video with live fx here: https://youtube.com/shorts/HAp1Vo6D1y4?si=VDfX3oqMDK6IiSTN

made on Roland P-6

end is near, of the year of course

before daylight

nutsey

My friend https://soundcloud.com/rhinojooos22 gave me a great comment and motivated me to do a extended version.Here it is, Maybe this was not the last ....

noxpox - Greensleeves extended

Voicebox

2025-11-10

to emerge from the fog

Sanddune II.

Paul Amlehn - Text
Frank Freeman - Voice
Alfred Kubin - Drawing

Terminus (An Excerpt from Tasmantis)

Cosmic flute by Jörg: https://soundcloud.com/joerxworx

Today we presented our latest work. It was completed back in October 2025. It consists of old and new elements of our music🎶🙏😻

Amanitalinda's didgeridoo symbolizes the deep connection with Mother Earth, and Jörg's flute represents the infinite freedom of the sky. Our attention is also particularly drawn to Linda's delightful spoken poem🥰 

“I am the Child of Nature” is an incredibly fantastic journey to yourself. A song full of mindfulness in harmony with nature🌳

Special thanks you goes once again to Jörg, who, with his soulful and dynamic flute playing, gives our song another cosmic dimension. His expressiveness bridges the different song parts. 

A true asset! We say a heartfelt thank you, dear Jörg💖

Enjoy our new song🍀
Your Child of Nature ✨🌟❤️🌟✨

Remixes

I am the Child of Nature (Remix)

I am the Child of Nature (Remix) feat. Jörg

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four-string fretless bass, PRS SE semi-hollow body electric guitar, Sigma acoustic guitar, lyrics, vocals, and composition
SunnyBeck-- @sunnybeck — Beck — synth and MIDI composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
J.J. Terrell– @j-j-terrell – organ
Llanpsych -- @llanpsych -- Tez – production, mix, and mastering
This is a love song written about Josh's favorite band, Phish. He came up with the chords on his acoustic guitar, and shared it with the group. This was written with Beck in mind, though, too, as he knew she'd be contributing her magic to this one, too. Even when it was just the acoustic guitar set to a looper beat, she came up with many of the parts you hear throughout. Although, she also readjusted and redid a lot of it, too, throughout the process. Ken was the next piece of the puzzle to jump in. He laid down his perfect drums beats to it in only one or two tries, giving it the groove it needed. After Ken laid down the beat, that allowed Josh to add his bass to the mix, too. It was almost done musically, but it needed a lead guitar, which Josh also put in there. Before it was finished, though, JJ weighed in with his clever organ, which can be heard from about 2:30 on. When it was all wrapped up musically, Josh also sang his lyrics, which are written from the perspective of two Phish heads conversing about the imminent Phish show, which is always a big, exciting event. 
  Josh has seen almost 70 Phish shows in his life, and he hopes his adoration for the band is evident in this song. This is the second song Eclectic Collective have done with Beck, and we all hope for many more, too. She's a fantastic musician, with a wonderfully deep well of creativity. We hope you enjoy listening to this as much as we enjoyed creating it. 

Original lyrics by Josh Clary:

Are you gonna meet me at the show tonight
Am I gonna see you at the show?
What songs do you think they’ll play tonight?
I’ve been waiting all year to go

You should check out last night’s set list
The show was packed with killer songs
Is there any one that you’ve been chasing?
I love it when the crowd all sings along
 
Trey’s been stirring up all the great jams
Page rules the keyboards from his throne
Mike digs the groove so deep and he stands
On Fishman’s beats that shake our bones
 
Hope you have your ticket for the show tonight
I know these days they’re on our phones
At least now about grass there’s no fight
Light a joint on up the hill and feel at home

Some spun wook is always tripping
Looking for profundity in all the songs
Every now and then they have to just stop spinning 
Stare at the lights, and sing along

So I know we’ll hear some great things tonight
Every time I go, my mind gets blown
After in the lot I know I’ll eat a grilled cheese, 
Suck on a balloon, then drive on home

Trading Mics For Fish Pages- Eclectic Collective w/ SunnyBeck

At Fontanepromenade there is sunlight all the time
There’s this will to be weird, there’s this sentimental line
Sky Saxon on the radio, hippie boats on Spree
Freak flags flying high, there’s this will to be free
And to dive and to float and to be
In the universal eye of fantasy

At Fontanepromenade there is Marilyn in the nude
There are seven colored bottles, there’s a pusher in my tube
Lava lamps are glowing, the vinyl is spinning fast
Like a pirate retransmission drawn directly from the past
In her love in her song in her hips
There’s the universal truth of city kids

At Fontanepromenade there is magic of the spheres
There is Crowley on the shelf, there’s Blavatsky in the wings
There’s a TV show from Saturn airing interviews with death
Like Zeppelins in Bohemia like a dragon on my back
Flying low catching up leaving Earth
In the universal eye of neverwere

