Paul Amlehn - Compositional Strategies, Catalyst Texts and Vocals, Production
Elliott Sharp - Synthesizer, Glissentar
Kristel Brusadelli - Visual Art

As Love Opens onto Unknown Horizons

Paul Amlehn - Direction, Compositional Process, Catalyst Texts and Vocals, Vocals, Vocal Treatment, Mixing, Production
Ariel Lorca - Audio Collage, Production
Ulrich Krieger - Saxophone, Electronics
David Van Tieghem - Vocal Treatment 
Jarboe - Vocals
Kristel Brusadelli - Visual Art

World of Fused Beaches and Isolated Child

Paul Amlehn - Direction, Pre-Written Texts, Improvised Texts, Vocals, Editing, Production
Ben Holmes - Saxophone
Darryn Harkness - Guitar, Effects, Percussion
Chris O'Connor - Percussion, Drums
Blandine Massiet Du Biest - Live Sound Recordist
Kristel Brusadelli - Visual Art

Oceanic

Music for the dance-theater work Cage/Cunningham: Love Letters.

Paul Amlehn - Quasi-Stochastic Procedures, Production
Michael Riesman - Piano
Robert Fripp - Relational Music Architecture for Michael Riesman's Piano Composition (Guitar Soundscape)
Joan Jeanrenaud - Relational Music Architecture for Michael Riesman's Piano Composition (Electric Cello)
Kristel Brusadelli - Visual Art

Cage/Cunningham: Love Letters - Scene 5

Music for the dance-theater work Cage/Cunningham: Love Letters.

Paul Amlehn - Compositional System, Compositional Strategies, Catalyst Texts and Vocals for Music, Editing, Mixing, Production
Mick Rossi - Piano
Jeff Zeigler - Cello
Kristel Brusadelli - Visual Art

Cage/Cunningham: Love Letters - Scene 4

Music for the dance-theater work Cage/Cunningham: Love Letters.

Paul Amlehn - Direction, Compositional System, Compositional Strategies, Catalyst Texts and Vocals for Music, Text, Vocals, Production
David Van Tieghem - Drums, Percussion, Effects, Vocal Processing
Kristel Brusadelli - Visual Art

Cage/Cunningham: Love Letters - Scene 3

Music for the dance-theater work Cage/Cunningham: Love Letters.

Paul Amlehn - Direction, Catalyst Texts and Vocals, Editing, Production
Stephen Vitiello - Piano, Marbles Rolled Across Piano Strings, Modular Synthesizer
Kristel Brusadelli - Visual Art

Cage/Cunningham: Love Letters - Scene 2

Music for the dance-theater work Cage/Cunningham: Love Letters.

Paul Amlehn - Direction, Compositional System, Compositional Strategies, Catalyst Texts and Vocals for Music, Text, Vocals, Production
John King - Electronics, Vocal Processing
Kristel Brusadelli - Visual Art

Cage/Cunningham: Love Letters - Scene 1

Hi. My name is Paul Amlehn. I am an interdisciplinary artist, working in literature, music, visual art, theater, and film.

My texts have been published in literary journals in 23 countries, in 7 languages, including Exquisite Corpse, the California Review, the Salzburg Review and Evergreen Review. My visual art and sound art works have been exhibited throughout the world, including at Artist's Space, Luhring Augustine, the Chelsea Art Museum, Tate Liverpool, and at festivals which include Art 42 Basel (with the Serpentine Gallery), documenta 14, and the 51st, 55th, 56th, 57th, and 58th Venice Biennales.

On my sound art and music projects I have collaborated with Robert Fripp (King Crimson), Ulrich Krieger (Lou Reed), Chuck Hammer (David Bowie), David Van Tieghem (Laurie Anderson), F.M. Einheit (Einsturzende Neubauten), Mick Harvey (Nick Cave and the Bad Seeds), Mick Rossi (Philip Glass Ensemble), Jeff Zeigler (Kronos Quartet), and many others.

I am working on an album of music which has texts and vocals by William S. Burroughs, in cooperation with the Burroughs Estate, and an album of music which reimagines the work of John Cage with the John Cage Trust.

Cover art for my albums has been provided by painter Gerhard Richter and artist and filmmaker David Lynch.

I am currently working on a number of visual art and music and performance projects, including a music project with poetry and vocals by Jim Morrison.

Soli Deo gloria.

Paul

Paul Amlehn 4

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