You've read the story of Jesse James
How he lived, how he died
You liked it, huh, you're asking for more
Well, listen to the story of Bonnie and Clyde

So here it is, Clyde has a girlfriend
She's beautiful and her name is Bonnie
Together, they form the Barrow gang
Their names, Bonnie Parker and Clyde Barrow

Bonnie and Clyde
Bonnie and Clyde

Me, when I knew Clyde back then
He was a loyal, honest and straight guy
It must be believed that it's society
That has definitely damaged me

Bonnie and Clyde
Bonnie and Clyde

What hasn't been written about her and me
It is claimed that we kill in cold blood
It's not funny, but we are forced
To silence the one who starts to yell

Bonnie and Clyde
Bonnie and Clyde

Every time a policeman gets killed
When a garage or a bank gets robbed
For the police, there's no mystery
It's signed Clyde Barrow, Bonnie Parker

Bonnie and Clyde
Bonnie and Clyde

Now, every time we try to settle down
To settle quietly in a furnished place
Within three days, here comes the rat-a-tat-tat
Of machine guns coming back to attack

Bonnie and Clyde
Bonnie and Clyde

One of these days, we will fall together
I don't care, it's for Bonnie that I tremble
What does it matter if they skin me
Me Bonnie, I tremble for Clyde Barrow

Bonnie and Clyde
Bonnie and Clyde

Anyway, they couldn't get out of it
The only solution was to die
But more than one followed them to hell
When Barrow and Bonnie Parker died

Bonnie and Clyde
Bonnie and Clyde

Bonnie and Clyde (COVER)

Bonnie and Clyde (COVER feat MARC FREAK)

My favourite club is definitely Foufoune Paradise on Dagon Street.

Lyrics :

Foufoune paradise on Dagon Street,
the neon hums your name in liquid gold,
a symphony of shadows and damp heat,
where the secrets of the night unfold.

I meet you there in the pulsing lights,
your laughter tangled in the bassline’s sway,
a scented silhouette against the velvet sky,
dripping honey, melting time away.

(Chorus)
Oh, let's get wild, set the demons free
In this electric moment, just you and me
In your slutty mini skirt, your moves entice
There’s no place like Foufoune paradise.

The air is thick with sweat and desire,
your fingers trace the rhythm on my spine,
a language spoken only in the scarlet fire
of glances lost in your glass of wine.

Dagon Street breathes in our tangled steps,
Your silky curves crave for my gentle touch,
Your marble lips taste of stolen breaths,
The world dissolves to just this much.

(Chorus)
Oh, let's get wild, set the demons free
In this electric moment, just you and me
In your slutty mini skirt, your moves entice
There’s no place like Foufoune paradise.

The city hums a lullaby of chrome,
but here, we are the only truth it knows,
a fleeting spark, a wild, wandering poem,
our bodies tangled in afterglow’s throes.

When dawn ejaculates its haze of gray,
we’ll fade like echoes in the alley’s sigh,
but Foufoune’s pulse will linger, soft and sly,
a ghost of us beneath the streetlight’s eye.

Foufoune Paradise

"Et, du haut des falaises, me penchant
Sur l’anse verte, mauve, rose et rouge,
Dans le faux jour oblique du couchant,
C’est vous encore que je vois, taches qui bougent"
Sabine Sicaud

Wild Soft and Blue

Cast of Characters:

J.J. Terrell– @j-j-terrell – organ, synth and composition
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – custom five string fretless bass and PRS SE semi-hollwbody electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Sunnybeck-- @sunnybeck — Beck — synth and MIDI composition
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson custom T model electric wah guitar
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics
Llanpsych -- @llanpsych -- Tez – production, mix, and mastering