At Fontanepromenade there’s a devil in my shoes
Devastating all the neons saying “Woman I Love You”
He’s got tired of the parks, all the parks they let him down
With their cans of beer a plenty with the scent of bubblegum
In his mouth in his ears in his hands
Lies the universal truth of nowhere man

At Fontanepromenade there are mirrors on the floor
There’s a bathroom full of glue, there’s dementia in the walls
I’ve been cut eleven times by all these mirrors cracking up
Then I took an elevator to the bottom of my cup
In the fuzz in the bliss in the pines
In the universal eye of Father Time

At Fontanepromenade the whole universe is on fire
There’s a galaxy of thieves, constellations of desire
Like pictures of Christine, her typewriter’s unaware
Rewrite Arabic poems, there’s this need to miscompare
And to rest and to sleep and to hide
In the secret depths of universal eye

At Fontanepromenade there’s a circus and a zoo
There are twenty-seven whores and they all are much like you
There’s Yahowha 13 on the melting TV screen
There are Stooges in the cupboard and I’m feeling pretty mean
While you dance and you turn and you twirl
In the universal truth of a girl

Fontanepromenade

My name is Paul Amlehn. I am an artist working in the mediums of literature, music, visual art, theater, opera, dance, performance art, and film.

My poetry, prose, and texts for theater and opera have been published in literary journals in 23 countries, including Exquisite Corpse, the California Quarterly, Poetry Salzburg Review, and Evergreen Review.

My paintings, photographs, music, and video art works have been exhibited throughout the world, including at Artist's Space, Luhring Augustine, the Chelsea Art Museum, and Tate Liverpool, and at festivals which include Art 42 Basel (with the Serpentine Gallery - curated by Julia Peyton-Jones and Hans Ulrich Obrist), documenta 14, and the 51st, 55th, 56th, 57th, 58th, and 60th Venice Biennales.

On my music projects I have collaborated with Robert Fripp (King Crimson), Ulrich Krieger (Lou Reed), Chuck Hammer (David Bowie), Jamie Saft (Iggy Pop), Susan Stenger (John Cale), Leo Abrahams (Brian Eno), Michael Blair (Tom Waits), David Van Tieghem (Laurie Anderson), Michael Johnson (Joy Division), Joe Gore (PJ Harvey), Terry Edwards (Tindersticks), Mick Rossi (Leonard Cohen), Jem Finer (The Pogues), Mark Egan (Arcadia), Eberhard Kranemann (Kraftwerk), Thomas Stern (Einsturzende Neubauten), Stephen Mallinder (Cabaret Voltaire), Susan Alcorn, Suzanne Ciani, Keiron Melling (The Fall), Julia Kent (Antony and the Johnsons), Laurent Petitgand (Wim Wenders), Jen Baker (Werner Herzog), John King (Merce Cunningham Dance Company), Robert Black (Bang on a Can All-Stars), Frank Cassara (Steve Reich and Musicians), Andy Findon (Michael Nyman Group), Andrew Sterman (Philip Glass Ensemble), Jeff Zeigler (Kronos Quartet), and many others.

On my film and video art projects I have collaborated with actors, actresses, singers, and dancers, including Philippe Nahon (Gaspar Noe), Artur Barciś (Krzysztof Kieślowski), Anne Louise Hassing (Lars von Trier), Kate Moran (Peter Greenaway), Kate Fisher (Robert Wilson), Elisa Lasowski (David Cronenberg), Pamela Flores (Alejandro Jodorowsky), Stefania Casini (Andy Warhol), and many others.

I am currently working on an album of music which has texts and vocals by William S. Burroughs, in cooperation with the Burroughs Estate. I am also presently working on an album of music which reimagines the work of John Cage, in cooperation with the John Cage Trust.

Cover art for my albums has been provided by painter Gerhard Richter and artist, musician, and filmmaker David Lynch.

At the end of 2024, I worked on several re-creation compositions which utilzed sonic elements from pre-existing songs by Brian Eno and David Byrne, Nine Inch Nails, and Grimes, from their albums "My Life in the Bush of Ghosts," Ghosts I-IV," and "Miss Anthropocene, combined with new music by myself and other musicians.

Earlier this year, I collaborated with painter Gottfried Helnwein on a short film called: Epigenetic Trauma Painting No. 1.

I'm presently working on a new music recording project. Musicians taking part in this project are: Stan Harrison (Talking Heads), Ben Somers (Seal), Jarboe (Swans), Ghazi Barakat (Pharoah Chromium), Rob Burns (David Gilmour), Nicholas Currie (Momus),  Peter Hess (Philip Glass Ensemble), and others.

Soli Deo gloria.

Terminus (An Excerpt from Tasmantis)

Paul Amlehn 3

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