkable piece. It is an elegant and poignant example of how even short compositions can have a powerful and enduring impact, leaving listeners in awe of its delicate beauty and profound artistry. Best Regards!

MTM Productions presents a new song by the great singer, producer, song writer Frances Richard Gonfrier called "Spleen de toi ". In it MTM carried out the technical part of mixing and mastering, and that is why we thank Richard again for trusting in we.

Musique, paroles et arrangements : Richard Gonfrier  
Cover Design : Delphine Portier
Mix&Mastering : MTM Productions  
* Richard Gonfrier* copyright ©. 2023 - (Dépôt SNAC 09/2023)
Richard Gonfrier : soundcloud.com/richardgonfrier/tracks


The first notes of this song came to me in May 2022, just after composing “Même si tout s'arrête”. Perhaps this explains a certain resemblance in the way they were constructed, namely vintage synth chords which serve as support for the melody and a theme speaking of a love story. But the comparison stops there because the two titles really each have their own character and identity which distinguish them from each other without hesitation.
This song was in the works for almost a year, before I wrote the lyrics last May, and recorded it. Then my friend Freddie from MTM Production put his touch to re-mix and master this title, giving it some punch and all the necessary dynamics. Freddie, thank you again for all the experience and time you give to my creations. In my eyes, it is of inestimable value.
I hope you enjoy discovering this title, at least as much pleasure as I had writing and producing it. As usual, don't hesitate to "like" and repost, it's very appreciated and so important to Freddie and me!

Spleen de toi (Paroles de Richard Gonfrier)

J’viens encore de rêver de toi 
Que tu posais tes mains sur moi
Ma nuit n’a plus d’sens 
J’me réveille comme ça

Je me retourne mais tu n’es pas là 
Je sais pas bien ce qui ne va pas
Je n’ai pour réponse 
Que des pourquoi

Refrain :
Mais je regarde les avions partir sans toi
Je te cherche dans tous les aéroports 
Je me perds dans le souvenir de ta voix 
Don’t go

Mais quand je regarde le ciel je te revois
Je ne l’ai pas réalisé encore
J’veux revoir ton sourire, j’ai le spleen de toi
Don’t go

J’écris des mots d’amour pour toi
Je crie mes maux que tu n’entends pas
J’me demande si c’est 
pas mieux comme ça

J’aurais voulu être ton roi
Être ton vice et toi mon versa
Mais le temps qu’j’me lance
Tu es loin déjà

Refrain :
Mais je regarde les avions partir sans toi
Je te cherche dans tous les aéroports 
Je me perds dans le souvenir de ta voix 
Don’t go

MTM Productions presents - Spleen De Toi  - Richard Gonfrier

Paul Amlehn - Text, composition, arrangement, production
Frances - Vocal
David Lynch - Visual art

Text:

"Of course I’m jealous
More human than ever
I stand on the giant ant too.

You’re not alone anymore.

Whispers in the dark
You wrap yourself in light
And walk outside.
 
Nobody’s running after you now 
No more tears on the phone.

It’s something new
This feeling.

Why can’t the morning bring 
The night of our best dreams?

Don’t ask me why."

Don't Ask Me Why

One of Seven

The Secret Cave

The Dead Zone of pX.Qc

Somewhere

Children Of Samhain

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth
TexMex Shaman -- @texmex-shaman –Stephen– sitar and mastering
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
Mistermark – @user-432503709 – Mark – talking drum, jaw harp
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)

This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved.

Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections.

Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.

Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections.

But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.

This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

The Siege (by David Marconi, featuring Elpiverse, Ron Lewis & The Eclectic Collective)

Whirl (2024)

"Sumérgete en un viaje musical diseñado para acompañarte en cada momento. Este álbum combina voces femeninas etéreas con atmósferas celestiales y melodías suaves, creando un espacio perfecto para relajarte, concentrarte o meditar. Ideal para estudiar, trabajar, leer, practicar yoga o simplemente desconectar del estrés diario. Cada pista envuelve tus sentidos, ayudándote a mantener la calma, inspirarte y encontrar claridad en tu día. Descubre un refugio sonoro donde la música te guía hacia tranquilidad y creatividad."