This song began as a looper beat that Josh created in BandLab. He does that often to start an idea. However, this beat sat on the shelf for almost a year, until he shared it with JJ for one of his Saturday night music sessions. JJ put an arrangement on it with his organ and bass. Josh quickly replaced the bass idea with his own version of it, though.
Now it was Ken's turn to replace the dull looper beat with something alive and organic, which he did in the most creative and solid way possible. We had a skeleton now, and it was time to share it with Beck, with whom this is Eclectic Collecitive's first song. She added her magic via the synth you hear sprinkled throughout. Stephen weighed in next with his funky wah guitar.
It was almost done at this point, but of course, we wanted Carl to add his greatness to it, as well, which he did by writing and singing some compelling vocals. He took the working title, which Josh came up with having just read The Odyssey, and wrote a whole song about it!
Once it was all laid down, we asked Tez to do his expert work with the mix and production, which he did perfectly, as always. We're very lucky to have two very talented producers in the group, and grateful to Tez for ironing this one out for us.
This is, as mentioned, the EC's first go round with Beck, and we couldn't be more thrilled to work with her. Not only is she a skilled, creative musician, but she is a delightful ray of sunlight to work with, too. We have another collab with here we plan to release in the coming weeks, as well. There will be more to follow. We hope you enjoy listening to this as much as we enjoyed creating it.
Original lyrics by The Beautiful Dark
Hold on dear crew
Cruel winds fly north
Our tenth foul day
Land found fresh worth
Untameable sea
We survived people
Ashore
Fresh water
Food
Lessen our feeble

Three of company
Greet these inhabitants
Find what land lends their habitance
Trio arrive and find not hurt
Then found local food
Good offering flirty

Three watered mouths by nicest taste
Who needs home
We stay
No haste
Love lotus buds
Don’t mind the captain
Let’s stay and munch this tuck of trapping

Captain bemused All aboard!
No more shall eat this food mind sword
What of home!
What of love!
Weep not dear three
Cold turkey tough

Smite that sea
Hold tight your oars
Now heave to Ithaca
South-westwards
Bye Lotus eaters
Trip like land
Love lesson lives
Myth mystery scanned



Isle of the Lotus Eaters (Eclectic Collective featuring SunnyBeck!)

Hey I’ve done a mix of Ian’s @ipg1 cool rap using EPMD it’s my thing which used the brilliant samples Seven Minutes of Funk https://www.youtube.com/watch?v=xoYzawnDGP0 and  Marva Whitney with Poetry by Scott La Rock & KRS1.  Enjoy!!
D

WE ARE ALL HIPHOP IPG1 X RICO.  BOOTLEGS OS MIX

No More Words

"Is this from the heart? I should have known from the start..."

From The Heart

Did you ever fear the blank page ? i often do !

Shut up and play !

When doubt suddenly grips me
a blank page
not a single note
my head falters
and then everything freezes

When suddenly the desire eludes me
I can't find the words for my chords
there's no point in lying to myself

Then comes
despair
I can't even move my fingers anymore
I'm really just doing anything
but sometimes I still hear a little voice
that near me
whispers softly
Shut up and play!

When giving it all up is tempting
yes, it's silly
I agree
but I can't help it when it haunts me
Envoyer des commentaires
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Tais Toi Et Joue ! (Translated)

I started out writing a Christmas song and then this happened. As i was writing down the lyrics a little hand took my hand and this happened...What if Children ruled the world. They are born with so much Love and so much happiness and Innocence and then we , the Adults teach them how to be Adults ...what if it went the other way...what if they taught us about being a Child again, Remember Happiness, Love and peace. I know its only a Song but wouldn't it be great to be an Adult and to actually believe in these things once again. With this thought i would like to wish you all a very happy and peaceful and childish Christmas...Love Johnny 
Johnny

If Children Ruled The World

#songwriter #alternative #folkrock

Lyrics: 

Please 
I’m hurting more than I can say
Please, please 
Come take this hurt away
Please help me
I know you aren’t around for me
But I need someone to help
pull this pain from me

Ohhhhhhhh
Ohhhhhh
Huhuhuhuhuhuhuh

Please
Ummmmmm
Please, please 
Not gonna make it alone
Please help … me
not gonna be able to take it
I know your world is ending soon
I’ll follow you until you disappear

Please
Take me away from here
Please, please
They hate me here
Nowhere to go 
But down…….
Please help me.