Aurora’s Embrace

© Mahi – All rights reserved.

This track and all other works released under the artist name "Mahi" are original productions created and owned by Mahi.  
Unauthorized use, reproduction, uploading, distribution, or copyright claiming of this material is strictly prohibited.  

Any false copyright claims or misuse of this content may result in formal copyright disputes and legal action.  
For licensing, remix permission, or business inquiries, please contact: Mahi1998hb@gmail.com

Where’s My Love

smoke

My name is Paul Amlehn. I am an artist working in the mediums of literature, music, visual art, theater, opera, dance, performance art, and film.

My poetry, prose, and texts for theater and opera have been published in literary journals in 23 countries, including Exquisite Corpse, the California Quarterly, Poetry Salzburg Review, and Evergreen Review.

My paintings, photographs, music, and video art works have been exhibited throughout the world, including at Artist's Space, Luhring Augustine, the Chelsea Art Museum, and Tate Liverpool, and at festivals which include Art 42 Basel (with the Serpentine Gallery - curated by Julia Peyton-Jones and Hans Ulrich Obrist), documenta 14, and the 51st, 55th, 56th, 57th, 58th, and 60th Venice Biennales.

On my music projects I have collaborated with Robert Fripp (King Crimson), Ulrich Krieger (Lou Reed), Chuck Hammer (David Bowie), Jamie Saft (Iggy Pop), Susan Stenger (John Cale), Leo Abrahams (Brian Eno), Michael Blair (Tom Waits), David Van Tieghem (Laurie Anderson), Michael Johnson (Joy Division), Joe Gore (PJ Harvey), Terry Edwards (Tindersticks), Mick Rossi (Leonard Cohen), Jem Finer (The Pogues), Mark Egan (Arcadia), Eberhard Kranemann (Kraftwerk), Thomas Stern (Einsturzende Neubauten), Stephen Mallinder (Cabaret Voltaire), Susan Alcorn, Suzanne Ciani, Keiron Melling (The Fall), Julia Kent (Antony and the Johnsons), Laurent Petitgand (Wim Wenders), Jen Baker (Werner Herzog), John King (Merce Cunningham Dance Company), Robert Black (Bang on a Can All-Stars), Frank Cassara (Steve Reich and Musicians), Andy Findon (Michael Nyman Group), Andrew Sterman (Philip Glass Ensemble), Jeff Zeigler (Kronos Quartet), and many others.

On my film and video art projects I have collaborated with actors, actresses, singers, and dancers, including Philippe Nahon (Gaspar Noe), Artur Barciś (Krzysztof Kieślowski), Anne Louise Hassing (Lars von Trier), Kate Moran (Peter Greenaway), Kate Fisher (Robert Wilson), Elisa Lasowski (David Cronenberg), Pamela Flores (Alejandro Jodorowsky), Stefania Casini (Andy Warhol), and many others.

I am currently working on an album of music which has texts and vocals by William S. Burroughs, in cooperation with the Burroughs Estate. I am also presently working on an album of music which reimagines the work of John Cage, in cooperation with the John Cage Trust.

Cover art for my albums has been provided by painter Gerhard Richter and artist, musician, and filmmaker David Lynch.

At the end of 2024, I worked on several re-creation compositions which utilzed sonic elements from pre-existing songs by Brian Eno and David Byrne, Nine Inch Nails, and Grimes, from their albums "My Life in the Bush of Ghosts," Ghosts I-IV," and "Miss Anthropocene, combined with new music by myself and other musicians.

Earlier this year, I collaborated with painter Gottfried Helnwein on a short film called: Epigenetic Trauma Painting No. 1.

I'm presently working on a new music recording project. Musicians taking part in this project are: Stan Harrison (Talking Heads), Ben Somers (Seal), Jarboe (Swans), Ghazi Barakat (Pharoah Chromium), Rob Burns (David Gilmour), Nicholas Currie (Momus), Peter Hess (Philip Glass Ensemble), and others.

I'm also working on a number of literary projects, an epic text called: The Waterfall, a script for a feature film: The Castration of the God-Emperor, and translations of a number of works by Arthur Rimbaud from the French into the English.

Soli Deo gloria.

Don't Ask Me Why

Paul Amlehn 2

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