Ohhhhhhhh
Ohhhhhh
Huhuhuhuhuhuhuh
Please
Please 
Please

nowhere but down

Paul Amlehn - Compositional system, catalyst texts and vocals for music generation, vocals, sonic sculpting of Jarboe's vocal, editing, mixing, production
Ulrich Krieger - Saxophone, electronics
David Van Tieghem - Vocal processing of Paul Amlehn's vocals
Jarboe - Vocal

World of Fused Beaches and Isolated Child

My name is Paul Amlehn. I am an artist working in the mediums of literature, music, visual art, theater, opera, dance, performance art, and film.

My poetry, prose, and texts for theater and opera have been published in literary journals in 23 countries, including Exquisite Corpse, the California Quarterly, Poetry Salzburg Review, and Evergreen Review.

My paintings, photographs, music, and video art works have been exhibited throughout the world, including at Artist's Space, Luhring Augustine, the Chelsea Art Museum, and Tate Liverpool, and at festivals which include Art 42 Basel (with the Serpentine Gallery - curated by Julia Peyton-Jones and Hans Ulrich Obrist), documenta 14, and the 51st, 55th, 56th, 57th, 58th, and 60th Venice Biennales.

On my music projects I have collaborated with Robert Fripp (King Crimson), Ulrich Krieger (Lou Reed), Chuck Hammer (David Bowie), Jamie Saft (Iggy Pop), Susan Stenger (John Cale), Leo Abrahams (Brian Eno), Michael Blair (Tom Waits), David Van Tieghem (Laurie Anderson), Michael Johnson (Joy Division), Joe Gore (PJ Harvey), Terry Edwards (Tindersticks), Mick Rossi (Leonard Cohen), Jem Finer (The Pogues), Mark Egan (Arcadia), Eberhard Kranemann (Kraftwerk), Thomas Stern (Einsturzende Neubauten), Stephen Mallinder (Cabaret Voltaire), Susan Alcorn, Suzanne Ciani, Keiron Melling (The Fall), Julia Kent (Antony and the Johnsons), Laurent Petitgand (Wim Wenders), Jen Baker (Werner Herzog), John King (Merce Cunningham Dance Company), Robert Black (Bang on a Can All-Stars), Frank Cassara (Steve Reich and Musicians), Andy Findon (Michael Nyman Group), Andrew Sterman (Philip Glass Ensemble), Jeff Zeigler (Kronos Quartet), and many others.

On my film and video art projects I have collaborated with actors, actresses, singers, and dancers, including Philippe Nahon (Gaspar Noe), Artur Barciś (Krzysztof Kieślowski), Anne Louise Hassing (Lars von Trier), Kate Moran (Peter Greenaway), Kate Fisher (Robert Wilson), Elisa Lasowski (David Cronenberg), Pamela Flores (Alejandro Jodorowsky), Stefania Casini (Andy Warhol), and many others.

I am currently working on an album of music which has texts and vocals by William S. Burroughs, in cooperation with the Burroughs Estate. I am also presently working on an album of music which reimagines the work of John Cage, in cooperation with the John Cage Trust.

Cover art for my albums has been provided by painter Gerhard Richter and artist, musician, and filmmaker David Lynch.

At the end of 2024, I worked on several re-creation compositions which utilzed sonic elements from pre-existing songs by Brian Eno and David Byrne, Nine Inch Nails, and Grimes, from their albums "My Life in the Bush of Ghosts," Ghosts I-IV," and "Miss Anthropocene, combined with new music by myself and other musicians.

Earlier this year, I collaborated with painter Gottfried Helnwein on a short film called: Epigenetic Trauma Painting No. 1.

I'm presently working on a new music recording project. Musicians taking part in this project are: Stan Harrison (Talking Heads), Ben Somers (Seal), Jarboe (Swans), Ghazi Barakat (Pharoah Chromium), Rob Burns (David Gilmour), Nicholas Currie (Momus), Peter Hess (Philip Glass Ensemble), and others.

Soli Deo gloria.

World of Fused Beaches and Isolated Child

Paul Amlehn 2

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